How to use this Page

This is a children’s picture book structure break down for THE MONSTORE by Tara Lazar and James Burks. This breakdown will contain spoilers. Once upon a time:…

Add a Comment

When Scholastic launched its Graphix imprint 10 years ago, graphic novels were a novelty, if you can pardon the expression, in the mainstream publishing world. And kids comics were an unknown quantity—comics shops didn’t want them and bookstores didn’t know what to do with them. In the first wave, there were many miscues and misunderstandings at many houses along the way. But Graphix wasn’t the one making them. Granted, starting out a line with Jeff Smith’s Bone is about as much a sure thing as possible—6.9 million copies in print and counting. But picking Raina Telgemeier to do a Babysitter’s Club relaunch and eventually Smile, and Kazu Kibuishi to publish his Amulet series weren’t as sure—but they sure paid off. Along the way Graphix has picked up multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers. They’ve published many more top cartoonists such as Doug TenNapel, Greg Ruth, Mike Maihack and Jimmy Gownley. And there’s more to come.

To celebrate their tenth anniversary—Bone: Out From Boneville was published in 20o5—Scholastic has some cool stuff on tap. To kick things off they’re revealing two covers for the first time:

Craig Thompson’s Space Dumplins comes out in August. It’s the first kids book by the acclaimed author of Blankets and Habibi, and his first one in full-color, with Dave Stewart adding hues.

And the sister/brother duo of  Jennifer L. Holm and Matthew Holm, best selling authors of Babymouse and Squish have a new one as well: Sunny Side Up (August 25, 2015; ages 8-12), which is a semi-autobiographical story, their first.

In addition, 12 Graphix artists have created new art that will be offered as prints throughout the year at events and online. The line-up: James Burks, Nathan Fox, Jimmy Gownley, Matthew Holm, Kazu Kibuishi, Mike Maihack, Dave Roman, Greg Ruth, Jeff Smith, Raina Telgemeier, Doug TenNapel, and Craig Thompson. Events include ALA Midwinter (Chicago, IL), Emerald City Comic Con (Seattle, WA), Texas Library Association (Austin, TX), BookExpo (New York City, NY), ALA Annual (San Francisco, CA), Comic-Con International (San Diego, California), Long Beach Comic Expo (Long Beach, CA), Salt Lake Comic Con (Salt Lake City, UT), and New York Comic Con (New York City, NY).

Finally, on February  24, Graphic will publish BONE #1: Out from Boneville, Tribute Edition, with a new illustrated poem from  Jeff Smith and new tribute art from sixteen top artists.

Along with the cover reveal, Graphic has announced some future projects:

• Two more installments in the Amulet series
• A new graphic novel, as yet untitled, by Kazu Kibuishi
• Books 3 and 4 in Mike Maihack’s Cleopatra in Space series
• And from Raina Telgemeier, a nonfiction family story in the vein of  Smile and Sisters), a collection of short stories, and a fictional graphic novel.

It’s definitely worth giving Graphix and its founder, David Saylor, a tip of the cap. 10 years ago it was a gamble. Today it’s an institution.

 

Display Comments Add a Comment

When Scholastic launched its Graphix imprint 10 years ago, graphic novels were a novelty, if you can pardon the expression, in the mainstream publishing world. And kids comics were an unknown quantity—comics shops didn’t want them and bookstores didn’t know what to do with them. In the first wave, there were many miscues and misunderstandings at many houses along the way. But Graphix wasn’t the one making them. Granted, starting out a line with Jeff Smith’s Bone is about as much a sure thing as possible—6.9 million copies in print and counting. But picking Raina Telgemeier to do a Babysitter’s Club relaunch and eventually Smile, and Kazu Kibuishi to publish his Amulet series weren’t as sure—but they sure paid off. Along the way Graphix has picked up multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers. They’ve published many more top cartoonists such as Doug TenNapel, Greg Ruth, Mike Maihack and Jimmy Gownley. And there’s more to come.

To celebrate their tenth anniversary—Bone: Out From Boneville was published in 20o5—Scholastic has some cool stuff on tap. To kick things off they’re revealing two covers for the first time:

Craig Thompson’s Space Dumplins comes out in August. It’s the first kids book by the acclaimed author of Blankets and Habibi, and his first one in full-color, with Dave Stewart adding hues.

