By: Kirsty,
on 1/11/2008
By Kirsty OUP-UK
How jealous am I? Last night Judith Luna, Commissioning Editor of the Oxford World’s Classics series was lucky enough to go to the European premiere of Tim Burton’s film version of Sweeney Todd in Leicester Square in London last night. She has very kindly written about her experience as a film groupie just for the OUP Blog. Allow me to hand over to her…
By: Rebecca,
on 12/20/2007
Yesterday, Robert Mack, the editor of Sweeney Todd: The Demon Barber of Fleet Street, wrote about Dickens’s Influence. Today Mack looks the many incarnations of the tale. This post first appeared on Powell’s.
It wasn’t long before dramatists saw the potential of the Sweeney Todd story. In the same month that the final episode of the serialized novel was published in The People’s Periodical in March 1847, the first theatrical version appeared on stage under the story’s original title, The String of Pearls. Written by George Dibdin Pitt, it was the first version to use the catchphrase now most associated with Todd – ‘I’ll polish him off’. This was soon followed by another stage version in around 1865, under the title Sweeney Todd, the Barber of Fleet Street: or, the String of Pearls by Frederick Hazleton. Meanwhile various other versions of the story were appearing in print, often either hugely swollen or greatly abridged, all using Sweeney Todd as the title. (more…)
By: Rebecca,
on 12/18/2007
Yesterday, Robert Mack, the editor of Sweeney Todd: The Demon Barber of Fleet Street, wrote about cannibalism. Today Mack questions who the author of Sweeney Todd was. This post first appeared on Powell’s.
If you ask that question today, the answer you’re most likely to receive is ‘Stephen Sondheim’. That’s not sot surprising, since Sondheim’s musical version of the story, first staged in 1979, and now about to hit movie theatres in a Tim Burton-directed film version, has done most to popularize the legend in modern times. In fact no one knows who wrote the original story on which the Sondheim ‘musical thriller’ – and every other stage and screen adaptation – is ultimately based. (more…)
