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Viewing: Blog Posts Tagged with: art of Coraline, Most Recent at Top [Help]
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1. Death, Tentacles and Pip.

posted by Neil
Bet you thought I was dead. Well, unless you were looking at the Twitter feed down the side of the blog, and even then I might have been Dead but Still Twittering. It could happen and probably does.

But I am not dead. I am not even sick.  I am home, got home yesterday afternoon, six weeks of mad peregrinations are over, and, because I was asleep by nine last night, I am wide awake at six am, so I grabbed my computer, and am now blogging in bed in the dark.

(Cabal the Dog was very pleased to see me. He's 90% better after his operation -- he still has about ten days until he's allowed to go up and down stairs [so I am still sleeping on makeshift downstairs bed]  but he is allowed to run, and he has -- for the first time ever -- an appetite, like a normal dog, and has thus put on several pounds. He looks more like a white German Shepherd Dog and less like a big white greyhound.

And I was pleased to see him. Here is a smily picture of us saying hello...



So when last heard of, I was blogging in a little hotel in the Highlands&Islands, off on a mysterious errand. (The best bit was throwing chips to the seagulls in a little Scottish harbour.)

Then I drove to Inverness and I flew from there to London, where I saw Holly, sat in the hotel library and wrote, saw friends, had some meetings about films and TV and books, ate more fish and chips, drank tea, and finally, given the choice between seeing Dave McKean for the first time since Hallowe'en and going to the UK Watchmen premiere, I had a lovely dinner with Dave, and caught up with friends who'd been to the premiere afterwards. Their feedback left me a bit more interested in seeing it, though.

(Also, my friend Duncan Jones showed me his upcoming film Moon, and I will blog about it soon. It is a solid science fiction film like they don't make any more.)

Let's see. The Newbery Award for The Graveyard Book continues to do good things. Bookshops are getting their copies with the gold medal on the cover, it's selling like (I'd say hot cakes, but I've honestly never seen people going "are these cakes hot? Then I will buy all of them!" in real life) and it's being reviewed in places that hadn't reviewed it before it was an award-winner:

Gaiman's ghost story is not just about the thrills and chills, although there are plenty. The book is in fact literary and layered. Gaiman gives reassurance that even sinister circumstance cannot squelch our human capacity to grow and change for the better. So as in all worthy coming-of-age stories, the ending turns out to be a new beginning.
The Chicago Tribune,
...combines realistic dialogue and fantasy possibilities to tell a story that's not about sensationalized violence but about life's potential for happiness. Take time for this one, as it's quite remarkable; many adult readers, no children attached, have found it quite a compelling read.
The New York Times made it an Editor's Choice, but not The Boston Globe, in the first example of Thumper's "if you can't say something nice about someone don't say anything" motto book-reviewing I can remember. The entire review is:
I found the book ghastly, literally and metaphorically, and since Gaiman is a writer whose inventive genius I respect, I'll pass on without further comment.
...which just left me wondering how something can be metaphorically ghastly. ("It was ghastly -- and I mean that metaphorically!") and concluding that Liz Rosenberg is probably trying to use metaphorically as the opposite of literally, whereas what she actually meant was that it was ghastly in several senses of the word (ie. filled with dead things and ghosts and she didn't like it one little bit). Ah well. I hope she likes the next thing, whatever that is.

Which reminds me, the Who Killed Amanda Palmer book is, I am told, being printed and should be on its way into the world soon. (Preorder info here.)

Here's a short story from it. The stories are all short and all very different, and an Amanda dies in all of them. This one was a fairy-tale. It starts at about 2:19.



(You can see the photo Amanda is holding up here. And if you want to know what the event looked like from the front, photos, and more photos. Also, a review of her Sugar Club gig. I am tousle-haired. Who knew?)
...

Right. Now on to CORALINE...


It was predicted that it would be the #3 film this weekend. But by the end of the weekend, we were actually #2. Champagne would have been drunk if we weren't losing most of our 3D screens to the Jonas Bros on Friday.

