Along those same lines, DC’s Burbank office is totally ramping up — although not in editorial, where the biggest defection is coming. and in some pretty big jobs — a VP of Development, a VP of publicity (possibly the position Alex Segura’svacated when he went back to Archie?) Even interns if you want to be the next Joe Kubert or Paul Levitz.
Communications Coordinator - Entertainment and Media Industr…
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Supports portfolio/publishing development and synergy for DC Comics, Vertigo and MAD Magazine, working alongside CCO and Franchise Management.
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Works directly with Publishing to insure synergy within company.
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Reviews proposals, outlines and scripts from editorial, determining their media potential.
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Keeps Creative Affairs team current, informed and involved in development across all divisions and helps in transition from development to production.
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Writes and develops pitches, character and concept summaries based on DC Comics properties for all DCE platforms.
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Reviews archives for under-utilized assets in order to capitalize on market trends and popularity.
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Works on the strategic slate of development in television, animation, film, games, digital programming, theme parks and live theater including the following:
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•Cable: Internal strategic slate planning, expanded to external development to pilot.
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•Network television: Internal strategic slate planning, expanded to external development to pilot.
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•In live action television, specifically, discusses and provides notes regarding character usage looking at the entire DCE portfolio and makes recommendations for modifications as appropriate.
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•Represents DCE in local television and other relevant WB strategic development meetings. •Animation: Internal strategic slate planning, including Direct-To-Videos.
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•Film: Internal strategic slate planning.
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•Video Games: Internal strategic slate planning. •
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Digital: Internal strategic development slate.
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•Theme Park: Strategic development slate, working with VP, Creative Services.
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•Live Theatrical Ventures: Development.
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Organizes and prioritizes work of self and subordinates.
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Maintains DCE synergy on all projects.
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Researches and coordinates various projects as assigned.
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Performs other related duties as assigned.
JOB REQUIREMENTS
- College degree in Media or other applicable related field.
- College degree in Art or related field or equivalent professional experience desired.
- Minimum of 8+ years’ professional experience required in television development/production.
- Experience with writing notes on treatments/scripts/outlines/concept documents required.
- Experience with character, story and property long-term planning required.
- Previous experience managing others required.
- In depth knowledge of television industry, including the development and production processes.
- Ability to create and develop written materials.
- Must be a conceptual thinker.
- Proven and effective collaboration and relationship building skills.
- Familiarity with current DCE projects.
- Proven and effective supervisory skills.
- Proven and effective organizational skills.
- Proven and effective problem-solving and team building skills.
- Must be able to maintain project confidentiality.
- Must be enthusiastic, energetic and a team player.
- Must be flexible.
- Must be able to handle multiple tasks.
- Must have the ability to work under time constraints and work independently.
- Work extends beyond traditional work hours.
There is a spelling mistake in the title.
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