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One Thousand Tracings: Healing the Wounds of World War II

I urge you to visit the wonderful website Lita Judge put together for more information about the relief effort her grandparents led to help thousands of struggling Europeans after WWII.

On the site, you can read letters Judge's grandmother translated from German to English, see pictures of more foot tracings, a timeline of WWII and the relief effort, a teacher's guide, and more.

This book could also be a great way to motivate your child (and your entire family) to participate in a service organization or contribute to relief effort (local or abroad) and help other families in need. The teachers guide on the website links to three organizations, but there are many many more out there.

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One Thousand Tracings: Healing the Wounds of World War II written and illustrated by Lita Judge

A 2007 Cybils Nonfiction Picture Book Finalist

• Reading level: Ages 4-8
  
• Hardcover: 40 pages
• Publisher: Hyperion (June 5, 2007)

I don’t think I have ever read a picture book, a NONFICTION picture book at that, that has moved me the way One Thousands Tracings moved me. Author/illustrator Lita Judge was inspired to write this picture book, her first, when she found a box of full of old letters containing foot tracings. She learned from her mother about the huge relief effort her grandparents, Fran and Frederick Hamerstrom, led to help families in need in post-WWII Europe.

One Thousand Tracings is the story of this effort told from the perspective of young girl (Lita Judge’s mother). The story begins in December 1946, “When I was three, Papa left home to join the war. When I was six, the war was over, and Papa came back to me and Mama. I thought everyone we loved was home and safe. But just before Christmas, a letter arrived that changed everything.”

That letter was from their friends in Germany who said they were starving and had no shoes. They put together a care package for the family, and weeks later received a thank you letter from the family along with a list of ten families who needed help. There were foot tracings for each family member in the letter. Over the next two years, the Hamerstrom’s received over a thousand foot tracings, and enlisting the help of friends and neighbors, over 3,000 care packages including shoes matching the foot tracings and other supplies were sent to families all over Europe.

In addition to telling us the story of the relief effort, Lita Judge draws us in by telling, through letters sent to the Hamerstrom’s, the story of one family with a little girl named Eliza who is the same age as the narrator. Her father is still missing, and she, her mother, and brother are in need. The reader is filled with anticipation to find out what happens to this family and the father.

The most poignant part of the story is the fact that Americans put their differences with Germany aside and helped PEOPLE. They were no longer fighting the enemy, but helping mothers, fathers, children who didn't even have shoes to keep their feet warm in the bitter cold. But perhaps the most engaging part of the book are pictures of the actual foot-tracings, yellowed letters, and photos sent with the letters scattered throughout the pages of the book and on the end papers. Mixed in with Judge’s soft watercolor illustrations, we can SEE what Lita Judge found in the attic. We see a picture of the real Eliza, a pair of warn boots that would be a godsend to a poverty-stricken family, a doll like the one Judge’s mother made for Eliza, and more.

One Thousand Tracings is beautifully written and tells the heartwarming story of human compassion. Sure to spark a lot of conversation, no child’s library should be without it.

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by John Porcellino from the writings of Henry David Thoreau with an introduction by D.B. Johnson Center for Cartoon Studies/Hyperion April 2008 Moving to New England a few years ago I felt compelled to finally be a good citizen and read Walden. It was one of those books assigned to me back in high school that I never go around to because I could never get into it. Thoreau was not approachable

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Recent Publishing News mostly from PW...

• Walter Lorraine is retiring from Houghton Mifflin after working in children’s publishing for 55 years. Cool Walter Lorraine fact from PW: in 1992 Lorraine edited both the Caldecott and the Newbery winners (Lois Lowry’s The Giver and Allen Say’s Grandfather’s Journey).
• Disney Publishing is moving from New York City to White Plains (where I just was for a wedding), but Hyperion is remaining in NYC.
• The Boston Globe-Horn Book Awards were given out last week. See their website for the list winners which includes an honor award for Sara Pennypacker and Marla Frazee's Clementine. (They also offer the whole awards ceremony on video.)
• In December, former Dial senior editor Nancy Mercado will become executive editor of Roaring Brook Press (a position most recently held by Deborah Brodie).

Below are the full CWIM listings for Roaring Brook (which now includes Nancy's name) and Hyperion. They both prefer agented material.


HYPERION BOOKS FOR CHILDREN
114 Fifth Ave., New York NY 10011-5690. (212)633-4400. Fax: (212)633-4833. Web site: www.hyperionbooksforchildren.com. Manuscript Acquisitions: Editorial Director. Art Director: Anne Diebel. 10% of books by first-time authors. Publishes various categories.

