As I was cleaning off my desk I can across an initial sketch from Gulliver's Travels. It was just a mere outline of where I wanted to go with the profile of Gulliver, but all I could see at this stage was Logan, who I used for a model. It got me thinking about how artists use reference material. So be sure to check out the links below. And
Happy Birthday Logan!
This...
started as this...
and this...
and came from this shot...
Here are some interesting links to a few artists that I admire, and how they use models, props, and photo reference. Plus, a little sneak peek into their studios. (For Ruth Sanderson click onto her name for an indepth "Artist at Work" page from her website.)
By Nicki Richesin, The Children’s Book Review
Published: September 13, 2011
If the phrase, “The better to eat you with!” struck terror in your childhood heart, fear not, these inventive retellings of the classic Little Red Riding Hood story will delight your little ones. The Brothers Grimm were especially gifted at creating dark and often haunting fairy tales, but these books below have a bit more gentle appeal. They also may serve as a great conversation starter with your children about the inherent danger of talking to strangers. As the moral of the folktale advises, children should beware of the charming and kind wolf perhaps most of all.
The Story of Little Red Riding Hood by those daring Grimm brothers (beautifully illustrated by Christopher Bing whose youngest daughter modeled for little Red) comes in an old-fashioned album meant to capture the timeless quality of the story. A cautionary tale, including the original black and white illustrated version from 1857, is inserted as a fold-out in the back of the book complete with the underlying moral.
In Betsy Red Hoodie by Gail Carson Levine, the talented author of Ella Enchanted, brings a new spin on the story. Accompanied by her wise-cracking sheep to Grandma’s house, Betsy encounters many obstacles and diversions on her path. Grandma has an unexpected surprise in store for Betsy when she finally arrives at her home. This is the second installment of Betsy’s plucky adventures (preceded by Betsy Who Cried Wolf!) with comic illustrations by Scott Nash.
Bernadette Watts paints a colorful, wondrous forest filled with wildflowers that tempt Little Red Riding Hood to pick a lovely bouquet for her grandmother. The wolf meets a gruesome end when the huntsman cuts him open to rescue them and they fill his belly full of stones. It almost makes one feel sorry for the wolf… so fiendish wolves better watch out for hunters with an ax to grind.
In his bold inventive book, acclaimed artist Daniel Egneus recreates a gothic wonderland for
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