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Viewing: Blog Posts Tagged with: medical illustration, Most Recent at Top [Help]
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1. New Artist Showcase: Danny Quirk

This is a post in a series of interviews featuring up-and-coming illustrators, in a celebration of the first annual Illustration Week.  Enjoy!

Danny Quirk

Website: http://www.behance.net/dannyquirk

Blog: http://danquirk.blogspot.com

Your work is incredibly realistic. What is your process of completing a painting?
Everything is a staged photograph, collaged/comped in Photoshop, and that finished ‘comp’ is my sketch. From there, if I have time I’ll draw it out, or else graphite transfer the image onto paper. From there, just start painting away. ha. For the Marines series, bought uniforms/guns/props (all current to date/location) and used that as reference. If there’s one thing I can’t stress more ESP for realistic artists, it’s DO YOUR RESEARCH/ HAVE SOLID REFERENCE.

It just makes a world of difference in the final.

The anatomical ones are actually lots of fun to do. Generally speaking will ‘dissect’ a region of the body and photograph it. How I go about this is I’ll draw the anatomy ON the body, exactly where it would fall under the skin in permanent marker. From there, paint flesh tone latex over the anatomy, and have the subject cut it/peel it open, so when photographed, there will be the exposed anatomy in slight perspective as it would move with the body.

What gallery shows has your work been in lately? How did you pursue those opportunities?
They started off a lot with restaurant gallery places, and kind of worked their way up from  there, a really awesome place everyone should check out is G2 Ave A, it’s  free to show in, and the artist keeps 100% of the sales (shown there 3 times so far). From there showed in the 320 studios, and then did a showing of the military pieces in the 69th Fighting Regiment’s Armory. There were others in-between, but I won’t bore y’all with that. haha. But one MAJOR thing learned from these is network your asses off. Go to shows, be proud of your work, and talk to people, form alliances with those who are similarly different to you. It’s easy for galleries to turn down 1 artist at a time, but the more you have coming in, with strong work of similar themes/different styles (or vice versa) they’re less apt to turn you down, giving yourself another opportunity to be seen, and fact of the matter is, you just never know who could come through and see it.

How did you get into drawing Celtic knotwork?
Haha, it’s kind of embarrassing, but I was always fascinated by it, but never knew how to do it… My freshman year at Pratt, there was this girl I was totally head over hee

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2. Books I Want: Anatomy of Japanese Folk Monsters

yokai_daizukai_2

The Pink Tentacle blog has scanned and annotated a few amazing pages from the book, Anatomy of Japanese Folk Monsters by manga artist Shigeru Mizuki. You might recognize Mizuki’s art from his (also-incredible) manga GeGeGe no Kitaro.

The above folk monster is the Kuro-kamikiri (”black hair cutter”) which “is a large, black-haired creature that sneaks up on women in the street at night and surreptitiously cuts off their hair.”


Posted by Matt Forsythe on Drawn! The Illustration and Cartooning Blog | Permalink | One comment
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1 Comments on Books I Want: Anatomy of Japanese Folk Monsters, last added: 10/23/2009
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