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Viewing: Blog Posts Tagged with: editors in the wild, Most Recent at Top [Help]
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1. LeakyCon Fun! But I need your help...

So as some of you know, I'll be attending LeakyCon for the second time next weekend. I'm excited because last year was SO fun. I love Harry Potter, I love Chicago, I'm basically obsessed with all my fellow LitDay participants....basically I'm going to BE NERDY and GET MY RAVENCLAW ON.

But sadly I don't JUST get to guzzle butterbeer and run around a hotel in a cape. I'm also, you know, doing official stuff.  I'm on a Diversity in YA panel, I'm on a "How Not to get Published" panel... and I am MODERATING at panel too!

Moderating? Me? YES!

Is This Panel Too Dirty? For many, sex is a tricky and sometimes squicky business. How do you write a sex scene? Should there be sex in YA novels? Our panelists discuss the pros and cons and talk about how it’s done. (Possible graphic content.)

Panelists: Daniel Ehrenhaft (editor & author), Laini Taylor (author), Kate Schafer Testerman (agent), moderated by ME!
So here's where YOU come in. I want more points of view on this stuff. I have some questions - what do you think? How would you ANSWER them? And what other questions would YOU ask the esteemed editor, author and agent on this panel?

* Lot of people say there can be sex in YA books as long as it is not "gratuitous" - what does that even mean?

* How far is "too far" -- is there any topic TOO TABOO for a YA book?

* For the editor and agent: Have you ever asked an author to tone down sex scenes? Why?

* For the author(s): Have you ever been asked to tone down (or ramp up!) sex scenes?

* For editor: Do sales & marketing departments ever have a say on a books content? Does "cleanness" or "edginess" affect how you publish & promote the book?

* Sometimes books come under fire or are banned because of content issues. How does this affect the authors?

* What are some of your favorite "sexy" YAs?  Are they actually "dirty" or is it more sexual tension than outright s-e-x?

Anything else I should be sure to ask?


*comments are moderated - if I'm not at my computer it might take awhile. sorry!*

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2. Notes from the Career Development Desk

Q: From what I've read, the best way for someone without professional editing/publishing experience to elbow their way into the publishing industry is an internships. All but a few internships are unpaid. Nearly all publishing internships are based in the northern/northeastern states. Of those, most are in New York. Assuming those very general assumptions are correct, here's my question...

What's a broke Southerner to do? Unpaid internships work for those with a nest egg, I suppose, but New York is an expensive place that's even pricier when one factors in relocation.
I know this can't be right, but by all appearances, the deck seems to be rigged in favor of New York natives or people wealthy enough to move and live on the pay of a part-time job (assuming they can find one) while interning. Is there something I'm missing? Something that exists that hasn't been said that changes the above set of assumptions?
It is very generous of you to imagine that "this can't be right."  In fact, you are partly right. I'd say the deck is rigged toward a) the wealthy, b) NY natives, or c) the very ambitious, who are willing and able to happily live on a tight budget.

Publishing jobs are very often in NYC or other major cities, and even once you have a real job as an editor, you will in general be paid VERY POORLY. I cannot stress enough that these are not jobs you take because you are money-hungry. Prestige? Sure. Snob appeal? Totally. But 'easy way to pay rent'... not-so-much. I am not saying you have to be a trust-fund baby - I'm saying, you have to prepare to be stone broke for a while.

Agents, as it happens, almost universally make zero (0) dollars when they start, and sometimes for a really long time. When I started at my agency, my boss told me in no uncertain terms that I was unlikely to see money before a year, and unlikely to be able to live off my earnings for five years. I was very lucky and started selling right away... but she still wasn't TOO far off.  This is why many agents are: a) independently wealthy/from wealthy families, b) married, (and/or) c) have a second job/work as an assistant when they are new.

Editorial is slightly different as you'll at least get some sort of paycheck, but, assuming you are coming in with no experience, you'll still have to slog for a long while as an intern or lowly assistant, then slightly less lowly assistant, before you actually become an editor. And even when you are an editor, you aren't going to be pulling in huge dollars. Again, this is a job you take for the love, not for the money.

And it's a part of the reason publishing has a long history of being called things like a "gentleman's business," and why you do find a relatively high percentage of over-educated, privileged white folk in the halls of publishing. (I am not excluding myself from this description.)

Of course this means that, gatekeeper-wise, there can sometimes seem to be a dearth of unique perspectives and world-views. It would be really great if there were more opportunities for people of color, people from different places and socioeconomic backgrounds, etc. All I can say is -- it's a known problem.  Many companies strive to be pro-active about reaching out to different kinds of people. Most major publishers DO offer paid internship programs.  (Click here to find a listing of many internships - you'll see some paid, including Random House, Scholastic, Macmillan...) But of course, those internships are also likely to be very much sought after. And they mostly all in NYC, which, as you mention, is a bear of a place to live in while broke.

Here's what I would do, if I were a Southern college student who wanted to be an editor: I'd try to find an internship at a local small publishing house or literary agency. Yes, these places do exist, even in the south, depending on

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