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On March 5, Marie Mutsuki Mockett and I will be reading and talking about exorcising the past (all meanings of exorcise possible) at McNally Jackson at 6 p.m.
Marie’s wonderful new book, Where the Dead Pause and the Japanese Say Goodbye, is about death and grief and family and ghosts and so much more. She’ll read from it, and I’ll read from the working introduction to my book on the science and superstition of ancestry, and then we’ll talk about all of that and take questions and comments from you. Hope to see you there!
This image is from one of Marie’s childhood notebooks; she shared it with the Asian American Writers’ Workshop when they visited her writing studio.
Government is conventionally considered the source of citizens’ property security. And in the contemporary developed world, at least, often it is. In the historical world, however, often it was not. In eras bygone, in societies across the globe, governments didn’t exist—or weren’t strong enough to provide effective governance. Without governments to govern them, the members of such societies relied on self-governance.
Self-governance refers to privately supplied institutions of property protection—whether designed by individuals expressly for the purpose, such as the “codes” that pirates forged to govern their crews in the eighteenth-century Caribbean, or developed “spontaneously,” such as the system of customary law and adjudication that emerged to govern commerce between international traders in medieval Europe. Reliance on such institutions, especially in historical societies, is well known. Less widely recognized or understood is historical societies’ reliance on superstition—objectively false beliefs—to facilitate self-governance.
Consider the case of medieval monks. Today monks are known for turning the other cheek and blessing humanity with brotherly love. But for centuries they were known equally for fulminating their foes and casting calamitous curses at persons who crossed them. These curses were called “maledictions.”
Between the tenth and twelfth centuries, wealthy monastic communities in West Francia—a territory encompassing much of modern-day France—confronted great property insecurity. Under the Carolingian dynasty, a system of royal justice protected monks’ property. But in the 10th century that system broke down. As public authority degraded, petty fiefdoms emerged headed by strongmen accountable to no one but strongmen stronger than themselves. Because many monastic communities lacked military means of self-protection, their extensive properties laid unprotected, like sitting ducks, for strongmen interested in plundering them.
To cope with this threat to their property, monks resorted to maledictions. These curses’ particular forms varied, but their basic features were similar. Maledictions were (a) hurled publicly by men of the cloth (b) at the depredators of their property (c) under the ostensible authority of God and through His imprecatory power (or that of his agents, such as saints), (d) using the arsenal of holy execrations that litter the Bible.
Monastic fulminations threatened their targets with divine wrath while targets still inhabited this world:
“we curse them . . . unless they . . . give back what they unjustly took away . . . . May they be cursed in the head and the brain. May they be cursed in their eyes and their foreheads. May they be cursed in their ears and their noses. May they be cursed in fields and in pastures . . . . May they be cursed when sleeping and when awake, when going out and returning, when eating and drinking, when speaking and being silent. May they be cursed in all places at all times.”
They also threatened targets with punishment in the next world: “let him be excommunicated and cursed as well as damned forever with Judas the traitor and with the devil.”
It’s not hard to appreciate how the specter of being cursed with such maledictions affected the incentives of would-be monastic plunderers who believed in the power of monks’ “God damns.” In lieu of state-administered punishment for violating their property, monks’ maledictions promised supernaturally-administered punishment. By raising the cost of raiding their lands, this punishment reduced strongmen’s payoff of appropriation, which in turn reduced the likelihood that monastic communities would be plundered.
Malediction’s power to improve monks’ property security in this way depended critically on citizens’ superstition—their faith in monks’ ability to recruit God to punish them if they preyed on monks’ lands. Thus, in order to “work,” monastic maledictions couldn’t be just any kinds of curses. They had to be curses that were grounded in citizens’ existing beliefs and, equally important, couldn’t be falsified—i.e., couldn’t generate evidence of their bogusness that would undermine maledictions’ property protecting power by turning curse believers into non-believers.
By using Biblical curses, monks borrowed on the authority and sanction given holy imprecations by God Himself according to medieval Christian belief, which viewed this book as divine. And by rendering their curses maximally vague and encompassing—“May they be cursed [in all ways] in all places at all times”—monks ensured their maledictions could never “fail” and thus never produce evidence that cast doubt on their validity. After all, at some point in his life the target of a monastic curse was certain to befall some misfortune. Even if he didn’t, since maledictions also commonly cursed one in the afterlife, it was impossible to rule out the possibility that a curse unrealized so far would “come true” eventually.
