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This is a guest post by Jon Gibbs, which was promoted from the Forums. More info on Forum promotion here.
1: ‘What a terrible tragedy in the news today. I had a similar situation take place in the book what I wrote. Here’s a link to the purchase page, in case anyone's interested.’You don't see this one often, but when you do, it leaves a particularly bad taste.
2: ‘Buy my book and help save an orphaned kitten!’
I'm not talking about donating stories for charity anthologies, donating books; time; merchandise for auction, or any number of generous things writers do to help a worthy cause. Those are simply good deeds and not marketing techniques at all.
I'm talking specifically about when an author announces a special offer eg: 'For every book he/she sells this week, the author pledges to donate some money to [INSERT: name of worthy charity here*]. If you're doing it as part of a larger community effort, or to help out a local church, school etc. or if your personal story (or the one in your book) is somehow related to the cause in question, no reasonable person could have a problem.
However - and this is where I think writers need to take care - there's an invisible line between using your work to help a good cause, and using a good cause to sell more books. If you cross that line, or give the impression you crossed it, folks will notice, and not in a good way.
3: ‘Don’t mind me. You just carry on with your presentation while I give out my promotional info and/or pass this copy of my book around to folks in the audience.’
I know, I was surprised too, but I’ve see this happen five times this year alone.
4: ‘Welcome to this writing presentation/panel/workshop, during which I’ll plug my books at every opportunity while ostensibly talking on the writing-related subject referred to in the title of this talk.’
It doesn’t happen often, but some presenters feel obliged to continually quote from, refer to, or otherwise promote their work during a writerly talk or panel. As an audience member, this never fails to disappoint (unless the presentation is called ‘All About Me and My Work’ or something similar, in which case, I withdraw my objection).
5: ‘In case you missed the other twelve I posted this morning, here’s another [insert relevant social media post] telling you where to buy my book.’I imagine most folks have differing ideas about how much is too much, but some folks cross everyone's line.
6: ‘What a delightful writing group. I thoroughly enjoyed my first meeting. Why yes, I did leave those promo postcards on every chair before we started.’If the only reason you attend a writing group is to promote your own work, do everyone there a favor, and stay home.
7: ‘I’m trying to get myself better known, so I thought I’d add you to this Facebook group without bothering to ask you if you’d be interested. Oh, and you can also buy my book if you like.’This one works, in the sense that it will get you better known, but not in the positive way you thought – at least insofar as the people who don’t like to be taken for granted are concerned.
8: ‘Dear friend (who isn’t worth the effort of preparing a separate, personalized, email so I’ve included you on this hidden mailing list of every address I’ve ever heard of, plus a few I’ve scavenged from other people’s lists), let me tell you about my new book.’If you want to tell someone you know about your book in an email, make it a personal one (hiding the address list doesn’t count).
9: ‘Just thought I’d send this automated reply to thank you for following me back on Twitter, Facebook, Goodreads, or whatever it was. Now buy my book.’Whether or not it’s the intention, I’m always left with the feeling that the only reason the person ‘friended’ me was so he/she could get a (not too subtle) plug in for his/her book.
10: ____________________________________I left #10 blank. What would you add to the list?
Born in England, Jon Gibbs now lives in New Jersey, where he’s ‘Author in Residence’ at Lakehurst Elementary School. A member of several writing groups, including SCBWI, he’s the founder of the New Jersey Authors Network and www.FindAWritingGroup.com. His blog, An Englishman in New Jersey, is read in over thirty countries.
Jon’s debut novel, Fur-Face (Echelon Press) a middle grade fantasy about a shy teenager who meets a talking cat only he can hear, was nominated for a Crystal Kite Award. Watch out for the sequel, Barnum’s Revenge, coming in February, 2013.
When he’s not chasing around after his children, Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.
Art: Advertisement card for Philip Conway, Jr., Practical Shirt Maker by G.M. Hayes
The way we discover books is ever-changing. It sure seems like we're far more likely to discover books through a tweet, Goodreads recommendation, Facebook post, or online search than we are through methods that existed before the Internet.
