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1. Free Fall Friday with Susan O’Keefe

Here is Susan’s thoughts on three of the First Page Prompts sent in for review.  You will find her comments in red.

Before we start, please understand that we’re mixing apples and oranges—which is okay, as long as we’re willing to have fruit salad.

What comes out of a writing prompt isn’t a true first page. For sharing writing prompts, I imagine a warm fuzzy environment with everyone drinking hot cocoa and fellow writers nodding in encouragement as we each read out loud what we’ve just written. The purpose, the best value, of a writing prompt is in simply doing it. Writing prompts are like practicing musical scales. They help you keep your creative fingers limber so it’s easier to write on command when you’re working on a specific piece. Just by responding to a prompt, you’ve done it right, even if a recipe pops out. There shouldn’t be criticism of it, whereas first pages often get a good deal of that. And while any of these, or the result of any prompt at all, can end up being a “real” first page, that’s not their purpose here.

But, having said all that and finding no cocoa in the house, I’ll react to these as if they’re “real” first pages.

Comments are scattered throughout each piece, then a general reaction afterward.

* * *

           Teresina paused.  I can’t say why, but I love this first sentence.  With each step, the forest had grown darker, colder, and yet even more beautiful. A harsh beauty, though, like that of a falcon’s cry as it pierces the sky. Great description. Here in the forest, all was still, nearly silent. Even Teresina’s footsteps made no noise as she glided over the smooth icy ground.

            The reflection of Her flaming hair, her skin – warm as the fuzz of a peach in the summer sun, just picked from the tree – glowed in the ice beneath her feet and the meager gleam of light from above. The hot and cold mix is confusing because I’m not sure which are visual references and which are references to actual temperature. She would have shivered, were she fully human. Oh yeah.

           Instead, Delete the cool grey light illuminated her way, reminding her of the silvery skies before snow arrives. But no snow had come this year, nothing more than a crisp chill at night, and Teresina’s mother grew weary, exhausted with her efforts.  This is confusing. I’d just delete it. Fall was supposed to be a short season, and Mama was made for sprinting, not the slow trudge this year’s fall had become.  good description

Where was Bruma? The earth needed rest. Mama needed rest. Teresina stood, gazing down the avenue of trees. Bruma
might be late, but always, always, she appeared, glittering and chill needs different word, adjective, not noun to take the
world from Mama’s hands in her turn and give the earth its solemn, shrouded winter. Very very nice. Just as night fell and day retreated, so the seasons each took their turn, keeping the world in its course.

Teresina clutched the opaline bag in her hand a little tighter. Maybe the bribe would convince Bruma to wake and do her duty?

Maybe Bruma wouldn’t think of it as a bribe. Ma

9 Comments on Free Fall Friday with Susan O’Keefe, last added: 9/3/2011
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2. What the SCBWI Is and Is Not

What the SCBWI Is and Is Not
by Susan Heyboer O’Keefe
  
The Society of Children’s Books Writers and Illustrators — will it be one of the best things to happen to you or a huge disappointment? The answer may depend on what you bring to your membership.

Of course, you’re bringing with you excitement and enthusiasm. But are you also bringing expectations that lie beyond SCBWI’s scope? To get the most out of your membership, it’s helpful to know what the organization is and is not, and what it can and cannot do for you.  

SCBWI is a professional association. In almost every field, joining a professional association indicates your readiness to take your work to the next level.SCBWI is the best known and best respected group of children’s writers and illustrators in the country. It helps present us as a single voice, looking out for our general interests in such matters as contracts, copyrights, and so on. 

SCBWI is a means to educate yourself. The organization offers great how-to articles in its newsletter, as well as other helpful information in its brochures. It runs national conferences, while chapters run smaller conferences and workshops. Your chapter will also help you find a local critique group. All these tools are the grit and polish that can make your work publishable.

SCBWI is a competitive edge. Trying to leap out of the slush pile (or, in this post-anthrax world, just getting into a slush pile), an SCBWI member has the edge over the person who writes something on a whim. Editors know that a manuscript from an SCBWI member is usually correctly formatted, targeted to the right publisher, and competently written; therefore, an SCBWI manuscript receives serious attention. Some editors will look at queries and manuscripts from unagented writers only if they’re SCBWI members. Finally, the print and electronic newsletters provide members with inside market tips long before they become public knowledge.

SCBWI is a way to network. As doors to unagented, unsolicited material close, personal contact becomes the key to getting published. Meeting editors at conferences remains one of the best w

3 Comments on What the SCBWI Is and Is Not, last added: 3/8/2011
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