Monastic malediction was a highly imperfect institution of private property protection. Like other superstition-based institutions of governance, its potential effectiveness was limited by the strength of the belief in the superstition in which it was grounded; and even in medieval Christendom, skepticism certainly existed. Still, medieval monks wouldn’t have resorted to hurling “God damns” at their predators unless they expected to improve their property security by doing so, and their continued willingness to just that when public authority was unavailable suggests their expectation was well founded. Superstition, it seems, facilitated monastic self-governance.
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Image credit: Portrait of a Franciscan Friar, c. 1540–42, by Jacopo Bassano. Kimbell Art Museum. Public domain via Wikimedia Commons.
Vladimir Nabokov wrote his novels on index cards; Alexandre Dumas pere his non-fiction, fiction and poetry on different coloured paper (rose-pink, blue and yellow respectively). Edith Sitwell lay in a coffin before setting pen to paper; Colette prefaced writing by picking the fleas from her cat. Samuel Coleridge took opium, George Sand smoked cigars. Truman Capote only wrote on the sofa or in bed. John Cheever used to get up and into his only suit and take the lift down to the lobby with everyone else on their way to jobs in the office, then go to the basement, take off his suit again, and sit down in his underwear to write.
Colette: looking for fleas (by Jacques Humbert)
Superstition, habit, fetish, procrastination, ritual, magic, the muse. The Ancient Greeks burnt offerings on altars. Medieval poets had visions and fits. These modern stories (possibly apocryphal: writers make things up) of the lengths authors will go to harness their creativity are grist to the mill we keep turning out the myth of the writer as inspired, idiosyncratic genius.
But do these things really matter to writers, and to those wanting to know how to write, or are they a distraction? Surely what you need is rather more dull: to understand language, make up a story, and have the time and discipline to put that story into language. Do you really need a bizarre daily working habit, a superstition, a lucky charm, a (as people like to call it these days) ‘process’?
I need coffee; I need absinthe. I require music. I insist on silence. Special paper; my favourite pen. Only early mornings. It has to be late nights. It’s interesting that these superstitious rituals of inspiration are also generally means of repression, a way of fencing about the creative moment, defining its limits, at once trammelling and setting free. We dull our nerves with drugs so our neurons may fire, deafen our ears with music so as to hear our inner voice, confine our bodies to bed so our minds may travel far.
George Sand, sans cigar (by Eugene Delacroix)
A friend of mine sums up his prerequisite to creativity in one word: boredom. I understand that. When you’ve gone past utter boredom’s mix of frustration and desperation, and reached the knowledge that there is nothing else to do, nothing else that is good enough; when you’re the blank fog, the empty slate, then it’s almost as though there is no choice
6 Comments on Because it’s Friday the Thirteenth – Lily Hyde, last added: 4/14/2012
Lovely post - I enjoyed it. I don't have any set rituals, although I often use a kitchen timer to stop me worrying about all those other nagging tasks to be done. (I'll spend an hour writing and THEN I'll wash-up,change the bed, shop etc.)
It's intriguing to hear about the rituals of all these writers - thanks, Lily, and for the pictures!
Taking yourself to a space where there are no personal demands other than the writing task - cafe, shed, a friends empty room while they are out working - can work well if it's possible. It's not here, so I'm another one voting for the timer
Hmm. That writerly basement underwear may well have been long johns & vest rather than teeny boxers so more respectable than one imagines. Oh! Am writing this in my dressing gown . . .
Yes, Penny, I think an empty space away from usual distractions really helps - for me it's linked to the boredom thing; if you're in a friend's empty room or a shed, there's actually nothing else to do.
I'm really worried now about Cheever shivering in his underwear all day, even if it was more substantial than that of today's men. And I want to know if he kept on his shirt, tie, waistcoat etc or shed those too.
The opposite! When other things are clamouring to be done, I want to ignore them and write and become protective of every minute. When there is plenty of time to write, I fritter it away until things get desperate.