And the sister/brother duo of  Jennifer L. Holm and Matthew Holm, best selling authors of Babymouse and Squish have a new one as well: Sunny Side Up (August 25, 2015; ages 8-12), which is a semi-autobiographical story, their first.

In addition, 12 Graphix artists have created new art that will be offered as prints throughout the year at events and online. The line-up: James Burks, Nathan Fox, Jimmy Gownley, Matthew Holm, Kazu Kibuishi, Mike Maihack, Dave Roman, Greg Ruth, Jeff Smith, Raina Telgemeier, Doug TenNapel, and Craig Thompson. Events include ALA Midwinter (Chicago, IL), Emerald City Comic Con (Seattle, WA), Texas Library Association (Austin, TX), BookExpo (New York City, NY), ALA Annual (San Francisco, CA), Comic-Con International (San Diego, California), Long Beach Comic Expo (Long Beach, CA), Salt Lake Comic Con (Salt Lake City, UT), and New York Comic Con (New York City, NY).

Finally, on February  24, Graphic will publish BONE #1: Out from Boneville, Tribute Edition, with a new illustrated poem from  Jeff Smith and new tribute art from sixteen top artists.

Along with the cover reveal, Graphic has announced some future projects:

• Two more installments in the Amulet series
• A new graphic novel, as yet untitled, by Kazu Kibuishi
• Books 3 and 4 in Mike Maihack’s Cleopatra in Space series
• And from Raina Telgemeier, a nonfiction family story in the vein of  Smile and Sisters), a collection of short stories, and a fictional graphic novel.

It’s definitely worth giving Graphix and its founder, David Saylor, a tip of the cap. 10 years ago it was a gamble. Today it’s an institution.

 

Add a Comment

About James:

James Burks is the author-illustrator of several children's books, including Beep and Bah, the Bird and Squirrel graphic novel series, and Gabby and Gator, a Junior Library Guild selection. Most recently, he illustrated The Monstore by Tara Lazar. He lives in Valencia, California. You can visit him online at www.jamesburks.com

Author-Illustrator James Burks

A piece of James' finished art - the cover for his "Bird & Squirrel On Ice"

Add a Comment

This Father’s Day card was sent in by Tracy Campbell to help wish all you Dad’s and single Mom’s a Happy Father’s Day. Tracy was featured on Illustrator Saturday on May 18th.

I missed getting Tara Lazar’s debut book THE MONSTORE at the conference last weekend. I took too much time, before I tried to buy her and all the books were gone, but Amazon has plenty in stock. I am sure I will see Tara soon at another event to have her sign it for me. Looks like a great picture book.

Tara Lazar is a children’s book author, foodie, mother and boogeyman assassin (currently booked at 3:00 a.m. nightly).  She writes quirky, humorous picture books featuring magical places that adults never find. Her debut THE MONSTORE releases in June 2013, with I THOUGHT THIS WAS A BEAR BOOK and LITTLE RED GLIDING HOOD to follow in 2014. She’ll also debunk the rule “Grow Up, Be Serious” in BREAK THESE RULES, a YA anthology due in September 2013. Tara lives in New Jersey with her husband and two daughters. Discover original stories, book reviews, giveaways and boogeyman extermination advice at www.TaraLazar.com.

The Monstore is a one-stop shop for all your monsterly needs in this enormously funny story that’s full of friendly, kooky creatures.

At the back of Frankensweet’s Candy Shoppe, under the last box of sour gumballs, there’s a trapdoor.

Knock five times fast, hand over the bag of squirmy worms, and you can crawl inside The Monstore.

The Monstore is the place to go for all of your monsterly needs. Which is perfect, since Zack definitely has a monsterly need. The problem? His pesky little sister, Gracie, who never pays attention to that “Keep Out” sign on Zack’s door—the one he has made especially for her.

But when Zack’s monsters don’t exactly work as planned, he soon finds out that the Monstore has a few rules: No Refunds. No exchanges. No exceptions.