Okay. Coraline tab-closing time:

Here's a great article on Coraline computer modellers, whose modelly creations were then made using 3D printers, saving about four man-years in face sculpting. (Is it still CGI when you press a button and it becomes real?). An interview with me and Henry Selick.

A review I enjoyed. The reviews from Christianity Today, Catholic News Service, and the Episcopal Life are all sane and positive, although we are all waiting for the Capalert review. (Then again, they thought The Lion, the Witch and the Wardrobe was well dodgy.)


Irene Gallo has started collecting links to Coraline design and animation work on her blog (http://igallo.blogspot.com/). And Chris Turnham's design work at  http://christurnham.blogspot.com/ is wonderful. Stef Choi just put some art up at http://stefchoi.blogspot.com/(Again, I'd love to see an ART OF CORALINE book. Steve Jones was limited in his Coraline Film Companion to the art and information that Laika would give him. Now that no-one's actually in the mad final stages of making a film, it would be marvellous to gather together the entire concept art process.)
...

There were many glorious things on the kitchen table waiting for me. I'll try and take a photo. My copy of The Lifted Brow was waiting for me. So was my copy of the DVD of American Scary. (The first ten minutes is up at http://www.youtube.com/watch?v=ukvJYs4Kq_k)

I've talked about Julie Schwartz here a few times. Read this. It's wonderful, in all senses of the word.

March 1-7th is Will Eisner Week. As we learn at http://www.cbldf.org/pr/archives/000386.shtml

Will Eisner Week is intended as an ongoing celebration that will promote graphic novel literacy, free speech awareness, and the legacy of Eisner himself to a broad audience. This first annual celebration is themed "The Spirit of A Legend," examining Will Eisner's seminal Spirit comic, as well as the spirit inherent in his work that has inspired generations of comic readers and artists. This theme will be explored at events in Minneapolis at the Minneapolis College of Art and Design, in Savannah at the Savannah College of Art and Design, and in New York City.
In addition to events, a variety of academic papers and group activity assignments are available on WillEisnerWeek.com.


And last of all...

On Saturday March 7th, at Books of Wonder in Manhattan, Charles Vess and I are doing a signing. The event starts at 1:00pm. I'll read Blueberry Girl (it isn't very long. Maybe I'll read it twice, or verrrry sloooowly) and Charles will have art on display and prints for sale, and we'll do a Blueberry Girl Q&A, and it should be fun. I was worried that there wouldn't be enough space, but Peter at Books of Wonder reassured me that they've moved into a new shop since last I was there, and hosted J.K. Rowling, so they will have no problem coping with numbers of people who will turn up. So, hurrah, turn up. They'll be donating a percentage of the profits to RAINN, because I originally wrote Blueberry Girl for Tori and her as-yet-unborn-daughter, and that seemed like the right thing to do.

(Click on the poster to make it bigger.) (An early Blueberry Girl review, from a young girl and her mum.)

(Worth mentioning that Please note that you are welcome to bring one book from home to be signed for each book you purchase on the day of the event is a mistake. It may be true for Charles, but it's not true for me. Current plans are that I'll sign three things per person, and if the numbers of people get too big, that may have to go down.)

And this has been a long enough blog that I shall stop here and resume later.

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2. A quick last few days roundup

posted by Neil
A quick one, on the run, from the Scottish Northwest (where I am for another 24 hours). 

The Amanda Palmer & Me show at Chapters was really fun. Apologies to anyone who couldn't see or hear, or who turned up, looked at the crowds and went away again. I don't think anyone was expecting 500+ people to turn up in Dublin, not even me. I gritted my teeth and made an "only one thing per person" rule, which made the whole event only 5 hours long, if you count the time we spent faffing about with a printer before starting late. (Memo to self. If you are going to be reading something odd and unpublished, print it out ahead of time.) Amanda sang three songs, I read three or four short deadamandapalmery stories, and we signed for a lot of nice people. (Also, an extra-special thank you to the Chapters staff, who went above and beyond.) (Cheryl Morgan reviews it here.)

