Last month’s PaperTigers issue featured illustrator Allen Say. I reviewed one of his picture books Music for Alice for a previous post; this time I would like to take a look at a book of his aimed for a young adult audience, The Ink-Keeper’s Apprentice. In this autobiographical novel, a Japanese boy of thirteen, Kiyoi, decides to apprentice himself to a master cartoonist in Tokyo named Noro Shimpei. The story is set in post-war Japan when life was difficult, especially for aspiring artists. Noro Shimpei is an eccentric but generous master; he takes on not only Kiyoi but Tokida, a street-savvy boy from Osaka who has ran away from home to study with him. The two boys make an odd pair — Kiyoi from a genteel family, Tokida from a rough-and-tumble one — learning from a master who regularly moves studios and has odd teaching techniques.
The Ink-Keeper’s Apprentice is a coming-of-age story. Kiyoi struggles with his secret desire to be an artist — an occupation he knows his family will not approve of, especially his guardian grandmother who is very conscious of the family’s class and status. Kiyoi also begins to become aware of his sexuality. When he goes for the first time to a life drawing class featuring a nude model, he remarks wryly: No matter what Tokida said, staring at a grown, naked woman on a platform wasn’t natural. It was exciting. I began to think perhaps I should become a painter so I could have models in my studio. The thought made my ears hot.
It’s Kiyoi’s tone-of-voice that I particularly liked in this novel. Mature and reflective, and at the same time playfully aware of a younger, wonder-filled self, Kiyoi is a compelling narrator of his circumstances. Although Allen Say may be better known as an illustrator, I think he is a fine writer as well. The Ink-Keeper’s Apprentice is a very good read.