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Viewing: Blog Posts Tagged with: WITS, Most Recent at Top [Help]
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1. KidLit Author Events July 28-August 4, 2015

Right now, high school juniors all over the world are battling their way through college application essays. Some view this as a great way to ruin a good summer, but for others, it’s the excuse they’ve been waiting for to spend days curled around their laptops or notebooks, pouring their hearts onto the page. For these young writers, there are some exciting opportunities to delve deeper into their passion. If you are one of these writers, or if you know a teen who is passionate about writing, take a look at the events coming up this fall and in 2016 and mark your calendars!

Aside from the longer events in the link above, many communities have short writing workshops for teens through libraries, schools, or local writers’ organizations. Here in Houston, we have many such events. One organization here that offers the most classes for teens is Writespace. For instance, on August 6 & 13 from 12:30-3:00 PM, Writespace will be offering a class in two parts: Young Writers Fiction Workshop (Ages 14-19) with Sara Rolater.

As I mentioned in an earlier post, I’ve added a new section to my website to highlight writing conferences and camps for teens. While researching this, I came across a website devoted to teen writers, Teens Can Write, Too. These innovative young writers have teamed up with Chapter One to host their own one-day conference in Illinois. I won’t usually be posting one-day events that occur outside the Houston area; there are just too many! But I had to share this one. Here’s the deets:

ECHOES OF US by Kat ZhangAugust 8: The Chapter One Young Writers Conference 2015, Arlington Heights, IL
Currently, the cost of admission is $49.99, but beginning August 1, the cost will rise to $74.99.

Keynote Address: Kat Zhang, author of the YA series THE HYBRID CHRONICLES (HarperCollins). She started writing the first book in the series, WHAT’S LEFT OF ME, during her senior year of high school and sold the trilogy when she was nineteen. Workshop Leaders will be Taryn Albright and Karen Bao. Read more…

Soon, I will be adding another page to my website that focuses on writing workshops for younger kids. Meanwhile, I will be adding local events of this sort to my regular Tuesday events post. And we have one this week!

August 1, Saturday, 10:30-11:30 AMWriters In The Schools
Writers In the Schools
Houston Public Library Express Library at Discovery Green Park
WITS Childrens’ Writing Workshop for Students Grade 2-8
Cost: FREE; No registration required

In partnership with the City of Houston through the Houston Arts Alliance and Houston Public Libraries, WITS offers the Discovery Green Workshops—For one hour WITS writers explore imaginative writing exercises. WITS provides all necessary materials. No registration is required, and walk-ins are welcome.

And for adult writers  this week:

JULY 29, AUGUST 5 & 12, WEDNESDAYS, 6:00-9:00 PMWritespace
Writespace
Cassandra Rose Clarke: Science Fiction and Fantasy
Cost: $120-$155

Do you take your fiction with a side of aliens, superheroes, dragons, or witches? Then this is the workshop for you! This course will provide an overview of the SFF genre. Together we will consider those elements of writing which are crucial to crafting compelling speculative stories, such as building our own worlds, extrapolating the fantastic from reality, and creating compelling non-human characters. In addition to discussing classic and contemporary SFF works, you will participate in writing exercises and bring in your own work for critique. Come to class prepared to write and discuss, and by the end of the four weeks, you will have completed at least one SFF short story.

JULY 28, TUESDAY, 6:30-8:30 PMHouston Writers Guild
The Houston Writers’ Guild
Trini Mendenhall Community Center, 1414 Wirt Rd.
Julian Kindred: World Building Beyond Genre: Your Characters and the World Around Them
Cost:$10 Members; $20 Nonmembers; $5 Students w/ID.

World Building is often classified as something exclusive to authors of speculative fiction but the truth is that every time a work of fiction is crafted, an entire world is written into being. While writers of fantasy and science fiction will also benefit from this workshop, writers of any genre stand to gain from examining the world in which their characters live and how they interact with it. Futurists look to tomorrow by examining society, technology, economics, environment, and politics, and in this workshop we shall look at the relationship between these topics as they relate to your plot and characters.