I don’t like to think of myself as a superstitious person, primarily because it seems kind of silly. That being said, I’m superstitious, whether I want to admit it or not.
For example, years ago I made a decision not to tell anyone in the office about a book I was excited about until I had finished most of the manuscript. Why? Because it seemed that every time I got excited enough to tell everyone about those first few chapters the rest of the book would fall apart. I was convinced that if I kept it a secret the book would hold together.
When an editor calls to tell me she’s excited about a book or getting second reads from others in-house I purposely keep my game face on for the editor, the author, and for myself. In other words, I squash any premature excitement. I don’t want to jinx it.
BookEnds has a weekly meeting and each week I need to type up my agenda notes on sales, negotiations, submissions, etc., for discussion during the meeting. I will not add any book to the sales column until negotiations are fully final. Even if we’re 99% there and I know it’s a done deal, I will not add it. Again, I don’t want to jinx anything.
What about you? When it comes to your writing career, is there anything you’re superstitious about?
Jessica
21 Comments on Are you Superstitious, last added: 8/31/2010
About the only thing I can think of is that I stopped typing the words THE END on any manuscript not ready for submission. I may have written through to the end of the story, but if I've still got editing and polishing to do, I'm not really finished, so why take the chance of bad juju by pretending I am?
I fall into the same category that you discuss. Every time I discuss my excitement about a book's first few chapters, I find myself not working on it soon thereafter.
This summer it took all my strength to keep from announcing my progress on a book I started in 2001. It was the first time I had ever gotten past halfway on writing the first draft of any book.
I kept working on it and finally in July, I made it to the end of the book. At that point, I did announce my progress on the book. Now, I am working on editing it. To my surprise, I find it is fun mainly because I never made it this far before.
I look forward to finishing my first round of edits in September. Then I will start the final edit. Never made it there yet but hope to. Then again, I can find myself in a situation where I have to say "enough is enough," and declare it finished. But look forward to getting it critiqued.
Now, I just hope I did not jinx this part of my progress. Oopss, typn has jus gotn hardr wif my fingrs crossed. (Big Grin)
Dennis Clarkston AKA Clark Stone
Anonymous said, on 8/30/2010 5:59:00 AM
I love this post.
I do this too, with agents requesting fulls. Or those that are "excited" by the partial and "eager" to dive into the full.
It seems to never work out. There's hesitation or reluctance and they wish me the best and know it will find an agent, but just not them. Ugh.
I've got and agent now that is "pleased" with the full and needs a little more time with it. Dear God, please....!!
But like you said, I don't even tell anyone, because it's too hard to keep explaining why an agent ended up passing. In fact, since I've been agented previously, I know I won't tell anyone if I do get an agent, I'll only tell them if the ms sells.
No one knows what my current book is about. I haven't left a clue as to the title or genre anywhere on my blog either, because I don't want to jinx anything. When I find my agent and the book sells, I'll let the cat out of the bag. Until then luck be a lady. (Hugs)Indigo
Haha, I so understand this. I'm not superstitious about my career in particular, but about jinxing things in general. If I say something WILL happen, it won't, and vice versa. So now I try to add disclaimers like "I think" or "I hope" first, and if I forget, I knock on wood. (A friend gave me a wooden keychain to carry with me at all times, and I do!)
I used to do the new telling thing. Now I'm always writing so that's like saying, "Hey, I'm breathing!" I don't say it, but I'm not scared to say it if it's relevant to the conversation.
I would not say I have an agent until I have an agent. I would not say I am being published until the publisher has actually approved the publication. Those are, unfortunately, hypotheticals.
My biggest one right now (and this has killed manuscripts, so I'm serious about this), I don't put a working manuscript into a project folder until it's done. I have a folder for writing, inside that are the different forms (short, novel, play, etc) and inside that are the folders for the individual works. Those works only get folders once they're done. If I make a folder at the beginning, the thing crashes and burns.
I started to make this mistake with the ms I just finished. I created the folder, moved the accessory files in there, realized my mistake, and left the actual ms where it was. There was a week or so of hard writing, but I got through it.
I won't start a new book unless it's a Friday. I'll never talk about anything unless it's in writing. And I refuse to show a new manuscript or wip to anyone but the editor, on the day I submit. ...And I only submit mss on Thursdays...after three pm...
