In 2012, I wrote a post at Janice Hardy’s blog, Fiction University. In it, I shared what I believed to be the key to success:
Making your own luck.
Here’s an excerpt:
Make Your Own Luck.
Yes, that’s right. These four words hold the key to your success. Read them again, and cement them into your brain.
Each of us knows how to work hard at writing. We read, we study, we write. We join critique groups, network and find mentors. This is the biggest part of success. But often hard work alone isn’t enough. We can hang there on the cusp, feel the air vibrating with greatness. Yet it dangles just beyond our fingertips.
This is where we need to do something that many of us don’t like. Something that goes beyond our writerly, keyboard-between-me-and-you selves…move out of our comfort zone. We need to learn to Make Our Own Luck.
It would be nice if Success would be decent enough to slide over an inch or two and meet us, but life doesn’t work like that. So we need to grab it. And how we do that is by filling in the blanks:
If I could ____, then it would help me succeed.
If I could catch the eye of an agent, then it would help me succeed.
If I could build up an audience online, then it would help me succeed.
If I could launch my book well, then it would help me succeed.
Whatever your “blank” is, instead of thinking that it’s too hard to do, or something out of your control, I want you to remember to Make Your Own Luck. (Full article.)
I ran across this article on focusing on things we CAN do rather than stressing about things we have no control over, and as I reread it, it was like traveling back in time. We had just released The Emotion Thesaurus. I remember I was so…nervous and worried, I guess, but also determined. Nervous about how my first book would go, worried people would think I was some sort of fraud with no fiction books under my name, determined to do my very best to get over my self-doubt and launch the book well.
In the original article I talked about my fear of public speaking, but how I knew putting myself out there was an important step toward my future. So I had signed myself up to give a presentation at a local conference to follow through on making my own luck.
Now, it’s 2015. How has this idea of “making my own luck” worked out?
—The Emotion Thesaurus
- closing in on 85,000 sold (in English)
- 2 foreign editions under contract, 1 more in the works
–Two more books published, The Positive Trait & Negative Trait Thesaurus, bringing sales up to 126,000. And then a free booklet, Emotion Amplifiers, adding another 14,000
–Becca & I forming a second company to launch One Stop For Writers creative brainstorming software on Oct. 7th, in partnership with one of the key developers of Scrivener
And that public speaking thing? Where did that go?
An invitation to speak in Australia, of all places!
(And next year Becca will come to Canada as we have been invited to teach a workshop together, another cool milestone for us both.)
I am not listing any of this to say, Wow, look at me! I’m sharing this because I absolutely 100% assure you, THERE IS NOTHING SPECIAL ABOUT ME. I’m Joe Writer, just a girl with a keyboard. Like anyone else.
And if I can step outside my comfort zone and make my own luck, so can you. In fact I hope you are, right now. If not, I urge you to get out there and do something that scares you, something that challenges you to your core. Not only will you discover you are stronger than you thought, it will be good for you in the long run, and each small step forward leads to another, and another.
Where do you want to be in three years? Let me know so I can cheer you on–I know you can do it. 
The post Writer’s Key To Success: Make Your Own Luck (Case Study) appeared first on WRITERS HELPING WRITERS™.
Each day, we seek to put our best foot forward. We shower, dress for the day’s activities, style our hair. We plan, organize, gather our things, and check the mirror before leaving, making sure to pluck stray fluff off our sweaters and straighten our sleeves.
Why?
- To enhance our strengths.
- To appear confident.
- To show the people who interact with us that we are collected and ready for whatever comes our way.
It’s human nature to minimize our weaknesses. We hide zits, disguise thinning hair and avoid talking about our embarrassing mistakes. But in writing, covering up flaws can keep us from success.
Writing weaknesses are normal. We all have them. But it’s okay, because each of us is on the same journey, and there is no finish line–no point we reach where we’re “good enough.” Regardless of how adept we become at writing, there will always be room to grow.
Let’s look at some of the key elements that will help you evolve as a writer.
Attitude
All writers shares a common epiphany on the writing path. I call it Staring Into The Abyss. This experience happens when our writing has strengthened to the point where blissful ignorance rubs away and we begin to realize just how much we don’t know.