And now I'm in Scotland (just for the day) and when last heard from Ms Palmer was changing planes in Kuala Lumpur on her way to Australia. It's a strange and refreshing thing to have a friend who travels as much and as oddly as I do.

Best news yesterday was an email from my editor letting me know that The Graveyard Book is at # 1 on the NYT childrens hardback list and that Coraline is #1 in paperback. I've never done that before.

At the Coraline premiere I sat next to Bruno Coulais, the composer. There's a lovely interview with him at http://www.filminfocus.com/article/an_interview_with__em_coraline__em__composer_bruno_coulais
and another of the Coraline artists is putting design stuff online: Katy Wu.

Things that make me smile:  is this a Disney thing or can they just not count and/or add at ABC? (I'll leave it to you to find the error):
1. NEW! Friday the 13th (Warner Bros.) - $45.2M; 3105 theaters; $14,560 PTA

2. He's Just Not That Into You (Warner Bros.) - $23.3M; 3175 theaters; $7,359 PTA; -29%; $58.8M cume

3. Taken (Fox) - $22.2M; 3109 theaters; $7,141 PTA; -6%; $80.8 cume

4. NEW! Confessions of a Shopaholic (Disney) - $17.3M; 2507 theaters; $6,902 PTA

5. Coraline (Focus) - $19.1M; 2320 theaters; $8,236 PTA; -9%; $39.3M cume

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3. Happy Jack Benny's Birthday

posted by Neil

Originally, I was meant to get in to Dublin tomorrow, Sunday, and immediately start doing interviews. Somewhere mid-week I realised that simply wasn't going to work -- I'd burned the candle at both ends and incinerated the middle during the two weeks of Coraline-and-Newbery-Madness in the US, and flying to Dublin, getting off the plane and doing six print, one TV interview and then going to Dundrum to introduce the film and do a Q&A interview afterwards seemed like a recipe for disaster, or at least, for sleeping through my own film.

So everything moved a day earlier, and that was a good thing. The flight was easy and pleasant (I sat next to one of the Original Fathers of the Internet, and he wanted to know about writing and I wanted to know about The Internet, so we chatted cheerfully over the meal service, which almost never happens). On landing I was whisked magically from the jetway to a little VIP place where I was given a cup of tea and put in a car with a lady from Universal, and I dreamed that all international airport exits could be as smooth and as graceful and as queue-free.

My loverly Android G1 doesn't work here -- it was, as you may remember, a gift from Google, and is, until one day it won't be, free, but its very freeness meant that it won't connect to any foreign phone service, as someone would have to be billed for the connection. At the point it informed me that it was now just a thing with photos and music on, I discovered how much I miss it (memo to self, tapping on the screen of the Nokia N73 does nothing at all). My elderly and eccentric Nokia N73, which turns itself off from time to time a bit randomly, sometimes mid phone-call, is now my phone while I am in Ireland. And I discovered the problems I was having with its predictive text function could mostly be traced to fact that it had decided in the last month or so that it would rather predict words in Dutch.

Anyway. Happy Valentine's Day from someone in a suspiciously empty and unValentiny sort of Dublin hotel room.

...

The Graveyard Book won a Cybil Award -- which is the children's book award from the blogging community. I was thrilled. All of the Cybil nominees and winners looked good this year, and I'm proud to be among them, and congratulations to everyone involved.

Monica Edinger reviews The Graveyard Book at The New York Times. Her review finishes,
I read the last of “The Graveyard Book” to my class on a gloomy day. For close to an hour there were the sounds of only rain and story. In this novel of wonder, Neil Gaiman follows in the footsteps of long-ago storytellers, weaving a tale of unforgettable enchantment.
Which made me really happy. The sounds of rain and story. Yes, that's what it's all for.

...

