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Viewing: Blog Posts Tagged with: Richard Bausch, Most Recent at Top [Help]
Results 1 - 4 of 4
1. Best of Powells.com 2014: Editor’s Picks

A lot of amazing authors contribute to Powell's Blog, and not all of them get the attention they deserve. Here's a look back at some of the most thought-provoking author posts to appear on Powells.com this year — along with four interviews that you really shouldn't miss. The World of Publishing: 1991 vs. 2014 by [...]

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2. Why Literature Can Save Us

Our title is, of course, a problem. "Why Literature Can Save Us." And of course the problem is one of definition: what those words mean. What is literature and what constitutes salvation? So I'll begin with a brief surface definition of the terms, since we probably all have our own and various ideas about what [...]

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3. Richard Bausch on sophisticated fiction

In today's Printers Row Journal, Kevin Nance interviews Richard Bausch about his new novel, Before, During, After. Complexity, Bausch suggests, separates serious fiction from other forms of entertainment. And I think, yes. Complexity. That's the word.

Q: The other intersection between public and private history in “Before, During, After” is indicated in the title. There’s a way in which these great calamities that happen — in my parents’ generation it was the Kennedy assassination, in my own generation it was 9/11 — seem like points of demarcation, watershed moments that define “before” and “after.”    

A: Yes, and it has to do with the discovery of complexity and the fact that there’s evil in the world — things that no amount of study or work or will or effort can change one bit, and we just have to somehow live with it. I think that’s what separates serious, sophisticated fiction from more trivial kinds of entertainment — although it all had better entertain or it’s a failure, no matter what its intent. 
    It’s all honorable and good, I should say; there’s no such thing as fiction writing that’s immoral — I don’t believe that at all. If it diverts and tells a story that involves the reader, it’s a good thing. If it’s boring, that’s different, but that’s another kettle of fish that has nothing to do with what the activity really is. I mean, Stephen King, who’s begun to get some cachet as the excellent storyteller that he is, used to be dismissed out of hand as some sort of hack. But if you read the guy, he can write like hell. There’s an aspect of what he does that could be defined as genre writing, but even that shows real thought and real intention, and people are starting to notice that.

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4. Shortcuts to Writing Well from Richard Bausch


Here's a wonderful reminder about the limitation of shortcuts and how-to manuals when it comes to learning the craft of writing. My favorite quotes?

This one:

If you really want to learn how to write, do that. Read Shakespeare, and all the others whose work has withstood time and circumstance and changing fashions and the assaults of the ignorant and the bigoted; read those writers and don’t spend a lot of time analyzing them. Digest them, swallow them all, one after another, and try to sound like them for a time. Learn to be as faithful to the art and craft as they all were, and follow their example. That is, wide reading and hard work. One doesn’t write out of some intellectual plan or strategy; one writes from a kind of beautiful necessity born of the reading of thousands of good stories poems plays… One is deeply involved in literature, and thinks more of writing than of being a writer.

And this one:

To my mind, nothing is as important as good writing, because in literature, the walls between people and cultures are broken down, and the things that plague us most—suspicion and fear of the other, and the tendency to see whole groups of people as objects, as monoliths of one cultural stereotype or another—are defeated.

Read the full article:

http://www.theatlantic.com/magazine/archive/2010/04/how-to-write-in-700-easy-lessons/8043/

Enjoy,

Martina

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