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1. Percy Jackson and the movie


My husband and I braved the crowds and caught the movie adaptation of Percy Jackson and the Olympians: The Lightning Thief last night, and I’ve got some words of advice for writer Craig Titley and director Chris Columbus: Look over Angela Ackerman’s seven deadly sins of novel writing; they’re important for screenplays too.

Percy Jackson and the Olympians: The Lightning Thief book cover

Percy Jackson in the book

Now, I’m a big fan of Rick Riordan’s novel series, but I know that movies and books are too very different mediums, and each has different needs as far as storytelling goes. But that’s just technique. Books and movies both need plot points that flow logically from one to the next, dialog that sounds authentic and characters that are unique and real. In the case of The Lightning Thief, the book has those, the movie doesn’t.

It’s nothing new that Hollywood makes changes to books for the movie versions, and if it works for the storytelling on the screen and keeps the intention of the book’s story, I’m all for it. For example, Peter Jackson’s The Lovely Bones begins differently than the original novel (although, Alice Sebold’s brilliant original beginning is used in the movie, just at a different time) and this change works better for the movie. It keeps with the spirit of the novel but introduces the characters in a way that works better when the story is being told visually.

NOTE: Spoilers ahead, so if you haven’t seen the movie yet and want to be surprised, come back to this post after you’ve seen it. Otherwise, read on…

Titley and Columbus made many changes for the Lightning Thief movie, but unfortunately, they don’t seem to be for the good of the story. Instead, and this is just my opinion — I, of course, wasn’t in the room when the Hollywood suits made these decisions — many of the changes seem to be for money. There are the obvious changes, like Percy using the reflective back of an iPod to battle Medusa instead of a glass orb and Annabeth dialing up Luke on her Apple computer for instructions on the flying shoes instead of using an iris rainbow message, which was the preferred form of long-distance communication in the book. But, I don’t think a glass orb and an iris rainbow would have yielded the studio much money in product placement fees.

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