One of those stupid Facebook quizzes told me that I “tend to share thoughts that are not fully developed, using others as a sounding board for ideas and theories in a debate against themselves rather than as actual conversation partners.” RUDE. But also, true.
So for now I am going to refrain from comment about a new blog, because the last time I tried out some thoughts here about white (and male) privilege it didn’t go so well. But Reading While White is staffed by some of the people I respect most in this business and you should have a look.
The post MORE #stuffwhitepeoplelike appeared first on The Horn Book.
Thank you all for your comments, here and on Twitter and Facebook, about the question of reviewing books from self-published authors. I am learning a lot. Hey Zetta Eliott–how about another article from you for our pages on this subject?
A number of commenters have suggested that the Horn Book begin a column highlighting the best of self-publishing for children, but I don’t think this does our readers much of a service. We (he said, drawing his emeralds warmly about him) are not interested in reviewing the best of a certain manner of publishing; we are only interested in the best.  The Horn Book Magazine has the luxury of not being a comprehensive review source (The Horn Book Guide is that, but if I invite self- and e-publishers to add to their already heavy workload, Kitty and Katrina and Shoshana will quit), instead reviewing only those books we think are the very best for young people. As Pat Hughes, with admirable generosity, pointed out, there are plenty of great books that aren’t reviewed by the Magazine, books that get starred reviews elsewhere and even books that win a Boston Globe Horn Book Award. Sometimes it’s that we have a demurring opinion, sometimes we like a book but like other books more, and sometimes we are just wrong. This is why God gave us more than one review journal. To publish a column of “the best of self-published” is to review with an asterisk.
Here is what I want to try, as an experiment. I invite self-publishing authors to send me ONE book that he or she thinks is comparable in quality to the books recommended in The Horn Book Magazine. I strongly advise that you read a few issues to see what kind of books we like and what aspects of a book we consider in arriving at our judgments. Be forewarned that I may publicly mock any entry that provides egregious evidence of someone not having a clue; I will also tell you on this blog about the books I like.
Call it a contest, although, unlike most other contests, or, erm, review sources for self-published writers, there is no entry fee. The prize(s) will be a review written by me for the March/April 2015 issue of The Horn Book Magazine. I RESERVE THE RIGHT NOT TO GIVE A PRIZE IF I DON’T RECEIVE A BOOK I THINK IS GOOD ENOUGH. The winner(s) and selected runners-up, if any, will also receive a year’s subscription to the Magazine. Here are the rules:
1. Send one copy of one book (either a finished copy, f&gs, or a bound galley) before 12/15/14. It must have a  publication date of January 2015 onward. Include ISBN, price, distributor, and email contact for you. It must be a book intended primarily for young readers within the range of 0-18 years. Only printed books (hard- or softcover) may be submitted and they will not be returned to you. You will not be provided with an acknowledgment of receipt.
2: Mail the book to:
Selfie Sweepstakes
The Horn Book Inc.
300 The Fenway
Palace Road Building Suite P-311
Boston, MA 02115
Do not call me. Do not visit me.
3. Make sure it arrives by December 1st and is marked “Selfie Sweepstakes” on the package. Entries arriving after that date or without that marking will be discarded unread.
I don’t know or care if these rules set a high bar or not; they represent what we expect from all publishers. I am very interested to see what I get, and I will keep you posted here on Read Roger about the progress of the submissions. Please put any questions in the comments here, and feel free to distribute notice of this contest among your fellows.
The post A challenge to self-publishers appeared first on The Horn Book.
That is, What Would Miss Manners Do upon receipt of a blog tour "invitation" that opened "Pick a date in the month of November that you'd like to host us."
Hmm, let's see. "Gentle Reader: While Miss Manners was pleased to be in your thoughts she thinks you have your roles mixed up. It is the host who offers the invitation, not the guest. Miss Manners confesses she is quite agog with confusion over the prospect of a world in which a guest might phone one up and suggest dinner at one's domicile. She is further confounded by the notion that a host appreciates being offered a "menu of options" that the guest would find acceptable. Even if Miss Manners were running a restaurant--which she is not--she would settle upon the menu herself. She would also charge, which would rather change the position of the guest to that of a customer, no? But Miss Manners is as loathe to charge for her hospitality as she is likely to enjoy having you "stop by" on the "tour" you are proposing. Bon voyage!"