AUGUST 3, MONDAY, 7:00-9:00 PM SCBWI
SCBWI Houston
Tracy Gee Community Center
Kate Pentecost discusses “Using the Uncanny: Creating Horror that Packs a Punch”.
Cost: FREE; All are welcome!

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2. Radio shows are like Buses...

posted by Neil Gaiman
Radio shows in which I answer quiz questions, sing, and tell the story of how I wrote OCEAN AT THE END OF THE LANE for Amanda are like buses.  You wait for such a long time, and then two come along at once.

I love that two shows, recorded many weeks apart, went out at the same time. Quite literally. And many Public Radio stations put them out back to back. So it must have seemed to listeners that this writer they had never heard of had just taken over their radios. Probably they were disappointed when I wasn't then to be heard singing something on the News from Washington.

The first one I recorded was ASK ME ANOTHER, at the 92nd st Y. Ophira Eisenberg and Jonathan Coulton tormented me with their evil questions and singing tests. It was amazing.



You can listen to selected bits and to the whole of it at http://www.npr.org/programs/ask-me-another/

And you can watch this bit. I had told their interviewer that I won tickets to see Patience from the local paper's Gilbert & Sullivan competition when I was 9. So they did a Gilbert & Sullivan competition for me, with the assistance of Jonathan Coulton playing things on guitar that were never meant to be played on guitar.




Then last week I flew to Minneapolis to be on WITS, with musical guest Shara Worden AKA My Brightest Diamond (whoa, can that lady sing). 

I found myself in comedic sketches, including one where I show people around an extremely unusual house. And I read out people's Bad Gaiman submissions. And I sang a verse of FEVER.

They recorded enough material to make two shows, and you can listen to the first of them here:


I cannot find a photo from that night, so here is a video clip from the last time I was in WITS, in 2011. It features Adam Savage's performance of "I Will Survive" in the character of Gollum...


...

And Hachette and Amazon have finally buried the, um, small axe-like thing, and are friends again. So in a gesture of celebration I will put up an Amazon link here for the first time in a long time. Heck, I will put up two:




and (out on Feb 3rd 2015)






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3. The Most Important Publishing Event In Our House

posted by Neil Gaiman
I went to Germany and Austria, and did book events and signings for Der Ozean am Ende der Straße.
I went to Paris and did book events and signings for L'océan au Bout du Chemin.
I came back to America and went to New York, where I talked at the New York Public Library about life, the universe and Hansel and Gretel, while dressed as dead Charles Dickens.

(You can watch or listen to the whole of that evening's interview with NYPL's own Paul Holdengraber at http://www.nypl.org/events/programs/2014/10/31/neil-gaiman-paul-holdengr%C3%A4ber).

They gave me a magical backstage library tour of creepy things, first. (It is chronicled here.)

Hansel and Gretel came out in the USA and is getting wonderful reviews. Here's the New York Times:




Written with a devastating spareness by Neil Gaiman and fearsomely illustrated in shades of black by Lorenzo Mattotti, the newest version of “Hansel and Gretel” astonishes from start to finish. It doesn’t hurt that the book itself is a gorgeous and carefully made object, with a black floral motif on its pages’ decorated borders, along with abundant red drop caps and tall, round gray page numbers. ...All the well-chosen detail provides an ideal backdrop for what Gaiman and Mattotti have done with the Grimm Brothers’ familiar story of the two siblings who, after being abandoned by desperate parents, outwit their witchy captor. Their rendition brings a freshness and even a feeling of majesty to the little tale. Some great, roiling essence of the human condition — our fate of shuttling between the darkness and the light — seems to inhabit its pages.
Which is really rather wonderful.

The Sleeper and the Spindle came out in the UK, and is also getting great reviews. This Chris Riddell illustration raised some eyebrows:


When the picture was first seen we were criticised for writing a lesbian version of Snow White and Sleeping Beauty, and now people have read the story I've seen us criticised for not writing a lesbian version of Snow White and Sleeping Beauty. 

