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Some of the last known Tasmanian Tigers My Dr Midas books often include endangered or extinct animal characters, so I was very interested to hear about a new DNA experiment involving the Tasmanian Tiger. I wish there was a way to bring this and other animals back to life - with a time machine perhaps (lol) - but at least this new study gives an insight into their make-up. Australian scientists have taken genetic material from a 100-year-old museum specimen and put it into a mouse embryo to see how it works. Dr Andrew Pask, of the Department of Zoology, said it was the first time that DNA from an extinct species had been used to carry out a function in a living organism. "As more and more species of animals become extinct, we are continuing to lose critical knowledge of gene function and its potential," he said. "This research was developed to examine extinct gene function in a whole organism." The Tasmanian Tiger (Thylacine) was hunted to extinction in the wild at the start of the last century with the last known Hobart Zoo in 1936, but several museums around the world still hold tissue samples preserved in alcohol. The University of Melbourne team extracted DNA from some of these specimens, and injected a gene involved in cartilage formation into developing mouse embryos. Blue dye then showed were the DNA was working. Prof Rawson, is involved in the Frozen Ark, a global project to preserve genetic information from threatened species. Some scientists hope mammoths will be next to be examined. Prof Rawson said: "To go back to animals and plants that went extinct thousands of years ago, there is less chance to get a sizeable portion of DNA to unravel it," he explained. "But modern techniques are developing all the time - we can now get information from material we once thought was impossible." Guess what I'm reading now Reading about the Tasmanian Tiger has also prompted me to read a book that's been on my shelf a while. 'Stripes of the Sidestep Wolf' by Australian Sonya Hartnett. The story follows Satchel O'Rye and Chelsea Piper, who find their own survival becomes inextricably intwined with that of an animal they believe to be the last-ever Tasmanian Tiger. Sonya was the Christopher Paolini (teenage author of Eragon) of her day, she wrote her first book, Trouble All the Way, at thirteen and it was published when she was just fifteen. She has written a number of books for young adults since then and has won many awards including the prestigious Astrid Lindgren Memorial Award.

For the last week, a few chapters a night, because you don't want to eat it all at once, I've been reading Gene Wolfe's next novel AN EVIL GUEST. I think I need to read it again. (This is a perfectly valid way to feel on finishing a Gene Wolfe novel.) I'm going to write about it here by way of setting my thoughts in order. It's set about eighty years from now, sort of, although the future feels like a high tech 1930s (intentionally, I assume, because in Gene Wolfe fiction it is safe to assume that things are intentional), so much so that one finds oneself reading the book trying to find a key to open it. The obvious key is Lovecraft, whose initials are dropped early, and further inside the book we find Miskatonic University and Great Cthulhu Himself (although not quite by name) , although that still doesn't really help figure out what kind of thing it is one is reading.

The book is the story of Cassie, a minor stage actress who is just about to become a major Broadway star thanks to the wizardry of Mr Gideon Chase, a high tech mystery man and problem solver, and Cassie is also about to become involved with a multibillionaire named Bill Reis, who may be trying to murder her. (It also has Hanga, the shark god from Wolfe's chilling story "The Tree Is My Hat" in it, from the Wolfe collection Innocents Abroad.) The point that I felt I was getting a key to what kind of book this was was the point where the name Cranston was dropped. As in Lamont, and The Shadow. Which made sense of a few things, as both Gideon Chase and Bill Reis get to cloud mens' minds in their own ways, have high tech gadgets and adventures. And when I realised that then the book sort of shook and shifted in my head and it seemed right and sensible that the future was a sort of 1930s future, that the book moves from horror (sort of) to spy adventure (sort of, with FBI agents and competing government agencies) with a tech sometimes indistinguishable from magic, that Chthulhu's in there and a stage Musical called Bride of the Volcano God, that Cassie is a sort of actressy Margo Lane, that the very real Polynesians of "The Tree Is My Hat" have been replaced with larger than life characters who feel like they could have stepped down from a movie screen, that there is at least one werewolf (there are hidden wolves in most Wolfe books, perhaps all) and a zombie and things like huge bats that I'm still not sure what they were. It's a pulp thriller -- and that's a compliment, because Wolfe knows from pulp thrillers (he wrote a wonderful pastiche of one in "The Island of Dr Death and Other Stories") and because here he's creating a strange sort of genre meltdown, a 21st century pulp adventure thriller with SF and horror elements that nobody else could possibly have written.


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Hi Neil,
"A near death experience with a bumblebee"
An article on the questionable authorship of Footprints.
http://www.poetryfoundation.org/journal/feature.html?id=180239
-G

As mentioned in Sandman 15, I think.

You know, I rather like the idea that it welled up out the collective unconsciousness and forced hundreds of people to write it whether they wanted to or not.

Hello!

I am studying Stylistics at the University of Nottingham and am doing a corpus linguistic study on the language used in the Beowulf screenplay to invoke a sense of Germanic/Scandinavian history.

I've purchased Beowulf: The Screenplay, but in order to do a good corpus study I need the text in an electronic format. I'm starting to scan in the pages, but it's tedious work. Could you tell me if there is an electronic copy of Beowulf: the Screenplay out on the web somewhere? I've checked google and the obvious sites, with no luck.

Thanks for taking your time to read this note. I very much appreciate any help you can provide.

It's not out there as far as I know, although you might be able to buy it as an ebook. Although this reminds me, I keep meaning to link to Karl Hagen's blog -- particularly http://www.polysyllabic.com/?q=node/201
http://www.polysyllabic.com/?q=node/202
http://www.polysyllabic.com/?q=node/203 (there were versions of the script with lots of alliterations and kennings in, but none of them survived to the director's final draft)
http://www.polysyllabic.com/?q=node/204 (which says that Roger and I relied heavily on the Seamus Heaney translation, which I am sure we would have done if it had been around in 1997, but it wasn't, so we didn't.)