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Viewing: Blog Posts Tagged with: Learning to Write., Most Recent at Top [Help]
Results 1 - 11 of 11
1. http://writersdigest.com/article/productivity-pro

On Tap Today:


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2. Darcy Pattison’s Newsletter for Writers.

It’s my humble opinion, of course, but one could learn alot from subscribing to this newsletter. I know I do.

http://www.darcypattison.com

Subscribing to a good newsletter is a great way to acquire the skills needed to grow as a writer. The reader has the opportunity to benefit from the journey of a more experienced writer. With a newsletter it comes right to your email. You can print it off and take it with you to read at your leisure or you can put it in an email file to look at later.

 

Darcy Pattison ([email protected]) on behalf of Darcy Pattison ([email protected])

  Medium risk Sent: Thu 6/03/10 4:21 PM To:  
 
 
Can you say that in a novel?

Are there untouchable topics in literature? No, of course, not. But there are topics that are difficult to do well, or it feels like you are preaching.
You know the ones: alcoholism, abortion, medical ethics, underage drinking, etc. These are hard to put into a story or novel and have it work.

Dealing with Flash point, Difficult Topics

I’ve been listening to Mary E. Pearson’s novel, The Adoration of Jenna Fox and she does a stunning job of addressing medical ethics. It’s reminiscent of Peter Dickinson’s 1989 novel, Eva, but takes the discussion in new directions. Here are some of the things she does right as an author treading lightly.

adoration
Character. The novel works because the character is front and center. This is above all a character novel, with all the ethical dilemma from the medical “miracle” taking place within the character. She IS the ethical problem and has to resolve how she feels about herself. So, it’s not a theoretical issue; it’s an issue of

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3. A Writing Tool to determine Flesch-Kincaid Grade Level Stats.

 In the WORD processing program, you click on “Tools” then on “Word Count.” That will show the number of pages, words, characters, paragraphs and lines in your article or story. But to check the reading grade level, you have to FIRST set it up in the “Options.” Click “Tools,” then click “Options,” then click the “Spelling and Grammar” tab. Put a check mark in the “Check Grammar with Spelling” check box there, and also put a check mark in the “Show Readability Statistics” check box, then click “OK” to close the box. After that, start the Spelling function in Word by clicking “Tools,” then “Spelling and Grammar” and start the spelling/grammar check process. When it finishes, it will display a box about readability, with the Flesch-Kincaid Grade Level at the bottom.


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4. Rhyming, My Personal Challenge.


I love reading a great rhyming picture book. They are what is really attractive to me but alas, I am not a rhymer. Just ask some of my fellow critique members. I can handle a line or two but that is it. This is an excerpt of a great article on rhyming. To read the rest of the article go to

http://www.smartwriters.com.

by Dori Chaconas
“Please, no rhyming stories.”

I heard it at conferences.  I read it in the market guides. What?  No rhyme!  But I love to write in rhyme!  What about all those beloved nursery rhymes?   Surely they had laid the foundation for rhyming picture books.

I put the ideas for rhyming stories on my I’d-Better-Not-Do-It list, and there they stayed until I became involved in a good critique group. The writers in that group started to sell their stories, and those stories were written in rhyme.   And it wasn’t just an occasional rhyming story that sold.  They sold consistently.  Like magic, within three years, members of the group sold a total of thirty-six books.  Twenty-seven of those were written in rhyme. Then I sold three picture book manuscripts—all written in rhyme.

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5. Ideas, Where Do They Come From?


Even the most prolific of writers occasionally have difficulty coming up with an idea for a pb. I have found that sometimes the ideas come from the least expected source. With an open mind and a little imagination, the writer’s world is full of inspirations for ideas.

Yesterday, as I helped my eight and eleven year old nephews clean up their bedrooms, my youngest nephew had to have his snake on his bed. He told me all about Snake and their history. He created an elaborate timeline with a multitude of details.  For me, it sparked an idea for a pb.

As we picked up their old and broken toys and placed them in a box, another idea came to me out of the blue. By combining some of the broken pieces together, a character came into being.

Sometimes it is look that they give me. Other times it is what they say.  For those writers who have kids in their lives, like myself, I have learned to expect the unexpected.

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6. What about a Backstory in Your Picturebook?


l’d love to hear what pb writers feel about a backstory in the pbs that they write. Attended a recent SCBWI conference with one in a pb they talked about. I loved the idea. Make a great pb…  even greater. Let me know what you think.

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7. One of Great Articles, Interviews, Videos at CBI Clubhouse.


Editors on the Move. @ CBI Clubhouse.com.  This is just one of the many helpful articles, interviews, videos, etc, that can be found there. Be sure to check it out and become a fighting bookworm. It is well worth the small monetary investment you make.  Follow this husband and wife team, Jon Bard and Laura Backles, on Twitter.com as well. A special thanks to them for all they do.

Editors on the Move: Latest Children’s Publishing News (Updated for November)

Nov 13th, 2009 | By Laura Backes | Category: Market & Submission Updates

From the ever-changing publishing world, the latest from Sourcebooks, Clarion, HarperCollins and more.

We’ll update this list as information becomes available, with the most recent updates on top. Children’s book divisions are in bold italics, imprints of those divisions are in blue italics, and editors or imprints no longer with that publisher are in red.

This list will focus on changes to children’s book departments only.

November 2009:

>> Sourcebooks

Sourcebooks has added a new young adult imprint, Sourcebooks Fire, to debut in Spring 2010. Genres will include romance, humor, mystery and fantasy.

 >> HarperCollins Children’s Books

Tara Weikum has been promoted to Editorial Director from Executive Editor.

 >>Dog-Eared Publications

This publisher is not accepting submissions at this time.

