The screenwriter of "Inside Out" and "The Good Dinosaur" has a new job at Disney.
The post ‘Inside Out’ Writer Meg LeFauve Promoted To Director on Disney’s ‘Gigantic’ appeared first on Cartoon Brew.
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The screenwriter of "Inside Out" and "The Good Dinosaur" has a new job at Disney.
The post ‘Inside Out’ Writer Meg LeFauve Promoted To Director on Disney’s ‘Gigantic’ appeared first on Cartoon Brew.
Add a Comment"We want to make the definitive version of 'Jack and the Beanstalk'," says the film's director Nathan Greno.
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Whether it be for lack of budget or a desire to take center stage, series creators lending their own voices to their animated television shows has always been fairly commonplace – Mike Judge (Beavis and Butthead, King of the Hill), John Kricfalusi (Ren and Stimpy), Seth MacFarlane (Family Guy) and Trey Parker and Matt Stone (South Park) immediately spring to mind. However, in recent years, more and more feature directors have started getting in on the trend. From throwaway one-liners to continuous roles throughout entire franchises, here is a list of some animation directors and the characters they brought to life in their own films.
As the animation director for Looney Tunes: Back in Action (2003), Goldberg not only supervised the animation of the WB’s classic characters but he voiced some of them as well. Goldberg recorded the dialogue of Marvin the Martian, Tweety Bird and Speedy Gonzalez.
The distinctive sputters, spurts and high-speed mutterings of The Minions in Despicable Me (2010) and Despicable Me 2 (2013) belong to the films’ co-directors Pierre Coffin (above left) and Chris Renaud. And as the character’s popularity grows, so does their vocal commitment, as the two will reprise their roles in next year’s prequel Minions.
In his debut film Fritz the Cat (1972), director Ralph Bakshi voiced one of the boorish antagonist Pig Cops, who is also referred to as “Ralph” multiple times in his scenes.
Agnes Gooch, Edith Head, Patricia Highsmith, Linda Hunt – when it comes to figuring out who inspired the character of Edna Mode, people love to toss out many names, but in the end, the cutthroat designer of superhero fashion was brought to life by The Incredibles (2004) director Brad Bird.
Rich Moore, director of Wreck-It Ralph (2012) provided the dreary monotone of acidic jawbreaker Sour Bill, the henchman to the bombastic King Candy.
Even to this day, the toon celebrity cameos in Who Framed Roger Rabbit(1988) remain some of the best nods to the golden age of cartoons, especially that of Droopy Dog, who gets his opportunity to best Eddie Valiant with some traditional ‘toon high-jinks as a tricky elevator operator, sluggishly voiced by the film’s animation director Richard Williams.
What began as the high-strung snivels and snarls of Scrat in Ice Age (2002) has become a second career for director Chris Wedge who has gone on to vocally personify the prehistoric rodent in 3 sequels, 6 short films, 2 video games and in a walk-on role in an episode of Family Guy.
Royal messengers, tower guards, army commanders, friars and penguins, story artist Chris Miller has lent his voice-over skills to numerous animated films, most notably his returning roles as Geppetto and The Magic Mirror in the Shrek franchise, including Shrek the Third (2007), which he co-directed.
The often ignored and underrated animated film Cats Don’t Dance (1997) features some beautiful hand-drawn work and stellar vocal performances, including that of director Mark Dindal as the tight-lipped bodyguard/butler Max.
Pixar story artist, the late Joe Ranft, brought a handful of memorable animated characters to life, including Heimlich (A Bug’s Life), Wheezy the Penguin (Toy Story 2) and Jacques the Cleaner Shrimp (Finding Nemo). But it was in Cars (2006), which he co-directed, that he voiced three characters including the semi-truck Jerry Recycled Batteries.
In Lilo & Stitch (2002) co-director Chris Sanders takes on the nuanced role of Alien Experiment 626, aka “Stitch,” who escapes from an intergalactic prison only to find himself trapped on the Hawaiian island of Kauai.
Nathan Greno (above right) and Byron Howard not only paired up as co-directors of Tangled (2010) but also doubled as duos of Thugs and Guards in the animated picture.
With five features under his belt, John Lasseter has had plenty of opportunity to throw himself behind the microphone, however upon review of his filmography, you’ll find he has chosen his roles very carefully, as the role of John Lassetire in Cars 2 (2011) and the hilariously bug-zapped Harry the Mosquito in A Bug’s Life (1998).
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Are you an aspiring screenwriter who dreams of creating magical and intimate moments that simply teem in human behavior? If you answered “yes”, then Jon Bernstein might be the instructor for you. “My classes strive to master the ‘rules’ only so that we may creatively break them,” says Bernstein in his bio for his upcoming screenwriting course at UCLA.
The course listing also provides a handful of respectable writing credits for Bernstein, including crafting the screenplays for 2000’s Beautiful, the Jerry Springer vehicle Ringmaster, and Disney’s Meet the Robinsons. But it’s his claim of working as a contributing writer for Disney’s Tangled that has the film’s co-director, Nathan Greno, tied up in knots.
“We never worked with the guy on Tangled,” said Greno in a recent public post on Facebook. The post, not surprisingly, has only generated more skepticism about Bernstein’s professional claims as Greno’s friends and co-workers point out holes in the writer’s IMDB page and compare professional notes. In regard to Bernstein’s credit for writing Meet the Robinsons, screenwriter Michelle Bochner Spitz pointed out, “Jon Bernstein wrote the first draft(s) of Meet the Robinsons, and then had nothing to do with the movie when it was rewritten several times over for more than three years.”
Hollywood credits work in quirky ways, and Bernstein could have a legitimate, legal claim to the Tangled credit, which he also used to sell his 2011 script workshop, The Inspired Screenplay. But according to Greno, Bernstein didn’t seem eager to shed any light on the appropriation when he was contacted. “I brought up this ‘credit concern’ to Jon on his (personal) Facebook page and was I quickly deleted/blocked,” Greno wrote on Facebook. “I credit all of the writing on Tangled to our actual writer, Dan Fogelman… and so does IMDB.”
If Bernstein wishes to set the record straight on Cartoon Brew and allay Nathan Greno’s concerns, we welcome hearing his side of the story.
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