I'm not superstitious about my writing process. I do keep quiet about my newer ideas until they're pretty firm in my mind. But that's because I feel vulnerable, not superstitious.
I have a routine that works for me in regard to my writing and the subsequent process thereafter, but it's born more out of utility than superstition. However, I try not to write the Lord's name in vain...at least before noon :)
My superstitions tend to make me "guarded". In the very beginning, I never even told anyone that I was writing a book, I didn't want them to say "you? right", or some such other quashing comment. (not that my family would).
Well, it's been years now and although that book is long finished, I still don't like to talk about my current wip to family. It seems, however, that I am better at being honest with strangers. I am able to let out all my angst etc. with my blog followers. They are people in the same boat so I know they're not going to judge me. For me, it has really helped keep me on the straight and narrow and I'm not as guarded as I used to be.
Philangelus: I am somewhat crazed about backups myself. My husband, aside from his main job working in finance, does programming as well, I have heard countless stories of people losing the contents of their hard drive on more than one ocassion and they had not backed up in a long while. This will never happen to me.
Sounds to me like you are just protecting yourself from disappointment, whick is quite rational--better to be pleasantly surprised that get your hopes up and be crushed.
Me, on the other hand... I query in batches of 13 and send them on dates that mean something. Because I believe? No, because it seems less painful if I make a game out of it.
I always write the end of the book before anything else. Otherwise I always end up not finishing the book.
And I don't scream the name of the Scottish Play in a crowded theatre--oh wait, that's an actor thing ;)
Anonymous said, on 8/30/2010 11:53:00 AM
yep!!
Rosemary said, on 8/30/2010 12:31:00 PM
As one who has been long indoctrinated into my family's Italian superstitions, I never risk the evil eye if I can help it. (But I draw the line at wearing one of those gold horns.)
When I go to the mailbox or even check my email. I deliberately open everything else but that one response, even if it was something I've been waiting on. B/c if I get too overly excited about it, it always turns into something bad.
NY: Viking, 2006. ISBN (hardcover) 0670034827 9780670034826 ISBN (paper) 9780143038252
Michael Sedano
An interesting variation in the subtitle of David Oliver Relin’s telling of Greg Mortenson’s story illustrates two ways to sell the book. The hardcover book calls itself “One man’s mission to fight terrorism and build nations-- one school at a time.” The paperback edition titles itself, “One Man's Mission to Promote Peace . . . One School at a Time.”
The work offers a creative nonfiction account of a mountaineer who stumbles off the Himalayan peak K2 in 1993. Taking a life-threatening wrong path, he stumbles into an unmapped village far from his intended landing. It’s a life-changing error, both for the mountaineer and the villagers who save Mortenson’s life.
During his recuperation in the village, Mortenson observes the village girls conducting school in the open air because they have no teacher nor a structure. He promises to return and build the girls a school. The adventurer’s gratitude takes on missionary zeal and he cannot stop with the one promise, instead devoting his career to building schools for girls across rural Pakistan. By September 11, 2001, Mortenson’s success has led him to Afghanistan, where he runs afoul of the Taliban, opium traders, moujahedeen, and the CIA. Here is the source of the spin given by the hardbound subtitle as the final chapters of the story focus on Mortenson’s experiences in Afghanistan. It’s an inescapable perspective, but the paperback volume’s subtitle about peace more accurately describes the likely outcome of Mortenson’s actions had there been no attack by the U.S., and a workable strategy should our nation choose alternatives to invasion and religious enmity.
The girls and villages benefiting from Mortenson’s work are Muslim. Mortenson is the son of Christian missionaries and not a convert to Islam. While religious schism plays little role in Mortenson’s commitment, it informs the story in surprising ways. The fathers and village men do not oppose education for their girls, yet one conservative cleric declares fatwa on Mortenson’s efforts, preventing building schools in the region. All of Mortenson’s local supporters are Muslim, too, but are powerless to intercede directly on his behalf. Instead, they petition the “supreme leader” of the Shia in northern Pakistan, who not only declares the fatwa inconsistent with Islam, Syed Abbas offers his wholehearted support to Mortenson’s project.
