As a writer I find titles difficult. Sometimes they just appear like a lighthouse beam shredding through the dark but more often I am left struggling, worrying over ideas, pinching bits off, adding and subtracting until I'm convinced that what I am left with is as illuminating as a spent match.
On February 19 I wrote about the weird and wonderful book titles that are short listed each year for the Diagram Prize but I've been thinking about the great titles: the ones that stay with you and say something when you first pick them up and say something different when the story is over...
They are important to get right because it sets a temperture for what follows...
Here's a couple that spring to mind:
Books A HUNDRED YEARS OF SOLITUDE
(although I did once read a review complaining that it was overwritten and it should be really 50 years of...)
Short story I HAVE NO MOUTH BUT I MUST SCREAM one of the best short stories I've read and I am not a big sci fi fan. Written in the 60s by Harlan Ellison, the title and the story have stayed with me since I first read it.
Any personal favourites? Any tips for creating that all important first line of a story (which is what a title is, after all...)
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Blog: TWENTY TEN Bridget Whelan (Login to Add to MyJacketFlap)
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It's not the kind of literary award that makes an author's heart beat faster but last year's winner of The Diagram Prize (otherwise known as the odd book title competition) received a big sales boost because of the international attention.
For some reason, Crocheting Adventures with Hyperbolic Planes, was selling only half a dozen copies a week in America before the award. Afterward it peaked at just under 100 copies in seven days (although I suspect sales have been a little uneven since then).
Now you have a chance to give another author the kind of publicity that money can't buy. This is the shortlist for the 31st annual award and if you click on the title of this post you will be taken to The Bookseller's website where you can cast your vote.
The Shortlist:
8th International Friction Stir Welding Symposium Proceedings
Various authors (TWI)
The Generosity of the Dead
Graciela Nowenstein (Ashgate)
The Italian's One-night Love Child
Cathy Williams (Mills & Boon)
Managing a Dental Practice the Genghis Khan Way
Michael R Young (Radcliffe)
Myth of the Social Volcano
Martin King Whyte (Stanford University Press)
What Color Is Your Dog?
Joel Silverman (Kennel Club)
I don't see how the Dental Practice one can win - it's far too good and this is a competition for UNintentional odd titles. Mr Young knew exactly what he was doing when he linked the Mongolian Emperor with mouth washes and root canal work. I don't think the Mills and Boon entry is odd enough: I am sure I read Bedded by the Italian Stallion when I was judging The Love Story of 2010 and surely that has far stronger claims...
I wondered if The Generosity of the Dead was another vampire romance but it turns out to be about organ donations in France. The Social Volcano is the idea that popular anger about inequality in China will erupt and topple the Communist Party. Mr King Whyte obviously doesn't think it will.
I haven't the heart to find out what Friction Stir really is. (I'm ignoring the welding element.) I'm hoping it might be fiction with attitude...what do you think?
One of my favourites is Do Androids Dream of Electric Sheep? which was turned into the rather more forgettably titled Blade Runner when they made a movie out of it.
I quite liked Rankin's Knots and Crosses too (one of the early Rebus novels).
Then there's practically anything that John Irving writes:
A Prayer for Owen Meany
A Widow for One Year
The Cider House Rules
Trying to Save Piggy Sneed.
They give you no clue but when you've finished reading you realise they couldn't be called anything else.
Yes for John Irving's novels...World according to Garp....Hotel New Hampshire (which should be just a label but somehow isn't)...but especially Cider House Rules which matures as a title as the novel progresses... Never really got Philip K. Dick I suppose because he wrote ideas fiction and in the end I prefer character fiction but you're right, he was king of title making...
I love the novel and the the novel title HOW THE LIGHT GETS IN by M.J. Hyland. I love it when a title is quite abstract and when the writer at some point in the novel refers very subtly to the title.
Yes, I'm intrigued by titles that are rather obscure and I don't quite 'get' until I read more, but I think the key is that they still have to contain some kind of concrete image...something that allows my imagination to start working. The truly abstract can be very putdownable. I'm thinking of titles like
My inner loneliness
(made up - I hope) awful if serious and not tongue-in-cheek
Thank you for the recommendation as haven't read How the Light gets in but is a title that stays with you.