Where did you hear about the book you're reading?
I'm reading
A Wrinkle in Time at the moment, which I could have sworn I read growing up, but now realize I picked up and put down a million times when I was a kid. So, uh, I heard about it when I was a kid.
What about you?
Art: Conversation - Camille Pissarro
Guest Post by Rick Daley
Search Engine Optimization (SEO) is critical in modern marketing. Any author trying to sell books should be familiar with its basic concepts, whether you have been published by a Big Six publisher, a small press, or (especially) if you are an indie author. So how do you leverage the greater power of the Internet to help get your platform in front of the right person at the right time?
First things first: Relax. You don’t need to be a technical wizard to understand SEO, it’s really pretty simple at heart. Here’s a Q&A to get you started. I’ll get into the tech stuff later.
Q: I’ve heard about SEO, but I have no idea what it actually is. How does SEO work?
A: SEO works like this: you type keywords into a Google search, and Google lists the pages on the Internet that are most relevant to your keywords. (Or the pages the Chinese government says are okay for you to view. It depends on your location.) The most relevant page is listed first. SEO increases your site’s relevance in Google’s eyes.
And as a point of note, I keep referring to Google, but all this also applies to Bing, Yahoo, Ask.com, and other search engines. Except for that crack about China, that’s mainly Google.
Q: How do you measure SEO?
A: You measure SEO according to your ranking in the search results. You don’t want to be buried on page 100, or even page three. The best ranking is the first link on the first page, but anywhere on the first page is excellent.
Q: Hey, that’s just an ad at the top of the Google search results!
A: That’s not a question, but I’ll humor you. Yes, Google does put a few paid links at the top of the search results, and there are also paid ads on the sidebar. The ads are placed based on keyword relevance, and they can be effective. They can also be expensive.
But SEO isn’t about paid ads; it’s more organic…it’s about showing up because you belong there.
Q: I just searched for my name and my book title, and I’m on the first page of the results. Does that mean I have great SEO?
A: Not really. Chances are, if someone enters a specific search for your name, and you have any kind of web presence, they will find you. Unless you share a name with somebody famous. For example, if you search for my full name, Richard Daley, Chicago politics dominates the results because I happen to share a name with two past mayors. But search for Rick Daley and Chicago goes away (not literally!) and I have several links appearing on page 1.
I just searched for my book’s title, The Man in the Cinder Clouds, and I have all ten spots on the first page right now. That doesn’t really mean anything, though, because there aren’t that many pages relevant to so specific a term. Winning isn’t special when there’s no competition.
Q: So if I don’t use SEO for my name or book title, what do I use it for?
A: SEO is best geared toward keywords relevant to your book. For example, my book is an origins-of-Santa story. The keywords/phrases I chose for SEO are Christmas book for kids, history of Santa Claus, Christmas gift idea, Kindle Christmas Book, Nook Christm
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"Ferdinand of Hungary meeting with Cardinal-Infante Ferdinand of Spain at Nördlingen" - Peter Paul Rubens |
I’m not the life of the party. I’m not someone who can step into a gathering and work a room. I’m pretty introverted in real life. And I’m not what you might call a mover and a shaker.
But I think of some of the opportunities I’ve had over the years, some of the people I’ve been so fortunate to meet, some of the places I’ve been able to go and things I’ve been able to do… and yeah. Lots of those opportunities came from my “network” (those quotes are me cringing at that word).
So uh… How in the world did I develop a network when I’m not good at networking?
You hear so much about how it's all about who you know, how you have to network, etc. etc. For me personally, it's not something I made a conscious choice to do.
When I look back, I think there have been two big things that helped, and they’re things anyone can do:
1. Do not think of your network as a network.
2. Build something.
Do Not Think of Your Network as a NetworkI don’t have a network, I have friends. And I’m really serious about this.
