America’s harshest social critics aren’t some distant foreign leaders; they’re French animators. Remember the 2009 Oscar-winning short Logorama and its merciless take on American consumerism? Now it’s Patrick Jean’s turn to satirize the United States. In his new short Motorville, he delivers a stinging commentary on America’s addition to other countries’ natural resources. The film was originally commissioned by the American broadcaster Showtime Channel, but after Jean submitted the film, Showtime decided not to air it. Some ideas, even animated, are too dangerous for mainstream America.
Jean’s previous film Pixels, which turned New York into a batch of pixels, was a big hit both online and offline. It not only won the top prize at Annecy in 2011, it also attracted the attention of Sony Pictures and Adam Sandler who are now trying to develop it into an 8-bit Ghostbusters-style feature.
The key visual element in Motorville is using a map of a major metropolis (in this case, Los Angeles) as metaphor for the human body. Jean generated the maps using open source data from OpenStreetMap.org, which lands him clearly in the emerging New Aesthetic camp. While Motorville is hardly the first time that map data has been turned into film art, Jean’s sharp and witty handle on the concept elevates this film into a league of its own.
CREDITS
Directed by Patrick Jean
Produced by Showtime Channel
Sound design: David Kamp
Additional animations: OneMoreProd, Stephen Vuillemin