 >> Clarion Books

Daniel Nayeri will join Clarion as an Editor effective November 30.

 >>Mary Jack Wald Associates

Literary agent Mary Jack Wald will be retiring and dissolving her agency later this year.

 >>East/West Agency

Mary Grey James is a new agent with East/West Agency (1158 26th Street, Suite 462, Santa Monica, CA 90403). She will represent children’s and adult books, with a special emphasis on Southern writers.

________________________________________________________________

August 2009:

>> Simon & Schuster Books for Young Readers 

Fiona Simpson is the new Editorial Director of Aladdin. She had been an Executive Editor at Scholastic.

 >> Egmont USA

Ruth Katcher is now on staff as Editor-At-Large. She had been an Executive Editor at HarperCollins Children’s Books.

 >> Penguin Young Readers Group

Jill Santopolo is the new Executive Editor of Philomel Books. She was formerly an Editor with the Balzer & Bray imprint of HarperCollins.

 >> FamilyFun magazine is now called Disney FamilyFun.

 >>Nickelodeon Magazine Group plans to fold its Nick and Nick Jr. magazines by the end of this year. 

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8. Another Writing Tip.


Jessica 010            When writing for children, it never hurts a writer to go back and revisit your childhood memories. You never know what ideas can come from those memories. Think back, do you have a time in your childhood that always bring a smile to your face when you think about it? You know the kind of smile that starts small and just grows and grows. If it made you smile, it just might make others smile, too. As you are thinking about that memory, think about the smells, sights, touches, sounds and tastes you had with that memory. Then, use those senses to put your story into words.

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9. Simon and Schuster’s Handbook for Writers


me another close upIt is no secret that a newbie writer has to make some decision about what resource books they buy. Money is often limited. That is why this find was such an unexpected pleasure. I got it this last year for a $1.00 at my local library. While this edition  of Simon and Schuster’s Handbook for Writers CD Rom-Interactive by Lynn Quitman Troyka is from 1999, the content is still quite relevant.

When reading about writing, one tip was offered that I felt was particularly important for a writer to know. Simon and Schuster’s book offers this checklist: (Paraphrased by me.)

Know who your audience is.

Know their ages and genders. Know what ethnic backgrounds. Know their hobbies and interests. Know what they want to read. Then, target your book toward these factors. 

Ten years later, this checklist is just as pertinent to a book’s success.

Steven Meltzer, Associate Publisher/Executive Managing Editor of Dutton and Dial covered it in his Iowa SCBWI conference presentation during “the first sentence” exercise. He asked conference writers to first write down a first sentence that would hook the reader. Then he asked various participants  to tell him what makes their book appealing to their readers. He asked them to tell a little about why a reader would want to read their book.

He was talking about marketing specifically but in truth marketing starts as soon  as an idea is written down. A pb writers knows that there is a difference between what a three-year old likes and what a seven-year old does and takes those factors into consideration when they develop their book’s plot. A mg writer knows what kids that age are interested in reading.

The take-away from this is that while some books might not have been published recently, the value they offer a new writer is very relevant to developing a great career. Being a succesful writer means doing one’s research.

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10. Writer’s Digest Article. Four Tips.


2006_0627Image0065A recent blog entry and comments by Natalie Murphy made this article catch my eye.
4 Tips for Choosing the Right Word

February 11, 2008 The date it originally was written.

How do you choose the right word for the right situation? The most powerful words tend to be the shortest and, not coincidentally, the ones most basic to the English language. A long-time editor gives more advice about choosing the right word.

Here are a few thoughts on choosing the right word from “English Through the Ages,” a reference book by William Brohaugh:

  1. Keep word and phrase choice appropriate to the context. For example, streetwise characters in a novel wouldn’t likely use technical jargon or acronyms. Nor would the writer of a novel about streetwise characters. One lesson here is to let word choice in the narrative conform at a certain level to the word choice of the people populating the narrative. For instance, formal narration lacking contractions wouldn’t serve a story about rural folk, nor would colloquial narration serve a story about high society — even if the characters themselves spoke completely in context.
  2. Listen for what sounds right. I’m thinking of the TV mini-series Merlin, in which a medieval character states, “My mind is made up.” I don’t have reference to when the idiom “make up your mind” was first used, but I suspect it wasn’t in use in Arthurian times, and even if it was, it sounds modern. Better the character have said something that sounded a bit archaic, like “My mind is firm.”
  3. The precise word isn’t necessarily the right word. Susurration might be more precise than murmur in a given passage, but if the word is confusing or (see above) at odds with the context or the atmosphere of the story, a less-precise word might actually be the better choice. This is true only if “less-precise” isn’t synonymous with “wrong.” A less-precise word can still be the right word.
  4. The most powerful words tend to be the shortest and, not coincidentally, the ones most basic to the English language. Said Sir Winston Churchill, “Broadly speaking, the short words are best, and the old words best of all.” Words like kin, thanks and small, for instance, are deeply rooted in Old English before A.D. 1000, while words like relatives (from the 1600s), gratitude (in use by 1450) and tiny (from the 1500s) are from succeeding generations. But again, it’s best to choose the word that communicates your point while evoking or echoing the tone of your manuscript, and if it’s the longer word, so be it.


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11. On Being a Writer.


Sometimes, a writer’s life can be challenging. Trying to sandwich writing time in between  all the things that life brings, takes time and effort. A writer has to deal with all the normal “mom” or “dad ” things. They may work part or full time. They may go to school. They are obligated to do other things, like their children’s school activities. Not to mention things like an older parent who needed their assistance.

It might mean that they have to take what small sections of time come up to do their writing. Whether it is late at night or early in the morning or while waiting for a sporting event to start, the writer does what they can.

Somehow . . . a writer find the way to write.

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