The thing about the word “networking” is that it has a mercenary edge to it, like we’re just going to get to know each other because of what we can get out of each other. And not only is that completely icky, it doesn’t work.
Because who wants to get to know someone else just because of what they can get out of them? How shallow is that relationship, and how is either party really motivated to help each other out when the time comes?
Find the people who you like and whose work you genuinely admire, and invest in those people. Become friends with those people. Don’t force it, don’t do it because they’re successful, do it because you like them and actually want to help them out.
Obviously when your network expands you can’t invest equally in everyone who is investing in you, but give of yourself what you can and treat people with respect and pretty soon you’ll be surrounded by amazing people that you’ll feel incredibly lucky to know.
And that leads to #2.
Build SomethingBuilding things opens doors. For me it was the blog and the Jacob Wonderbar novels, but other people have built groups or organizations or journals or a Twitter following or any number of things.
When you build something it’s more than just creating a platform or a bully pulpit, what’s amazing about building something is that it will ultimately attract like-minded people to you.
You’re putting a part of yourself out there, and pretty soon you’ll find that you’re drawing in other people who like the things you like and share your outlook and worldview. It’s an amazing thing, and I’ve found some of my best, real-life friends through the blogosphere and social media.
And ultimately that leads right back to point number #1. It may seem trite or twee, but look: You’re not building a network, you’re making friends.
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"Nen Dreier, det Schäfchen" by Theodor Hosemann |
So, in case you missed the to-do on Friday, I posted a "
pledge drive" that was intended to be jocular but also nudge-nudge in its approach, and I received some negative feedback about its thrust and style of the (along with lots of positive feedback from people who didn't think anything of it).
And if it seemed like I was a bit twitchy about it on Friday, I have to be honest that I'm particularly sensitive to criticism when it comes to self-promotional activities.
Because here's the thing about self-promotion: It sucks. It really sucks.
If self-promotion were an insect, I would squash it with the world's biggest fly swatter. If self-promotion were a field I would burn it and salt the earth so it could never live again.
It doesn't feel right to stand in front of a crowd and shout, "Me!" and no matter how much you try and cloak the self-promotion in elaborate disguises, it can still feel kind of icky. And if you don't enjoy the spotlight, self-promotion in all its forms can be downright terrifying.
This is one of the hugest drawbacks about an era of publishing where publishers expect authors to shoulder the lion's share of the promotional activities. No one I know enjoys self-promotion, and no one out there particularly likes being promoted to either. People usually want to hear about new things from enthusiastic and neutral third parties, not the hugely biased person who created the thing.
And when it comes to social media, the Internet dislikes it when something they are accustomed to getting for free suddenly comes with strings attached, even if those strings are only of the heartstring nature. It's such a fine line between reminding people about your book and hoping they buy it while not alienating your audience and turning into a shill.
So basically: Self-promotion = not fun!
And yet I know what I would tell someone else who has a new book out: You have to do it. No matter how much you might dislike it, no matter how much negative feedback you get about it, no matter how much it makes you cringe, you gotta do it. You have to give your book a boost, you have to make your network aware of it, you have to do everything you can to help it sell. The era of being just an author,
if it ever existed, is over.
Do it as non-annoyingly as possible, but do it.
Sure, it would be fantastic if you had an army of rabid fans or a fabulously wealthy and dedicated publisher to do all the promotion for you. But unless you win the publishing lottery, that first boost has to come from you. You have to build your own army and hope they start evangelizing and creating new converts. You have to get that first bit of momentum going. Otherwise your book will quietly disappear into the great unknown.
So... yeah. It ain't fun. But there's a lot of noise out there, and sometimes you have to shout to make yourself heard. Even if you cringe the entire time you're doing it.
And to show I practice what I preach, here are some links to buy
JACOB WONDERBAR AND THE COSMIC SPACE KAPOW. Kirkus
This week! Books!
