When Bree Sunderland went with her scientist father to Ireland, she thought it would be a vacation to study bog bodies. She never expected to fall in love with a mysterious young Irishman and certainly not to become the kind of monster her father said only existed in nightmares. Everything changes when Dr. Sunderland discoers that lycanthropy is not a superatural curse but rather a gentic mutation. When they return home, Bree's dad contiues his research, but the military wants to turn that resarch into a bio weapons program and rogues soldiers want to steal the research to turn themselves into unstoppable killing machines.
It should be a bright spot when Bree's boyfriend Liam surprises her with a visit to the United States, but there are darker surprises in store for both of them. As evil forces hunt those she loves, Bree must become an even more dangerous hunter to save them all.
While food doesn't play a huge role in my novel (I try to avoid scenes that involve food unless a key story element is revealed in that scene), there are several scenes in PREDATOR where food sneaks in just to help engage the senses:
a smell of something sweet—caramel or maybe vanilla, cinnamon and chocolate ixed with the thick aroma of coffee.The one truly significiant use of food involves Bree's visit to Liam's house before she flees Ireland with her dad to return home to the safety of the United States. Liam's mom offers Bree cold minerals and crumble (or biscuits, if Bree would prefer). She goes for the crumble, and Liam tells him mom to give Bree blueberry because it is Bree's favorite. This scene provides an opportunity for Bree to truly realize just how much she's lost in life, as well as gain information from Liam and his mom about the Benandati, a race of werewolves who fought against evil.
If I tell you any more about the Benandati it will give away too much of the plot, so I have to back off there, sorry!Perhaps most telling of all is that food only appears early on in the novel. As tension and suspense and action increase, food is the last thing on anyone's mind...
Thanks for stopping by to share your food for thought, Janice!
You can find Janice here:
By Kyle Pinion
Dark Horse Editor in Chief Scott Allie has pulled together a wide array of young and up and coming talent for the upcoming four interlocking mini-series that revolve around the Aliens, Predator and Prometheus franchises entitled “Fire and Stone”. The majority of those creators joined him on stage for Dark Horse’s panel on the subject and included Paul Tobin (Prometheus), Chris Sebela (Aliens vs. Predator), Chris Roberson (Aliens), Joshua Williamson (Predator), Juan Ferrerya (Prometheus), and Ariel Olivetti (Aliens vs. Predator).
While the majority of the discussion held therein was for the most part news that has already been reported in the previous months leading up to the end of year release of this long-anticipated “mega-series”. There were a number of items worth noting:
- The collaborative process between the entire team has been a smooth one, despite a significant bump caused by notes given by Fox and Ridley Scott’s team regarding some of the content and the narrative direction of the series, causing much of each creative teams’ work to be scrapped. Though Tobin made note that the studio has now opened up “more of the tool-box” for their usage.
- This change of direction from Fox is one of the major factors that caused the eventual release delay of each series.
- Originally, Williamson was slated for an Aliens comic before the “Fire and Stone” concept came into place, and while he was sad to see the take that he and Allie had worked out not see the light of day, he believes this new effort is equally as exciting.
- Each team member stressed that the chemistry of their writers’ room approach was a big part of why this project came together as well as it did, despite significant rewrites being needed.
- Kelly Sue DeConnick, who is also writing the finale of the series in Prometheus Omega, was credited as the key driver of research regarding incorporating Prometheus into the Alien and Predator universe. According to Allie, she brought an entire pink binder full of Prometheus theories from the internet.
- Ferrerya was brought on board to the project because of his design skill, and that was an angle that the team wanted to make sure was highlighted. Roberson likened Ferrerya’s map-making abilities to being “one step away from a DnD campaign”.
- Paul Tobin was brought in for the Prometheus series because of his previous work with Ferrerya on Colder.
- Williamson discussed the eponymous Predator of his Predator series, named Ahab, who is indeed hunting for a “white whale” though the identity of said target had to remain a secret. He also was proud of the fact that Ahab already has an action figure, which could be found at the Dark Horse booth on the show floor.
- Williamson also discussed his protagonist, Galgo, who will be appearing in Prometheus first, followed by Aliens v Predator, eventually becoming the lead in Predator. The writer made sure to mention the morally grey nature of the character, and also his verbose nature.
- Sebela, regarding Aliens vs. Predator, stated that he spent his entire childhood trying to figure out a way for Xenomorphs and Predators to fight and couldn’t pass up the opportunity to do the same in comics. Allie felt as though Sebela’s horror background was a particularly strong fit for the “monster-like” material in his series. Olivetti expressed excitement for the cinematic nature of the visuals he is producing, a first for him in comics.
- When asked if the stories connect, the team stressed that the books could be read independently of one another and readers could get a satisfying story that way, but they would see the larger picture form if they wanted to read the entire event.
- The chronology of “Fire and Stone” was also cleared up, as Aliens is a pseudo prequel to the other tales, and takes place between scenes of Aliens (the film), Predator takes place after the other minis and Prometheus Omega is the finale.
- In response to a question regarding previous usage of “The Space Jockey” and the mythos built around it in previous Dark Horse Aliens comics, Allie said those stories will not come into play with Fire and Stone.
- Bouncing off of that, Roberson made mention that the key directive was to “start from the films and go from there”, and the only films that team really concentrated on were: Prometheus, Alien, Aliens, and Predator. Sebela, when asked, said that the two Aliens vs. Predator films were not canon to his series.
- When the divisive nature of Prometheus amongst fandom was brought up, Paul was quick to point out that he wasn’t interested so much in leaving any elements of that film behind, so much as he wanted to highlight the parts of it that worked well, specifically the concept of scientists going on a mission and realizing that things are far bigger than they ever imagined. Ferrerya then joked that he was excited to bring back the biologist and cartographer characters that everyone “loved” from the film.
- Allie made sure to underline that theme was key driver in the storytelling of each mini-series, particularly the idea of the “stewardship of life”, which runs in the background of the Alien and Prometheus films particularly. Roberson also made mention that the parallels that run between the androids in Aliens and Prometheus was a major influence.
- And yes, there will be Black Goo! Which, according to Roberson’s read of the notes they received from Fox, is called “accelerant”. They declined to go into further detail regarding the role it will play in the stories themselves.
- Prometheus and Aliens will both be due out in September, Aliens vs Predator and Predator will see release in October. The Prometheus Omega one-shot is set to arrive in February. Each series will be a 4-issue mini respectively.
Hm — the last Aliens vs. Predator book I read had art by Olivetti, too. (It also had Batman and Superman in it.)
I sat to the left of Kyle Pinion at this panel. Awesome! Now I will always remember what was said. Good work!