(About a month ago I'd told my Editor at HarperChildrens that I would send cupcakes for everyone at HarperChildrens if The Graveyard Book ever went back to Number One on the Childrens' list at the NYT. So last week, I sent an enormous number of cupcakes over to HarperChildren's  [although ten percent of the cupcakes were paid for by my agent]. I've told them if we ever get to be Number One five weeks in a row, more cupcakes.)

(I twittered my sadness at losing my long-time publisher at William Morrow, Lisa Gallagher. I don't think I mentioned it here. I worked with her for nine years -- she was originally in marketing, and then became my publisher, and when Anansi Boys went to Number 1 on the NYT list, we sat and drank champagne in a busy square together. She was always supportive and I will miss working with her very much, not just because she was the only person who would begin a phone call with a breezy "Hello darling, it's Lisa." I hope she gets a job as good as she is.)

...

Let's see.

Anyone who's seen CORALINE and wonders about the design work behind it should go and look at,

http://shaneprigmore.blogspot.com/


http://www.burstofbeaden.com/
(For this one, click on Newer Things on the righ tand then Coraline.)

http://dankrall.blogspot.com/



They're all awesome artists, but Dan Krall's work actually made me wish that he'd actually illustrated an edition of Coraline. Anyway, go and look at their art: you'll see illustrations for scenes that didn't make it into the finished movie. Like the Dan Krall drawing above.

I really hope there will be an actual Art of Coraline book, to collect all of this stuff, along with the other things you can look at on the videos at http://thinkinganimationbook.blogspot.com/2009/02/coraline.html. At the time of Steve Jones's Coraline: A Visual Companion book (you can browse it here) Laika and Focus weren't able to provide anything much in the way of art as, they explained, very sensibly, they were madly trying to finish a movie (they even cancelled the book at one point, pointing out that they didn't have anyone available to go through the art, as everyone was working on the film, and it took Henry Selick's intervention to get them to provide stills and bring it back from the dead). 

(Most of the above links taken from http://www.gallerynucleus.com/event/180)

Incidentally, if you are confused about which edition of Coraline to get, the ever-terrific School Library Journal has a round up of stuff about me here, and a round-up of all things Coraline here.

You want to know how to make 200,000 puppet-faces? You need a 3D printer.

Just wanna make a quick comment on Marcel's question, I watched Coraline yesterday here in Brazil and I watched it in 3D. Gotta say the dubbing is awesome. They're all great in what they do, really.

And it's, y'know, puppets.

Crafters have, I am informed, taken Coraline to their vast, capacious and Forcible-like bosum: http://joanofdarkknits.blogspot.com/2009/02/weird-octopus-cyclops-kitty-thing-from.html is a facehugger octopus pattern, while takabelle made Coraline Gloves: http://theyellowjournalist.blogspot.com/2009/02/coraline-gloves.html

(Did I mention that I ran into Althea Crome in the airport on the way home from Portland last week? Or that just as were about to get off the plane she gave Maddy and me a tiny pair of gloves -- not from the film -- that I treasure, and have to figure out where to keep so they can be safely displayed?)

...

(Can you tell I'm closing Tabs here?)

Small disturbing book ban -- http://www.examiner.com/x-591-Childrens-Book-Examiner -- as a court upholds a ban on a book for small children about Cuba depicting smiling children as "inaccurate". 

Red Nose Day may reach America. Or the internet. I always get those two confused: http://www.rednosenet.com/

A list of ten childrens' films that are inappropriate for children has five of my favourite films on it. (If they'd just included Jan Svenkmayer's Alice...)



...

http://iheart.despair.com/motivator.php: Candy hearts with your own Valentine's wishes on them. Or birthday wishes.


And my own Valentine's Day wossname for the world -- you can hear Claudia Gonson singing "Bloody Sunrise", arranged and instrumentated by Michael Hearst, over at http://hypem.com/track/672071/Neil+Gaiman-Bloody+Sunrise -- the link doesn't work, but if you click the play triangle, it'll play.

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