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Novelists are used to their characters getting away from them. Tolstoy once complained that Katyusha Maslova was “dictating” her actions to him as he wrestled with the plot of his last novel, Resurrection. There was a story that after reading Mikhail Sholokhov’s And Quiet Flows the Don, Stalin praised the work but advised the author to “convince” the main character, Melekhov, to stop loafing about and start serving in the Red Army.
The post An educated fury: faith and doubt appeared first on OUPblog.