Publishers Weekly

Debut author Lazar takes readers to an underground emporium, the Monstore, which trades in “the most useful monsters, just right for doing tricky things around the house.” Tricky things like handling “pesky little sisters.” However, the monsters that Zach purchases aren’t working as advertised. Instead of scaring Gracie, the enormous, three-eyed, orange-furred Manfred teams up with her to frighten Zach. And because the Monstore’s return policies are none too friendly, Zach purchases more monsters (“Add another,” suggests the wild-eyed shopkeeper. “A monster threesome is more gruesome than a twosome”), all of which wind up tormenting Zach. Readers shouldn’t be surprised that Gracie is delighted, not frightened, by the blobby, tentacled additions to the household—Burks’s (Beep and Bah) colorful creatures are firmly in the scary-cute vein of Monsters, Inc. (in one scene, they use a purple snake monster to jump rope with Gracie). Zach gets a chance to prove himself as a capable older brother, but this story really belongs to Gracie.

Ages 4–7. Author’s agent: Ammi-Joan Paquette, Erin Murphy Literary Agency. Illustrator’s agent: Kelly Sonnack, Andrea Brown Literary Agency. (June)

ISBN-13: 9781442420175
Publisher: Aladdin
Publication date: 6/4/2013

Tara Lazar wished there was a Monstore when she was a kid so she could’ve spooked her pesky little brother. Her mischievous imagination led her to write picture books, and she founded PiBoIdMo (Picture Book Idea Month). She lives in New Jersey with her husband and her two daughters. Visit http://www.TaraLazar.com for stories, giveaways, and contests for kids of all ages (like Tara!).

James Burks started drawing as a little kid and hasn’t stopped since. Along the way he’s written and illustrated some books of his own, including Gabby and Gator, Beep and Bah, and Bird and Squirrel on the Run. James lives in southern California with his two little monsters.

Talk tomorrow,

Kathy

Filed under: authors and illustrators, Kudos, Picture Book Tagged: Ammi Pacquette, Debut picture book, James Burks, Monstore, Tara Lazar, Tracy Campbell

Display Comments Add a Comment

About two and a half months ago I decided I was going to start running. I had a few reasons for this decision;

1. I was getting fat.
2. I didn’t feel great about the way I looked.
3. I had seen one too many pictures of myself at various author events from weird angles with more than one chin.

So I bought some cheap running shoes and decided to start running when my kids went back to school after summer break. Keep in mind that I’ve never been a runner. Not when I was a kid, not in high school, not ever. I’d see people running down the street and think that they were crazy. Running was never something that wanted to do but I was determined to give it a try.

My kids started school on August 14th and, as planned, I started running. I use the term “running” very loosely here as I was doing more walking than running. I would run as far as I could until my lungs were screaming and my legs were burning and then walk. Run. Walk. Run. Walk. Rinse and repeat. On and on until I had completed thirty minutes. (Around two miles.) At the end of my first run/walk I was pretty sure that I was going to die. My legs were sore and throbbing but I had taken the first step towards a leaner, happier me.

The next day I woke up with sore legs but I still went out running. Run. Walk. Run. Walk. At this point I had no idea that I was supposed to take days off between runs. (This was all new to me.) I was determined to stick to my new goal regardless of the pain. So I hobbled along running and walking for two weeks straight with only the weekends off to rest.

After two weeks of running I reached a point where my legs were super sore. I could barely sleep at night. I knew I needed to take some time off to let my muscles recover. The funny thing is that I didn’t want to take a break. Even with my legs screaming for relief I loved running. I loved being outside listening to the music on my iPod and I felt really great emotionally. I had a deep sense of accomplishment and I was starting to see some results when I got on the scale. But I knew if I wanted to keep running I’d have to take some time off and let my legs recover.

Lucky for my legs I had a six-day book tour of San Francisco the following week. It would be the perfect time for a break.

When I returned from San Francisco I jumped right back into running. My legs felt better but it wasn’t long before they began to hurt again. After some online research and talking to friends who run I came to the conclusion that maybe it was my shoes. So I went to my local running store and twenty minutes later I left with the most expensive pair of shoes that I’d ever bought in my life. The salesman said that they would help absorb some of the impact and give my legs more support. The next day I took the shoes out for a test run and they worked. My legs weren’t near as sore as they had been previously. Success!

At this point I’d been at it for about a month. My legs weren’t hurting quite as bad as before but they were still a little sore. I did a little more research and discovered that it’s a good idea to do some cross training between running workouts. So I dusted the cobwebs off my ten-year-old mountain bike and hit the bike trail. Riding my bike between running workouts made a huge deference. It gave my legs a day between runs to recover and I was still able to get in a good workout every day.