The story of Mortenson’s various projects fills the book with numerous emotional peaks. Dismal stories of government incompetence, generations of neglect, and abject poverty are sure to be depressing. Then, when the reader gets to see villagers hauling heavy loads up steep mountain tracks, followed by frantic construction ahead of winter culminating in the opening of a girl’s school, knowing that these children’s lives have changed forever is sure to bring tears to all but the most cynical eyes.
Three Cups of Tea offers a compendium of intercultural communication. “Dr. Greg,” as Mortenson is known, adapts to local custom. A natural linguist, he becomes proficient enough to earn the honor explained by the title. Mortenson’s second father, Haji Ali, teaches him that the first cup of tea taken with a villager is taken as a stranger and given out of obligation. The next cup is offered for a guest. The third cup makes one a member of the family.
Perhaps guilelessness helps. In one frightening instance, Mortenson disregards a friend’s advice never to travel alone. He finds himself imprisoned by a warlord and seems at risk of being executed. Beheading has not yet reached the news, so Mortenson fears only being shot. He doesn’t speak the captor’s tongue—he is blazing a trail into new territory—and requests a Koran. Having learned the proper manner of ablution from one informant, and how to read the pages from an illiterate, Mortenson makes a favorable impression. Doubtlessly, the captors have checked out Mortenson’s background and they release him.
Mortenson’s good works created a good name for “Dr. Greg.” As he advances into Afghanistan’s northern frontier, he goes in search of the principal commandhan of Badkshan, a man described as tying spies between two jeeps and pulling their bodies apart, the fiercely reputed Sadhar Khan. Alone and lacking any documentation, having sneaked into town hidden under rotting goat hides, Mortenson approaches a jeep of substantial appearing men. In a strange coincidence, or perhaps a bit of fiction has sneaked under the radar here, when Mortenson says he’s looking for Sadhar Khan, the driver says he is Khan! After a few moments explaining why he’s here, Khan shouts, “You’re Dr. Greg!” A couple years earlier, some riders had appeared near the Pakistan border after an eight day ride, beseeching Mortenson’s building a school for their village. Mortenson had promised he’d see what he could do and was in Badkshan looking to keep that promise. The riders were employees of Sadhar Khan, and they had related the story of the schools and water projects Dr. Greg was fomenting.
Three Cups of Tea has won numerous prizes. The CAI, Central Asia Institute, lists them on their website: Kiriyama Prize - Nonfiction Award, Time Magazine - Asia Book of The Year, Pacific Northwest Booksellers Association - Nonfiction Award, Borders Bookstore - Original Voices Selection, Banff Mountain Festival - Book Award Finalist, Montana Honor Book Award. Throughout the book, however, come allusions to the ultimate prize, the Nobel Peace Prize. Cynics might point to the softcover subtitle as evidence of a campaign to garner that for Mortenson and his CAI. The hagiographic treatment of Dr. Greg’s career might offer support for that view, if not for the actual good that inheres in building schools for girls in the middle of a culture that putatively forbids that type of education.
There may be a segment of reader who would dismiss Three Cups of Tea as one of the “blame America first” crowd. The “fighting terrorism” spin might support that view. For example, as the book draws to a close we see Mortenson meeting Donald Rumsfeld and being fascinated by the man’s expensive and highly polished shoes. Mortenson addresses a military audience at the Pentagon and relates the contradiction between the U.S. war machine and the need for security, telling them:
“these figures might not be exactly right. But as best as I can tell, we’ve launched 114 Tomahawk cruise missiles into Afghanistan so far. Now take the cost of one of those missile tipped with a Raytheon guidance system, which I think is about $840,000. For that much money, you could build dozens of schools that could provide tens of thousands of students with a balanced nonextremist education over the course of a generation. Which do you think will make us more secure?”
Mortenson has his day before the military to no impact, except for a man who offers him unlimited funds to build schools. But Mortenson recognizes his doom would come from any association with the military and he turns down the bribe. Later, he discusses terrorism and security with a Pakistani Major General. They are watching CNN images of civilian casualties in Baghdad. (p. 310)
“Your President Bush has done a wonderful job of uniting one billion Muslims against America for the next two hundred years.”
“Osama had something to do with it, too,” Mortensen said.
