Regular readers of this blog will be more than familiar with the work of both Tim Cole and Hank Greenspan. Their work offers new and powerful ways of understanding the role of space and time in oral history process and production.
The post Movement and memory: an email exchange with Hank Greenspan and Tim Cole, Part 1 appeared first on OUPblog.
At this year's Comic Arts Brooklyn, two of comics most influential curators examined the legacy of Winsor McCay's LITTLE NEMO IN SLUMBERLAND and the development of comics, from the vulgar days of yore to the modern gentile shores.
To celebrate the Victory Day, a remembrance of the Soviet Union’s defeat over the Nazis in World War II, the Russian government has pushed to remove all swastikas from the country.
Bookstores have been removing titles which include the symbol from bookshelves. Unfortunately, \"Maus,\" the Pulitzer-Prize winning graphic novel by Art Spiegelman that depicts a Jewish family during the Holocaust has also been removed since it features a swastika on the cover.
The New York Times has the scoop:
…with concern over the dangers of fascism in Russia on the rise, the booksellers appeared to decide it was better to be safe than sorry.
\"They just got scared that someone would see the swastika on the cover,\" said Varvara Gornostaeva, the chief editor of Corpus, the publishing house that released the Russian-language edition of the graphic novel more than a year ago. \"But the swastika there is just a caricature. It does not fall afoul of the law banning fascist symbols.\"
I consider myself a big nerd and comics seem to go hand in hand with the social status. I never really got into comics (or graphic novels) and when I did attempt I never knew where to start. There are millions of reboots and story arcs for the thousands of different superheroes out there but which ones are good and where do I start? It was Scott Pilgrim that started my journey into graphic novels and with Bryan Lee O’Malley’s Seconds recent release, I thought now would be a perfect time to talk about the graphic novels I love.
As an easy way to distinguish between comics and graphic novels, I call single issues (30-40 pages) a comic and a graphic novel is the anthology that contains a full story arc (normally 4-5 single issues). What I find really interesting about a graphic novel is that it is simply a new way to tell a story. It is not always about the superhero, graphic novels can explore high concepts in a whole new way.![Maus](http://blog.boomerangbooks.com.au/wp-content/uploads/Maus-206x300.jpg)
Take the only graphic novel to win a Pulitzer Prize, Maus by Art Spiegelman. In this story we read about Vladek Spiegelman and his wife, it is biography of living and surviving Hitler’s Europe. The graphic novel not only addresses the holocaust and life in a war torn country it does it in a unique way. Exploring the reality and fears of surviving in a visual way, the Jews are depicted as mice and the Nazi’s hunting them as cats.
There is also the autobiographic story of Marjane Satrapi in Persepolis, a coming of age story of a girl living in Tehran during the Islamic Revolution. The whole concept of cultural change works really well in this graphical depiction. There is even an animated adaptation which is worth checking out (even if it is exactly the same). If you prefer a more quasi-autobiographical story maybe try Ghost World by Daniel Clowes or even something by Chris Ware like Jimmy Corrigan or Building Stories.
Finally, if you prefer your graphic novels to be about superheros or people coming to terms with their new found powers, I have some suggestions for you as well. Hawkeye: My Life as a Weapon by Matt Fraction is the first story arc in this new Hawkeye series and explores a life of a superhero outside fighting crime and saving the world. Also by Matt Fraction, with the help of Chip Zdarsky is the weird and wonderfully dirty Sex Criminals. This is a story of a woman that discovers that time freezes after an orgasm and the shenanigans she can get up to with so much quiet time. This graphic novel will not be for everyone; if you want something very different that is full of dirty visual puns then I would recommend it.
I would love to recommend more comics but some of my suggestions are not yet released as a complete story arc yet. If you are interested in more graphic novel suggests let me know in the comments below. I hope this will give you some suggestions if you have never tried a graphic novel before. I’m also happy to take more recommendations in the comments below. Happy reading.
Heute stelle ich Ihnen eine etwas ältere Illustration aus der Geschichte von der weißen Eule und der blauen Maus vor. Die Maus kuschelt sich voller Vertrauen in das Federkleid der weißen Eule.
