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Viewing: Blog Posts Tagged with: Light in August, Most Recent at Top [Help]
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1. Light in August: the Jacqui's Room Notes

In which my inner math geek has a field day with Faulkner.

No video today, real or imagined, as I have just written the last* new scene for my young adult novel** and am feverishly typing and compiling.***

I tried a haiku, but really I think of Light in August as more of a math problem where:

Light in August = (Mississippi + August + 1932) x (Pregnant wanderer + defrocked reverend + lying bootlegger + angry biracial murderer)

Or maybe it's a recipe: Faulkner takes vivid, yearning characters and mixes them into a broth of racial tension and southern heat...

Other thoughts (no spoilers):
1. Faulkner's characters are truly unique. They are multi-dimensional, diverse, and far from stereotypes or archetypes. Further, the setting itself, both in terms of time and place, is a character, really, acting to propel the plot as much as anyone else. The book starts as a "what do you get when you cross..." story, but Faulkner follows through and is meticulously faithful to the characters he's created and the world they inhabit.

2. This is the most hopeful depressing book I've ever read. The first character we see is Lena, pregnant and abandoned, walking across Alabama in search of the father of her child. She is convinced his message calling her to him has been lost. "I reckon I'll find him," she says. "It won't be hard." She never wavers from that feeling, and Faulkner paints her faith so simply, so without judgement, that instead of thinking, "That fool!" like everyone she meets, we want her to find him, even though we know it's unrealistic.

3. Lastly, stream of consciousness is more fun to write than to read.**** I very much enjoyed the book and the characters were the main reason why. I felt for them and wanted them all to "win" but even I had to skim towards the end when there were entire pages of internal conflict. I had the strange revelation that, like many beginning writers, Faulkner got worried that we wouldn't get it, so he diluted his beautiful story with a ton of "the point" at the end. Makes me want to go back to the ending of my own book and delete all the "hints;" if it doesn't work without them, the whole thing's not working and spelling it out at the end is far from the answer.

On to Faust...

* And by "last" I mean "last for now" or "last of the ones that weren't written at all before now, to say nothing of the ones that are just sketched out, full of gaps, or abominations to the written word."
** And by "novel" I mean "collection of scattered scenes, some old and some new, that I hope will miraculously congeal into a coherent mass as I type."
*** And by "feverishly typing and compiling" I mean "trying to find my flash drive."
**** Collective sigh of "tell us about it!" from all blog readers

6 Comments on Light in August: the Jacqui's Room Notes, last added: 8/27/2008
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2. August 18 - Light in August

Welcome to Week #13 of our 15 Classics in 15 Weeks project.

Whose idea was this anyway? How many books is one woman supposed to read?!

Tomorrow, I will condense the major poetic masterpiece of America's most influential poet into a brief blog post on Leaves of Grass. Are you curious how I can possibly do so? Me too. Watch this space.

Meanwhile, this week, we will be discussing Faulkner's Light in August. Someone explain to me again why I picked this instead of As I Lay Dying; I can't remember.*

What are you reading this week?

* Actually, I am pretty excited about the Faulkner. But I will admit that when my 15 weeks are up, I may read nothing but the Twilight series and the New York Times magazine for a while.

5 Comments on August 18 - Light in August, last added: 8/18/2008
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