“Osama, baah!” Bashir roared. “Osama is not a product of Pakistan or Afghanistan. He is a creation of America. Thanks to America, Osama is in every home. As a military man, I know you can never fight and win against someone who can shoot at you once and then run off and hide while you have to remain eternally on guard. You have to attack the source of your enemy’s strength. In America’s case, that’s not Osama or Saddam or anyone else. The enemy is ignorance.”
To writer David Oliver Relin’s credit, he controls the political spin exemplified here, spinning out just enough politics to contrast with the warmth and love that fill the first two hundred pages of the book. It’s clear why the hardcover came out with the “fighting terrorism” tag, given the closing pages’ focus on the existing conditions Mortenson works under. That he’s continuing the work building schools for girls in Muslim countries—and finding support from religious and ordinary citizens—is truly encouraging. Wouldn’t it be great if some reader in political authority is reading and learning the cultural lessons of this hopeful book?
That’s the final Tuesday of leap year February. La Bloga welcomes your comments and responses to what you read, or don’t read here. And, as we frequently offer, we welcome guest columnists. Let us know by leaving a comment, or email here, that you have something to say.
Ate, mvs.
0 Comments on Review: Three cups of tea. Greg Mortenson and David Oliver Relin as of 1/1/1900
Anonymous said, on 2/26/2008 7:41:00 PM
"Three Cups of Tea" is a great book. Also worth your attention is "Mayada". One of the most important Mexican novels is "Pedro Paramo" by Juan Rulfo. There is so much to learn. Thanks for the mention of "Three Cups of Tea".
0 Comments on IF - Superstitious Rituals as of 1/1/1900
Diana Evans said, on 11/19/2007 11:49:00 AM
cute...love the witch
tekentijger said, on 11/19/2007 12:56:00 PM
hehe, very funny!
Kelly Medina said, on 11/19/2007 1:00:00 PM
haha, this cracked me up. Great illustration!
JO said, on 11/19/2007 2:42:00 PM
Very funny, especially with all the black cat illo.
Angela said, on 11/19/2007 6:37:00 PM
I love the smug look on the white cat! :)
studio lolo said, on 11/19/2007 6:57:00 PM
Michelle, you're a genius!!!!!
Coloribus said, on 11/20/2007 12:02:00 AM
Very beuatiful illustration, I love the white cat ! :o)
Kstyles said, on 11/20/2007 4:10:00 AM
Hehe. Such a great sense of humor. Great illo as always.
pati @-;-- said, on 11/20/2007 7:15:00 AM
lol she has a white cat! and even so, I bet her powers are bigger!
Abrazos Mitchie :-*
RyanLoghry said, on 11/20/2007 7:55:00 AM
Great pose on the witch character, terrific concept/take on the topic, and as always I love your character designs. 8 )
buep said, on 11/20/2007 11:01:00 AM
Lovely, Michelle! Great characters :)
Pickledog said, on 11/20/2007 8:21:00 PM
Great twist!! Wicked fun Michelle.
FRANK M HANSEN said, on 11/20/2007 9:13:00 PM
Very nice work. Love your Blog.
sketched out said, on 11/20/2007 9:30:00 PM
Adorable and humorous twist on an old theme. You really have a great style!
Chabada said, on 11/21/2007 5:20:00 AM
Hi hi hi hi ! The white cat !!! I love it's expression ! Well done !
Tony LaRocca said, on 11/21/2007 5:22:00 AM
I love the eyes (of Newts?) in the cauldron!
nina seven said, on 11/21/2007 7:03:00 AM
Great piece, as always. I always love your illos!
tusen said, on 11/21/2007 3:38:00 PM
hehe, great :) the cat's expression is priceless.
Brine Blank said, on 11/21/2007 4:54:00 PM
Great twist...I like all the little details...and since I saw yer cartoon network props...I hope you get to check out the live action Ben 10 coming on in about 6 minutes!!!
nina seven said, on 11/21/2007 8:31:00 PM
Hi Michelle - I just tagged you for "5 things about yourself". If you are interested see the rules on my blog. I hope you haven't been tagged already! Have fun!
mrs. b. said, on 11/22/2007 12:17:00 AM
Hi Michelle, I hope all's well!! I love your illo as usual, so adorable!!
