To be clear up front, we are talking the 1976 original with Tatum O’Neil, Walter Matthau, etc.
By the way, a shout out to the names of these characters: Amanda Whurlitzer, Coach Morris Buttermaker, Ogilvie, Engelberg, Jimmy Feldman, Rudi Stein, Tanner Boyle, Ahmad Abdul Rahim, Kelly Leak and Timmy Lupus. The names seem perfect to me now, especially when heard through the muttering lips of Coach Buttermaker, “Listen, Lupus, you didn’t come into this life just to sit around on a dugout bench, did ya? Now get your ass out there and do the best you can.”
I’ve watched it several times, most recently about seven years ago. Great movie, though the language might startle you with its profanity and ethnic slurs. Pretty harsh by today’s politically-correct standards. The through-line of the movie moves inexorably toward the big, championship game. We’ve seen the Bears come together, struggle and lose, then learn to win, and now the stage is set for the film’s dramatic conclusion: The Big Game. We’ve seen this setup countless times.
The first time I saw it, the game’s ending surprised me. It came down to a close play at home plate, the scrappy Bears about to tie it with two outs in the last inning . . . the baserunner slides, the catcher applies the tag, the dust rises . . . “Out!” the umpire calls.
Game over. The Bears lose.
What? Really?
For years I’ve marveled (and appreciated) that decision by screenwriter Bill Lancaster and director Michael Ritchie. They didn’t allow the Bears to win the big game. Nope, they lost it. Because, when you think about it, winning was never actually the point to this story, not in a satire about Little League competition. But still, the Bears lost; it was shocking. Partly because you almost never see that in books and movies, for all sorts of reasons.
I might be more sensitized to endings than ever before, since I’ve been frequently queried about the ending to Bystander. I came across some of my early notes on the book that made it clear that I fully understood that my original ending lacked drama, it just didn’t hit it out of the park. I sensed that some readers might want more, particularly when considering their heightened feelings about fairness, justice. So I cooked up an alternative, a more satisfying ending, more complicated and conflict-oriented, and arrived at something pretty cool where the bad guy got it in the end. Not bad, way better from a purely dramatic point of view, but it didn’t satisfy me — because it didn’t ring true. Not to life as I knew it. So I reinstated my original ending, the one where life goes on without trumpets or tidy bows, unicorns and rainbows.
I don’t know what made me think of The Bad News
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