I'm currently experimenting with Twitter as @Hornbook. Have already been asked by one user if our site is "SFW," given our salacious name, I suppose. If you're on there, say hello.
In between twats I and the other Mag editors have been beavering away at the September special issue, theme song "Trouble." It's gonna be great--cover by Harry Bliss and articles by Betsy Hearne (Fifty years of children's book trouble), Pat Scales (What Makes a Good Banned Book), Susan Patron ("Why didn't I get in trouble that time I used uterus?"), Stephen Roxburgh (how much trouble could Roald Dahl be?), Marc Aronson (authors versus the internet), Leonard Marcus (interviewing Jean Feiwel, who brought you Goosebumps) and much more. Stay tuned!
PW has announced its (casually) bookseller-chosen Cuffie Awards, with Mem Fox and Helen Oxenbury's Ten Little Fingers and Ten Little Toes as the picture book pick. It is a big favorite here, too, getting a starred review and a spot on our Fanfare 2009 list. Every parent I know loves it, and the text and design beg for story hour sharing.
But I have a nagging problem with it. The whole point of the book is that everyone has ten fingers and ten toes, and that while we celebrate each baby's uniqueness, isn't it great that they (and, by extension, we) have this particular array of anatomy in common? "And both of these babies, / as everyone knows, / had ten little fingers / and ten little toes."
Except, of course, when babies don't. Not everybody does--some are born with fewer (or lose them due to disease or accident), some come with an extra one or two, some people don't even have two hands, for God's sake. I know that these people are relatively rare, but there is something that bothers me when a book so determinedly inclusive manages to be so clueless about what it's actually saying. If this book had a mouth, it would be cramming all ten toes into it right now. You would never (knowingly) read this book to a child who didn't have ten fingers and toes, would you? And shouldn't that give us pause about sharing it with the ones who do?
I don't usually have much patience for debates about "sensitivity" and have no idea why this book bugs me as much as it does.
A. Bitterman has some tips!
He does bring up a moral question that vexes me, though. If I want a copy of, say, The Guernsey Literary and Potato Peel Pie Society (which Betsy Hearne says I do), am I morally required to go out of my way to purchase it at an independent bookseller? There are two small independents in my neighborhood, but I can't go into either with the assurance they will have any given book I am seeking--one is mostly remainders (Jamaicaway Books and Gifts) and the other is too random (Rhythm and Muse). I can go to the Harvard Bookstore in Cambridge on my way home from work if I take an extra bus and train, but both Borders and Barnes & Noble are on my subway line. I always drop a hefty wad of cash at the Brookline Booksmith when we go over to Coolidge Corner for a movie, but that trip requires a car (and, thus, driver, thus Richard). As far as I can tell, Boston supports no full-service independents. What's an enthusiastic non-driving reader to do? On the one hand, shopping at an independent is, in the particulars, more fun, and I invariably buy more books than I had intended to. And in general, the existence of independents, with their handselling and appeal to big readers, allows more kinds of good books to flourish. But it has been my experience that immediate gratification wins out over virtue when shopping or reading (this is why I don't shop online). It says something great about reading when you just can't wait to get your mitts on a book--but it also makes it unlikely that you will wait until you can plan a day around its purchase.
I think what I miss most about Chicago is living a five-minute walk from Unabridged Bookstore. That place is heaven.
This morning, at an unbearable point in Middlemarch--Dorothea is, I think, about to make a Very Big Mistake--I switched off my iPod and turned my attention to what my fellow Orange Line commuters were reading. It can be very tricky to not be caught staring while waiting for someone to give you a flash of cover. I was idly wondering why I habitually indulge in this particular brand of nosiness and then it came to me: when you know what book someone is more or less absorbed in, it's like you can read their mind. Bwah-ha-HAH!
Peter Sieruta shares a valuable report about a new Ramona book!
Art, love, and high school:
never were three standard tropes
more deftly explored.
You can't escape your
past -- especially when it
comes back to love you.
Sweethearts by Sara Zarr. Little Brown, 2008, 217 pages.
