On Tap Today:
- Letter From the Editor
- Top 10 Pitfalls Writers Should Avoid
- How to Reach Your Freelance Goals
- 18 Contest Dos and Don’ts for Writers
- Get Your Manuscript Professionally Critiqued
- Your Weekly Writing Prompt
- New on the WD Blogs
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On Tap Today:
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Darcy Pattison ([email protected]) on behalf of Darcy Pattison ([email protected])
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Are there untouchable topics in literature? No, of course, not. But there are topics that are difficult to do well, or it feels like you are preaching.
You know the ones: alcoholism, abortion, medical ethics, underage drinking, etc. These are hard to put into a story or novel and have it work.
I’ve been listening to Mary E. Pearson’s novel, The Adoration of Jenna Fox and she does a stunning job of addressing medical ethics. It’s reminiscent of Peter Dickinson’s 1989 novel, Eva, but takes the discussion in new directions. Here are some of the things she does right as an author treading lightly.
Character. The novel works because the character is front and center. This is above all a character novel, with all the ethical dilemma from the medical “miracle” taking place within the character. She IS the ethical problem and has to resolve how she feels about herself. So, it’s not a theoretical issue; it’s an issue of
In the WORD processing program, you click on “Tools” then on “Word Count.” That will show the number of pages, words, characters, paragraphs and lines in your article or story. But to check the reading grade level, you have to FIRST set it up in the “Options.” Click “Tools,” then click “Options,” then click the “Spelling and Grammar” tab. Put a check mark in the “Check Grammar with Spelling” check box there, and also put a check mark in the “Show Readability Statistics” check box, then click “OK” to close the box. After that, start the Spelling function in Word by clicking “Tools,” then “Spelling and Grammar” and start the spelling/grammar check process. When it finishes, it will display a box about readability, with the Flesch-Kincaid Grade Level at the bottom.
I love reading a great rhyming picture book. They are what is really attractive to me but alas, I am not a rhymer. Just ask some of my fellow critique members. I can handle a line or two but that is it. This is an excerpt of a great article on rhyming. To read the rest of the article go to
by Dori Chaconas
“Please, no rhyming stories.”
I heard it at conferences. I read it in the market guides. What? No rhyme! But I love to write in rhyme! What about all those beloved nursery rhymes? Surely they had laid the foundation for rhyming picture books.
I put the ideas for rhyming stories on my I’d-Better-Not-Do-It list, and there they stayed until I became involved in a good critique group. The writers in that group started to sell their stories, and those stories were written in rhyme. And it wasn’t just an occasional rhyming story that sold. They sold consistently. Like magic, within three years, members of the group sold a total of thirty-six books. Twenty-seven of those were written in rhyme. Then I sold three picture book manuscripts—all written in rhyme.
Even the most prolific of writers occasionally have difficulty coming up with an idea for a pb. I have found that sometimes the ideas come from the least expected source. With an open mind and a little imagination, the writer’s world is full of inspirations for ideas.
Yesterday, as I helped my eight and eleven year old nephews clean up their bedrooms, my youngest nephew had to have his snake on his bed. He told me all about Snake and their history. He created an elaborate timeline with a multitude of details. For me, it sparked an idea for a pb.
As we picked up their old and broken toys and placed them in a box, another idea came to me out of the blue. By combining some of the broken pieces together, a character came into being.
Sometimes it is look that they give me. Other times it is what they say. For those writers who have kids in their lives, like myself, I have learned to expect the unexpected.
l’d love to hear what pb writers feel about a backstory in the pbs that they write. Attended a recent SCBWI conference with one in a pb they talked about. I loved the idea. Make a great pb… even greater. Let me know what you think.
Editors on the Move. @ CBI Clubhouse.com. This is just one of the many helpful articles, interviews, videos, etc, that can be found there. Be sure to check it out and become a fighting bookworm. It is well worth the small monetary investment you make. Follow this husband and wife team, Jon Bard and Laura Backles, on Twitter.com as well. A special thanks to them for all they do.
Nov 13th, 2009 | By Laura Backes | Category: Market & Submission Updates
From the ever-changing publishing world, the latest from Sourcebooks, Clarion, HarperCollins and more.
We’ll update this list as information becomes available, with the most recent updates on top. Children’s book divisions are in bold italics, imprints of those divisions are in blue italics, and editors or imprints no longer with that publisher are in red.
This list will focus on changes to children’s book departments only.
November 2009:
>> Sourcebooks
Sourcebooks has added a new young adult imprint, Sourcebooks Fire, to debut in Spring 2010. Genres will include romance, humor, mystery and fantasy.
>> HarperCollins Children’s Books
Tara Weikum has been promoted to Editorial Director from Executive Editor.
>>Dog-Eared Publications
This publisher is not accepting submissions at this time.