It’s a dark moment, a bleak moment. We feel shock. Frustration. Despair. Some stop right there on the path, their writing spirits broken. Others take a micro-step forward, progressing toward the most important stages leading to growth: acceptance and determination.
Once we come to terms with what we don’t know, we can set out to learn. Taking on the attitude of a Learner is what separates an amateur from a PRO.
Asking for help
Writers can strengthen their skills on their own, but it’s a lot of hard work. Reaching out to other writers will shorten the learning curve considerably. Critique partners can help identify your weak areas and offer strategies to improve. They also will know of resources which might help.
There are MANY great sites for writers to find a critique partner or two. I highly recommend The Critique Circle (free & safe to post work–this is where Becca and I met!) There are also sites like Critters Workshop and Agent Query’s Critique Partner Wanted board. Or, let Ladies Who Critique play matchmaker for you.
The no-brainer: READ
No matter what areas need to be worked on, books can help. Find inspiration through your favorite fiction authors and in ‘how to’ books (here’s a great list to start on). Pick up a few and take notes. If you can, pair up with another writer to read the same book and then discuss it. Learning together gives you a better chance to fully understand any topic. This is what Becca and I did for an entire year, and our understanding of writing craft soared. It was time well spent.
Resources, resources, resources
There are thousands of articles on writing that can teach strong writing technique. Plotting, Story Structure, Voice, Description, Showing vs Telling, Style, Dialogue, Characters…whatever areas you want to develop, there is content out there to help you. Click HERE & check out out Writing Heroes for starters!)
The trick is finding the best nuggets of information without losing your whole day online. Try this Search Engine for Writers. You will find excellent articles on any aspect of writing imaginable. Pay attention to great article round ups like Maureen Crisp’s excellent one every Thursday, as well as Yesenia Vargas’ Monday Must Reads. And don’t forget to check our categories in the sidebar!
Think outside the monitor
Many of us are introverts, and it’s easy to get caught up on the keyboard and screen. There’s nothing wrong with this, unless your rectangular life preserver is holding you back. Writing Groups, Conferences, Work Shops and Retreats are all excellent opportunities to hone writing skills and meet mentors. Writing events need not be expensive–get involved in a local writing group and see what events have a low or no cost for members.
When you’re looking for opportunities to learn, don’t forget the movies. So much can be gleaned by watching films to see what makes them work. In fact, some of our biggest epiphanies as writers will come from studying screenwriting. I highly recommend reading Save the Cat & Writing Screenplays that Sell. These books are pure gold. Trust me, your writing will thank you!
Write and rewrite
Transforming writing weaknesses into strengths will take time. Choose learning strategies that work best for you and never stop writing. Each step of the way, apply new-found knowledge to the page. We learn most of all by doing, so always make time to write.
Chances are, you have more than one area where you know you can grow. Sometimes the easiest thing is to look at one facet at a time, and hone your skills in that area.Then when you feel like your writing is on sturdier ground, shift your focus to another facet of craft. Bit by bit, you will elevate your writing and feel proud at how far you have come.
Happy Writing!
Image 3: jamoluk @ Pixabay
The post Mastering Words: Ways to Evolve as a Writer appeared first on WRITERS HELPING WRITERS™.
Today we’re taking a field trip to touch on something all writers struggle with at some point: story doubts. It might come about because of a less-than-enthusiastic reaction from a beta reader, or after requests for fulls go nowhere. Maybe you have rewritten your opening 9,000 times or have three drafts of your novel, all told from different points of view, and still feel uncertain which version is the right one.
Doubt – soul crushing worry that we are not capturing our story well enough – can not only snuff out a novel, but the writer’s spirit as well.
Jenny Nash has some excellent insight into this pool of doubt, and how to swim through it to write deeply from passion, telling the story as only the author can.