Impeccable logic
won't hold in middle school
social politics.
Good God, cut my heart
out with a spoon, why don't you.
Merry (sob!) Christmas.
Laika by Nick Abadzis. First Second, 2007, 205 pages.
I heart year-end lists, and God knows, this is the season for them. If I bought every magazine that enticed me with the promise of The Best and Worst [Insert Category Here] 2007, I would have . . . a lot of magazines. So I figured it couldn't hurt to do my own.
Since I am a huge slagass, however, there is neither rhyme nor reason to my list, nor a tidy symmetry of best and worst, nor even a semblance of order to the number of items. (I am also baffled by Blogger's concepts of "page design" and "image placement," so forgive me if this post looks all monkey on your screen.)
Enjoy.
The Emilyreads 2007 Year-End List of Things
Favorite new picture book
What Happens on Wednesdays by Emily Jenkins
Most bizarrely awesome/awesomely bizarre mystery
Three Bags Full by Leonie Swann
Best designed/design-y picture book
A Good Day by Kevin Henkes
Best jacket, possibly EVER
Schulz and Peanuts: A Biography by David Michaelis
Best uncategorizable books
The Arrival by Shaun Tan
The Invention of Hugo Cabret by Brian Selznick
Books that had the greatest impact on my psyche
Life As We Knew It and the dead & the gone by Susan Beth Pfeffer
(see woodstove, obsession with and moon, sinister cast seen in all images thereof)
Favorite new middle grade/YA novels
The Wednesday Wars by Gary D. Schmidt
Harry Potter and the Deathly Hallows by J. K. Rowling
The Off Season by Catherine Gilbert Murdock
The Talented Clementine by Sara Pennypacker
From The LIST
Best re-read (adult)
To Kill a Mockingbird
Best re-read (children's/YA)
Charlotte's Web
Most disappointing classic
The Lion, the Witch, and the Wardrobe
Most enjoyed classic
Brave New World
Heartbreak and triumph
with a Rock #3 beat.
Boom, chuck-a awesome.
Perrotta's genius?
Never letting us hate those
whose views we deplore.
Aliens attack!
J.Lo and Tip save the world
allegorically.
This is just to say
Forgive me
it was amazing
so bleak
and so rich
A brilliant fusion
of words, doodles, cheese mold, and
humiliation.
You'd think it would bore --
medieval verse monologues? --
but instead, it sings.
Yep, it's award bait --
but the thing is, it's also
a damn good story.
The Absolutely True Diary of a Part-time Indian by Sherman Alexie. Little Brown, 2007, 229 pages. (book jacket TK)
Fourth-grade MBA:
If life should give you lemons,
just beat your sister.
Aurora County:
where there always has to be
a happy ending.
You aren't the one going to hell.
I have the feeling that somebody probably paid a publicity/social networking consultant a chunk of money for the idea to invite themselves over.
Ha. Good one.
I love Miss Manners.
Fantastic! Now Miss Manners knows where to turn when she needs a "guest columnist."
I always wish that I had something brilliant to say when you post things like this. Is it okay simply to say that on this very rainy day you made me smile? The fact that my word verification now reads exangl makes me marvel at your power. Ex Angel it is.
what is a blog tour?
Anon 11:50, the writer who sent Roger that ballsy invitation to host a Q+A about his book actually said his publisher mentioned Roger's blog as "a must-stop site." I can only hope it was a young marketing person who didn't realize the gaffe he or she was making in suggesting the writer contact Roger. I would be as mortified if one of our authors reached out to Roger's blog that way as I was when I invited someone to dinner and they suggested a recipe for me to try when they came over.
Roger, you are such a puppy-kicker!
I don't know that it was really so much a gaffe as an easy target (thus my prediction I was going to hell). We know that marketing departments are pushing authors to promote themselves, but are the publicists providing the authors with enough media training to make sure they are effective?
To mix metaphors--
Are you sure the marketing people aren't trying to push the envelope and using naive authors as cannon fodder? How much more annoyed would you have been if it had been the marketing department that contacted you?
Love this. I ask WWMMD all the time. You nailed her voice PERFECTLY.