>> Clarion Books
Daniel Nayeri will join Clarion as an Editor effective November 30.
>>Mary Jack Wald Associates
Literary agent Mary Jack Wald will be retiring and dissolving her agency later this year.
>>East/West Agency
Mary Grey James is a new agent with East/West Agency (1158 26th Street, Suite 462, Santa Monica, CA 90403). She will represent children’s and adult books, with a special emphasis on Southern writers.
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August 2009:
>> Simon & Schuster Books for Young Readers
Fiona Simpson is the new Editorial Director of Aladdin. She had been an Executive Editor at Scholastic.
>> Egmont USA
Ruth Katcher is now on staff as Editor-At-Large. She had been an Executive Editor at HarperCollins Children’s Books.
>> Penguin Young Readers Group
Jill Santopolo is the new Executive Editor of Philomel Books. She was formerly an Editor with the Balzer & Bray imprint of HarperCollins.
>> FamilyFun magazine is now called Disney FamilyFun.
>>Nickelodeon Magazine Group plans to fold its Nick and Nick Jr. magazines by the end of this year.
When writing for children, it never hurts a writer to go back and revisit your childhood memories. You never know what ideas can come from those memories. Think back, do you have a time in your childhood that always bring a smile to your face when you think about it? You know the kind of smile that starts small and just grows and grows. If it made you smile, it just might make others smile, too. As you are thinking about that memory, think about the smells, sights, touches, sounds and tastes you had with that memory. Then, use those senses to put your story into words.
It is no secret that a newbie writer has to make some decision about what resource books they buy. Money is often limited. That is why this find was such an unexpected pleasure. I got it this last year for a $1.00 at my local library. While this edition of Simon and Schuster’s Handbook for Writers CD Rom-Interactive by Lynn Quitman Troyka is from 1999, the content is still quite relevant.
When reading about writing, one tip was offered that I felt was particularly important for a writer to know. Simon and Schuster’s book offers this checklist: (Paraphrased by me.)
Know who your audience is.
Know their ages and genders. Know what ethnic backgrounds. Know their hobbies and interests. Know what they want to read. Then, target your book toward these factors.
Ten years later, this checklist is just as pertinent to a book’s success.
Steven Meltzer, Associate Publisher/Executive Managing Editor of Dutton and Dial covered it in his Iowa SCBWI conference presentation during “the first sentence” exercise. He asked conference writers to first write down a first sentence that would hook the reader. Then he asked various participants to tell him what makes their book appealing to their readers. He asked them to tell a little about why a reader would want to read their book.
He was talking about marketing specifically but in truth marketing starts as soon as an idea is written down. A pb writers knows that there is a difference between what a three-year old likes and what a seven-year old does and takes those factors into consideration when they develop their book’s plot. A mg writer knows what kids that age are interested in reading.
The take-away from this is that while some books might not have been published recently, the value they offer a new writer is very relevant to developing a great career. Being a succesful writer means doing one’s research.
How do you choose the right word for the right situation? The most powerful words tend to be the shortest and, not coincidentally, the ones most basic to the English language. A long-time editor gives more advice about choosing the right word.
Here are a few thoughts on choosing the right word from “English Through the Ages,” a reference book by William Brohaugh:
Sometimes, a writer’s life can be challenging. Trying to sandwich writing time in between all the things that life brings, takes time and effort. A writer has to deal with all the normal “mom” or “dad ” things. They may work part or full time. They may go to school. They are obligated to do other things, like their children’s school activities. Not to mention things like an older parent who needed their assistance.
It might mean that they have to take what small sections of time come up to do their writing. Whether it is late at night or early in the morning or while waiting for a sporting event to start, the writer does what they can.
Somehow . . . a writer find the way to write.
I really enjoy rhyming books, I seem to find something soothing and restful in the sing-song verses. I especially like to read them to the little one at bed time as they seem to find them restful as well.
Maueen. http://www.thepizzagang.com
Maureen,
I agree. I find them restful as well. From my early days working with preschoolers as well as my times with my own nieces and nephews I have found rhyming picture books a pleasure to read.
My niece who stayed with me for a while as a little girl and I loved being cuddled up on the couch reading.
Thanks so much for checking out my blog and leaving me a comment. I appreciate the fact that you took the time to do so. Stop by again as I am always adding more.
Peg Finley/peg366
Great Post. I love rhyme as well. I find is comforting but many editors would rather see “no rhyme, than bad rhyme”, it’s really too bad.
Suzanne http://writingonthesidewalk.wordpress.com
Suzanne,
Thanks for the nice comment.
If the truth be known, I actually would rather not rhyme if I can’t do it well. I do find them comforting to read and will continue to pick those rhyming books up and dream about being able to rhyme.
Thanks so much for stopping by my blog. Feel free to stop by any time. I am always looking for new things to add to the blog.
Peg Finley/peg366