I really had no idea what I was doing when I started this whole running thing. I just figured it out as I went. The important thing for me was to just keep at it. To make myself get out of bed every day and either run or bike. It didn’t matter how fast I went, it only mattered that I was doing it everyday or almost every day. I would after all take the occasional day off to rest or to sleep in. I hadn’t completely lost my mind.

The funny thing is that the more I worked out, the better I felt, and the better I felt the further I pushed myself to go. I went from running short spurts and walking, to running three to five miles at a time without stopping. I started biking 18 miles on my bike and I felt amazing. Now, every day I go out and I challenge myself to go a little further or a little faster. I go to bed at night looking forward to getting up the next morning and running or biking. It’s crazy. It’s been two and half months since I started and I feel happier and less stressed than ever before. Oh, and I’ve lost twelve pounds and counting. No more extra chins.

Some of you reading this may be asking yourself at this point, “What does this have to do with writing picture books?” Good question. Here’s the thing, no matter what you want to do in life it all starts by taking a step. A single step.

That step may be taking a class or starting to draw, or in my case starting to run. It can be anything. You just have to take the step. The more steps you take the easier it will get. Along the way you may step in a puddle or two, or get injured (rejected) and that’s okay. Just take some time off to clean yourself up and recoup.

Then when you’re ready, take another step, and another. After a while your steps will get faster and a lot easier, and before you know it you’ll be running. You’ll be pushing yourself to go further and you will be feeling better. You’ll be happier. Who knows, maybe some day you’ll even run a marathon or two. All you have to do is just keep running.

James Burks started out working as an artist in the animation industry for various studios including Disney, Warner Brothers, and Nickelodeon. Projects he has worked on include the Emperor’s New Groove, Atlantis, Treasure Planet, Home on the Range, Space Jam, the Iron Giant and the television shows Wow Wow Wubbzy, Ni-hao Kai-lan, the Dinosaur Train and Fan Boy and Chum Chum.

He currently spends his days taking care of his two kids, running/biking and writing/illustrating his own books. His first graphic novel for kids, GABBY AND GATOR, published by Yen Press, was a Junior Library Guild selection and a 2012 CTA Read Across America title. He also has a picture book with Carolrhoda entitled BEEP AND BAH, a graphic novel with Scholastic/Graphix called BIRD AND SQUIRREL ON THE RUN, and he just finished illustrating a book for Simon & Schuster called THE MONSTORE written by Tara Lazar which will be out in June 2013.

James is giving away a signed digital print of this friendly witch and best friend. It sure is as sweet as Halloween candy!

Just comment to be entered into the drawing (one comment per person).

A winner will be randomly selected in one week.

Good luck!

Display Comments Add a Comment

THE MONSTORE is still two years away from release, but today I have the OK to share with you initial character sketches by the brilliant illustrator James Burks!

The main character of the story is Zack, who wants to buy a monster to scare his pesky little sister Gracie. (Isn’t she sweet? How could she possibly be pesky?) Three of the main monsters are Manfred, Mookie and Mojo…and of course, there’s the proprietor of the shop–the Monstore Manager. I wonder if Danny DeVito would like to play him in the movie version? (Yes, one can dream.)

I hope you enjoy these illustrations!

Copyright 2011, James Burks

Display Comments Add a Comment

*Graphic novel for elementary kids–1st grade through 5th grade
*Young girl and an alligator as main characters
*Rating: Gabby and Gator is a funny book that takes a look at a serious issue for kids–fitting in and bullying.

Short, short summary:

In graphic novel form, James Burks tells the story of Gator and Gabby–an alligator and a girl that have trouble fitting in. Gator has had trouble since the beginning when his original owner had to flush him down the toilet because his mom didn’t want an alligator in her house. He’s lived in the sewer ever since, and he just can’t help himself–sometimes he eats people’s dogs. He gets so hungry. Then there’s Gabby. She doesn’t fit in anywhere, but she is the sweetest girl! (I just love her list of things to-do.) The kids make fun of her, and one boy in particular is a big bully, calling her a freak. She meets Gator in the park, and then the two become friends and have quite an adventure! You will love Gabby and Gator, laugh out loud, and cheer for them both!

So, what should I do with this book?

1. Children can look at Gabby’s to-do list and then make one of their own for a weekend day. What would they put on a to-do list? You can also have them create a to-do list for Gator. Students can pair up with other students and share their lists and explain why they put what they did on their to-do list.