Roger;
It could have been Miss Piggy.
why so coy? it's enough to say to youself: "You know who you are" but why not let the rest of us in on the matter? then we will recognize the book (or product) when we see it plugged
What would be the point in that, 9:24? So the author is clueless--it doesn't mean the book is bad. Besides, these kinds of "invitations" come to bloggers all the time, so it doesn't seem fair to single one out by name. When Miss Manners chides those with call waiting ("it's a case of last come, first served") she doesn't tell us which of her friends made the grievous error.
(9.24 speaking) You are right; I wasn't thinking. - it wouldn't be fair to name this particular promotion person. but one can hope that she or her employer knows how the technique redounds to the book's discredit. (and that the author doesn't find out what is being done in her name!)
I find this marketing thing a big black hole. I have asked questions to the publishing marketing "experts" (did you know that the marketing dept is a mostly entry level job?). My questions unanswered, even dismissed. I tell them to send me to the big conventions to sign books and never sent. I am given an antiquated marketing brochure or flyer and my marching orders to get out there and sell my book. No training. This blogosphere thing, really, who are we talking to, each other in the business? I do not buy books from these other people now because when I'm not working, I need that book money to eat. How are we reaching out to the public, who actually buy the books? I spent a whole year marketing and my book is still in the tank. Why? When asked to get out there and promote, I spent time, money and effort to reach out. I've been invited to speak at fairs and conferences. However, I am also required to shell out my own money for planes, trains, hotels and meals. All for no honorarium. I cannot afford this and I am not a charity. How is the marketing dept helping when they do not fund their people to sell that book and send them out to do so? It's really convoluted. Something has got to change. That naive (or stupid, greedy, pushy) blogger has no training or protocols to follow. Believe me, I've asked, many times.
Hello Anonymous 3:01,
I am your local bookseller. I also wrote a book. I think I answered your question in my comment #31 on the previous post, in describing what Daniel Pinkwater is now doing on National Public Radio. As a bookseller and author, I believe that the only way to sell YOUR book is to join with other authors and promote THEIR books too, as part of an informal collective. Isolation is the issue. Daniel promoted James Warhola's book on the radio this morning -- but of course Daniel was also reminding listeners of his OWN existence, and therefore that of his books'.
Maybe you don't have time for a radio show. Neither does Daniel, but he's doing one anyway. Maybe you can't get on NPR, but you can get on the internet.
Similarly, I sell my own book regularly, in the stores I help run.
Yes, the marketing department at the publishing company isn't helping you. The old days are over. But do not dismiss the help your peers can offer you, and the help you can offer them. Most importantly, write another book, and another, and another. Speaking as a bookseller, I can tell you it is much easier to promote an author with several books available. Do not despair. Share your voice.
Thanks, Andy. That was a thoughtful reply. Wish you worked for my publisher.
Anon 3:01
I don't understand why anyone would host a book they're luke warm about, yet this happens all the time. What's the point of promoting a book you didn't love on your site. I just don't get it can someone please explain it to me. It's one of the many reasons I don't like blog tours.
Doret, I can't speak for all bloggers but what's happened to me (sometimes, not all the time) is that I'm asked to participate in a blog tour. I accept, not having read the book, because I find the premise of the book intriguing or others have given the book a good review. It sounds like something I'd be interested in, so I accept. I get the book, read it, and maybe I don't feel a great connection with the book but I've already committed to being on this blog tour. Hence, posting about lukewarm books.
It's not a perfect system, no. But I try to think of an audience for every book I review on my blog. Maybe I am not the best audience, but just because I didn't care for the book doesn't mean that no one will. Yes, it's easier and more fun to post about books I love, but if I can help a book find its audience I feel like I've done my job.
From a blogger perspective, too, I think people (myself included) are sometimes motivated to accept blog tours because it helps drive visitors to their blog. It might mean instant links from other blogs or promotion on an author's or publisher's website.
Someone asked above and never got an answer, so I will shamelessly reveal my own ignorance by repeating the question: What is this blog tour whereof you speak?
I know about blogs and how they sometimes feature titles for review or comment or promotion, but I don't understand the "tour" part.
Is this a case of the author going from one blog to another, making comments, making himself available to questions from regular readers of that blog on such-and-such a date? Or what?
Lyle Blake Smythers