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1. Getting unstuck in a revision


Manuscript update: I didn’t get too much done in my revision yesterday. Still on chapter one today.

A reader left a comment on yesterday’s post about being stuck during a revision. I’ve been there — I’m sure we all have — and it can be so frustrating. You want to write, you want to fix the problem, but nothing seems to work.

As I told Islesam yesterday, I fell into this predicament when I was revising my first novel. The middle was way more than saggy — it had huge gaping holes. I tried loads of different ways of writing the scenes, but nothing worked, nothing felt right, and my characters didn’t help. I’d ask them what they’d do next and they’d just look back at me and shrug.

Like Islesam, I tried taking a break and started to write my current novel, but after a while, I went back to the first manuscript and was still no closer to a solution. I realized that, although taking a break from a manuscript can be good at times, like in between revisions, when you’ve got a problem, the only way to fix it is to hunker down, roll up your sleeves and sweat your way through it.

What finally worked for me was realizing why I was stuck. I couldn’t fix the middle because, even though I knew what the end of the story was, I couldn’t picture them both as a whole story. I couldn’t see the forest for the trees.

To help give myself a better view of the bigger picture — the whole story — and how each of the scenes in the book fit in, I made a timetable. I drafted out a calendar of sorts with just Sunday through Saturday and week 1, 2, etc. Then I put the chapter number(s) for scenes in the days when they occured. When I was done, I could more easily see what was missing and where my characters were going at each part.

Here are some other tricks for getting unstuck in a revision:

  • New POV: Whether you’re writing in first person or third, the chapter you’re working on is most likely in the view point of one character. Try writing the chapter you’re stuck on in the point of view of anything character in the scene. Looking through someone else’s eyes might give you some ideas.
  • New document: When you save your manuscript in a new document and then revise, you’re just reworking your old version and are influenced by the words in front of you. Try starting a blank document and writing the scene, chapter or even the whole book from scratch. Author Lisa Graff does this in her revisions. For her third book, Umbrella Summer, she wrote 18 full drafts in this way. Sometimes she will copy and paste older versions of paragraphs or scenes into the new document, but for the most part, she rewrites as if the story is new. Starting from the beginning again, whether for just a scene or for the whole book, but this time with the knowledge of the whole story in your head, can open you up to new details and allow your characters to show you new directions. This tool helps you be a writer again rather than an editor, as if you’re writing the first draft for the first time and allowing new ideas to flow.

How do you get unstuck in revisions?

Write On!

4 Comments on Getting unstuck in a revision, last added: 2/17/2010
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2. Lisa Graff on writing and revising


Day five in my reports from the Austin SCBWI conference, and there’s still more to come after this one! Also, although I’m giving lots of great information from these speakers in these posts, I’m only giving a condensed version of their presentations. Reading about conferences is great, but going to them, even single-day conferences like this one, is so valuable for inspiration, networking and learning. I highly recommend going to as many as you can afford in time and money if the lineup of speakers are half as good as this one.

Quick recap of my other reports from the conference: agent Mark McVeigh on publishing, agent Andrea Cascardi on getting and working with an agent, editor Cheryl Klein on writing a great book and agent Nathan Bransford on finding the right agent for you.

Lisa Graff, author

Lisa Graff

And now onto Lisa Graff. Lisa has an interesting background. She sold her first two books around the same time as she got her job as an editor, so, as she said, she has spent the last five years learning how to be a professional writer and editor at the same time. As of the Thursday before the conference, Lisa stopped working as an editor for Farrar, Strauss and Giroux Books for Young Readers to focus on her writing full time. Her last book, Umbrella Summer, came out last June.

As someone who has been on both sides of a book, Lisa said both are equally important. She said an editor is in charge of finding the true story a writer is trying to tell, because writers are so in their head, it’s often hard for them to see the story for the words. But, she pointed out, editors can’t do their best work until writers have done theirs.

And, writers don’t do their best work until they’ve revised and revised until their best work is out. For Umbrella Summer, Lisa said she wrote 14 complete drafts, including eight different endings. It took four years from the first draft to publication. WOW!

She said she starts out with a brief outline of her story, but the book almost never ends up the same.

Here’s her writing strategy:

  1. Write the first full draft.
  2. Read draft on paper and write notes.
  3. Open a new document and write a completely new draft from scratch or pasting in what she wants to save from the original draft.
  4. Repeat 2 and 3 as many times as it takes to get her best work.

A writer, she said, is<

3 Comments on Lisa Graff on writing and revising, last added: 2/8/2010
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