2. Gabby and Gator deals a lot with bullying. In the book, several kids are mean to Gabby. This can make some children uncomfortable and open to talking about a subject they might not usually want to talk about. A book also can open a discussion about bullying because children can talk about the characters in the book and share feelings without having to talk exactly about themselves. How does Gabby feel when kids call her a freak? What does she do? How does she solve her problem? You can ask students if they’ve ever felt like Gabby and talk about that.

3. Gator is a very interesting pet. Pets are always a big part of children’s lives. Ask students to draw a picture of their pet and tell why he is unique or unusual. You can also have them fold a piece of paper in half–on one side they can draw a picture of Gabby and Gator. On the other side, they can draw a picture of themselves with their pet. Older students can write a paragraph about their pets or compare and contrast their pet to Gator.

Add a Comment

Given the monsterly badges for PiBoIdMo, maybe you had a hunch…

Children’s: Picture book
James Burks’s illustrations for author Tara Lazar’s THE MONSTORE, to Emily Lawrence and Alyson Heller at Aladdin, in a nice deal, by Kelly Sonnack at Andrea Brown Literary Agency.

I’m thrilled to have James working on THE MONSTORE! Seeing the characters come alive is going to be fun. There’s Zack, his pesky little sister Gracie, the Monstore manager, and Manfred, Mookie and Mojo. (Geesh, how did I fit all those characters into 600 words?!) Hopefully I get permission to share some in-progress work.

Display Comments Add a Comment

by James Burks

It’s day 18 of PiBoIdMo and I’m here to give you inspiration or at least a small push towards the finish line. I’m sure that, at some point in your life, most of you have put together a puzzle. It could have been a small puzzle with only a hundred pieces, or a ginormous puzzle with a bazillion pieces. Regardless of the size, if you can put together a puzzle then you can put together a story. So let’s get started.

To put together a story puzzle, the first things you need are the pieces. That’s where your ideas come in. Every single idea you come up with is a piece of the story puzzle. This includes characters, settings, or lines of dialogue; you name it, they are all pieces of the puzzle. And here’s the best part: there are no wrong pieces. If a piece doesn’t seem to fit into the puzzle you’re working on, you can set it aside to use later.

Here’s an example of a recent story puzzle that I put together:

About a year ago, I sat down and tried to come up with my next great idea. I had just sold my first two stories to different publishers and was trying to come up with a third story that my agent could send out. I had the first piece of my story puzzle: a squirrel. I spent the next few days creating more pieces. I gave the squirrel a name (another puzzle piece), and I came up with a bunch of stuff that he loved to do (more puzzle pieces). After a few days I took all the pieces and arranged them into a simple story, drew some rough drawings (for illustrators, these are more pieces), and sent it off to my agent. My agent thought it needed something more, though, and at the time I didn’t know what that was. So I set the entire puzzle aside and went off to work on another project.

After about a month, my agent called and asked if I had come up with any new ideas. I hadn’t. Or at least that’s what I thought. After hanging up the phone I started running through a bunch of random ideas while surfing the internet. I remember contemplating Amelia Earhart (I think the biopic was coming out or had just came out), went from there to Penguins, then to the South Pole, and from there to a bird migrating south for the winter. (It’s always a good idea to let your brain off its leash once in a while and let it run free. You never know what it might bring back.) Something about a bird flying south for the winter ended up sticking with me.

I didn’t know it just yet but I had just found another piece to my story puzzle.

From there, everything seemed to magically fall into place. I took the bird migrating south for the winter and stuck him with the squirrel from my earlier story. A small part of my story puzzle took shape.

Then I started to ask myself a series of questions to fill in the rest:

Why do they have to migrate south together for the winter? There had to be a reason and it had to be big. I asked myself what would happen if Squirrel was forced to go along after he unintentionally sacrificed his entire winter stash of food to save Bird from an attacking cat. He would have no other choice; if he didn’t go with Bird then he’d starve.

But, where was the conflict? What was going to make my story interesting? Maybe they were like the odd couple. I imagined Bird as a total free spirit who just wanted to have fun, while Squirrel was a bit neurotic and was all about responsibility. Squirrel can’t stand Bird, but they’re stuck together. A natural conflict of personality that would provide for some humorous scenes.

This left one last question. How would the two characters

Display Comments Add a Comment