What it is, I hope is a story about strong, smart women making their own stories. The Guardian's Amanda Craig said,

Neil Gaiman’s striking novella, The Sleeper and the Spindle, out this month, conflates and subverts Snow White and Sleeping Beauty into a tale of female courage and choice.
and I'd take that.

So two beautifully illustrated fairy tales came out on each side of the Atlantic.

I was honoured by the National Coalition Against Censorship at its 40th anniversary Gala dinner. (This is a video we made for them explaining why I love the First Amendment.)



But that wasn't the big book excitement in the household.

Nope. The big excitement was yesterday, when my wife, Amanda, became a published author with her first book.


This is the cover. She spent the year writing it, following on from her TED talk of the same name, and it's just been published, on 11/11, by Grand Central. It's a remarkable book -- it's partly a memoir, partly a manifesto on crowdfunding and music and art, partly the story of our marriage and her friend Anthony's struggle with cancer and what that meant to Amanda's life and career. It's the story of how she did the most popular musical Kickstarter ever, and the weird and improbable shapes and twists her world has taken. It's about how we ask for things. It's about being vulnerable.

I think it's a fantastic book, but then, I'm biased, being in love with the author. (I'm also all through the book, not always flatteringly. It's a very honest book.)

Cory Doctorow writes a fantastic essay about Amanda, the book, asking and the shape of music and information in this decade over at the New Statesman

First books are strange beasts. They are rougher than the books that follow (usually), but they are also full of literally everything that the author ever, over the course of her entire life, thought worthy of inclusion in a book. All subsequent books will be full of the things the writer came up with after she started publishing. The first one, that's got everything from the other side of the divide.

Palmer is a good writer, and in places she's great. She has a loose and at times meandering structure that usually works, except when it doesn't. As a literary work The Art of Asking is pretty good. But as a manifesto and a confessional of an artist uniquely suited to her time and place, it is without parallel.

What Palmer's story tells us is that asking, trusting, and giving are hard and terrifying, and you face real risk every time you do them.

Palmer receives death threats, is stalked and sexually assaulted by fans, is terrorised by fans who threaten suicide to command her attention.

Palmer doesn't make it look easy, this business of being public and naked. She makes it look hard. The Art of Asking is an inspiration because Palmer never tries to hide the scuffed duct-tape holding her life together. Instead, she takes us by the hand and insists that we look at this 21st century artistic business model with open eyes and realistic expectations.
Which is the truth. It's also a very funny book. As Cory says, she's put everything in here.

She's also having to deal with the very real problem of Amazon in the US not stocking the book, due to their ongoing contract-battle with her publisher, Hachette. You can buy it from Barnes and Noble, with free shipping from Powells, or you could use Indiebound to find it or buy it from a local independent bookshop. But if you think you may want it, or if you know anyone who will want it for as a holiday gift... BUY IT THIS WEEK. Get it now. The bestseller rankings matter, and without the Amazon sales (they tend to be about half of a book's sales in the US) it's going to be much harder for her.

...

I was on WITS last week. I believe it will go out in podcast form on Friday Afternoon.

This is not to be confused with ASK ME ANOTHER, recorded many weeks ago, which also goes out in podcast form on Friday Afternoon.

For one week only, I will be semi-ubiquitous on public radio...

And finally... It was my birthday on Monday. I flew from Minneapolis to Boston, and gathered with Amanda in Harvard Square, to walk up to Porter Square Bookshop, with a crowd of late night bookbuyers, where she was going to do a midnight signing... And this happened:




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4. A Late Night July the Third Post that took a while to finish

posted by Neil
I walked the dogs just now. I could smell a heavy wild-animal-smell in the dark woods, probably a bear, at a guess. It smelled like it did a few years ago when we had a bear hanging around.

I wasn't worried: bears don't like dogs, and I don't think the dogs would go after the bear. But it was a strange moment.