Tracy said, on 11/22/2007 8:41:00 PM
Cute one!
ValGalArt said, on 11/25/2007 6:49:00 PM
haha very clever and funny!
robert casumbal said, on 11/28/2007 10:51:00 PM
hehe... cute lil' witch!
Frizz said, on 11/30/2007 7:55:00 AM
You've been tagged!! Tell me 5 things...if you want to play!
Emila Yusof said, on 12/3/2007 11:17:00 PM
Lol Michelle! This is super cool! Love the witch!
An said, on 12/7/2007 6:14:00 AM
Escelente y muy agradable trabajo :) Saludos
AscenderRisesAbove said, on 12/8/2007 7:19:00 PM
i think that white cat is a ghost kittie?
ascenderrisesabove.com/wordpress
Angela said, on 12/9/2007 8:36:00 PM
Hi Michelle, I've tagged you for the 25 Top movies meme. :)
There comes a point where you need to make a stand, to do something different and break out from the mold. Some teens dye their hair blue (me) or pierce their lips (my sister). Amal Mohamed Nasrullah Abdel-Hakim, an Australian-Palestinian teen, decides to wear the hajib full time.
I believe it will make me feel so close to God. Because it's pretty hard to walk around with people staring at your "towel-head" and not feel kind of pleased with yourself--if you manage to get through the stares and comments with your head held high...I guess when I'm not wearing the hajib I feel like I'm missing out.
And there are a lot of heart-warming moments as Amal finds she's underestimated most of the people around her and their acceptance of her decision.
But really, this book is funny and light and fun. Amal's decision is sparked by that Friends episode where Rachel, instead of running away from her ex-fiance Barry's wedding, instead gets up and sings "Copacabana". Plus, the reaction of her Muslim friends is great.
Leila already is a "full-timer"
"I'm bored... There's nothing on TV. Either I'm stuck watching Oprah give away vacations and cry about her book club or I've got to watch Dr. Phil tell me why carrots provide self esteem." "Guess what?" "What?" "I'm thinking of going full-time." "You got a job?"
Yasmeen is a part-timer, like Amal used to be.
"This means we have to go shopping soon and get you a whole new wardrobe. Mix-and-match spree."
The book is fun. There's the usual trouble with boys (made more difficult by the fact Amal doesn't date) and popular girls (made more difficult by racism) and cranky neighbors who just need a friend to listen.
Abdel-Fattah has written a lovely book about the normal ups-and-downs of any teenage girl, with Australian-Palestinian hajib twist thrown in. In light of that, I'm wondering about the inclusion of the subplot involving Leila, who is forced to do all the cooking and cleaning while her mother tries to constantly marry her off. It seems to negate the point Abdel-Fattah is trying to make, unless she's using it as a foil.
Overall though, I greatly enjoyed.
4 Comments on Multi-Cultural Rebellion, last added: 8/23/2007
I just checked out this book from our library (the perks of working there... you get first dibs on brand new ones)...and I'm looking forward to reading it. Thanks for the great review!
Jennie said, on 8/15/2007 12:35:00 PM
I love the first dibs! Of course, with people being able to put holds on from their home computer as soon as the book is ordered... it evens things out a bit (which is probably a good thing)
Let me know what you think!
Lotus Reads said, on 8/23/2007 4:25:00 AM
Another great find Jennie, this is definitely going on my wishlist. My daughter's new school has a number of hijab-wearing students and she has often mentioned them so I know she is curious about the hijab and why the girls wear it and so on. This book might be a nice one for her. Thank you so much!
Jennie said, on 8/23/2007 11:05:00 AM
Lotus--
This was a great book. It was a little message-y, but mostly it was teenage girl fun. Let me know if she likes it!
Yesterday we posted a Q and A with Philip Jenkins author of God’s Continent: Christianity, Islam, and Europe’s Religious Crisis. Below is an excerpt from the first chapter Jenkins’s new book. Check it out below.
Your Religion Tomorrow
If Europe were a woman, her biological clock would be rapidly running down. It is not too late to adopt more children, but they won’t look like her.- Philip Longman
don’t do things that will bring you bad luck:
walk under a ladder
break a mirror
marry a Kardashian