When Jane Vejjajiva won the S.E.A. Write Award for The Happiness of Kati, it was quite a bit as though J.K. Rowling had won the Man Booker Prize for Harry Potter. This is a highly prestigious award given for extraordinary literature written in Southeast Asia, and it isn’t usually bestowed upon a children’s book.
And yet this isn’t a book that is read exclusively by children. I received it as a Christmas gift from my good friend Yui, who is younger than I am but is certainly no longer a child. We both count it as one of our favorite books–and here are some reasons why.
From the opening sentences of this book, Kati’s life is described simply and yet in wonderful detail. Her grandparents, her school, her chores, her meals are all real to the reader well before the first twenty pages have been devoured. And yet, a sadness is slowly delineated in every chapter subheading–Kati’s absent mother takes on a phantom’s shape long before Kati is taken to be with her.
It is here that this book blossoms into a strength and beauty rarely found in a children’s novel. Kati’s time with her mother is brief, but their relationship has depth, sweetness, and a life of its own. The importance of family within Thai culture is made beautifully clear, and the respect given to a child’s decision offers an ethical guideline without moralizing.
Best of all–for me at least–is the masterful depiction of each person in this story. With a minimum of description, Jane Vejjajiva makes every one of her characters come to life, fully equipped to live on in the imaginations of those who savor this book.
If you agree–or perhaps disagree–please let us hear your comments before our final discussion next week.