How to use this Page

Title: Lark

Cost: Free

Platform: iOS

Many youth services specialists will be familiar with Lark's parent site, Storybird, which enables dazzling yet simple drag-and-drop digital storytelling. Like Fridegpoems by Color Monkey, Lark, Storybird's Poetry app, is a digital incarnation of a refrigerator magnet poetry set, inspiring creativity within a finite vocabulary set as you move and reorder the words it generates over an image.

A lightning bolt icon launches a new project. You can browse art in a gallery, search by keyword or choose a random different background or word bank by swiping left. Many of the images, alternatingly fantastical and almost unbearably poignant, look as if they were cribbed from vintage picture books. You can also use a color picker to change the colors of the words on screen for optimal artistic impact. The overall effect is quite attractive and quickly achieved.

You can post your creations to the shared database, save it to your picture roll, and Lark has the usual social sharing components built in, too.  If you're not feeling inspired, you can browse poems, follow those you find compelling, and "heart" or comment on poems you like. You can also block and unblock users, though the controlled vocabulary makes it pretty problem-free for school use, but registration through verified email is required.

Lark is designed for iOS 7 and is compatible with iPhone 4s and later. It isn't available for Android devices or optimized for iPad. Featuring it on public devices would make for an easy drop-in program for National Poetry Month, or working with a group to generate a poem with time constraints could prove a fun contest.

Have a suggestion for an app we should highlight? Let us know. And don't miss the hundreds of other great apps in our Archive.

by Molly O’Neill

It’s day [whatever] of PiBoIdMo when it finally happens . . . you run out of ideas.

The blank page. It mocks you. And you’re panicked, because you’ve already plundered every cute/amusing thing your kids/pets have ever done, looking for inspiration. You’ve already turned your own experiences into rollicking, rhythmic (but never rhyming!) texts. You’ve perhaps even transformed Buzzfeed videos about unexpected animal friendships into whimsical odes to human emotions.

So now what? Well, now comes inspiration in the form of one of my favorite quotations:

 “The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”                                                                                                                                                     —Marcel Proust

Even though this quote is nearly 100 years old, it’s meaningful, especially for a writer. In fact, Proust probably made this observation because as an author himself, he knew well that reaching past one’s initial, obvious, or cliched ideas to a place of true, fresh, personal creativity is among a writer’s greatest challenges—and greatest triumphs, when achieved. So, in Proust’s spirit, here are 5 tips to train your eyes, make new discoveries, and ultimately shape your words as a writer.

1. Warm up your vision. Take one of your favorite ideas from a previous day’s writing and spin it into something fresh and new by changing one key element—like the point of view, the setting, or even a character’s identity. Switch the narrative voice from first person to third person, or turn from a contemporary setting to one that’s exotic or faraway or historical or fantastical. You can even turn human characters into animals and vice versa, or swap who the reader will see as the story’s hero/villain. And since the shape of your story was already established in your earlier creation (whether it was a full manuscript or just a simple outline), you’re temporarily free from thinking about plot and can instead play with transformation-enhancing details of voice and language. You may even realize that you enjoy the resulting version of the story more than your original! (An aside—one of my favorite books on writing covers similar ground: exploring how shifts in perspective can spark your creativity: check out 99 Ways to Tell a Story by Matt Madden.)

2. Train your new eyes in real life. For one week, outlaw yourself from taking even a single photo. Every time you reach for your phone or other device to take a photo, force yourself instead to capture the moment differently, using only words! At the end of the week, select your favorite of these moments-turned-into-words on Facebook or Instagram and ask your friends and family if they can “see” the moment through your words alone. (If you like, snap a photo of your screen or notepad for more effective/visual social sharing.)

3. Watch for details that make you ask “why.” Stories don’t always arrive in your mind, fully-imagined. Often, they start with a simple-but-intriguing image or detail, and the author’s curiosity to explore the story behind it. So study everyday life for places where paradoxes happen and tensions meet—for moments are memorable and yet unexpected at the same time. If you’re writing a humorous story, these details can sometimes add a layer of ridiculousness or absurdity that picture book readers will delight in. But more importantly, they make readers ask “why” enough to keep on turning pages. For example, imagine: Best friends who are suddenly not speaking, and no one knows why. A castle with a doorway that’s too small for any of its inhabitants to walk through. An abandoned home with a gift-wrapped package waiting at the door. With any of these jumping-off points or thousands of others like them, you can often reveal an interesting story to yourself (and your future readers) if you ask enough whys or what-ifs.

4. Reverse the story-making process with visual storytelling. Many writers are accustomed to thinking that text always precedes art. But exercises in visual storytelling can engage your creativity in entirely different ways—making art an integral part of your creative process. To try this type of hybrid creativity, explore Storybird, which houses a curated collection of high-quality, original art and offers free and simple creative tools for authors. Simply select an image that catches your eye, and then use the art to enable your writing in one of countless ways—it can help spark or inspires story ideas; help you “unlock” or puzzle your way through a story, offering visual clues and perspective to offset your own imagination and talent with words; or simply enhance a story you’ve already been imagining. You can keep a story private, and share the link only with those you choose (like critique partners or friends/family); or you can add your stories into Storybird’s public library to get swift feedback from millions of young readers worldwide who use the platform.