• Hyperion title Knuffle Bunny: A Cautionary Tale, written and illustrated by Mo Willems, won a 2005 Caldecott Honor Award. Their title Who Am I Without Him?: Short Stories About Girls and the Boys in Their Lives, by Sharon G. Flake, won a 2005 Coretta Scott King Author Honor Award.

Fiction Picture books, young readers, middle readers, young adults: adventure, animal, anthology (short stories), contemporary, fantasy, folktales, history, humor, multicultural, poetry, science fiction, sports, suspense/mystery. Middle readers, young adults: commercial fiction. Recently published Emily's First 100 Days of School, by Rosemary Wells (ages 3-6, New York Times bestseller); Artemis Fowl, by Eoin Colfer (YA novel, New York Times bestseller); Dumpy The Dump Truck, series by Julie Andrews Edwards and Emma Walton Hamilton (ages 3-7).
Nonfiction All trade subjects for all levels.
How to Contact/Writers Only interested in agented material.
Illustration Works with 100 illustrators/year. "Picture books are fully illustrated throughout. All others depend on individual project." Reviews ms/illustration packages from artists. Submit complete package. Illustrations only: Submit résumé, business card, promotional literature or tearsheets to be kept on file. Responds only if interested. Original artwork returned at job's completion.
Photography Works on assignment only. Publishes photo essays and photo concept books. Provide résumé, business card, promotional literature or tearsheets to be kept on file.
Terms Pays authors royalty based on retail price. Offers advances. Pays illustrators and photographers royalty based on retail price or a flat fee. Sends galleys to authors; dummies to illustrators. Book catalog available for 9×12 SAE and 3 first-class stamps.


ROARING BROOK PRESS
143 West St., Suite W, New Milford CT 06776. (860)350-4434. Manuscript/Art Acquisitions: Simon Boughton, publisher. Executive Editor: Nancy Mercado. Publishes approximately 40 titles/year. 1% of books by first-time authors. This publisher's goal is "to publish distinctive high-quality children's literature for all ages. To be a great place for authors to be published. To provide personal attention and a focused and thoughtful publishing effort for every book and every author on the list."

• Roaring Brook Press is an imprint of Holtzbrinck Publishers, a group of companies that includes Henry Holt and Farrar, Straus & Giroux. Roaring Brook is not accepting unsolicited manuscripts.

Fiction Picture books, young readers, middle readers, young adults: adventure, animal, contemporary, fantasy, history, humor, multicultural, nature/environment, poetry, religion, science fiction, sports, suspense/mystery. Recently published Get Real, by Betty Hicks.
How to Contact/Writers Primarily interested in agented material. Not accepting unsolicited mss or queries. Will consider simultaneous agented submissions.
Illustration Primarily interested in agented material. Works with 25 illustrators/year. Illustrations only: Query with samples. Do not send original art; copies only through the mail. Samples returned with SASE.
Photography Works on assignment only.
Terms Pays authors royalty based on retail price. Pays illustrators royalty or flat fee depending on project. Sends galleys to authors; dummies to illustrators, if requested.
Tips "You should find a reputable agent and have him/her submit your work."

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Who can resist a cover like this?

Hunky Dory is, according to her mother, going to be the "wickedest witch wherever the four winds blow" . She is at the top of her class at Harbringer's Charm School for Young Witches. Not for long if Frantic Search has anything to do with it. That witch wants to take Hunky Dory down, and will stop at nothing to do so.

When Frantic gets wind of Hunky's soft spot for undoing spells, she exploits it by penning a wish fulfilling chain letter. Before Hunky knows what's what, she is out of her mom's home and on her own. And she is only one hundred years old!

So, Hunky is off on a search to find herself. Is she truly a witch at heart, or is she a bit more of a fairy godmother after all?

Esme Raji Codell has written a fun little romp of a fairytale send up. Any book that sites Hogwarts is okay with me. I wasn't sure if the witches name's would get to me (Hunky Dory, Frantic Search, Velvet Underground, Acid Reflux, Belladonna, Sinus Infection, Twisted Ankle), but after a bit of reading they didn't stand out as I had worried. Readers will recognize enough of the fairy tales to feel a connection, but will delight in Codell's departure from tradition.

Drazen Kozjan's illustrations are spot on, and if I were a tween, these girls would be doodles in the margins of most of my schoolbooks!

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