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I know we've had a lot of  coverage on gender this week, but after a thought-provoking interview with the authors of Packaging Boyhood, a follow up phone chat with Mark Tappan and some awesome suggestions for fictional male role models from... Read the rest of this post

Today's Ypulse Author Spotlight is on Mark Tappan, Lyn Brown, and Sharon Lamb, the authors behind "Packaging Boyhood," a much anticipated follow up to "Packaging Girlhood" that takes a similarly critical look at the troubling media targeted towards... Read the rest of this post

Jennifer Fisher, is Associate Professor of Dance, University of California, Irvine, and co-editor of When Men Dance: Choreographing Masculinities Across Borders with Anthony Shay, Assistant Professor of Dance and Cultural Studies at Pomona College.  The book offers a progressive vision that boldly articulates double-standards in gender construction within dance and brings hidden histories to light in a globalized debate.  In the original article below Fisher looks at the Tom DeLay’s appearance on “Dancing with the Stars.”  You can watch the video of his appearance here.

It would be easy to say that Republicans shouldn’t dance because they are out of step with the times, so I won’t say that. Exactly. But sometimes, dance metaphors are really useful—like when you’re confronted with the image of former house majority leader Tom DeLay, who shook his booty as a contestant on this season’s “Dancing with the Stars.” It has to make you wonder if dancing doesn’t always reveal more than we suspect it might. It’s true that the popular TV series has traditionally been used to boost the image of fading or disgraced “personalities,” along with some merely adventurous athletes and soap stars, but this had to be a first. It was not only a moment designed to sell the products in commercials between the action (because it is, after all, television), it was one to make us ponder who should be dancing and who should not, bless their publicity seeking hearts.

I used to get a big laugh when I invited my dance history students to imagine a world in which then-president George W Bush had to study dancing in order to look powerful on the ballroom floor. That’s what world leaders from Louis XIV to George Washington had to do, in an age when a manly image did not exclude the wearing of silk brocade breeches and mastering the art of the pirouette. Alas, guys just don’t dance now if they want to be taken seriously as world leaders—they have to keep both feet on the ground, like John Wayne would have if he’d held elected office. A shame, really. Leaders in many locations in Africa, of course, have always danced to look powerful, taking up space, keeping their own rhythm, ruling a whole bunch of people not afraid to move.

But in today’s American political climate, nearly every man fears looking dorky while dancing—just picture Bush in that youtube clip trying to “get down” with between an African drummer and dancer on Africa Malaria Day. It’s no wonder it’s impossible for my students to imagine a conservative man in a suit who can let his hair down and boogie in flashy clothes like John Travolta. Could a solid but goofy looking Republican dip his partner? Let his backbone slip? Bust a serious move? The very idea was hilarious. And yet, in an odd twist of fate, this fantasy became reality on “Dancing with the Stars”. Tom DeLay actually became the poster boy for Republicans gone wild. When he made his first entrance as a contestant, wagging his nether regions and playing air guitar to the strains of “Wild Thing,” it was hard to know where to look. Maybe the intent was to look fun and vulnerable. He only succeeded in looking out of step.

Of course, because there is always a need for “news of the very weird” somewhere between the real news and the sports, we had been prepared for the event. Journalists must have burned the midnight oil winnowing down the number of catch phrases to describe it—“Republican Steps Left,” “The Hammer does the Hustle,” and, more to the point, “DeLay dances back into the limelight.” After all, no one mistook Delay’s decision to compete on a TV dance competition as a bid to master another skill or find his next career as a comedian. “Dancing with the Stars” is all about gaining visibility for the “stars” (the personalities) and, for the producers, it’s all about selling products with personal tales of triumph over the odds. Very quickly, dance metaphors in the press pointed to the real subject—partisan politics and a possible comeback for the disgraced politician. “DeLay dances all over the leaderless GOP,” one said after DeLay was interviewed, and “Delay cha-cha-ing back into the GOP fray.”

Stephen Colbert came up with a joke about how DeLay “gerrymandered” the bones in his feet in preparation for the competition—not a great laugh but a reminder about the fact that the former congressman had been accused of gerrymandering schemes and was indicted by a Texas grand jury for breaking campaign finance laws. “DeLay is no wild thing,” his reviews said, and surely they were referring to his terpsichorean skills rather than trying to counter the allegations that shadowed his political career. Or were they?

In the process of covering this painful (for dance lovers) DeLay dance debut, a lot was revealed about perceptions of dance, as well as the fear most men have of dancing. A few examples: An ABC interviewer started out by pointing out that DeLay’s daughter is a professional dancer, but DeLay himself was a very serious guy, so how did he put the two things together? Strike one for the seriousness of dance. But that wasn’t the point. DeLay answered that conservatives can also let their hair down and have fun. Strike two—we’ve all seen Bush wave his hands in imitation of dance and Obama sway with the instincts of the adept, so we know not everyone has success letting their hair down. Strike three was a rhetorical slip when Delay responded to, “Why go on Dancing with the Stars?” He said, “I love dancin’, I’ve been dancin’ all my life—I haven’t danced for about 20 years, but I love dancin’.” Yes, congressman, but are you or have you ever been a member of a dancing party? Dance-wise, he should have taken the fifth before he proved so inconsistent a witness.

But, you say, give the guy a break—he gave dancing a try, big-time. At least you might have said that after seeing him struggle in that “Wild Thing” number (check youtube if your stomach is strong). Does that make him part of that maverick breed of American men who don’t care about the “real men don’t dance” stereotype? It’s a very brave category of individualists who choose to dance despite the obstacles for men. It takes a man who is secure of his masculinity to let go of the iron man mentality and embrace his softer, more bodily articulate side. Now, they are brave, bucking macho trends and creating new visions of what men can do. Is Tom DeLay one such guy? Nah. In a pre-show interview, DeLay exhibited the classic timid male fear of sequins and pink and, although there was much kidding about developing his “feminine side,” this seems more of a gimmick that a growth experience for the man who’s house when he was a bachelor used to be known as “Macho Manor.”

You want to give him credit for wearing a sequin lined vest for his first cha-cha appearance, and for the sheer nerve of risking choreography in an arena where he couldn’t hide his incompetence. But then you feel an agenda somewhere, based on the knowledge of DeLay’s past views and inflexibility. Somehow, his dancing doesn’t look like he’s learning how to go with the flow or make a move in the right direction. It looks a whole lot more like faking it to get attention. “The body never lies,” Martha Graham said famously. But the jury is still out on that one.