5. Remember that less is more. In art or photography, “negative space” is the white space in and around an image’s subject that helps viewers focus. For writers, there is sometimes a temptation to think that more words = better. But just like negative space can enhance artwork, sometimes a few well chosen words will say far more than an endless ramble. Fewer words means that each carries more power, so their precise selection and arrangement matters more. Similarly, remember that what’s not on the page is just as important as what is, and if a detail of your story can be portrayed through artwork, then it rarely needs to be repeated in the text. Your job as an author is to decide what does not belong in a story, as much as what does!

Here’s hoping you arrive at the end of these exercises—and PiBoIdMo—with powerful new eyes that would make Proust proud. Questions? Thoughts? Please share them, and your own suggestions to fellow writers seeking creative vision and unique perspectives, in the comments.

Molly O’Neill is Head of Editorial at Storybird where she works at the intersection of story, art, technology, and new publishing opportunities for authors and artists. Previously she was an editor at HarperCollins, where she launched the careers of talented authors and illustrators including bestselling phenom Veronica Roth (author of Divergent), heartwarming award-winner Bobbie Pyron (author of A Dog’s Way Home), and the distinctive narrative and visual voices of S. J. Kincaid (author of Insignia), Hilary T. Smith (author of Wild Awake), Sarah Jane Wright (illustrator of A Christmas Goodnight), and many others. Follow Storybird on Twitter for daily thoughts on art, writing, and creativity.

Some students want to write more than what is required of them in writing workshop. Enter independent writing projects! But how do you go from being another set of eyes on some additional writing a student does to helping him/her go public with their work?

I have loved the idea of Storybird ever since I first heard of it. If you haven't, it's essentially a site where illustrators could contribute a number of images, whatever they liked, and users (mostly kids and students) would get on and write their own stories using those illustrations. That, in and of itself, was a big hit with educators.

Then, Storybird made it possible for you to create printed versions of the stories you made (the illustrators receiving a certain royalty) which was also cool.

Now, the good folk at Storybird are introducing a whole new concept—not just to their site, but to the publishing world in general—longform books.

I happen to be fortunate enough to participate in their initial go of it, and have been working on illustrating a fun YA mystery by Eliza Osborn called "The Mystery of Dogwood Cross."

Uploaded a handful of illos to my Storybird shop. Working on more.

Hi folks: Just found a cool website that allows you to write your own picture books by using an illustrator's artwork as the prompts. Storybird Weekly competitions and prizes. This week my picture book, The Dreamweaver, is a semi finalist. I'd appreciate your votes. Thanks, Gayle

by Mark Ury

Blogging always seems to include sharing some sad truth about yourself, whether it’s your obsession with trash TV or one too many trips to the freezer for more mint chocolate chip ice cream (P.S. these are examples and any resemblance to my life is coincidental). So here’s my share: I can’t draw.

Admitting you can’t draw isn’t much of anything, really. Over 90% of the world can’t draw. But context is everything. Admitting I can’t draw to my bowling friends isn’t worth a second glance (P.S. I don’t bowl), whereas sharing it with picture book writers and illustrators is like asking your bowling friends to switch to five-pin balls since your wrist is to weak to use the grown-up sizes (P.S. this has never happened). It’s kinda sad and wimpy.

Now, don’t feel embarrassed for me (P.S. you are not my mother). I have at my disposal an entire platform to compensate for my lack of artistic skills. With it, I can inspire myself to great heights and pen imaginative stories that kids everywhere read and love. But, sleazily cross-promoting my venture is not what this post is about (P.S. unless you find my venture intriguing and possibly useful, in which case we should have coffee and be friends). No. This blog post is NOT about (shameful) marketing or even (sad) admissions of inferior uses of pencils. It’s about music. Or, more specifically, it’s about how music helps me get the feeling of a story long before (and sometimes after) I’ve seen the images or typed the words.

It’s quite possible you are already familiar with how music can shape your work. If so, perhaps you might be better off reading Sarah Dillard’s post—it has cute bunnies. But if you’re like me (P.S. heaven help you), you may only be modestly aware of how music can be used to give your story the tone or pitch your characters are longing for (and, eventually, if you score that deal with HarperCollins, your readers).

For the longest time, I *thought* what was inspiring the tone of my writing were the images I would paper on my walls, stash in my notebook, or hide under my pillow (P.S. the images under my pillow were not at all being hidden from my mother). Weathered photos of Sid Vicious and Marianne Faithful propelled my early poetry. An image of Kate Spade holding one of her early designs became the central figure in one of my (wretched and unfinished) screenplays, and a stark image of Vanessa Redgrave has been taunting me to start my graphic novel (P.S. yes, you read correctly that I can’t draw).

But, upon reflection (.PS. while searching for a theme for this blog post), only recently did I notice that while images were influencing *what* I was writing about, the actual tone came from the music around me.

This story, about memory and love, was shaped by This is the Kit’s Two Wooden Spoons—an earthy and lush little song that I couldn’t get off of replay on my iPod. And my story about a gruesomely self-centered girl rose from the the chill of Radiohead’s 11 Comments on PiBoIdMo Day 17: Alter Your Rhythm Like Mark Ury, last added: 11/17/2010