I’m a book coach, and all day long I have writers coming to me who want to work out the Where and What and How of their story. Many of them are in the midst of some kind of writerly anguish: they have a pile of agent rejections, or they are 2/3 of the way through their 23rd draft and they’re still not sure the book is working, or they got to the last scene and suddenly realize that nothing has happened in the last 150 pages so there’s nothing to resolve. They are not sure how to move forward or even if they should move forward. They are, in other words, full of doubt, and somewhere along the line, they have come to believe that the way out of that doubt and that anguish is to focus like a laser beam on these Where, What, How questions:
Where should my story really start? What needs to happen in the middle? How is the best way for it to end?
Nine times out of ten, they are asking the wrong questions. Instead of Where, What, and How they should be asking Why? – and not even about the story itself, though that is an extremely powerful exercise, too*, but about themselves as writers.
If you’re anything like me and almost all the writers I work with, your story has been haunting you for quite some time. It keeps you up at night. It nags at you when you are reading other people’s stories. It pops into your head at times when it is least welcome. It wants to be told.
It can be extremely useful to know why you think it’s haunting you. I actually believe that not knowing the answer to why is one of things that holds a lot of writers back. They know they like to write, they know they’re good at it, they know they have a story to tell, but they don’t know why it matters to them, or what, exactly, it means to them.
As a result, they write a book that doesn’t ever really get down to anything real and raw and authentic. They write pages that skate along the surface of things. And if there’s one thing readers don’t need, it’s to skate along the surface. That’s what the Internet is for. And cocktail parties. And the line at Costco.
Listen to Simon Sinek’s TED talk on how great leaders inspire action. It’s 18 minutes long, but even if you listen to the first 6 minutes you’ll get it. The main point of the talk is this: “People buy things because of WHY you do them, not because of WHAT you do.”
Writers want someone to buy something from us as much as the folks over at Apple and Nike. We do! Even before we talk about dollars and cents, we want readers to buy that we have something important or entertaining or illuminating to say. We want agents to buy that our idea is generous and alive.
So all this work you’re going to do on WHAT your book will be? It often all hinges on WHY you want to write it — on why it is haunting you, on what captivated you from the start, on what the spark was, on why you care so much. If you can articulate that, it will probably unlock the story in very powerful ways.
In 2002, literary agent Ann Rittenberg gave a speech at Bennington College that sums this up beautifully.
What kind of writer can make characters [you care about]? I think the kind of writer who is not afraid to access the deepest places in himself, and is not afraid to share what he comes up with… I see plenty of writing that has kernels of good in it, but it’s hedged around with so much tentativeness, or uncertainty, or excess, or stinginess, that it doesn’t allow the outsider — the reader — in… Yet when I read something that speaks to me, that absorbs me, that remains vividly in my head even when I’m not reading it, I’ve been intimate with the person who wrote it before I’ve even met him. This isn’t to say I know anything about him. I only know he or she’s the kind of writer who’s willing to explore the deep essence of character….
That’s the kind of writer I am guessing you want to be. So how do you get there? Ask yourself the following:
- Try to recall the moment your story came into your head. What took root in that moment?
- Why does it matter to you? What does it mean to you? It wouldn’t have stuck in your head if it didn’t mean something and matter to you – a lot.
- Have you been shying away from the truth of that moment – out of fear of how raw it is, or how powerful it is? Let yourself to get closer to it.
- Let that truth inform your story from beginning to end. Let it be the engine that drives your narrative forward. A story that has a single driving force tends to be a story that has a solid beginning, a gut-wrenching middle and a satisfying end.
- *Ask why of your characters, as well. Why do they care about what they care about? Why will it hurt them not to get it? Why are the afraid? Why can’t they do what they know they should? Why did they do what they just did? Why did they cry? Why, why, why. It can be the key to great writing.
Jennie Nash is a book coach, the author of eight books, and the creator of the Author Accelerator, a program to help writers break through procrastination and doubt and write books that actually get read. Check out her free resources: a free 5-Day Book Startup course, a free weeky trial of the Author Accelerator and weekly lessons on writing in the real world at jennienash.com. Also check out The Writers’ Guide to Agony and Defeat, and sign up to win a free coaching session.
Do you struggle with story doubt? How do you move past it? Let us know in the comments!
The post Overcome Your Book Doubts By Asking WHY appeared first on WRITERS HELPING WRITERS.
Here’s an excerpt:
An invitation to speak in Australia, of all places!