Mein neuestes E-Book App für iPhone und iPad ist nun auch erhältlich:
Eine Geschichte einer kleinen dicken Maus, die sich durch ihren Mit und ihre Schlauheit den Respekt der ganzen Mäuseschar verdient und die Mausfamilie vor den Eulen rettet.
(Click the BIG BOLD TEXT
below for Amazon links!)
As people discuss the future of digital comics, debating what the future holds, an important segment gets forgotten: CD- and DVD-ROM collections.
A minor market segment, these box sets offer what most fans are clamoring for: ownership of the actual file instead of an app, affordable comics (even at $50, the per-comic cost is usually below twenty-five cents), and extras which turns these collections into electronic omnibuses.
However, due to sticker shock, and the experience of reading these comics on a horizontal screen, many fans have been reluctant to purchase these collections. Which means that now, as the digital marketplace transitions to apps and browser-based readers, these older CD- and DVD-ROM collections are being sold at clearance prices.
So, dear readers, in these challenging economic times, we offer you this bargain bin listing of select titles found on Amazon.com. We make no money from directing you to these forgotten gems, and, as with anything on the web, caveat lector et emptor.
First, we present three early CD-ROMs. CD-ROM drives became standard computer hardware sometime around 1989, around the time that Matt Groening’s “Life In Hell” characters were endorsing Apple Macintosh computers
. However, most computers could barely process the video and graphics required, and early CD-ROM software was rather primitive. Among early publishers, one stands out for comics fans:
The Voyager Company. Just as this company pioneered laserdisc (and later DVD) media with their Criterion Collection, so too did they aggressively pursue the computer market.
![](http://www.comicsbeat.com/wp-content/uploads/2011/01/maus.jpg)
The most visible title that I remember actually seeing was
.
Not only did this CD-ROM contain the actual book, but also: preliminary sketches (which show that Art Spiegelman used color markers), notes, archival photos and footage, audio interviews with Vladek Spiegelman, and video footage of Art Spiegelman in Poland. It is rich in material, the equivalent of a Criterion laserdisc.
An actual documentary, Comic Book Confidential
remains an amazing work, interviewing an all-star cast of industry giants and underground pioneers, presenting the history of comics up to the late 1980s. Still available as a
DVD
Entertainment Weekly's 100 Best Books of the Last 25 Years...
I zipped home for lunch this afternoon, and found the latest issue of Entertainment Weekly in my mailbox (a happy surprise--it usually comes on Saturday) featuring The New Classics--The 1000 Best Movies, TV Shows, Albums, Books & More of the Last 25 Years. I almost didn't make it back to the office I was having so much fun reading it. And look at Daniel Radcliffe/Harry Potter smack in the middle of the cover! I immediately turned to their book list.
Now, as EW would say:
SPOILER ALERT!!
If you want to read these yourself leave my blog right now (or at least shut your eyes and scroll way down).
Here are five books of note that made the list:
#2: Harry Potter and the Goblet of Fire because J.K. Rowling "went epic and evil."
#21: On Writing because Stephen King offers "some of the soundest advice to writers set to paper."
#40: His Dark Materials trilogy because Phillip Pulman offers "a grand, intellectually daring adventure through the cosmos."
#65: The Giver, by Lois Lowry because they agree with the Newbery committee (and it's a fantastic book).
#84: Holes, by Louis Sachar, because they continue to agree with the Newbery committee (and it's also a fantastic book).
Mixed in with the many fiction and nonfiction titles were several graphic novels such as Art Spiegelman's Maus, Marjane Satrapi's Persepolis, and Neil Gaiman's Sandman.
Fact that surprised me: The Da Vinci Code was on the New York Times Hardcover Best-Seller List longer than HP and the Goblet of Fire (166 weeks vs. 148 weeks--3 years-ish for each!)
My Saturday afternoon is officially taken--I have a date with this double issue.
Thanks for the nice coverage, Alexander! Two things, though: I think you mean “genteel” in your headline, although the early newspaper strip artists were certainly Gentiles, as well. And the French cartoonist Francoise spoke of is merely “Fred”–Philemon is his character.
Thank you again for coming, and for the report!
Shows how much a Violet education has done for me, huh? Maybe I should have gone to school uptown. ;)
Thank you for the pointers and for all your hard work on the panels this weekend. It was wonderful, and I’m glad I was able to attend!