There are more fireflies this year than I've ever seen here. If you walk down by the beehives at night it looks like a distant city at night, as the fireflies fill the trees and bushes and drift from one to another.

So, I'm home. Tour done, survived, and mostly enjoyed.

The worst moment was in Seattle. I was staying at the W Hotel. I accidentally sent my hotel phone number and room out into the world, via Twitter. I had meant to send them to Amanda, as the cell service wasn't great. The worst moment wasn't that bad for me (I just ignored the phone calls coming in as I talked to Amanda) but I felt really sorry for the hotel switchboard when I called in to explain what had happened. They whisked me to another room, and changed my name, which meant that when the Author Escort turned up to ask for my room and walk me up to the Seattle Town hall she was informed by the Front Desk that they had no-one of my name staying there.

I think she was troubled by this, having dropped me off at that same hotel an hour earlier from signing about 2000 books. (Probably University Book Store in Seattle still has some signed books.)

So that was the worst moment. Reassuring an author escort who thought she had wandered into the Twilight Zone.

Let's see.

So I was about to do the WITS show in St Paul last time I posted.

WITS was wonderful. I sang "The Problem With Saints" and a verse of "Maxwell's Silver Hammer". I read a poem and a bit of a book. I had fun with Josh Ritter, with Johns Munson and Moe, with Guest Hecklers Kevin Murphy and Bill Corbett.

(Josh Ritter has just written a novel, by the way. It's really good.)

This is a moment from WITS with our second phone guest, MYTHBUSTER Mr Adam Savage. (Our first guest was Wil Wheaton.) He phoned in. I asked him to confirm an anecdote...



And here Josh Ritter and I are given a game to us to play by evil host John Moe. It's What Happened Next To People In Songs? I love Josh's tale of what happened to Elvis Costello's Alison...



From there I went to Seattle. I attended the Locus Awards Banquet, and was delighted to learn that I had won both the Locus Award for Best Short Story, for "The Thing About Cassandra" (this was awkward, as I had forgotten that it was on the ballot, and was completely taken aback, failed to thank the editors who waited for it and bought it and just babbled) but also the Locus Award for Best Novelette for "The Truth Is A Cave In The Black Mountains" (I'd got it together by that point and thanked EVERYONE). Here are all the award winners... http://www.locusmag.com/News/2011/06/locus-awards-2011-winners/

I brought Tim Minchin, whose work I really like, and who, it turns out, I really like as a person too. He collected Shaun Tan's Locus Award for Best Artist (Tim did the narration for Shaun's Oscar winning short film, "The Lost Thing").

The first time I was at the Locus Awards, (it was 2006, you can read about it here at http://journal.neilgaiman.com/2006/06/wild-ginger-and-jimi-hendrix.html and that time it was my short story "Sunbird" that I forgot was on the ballot, proving that those who do not read their old blog entries are doomed to repeat them) Connie Willis mocked me for not wearing a Hawaiian shirt. This time I

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5. WITS

posted by Neil
Wits was wonderful. One of the most fun evenings I've had in a long time. Josh Ritter is an astonishing performer (make sure you watch his final song, right at the very end). Bill Corbett and Kevin Murphy were hilarious as they judged us from up in the balcony. Wil Wheaton and Adam Savage were the best possible phone guests. And I had a Brass Band backing me, courtesy of music director John Munson. And John Moe stopped the whole mad thing from spinning off into space.

I read a bit of American Gods. I read a poem. I sang a song. I sang a verse of the final chorus. I took part in two quizzes, two interrogations of phone guests, and at least one interview.

You can see the whole thing here:

(Edit - For some reason the embedded video was just giving a "this is blocked" message. Which is a bit irritating. I've taken it out and put a link in instead.)

Go to: http://www.livestream.com/minnesotapublicradio/video?clipId=pla_cb848b78-e077-416b-83bb-c8aeabaf368e

Accordion etc preshow ends around 15 minutes in. The show starts at 17:34...

An edited version will be broadcast on the radio at some point in the future.
Labels:  Josh Ritter, Wits

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