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In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
The post The Oral History of ‘Space Jam’: Part 2 – The Perils of New Tech appeared first on Cartoon Brew.
Space Jam is 20 years old! Our 3-part oral history begins with the troubled start to production, character designs, and how the basketball scenes were shot.
The post The Oral History of ‘Space Jam’: Part 1 – Launching the Movie appeared first on Cartoon Brew.
Animal House, one of the most-loved movie comedies of all time, is hotter than ever. There’s a Broadway show in the works and a new, behind-the-scenes book called Fat, Drunk, & Stupid by producer Matty Simmons, who talks to us about what Hollywood first thought of the script (hated it!), what got cut, and why there was never a sequel.
Some highlights from the interview:
On getting the green light: My junior partner at the time was Ivan Reitman [who went on to make comedy classics including Ghostbusters] and we went into [Univeral Studios chief Ned] Tanen’s office and he said, “I hate this movie. Everyone’s drunk or having sex or getting beat up. Do you think you could make it for less than $3 million?" Now I had never made a movie. Ivan had made a couple of movies in Canada for about $8. I said, “Absolutely.” And I didn’t know what I was talking about. We made it for $2.8 million, and overall, everything in to date, it’s grossed about $600 million.
On the unforgettable audience response: We screened that movie in Denver … and at the end of that movie, the audience was standing on chairs and screaming and applauding and yelling. No one had seen anything like it. And then when they brought it back to Hollywood, they did a test screening and it got the highest rating in the then-history of the ratings system.
On getting Animal House to Broadway, with music by Barenaked Ladies: I had the idea about four or five years ago and it took me that long to convince Universal to do it, because they own the rights. They said, “Well, if you bring in the right team.” So I brought in a top Broadway producer, who many years ago was my publicity man and has since won about six Tonys (Jeff Richards), and the director of the Book of Mormon, the hottest show on Broadway (Casey Nicholaw).
Read more on the Amazon Studios Hollywonk blog.