Thanks for tuning in for How I Write week! To recap:
Monday:
How I WriteTuesday:
How I EditWednesday:
My Query LetterThursday:
Why I Chose a Traditional PublisherNext week is WONDERBAR publication week and I'll be kicking off on Monday with a giveaway of some kind! And don't forget, if you're in the Bay Area next Friday please join me for the WONDERBAR launch party at Books Inc., Opera Plaza at 7pm. Here's the
invite, hope to see you there.
Fun fun!
Meanwhile, I caught a few links this week and here they be.
Lots of e-book news, and some of it came from CNET, where I am employed. First up, my colleague David Carnoy took a look at the new $114 ad-supported Kindle and found the ads
unobtrusive and worth the savings. And although there
doesn't appear to be a new e-ink innovation on the horizon, B&N is rumored to be set to
debut a new Nook, which will most likely be an e-ink version update rather than a new Nook Color.
I've long said that the idea that there's no such thing as being "
just an author," and the New York Times has a great roundup of some author-as-self-promoting-brands of yore, including Herodutus
paying for his own book tour in 440 BC. Self-promotion is as old as writing.
GalleyCat recently linked to the
10 most popular professions for romance novel heroes. I'm shocked SHOCKED that Social Media Manager didn't make the list. I guess doctors and cowboys really do have all the fun. (Oh, and speaking of which, Amazon is now
launching a romance imprint)
Agent Kristin Nelson has a great post on the art of the blurb request and how to
go about that delicate task.
And Amanda Hocking has announced another deal with St. Martin's for
her previously published Trylle Trilogy. This will be interesting to track as she acknowledges that the e-book prices will be going up from where they are now, but they'll probably still be lower than regular e-book prices.
This week in the Forums, I'm very pleased to announce that there's a new deputy sheriff in town,
27 Comments on This Week in Books 5/6/11, last added: 5/8/2011
The Books! This Week!
First up, one of my blog readers is an editor in Egypt, and as there aren't many/any agents in Egypt (but there could be), she's hoping to work as a virtual intern at a literary agency to learn more about the trade. I know we're all rooting for Egypt after the revolution, any agents out there who could help her out?
There was a very interesting discussion over at All Indie Publishing triggered by the always-interesting Zoe Winters. The topic: Do 99 Cent E-books Attract the Wrong Kind of Reader? Now, at first blush, your answer might be, as John Ochwat put it on Twitter, "If readers are wrong, I don't want to be right." But Zoe's thoughts are worth a read in full. Does the price affect a reader's loyalty and the perception of value? (via OtherLisa)
Is all publicity really good publicity? Well, according to a study spotted by The Millions: It all depends. For established writers, bad publicity can hurt sales. For new writers: Bad publicity actually helps.
Very smart editor Cheryl Klein has self-published a guide to writing called SECOND SIGHT, definitely check that out!
The New York Observer took an anthropological look at the "Assisterati," the collective of extremely smart assistants who are reading many of your queries and performing essential tasks behind the scenes at agencies. And yes, the "Assisterati" Twitter account was started just a week later.
What do you get when you take an author's first novel, which is the first sale by her agent and the first acquisition by her editor? Well, in this case you get THE TIGER'S WIFE by Tea Obreht, currently the toast of the literary scene.
In writing and publishing advice news, guest blogging at Pimp My Novel, Brad Philips offers nine ways to give a better reading, Finslippy gives advice on attending conferences, and agent Rachelle Gardner had three great publishing mythbusting posts here, here and here.
And in so wrong it's right news... real life re-creations of romance novel covers. (via Stephen Shankland)
This week in the Forums, March Madness is so on, can social media self-promotion be a bad thing, an authors for Japan benefit auction, the Great Gatsby mansion is going to be
Author friends and casual acquaintances often express to me a reluctance to wade into the Bloggy Facebooky Twittery waters. I hear many reasons, but the top one is usually:
"But shouldn't I wait for when I need to promote something/when my book comes out/when my book is popular/when I already have a following/some arbitrary point in the distant future?"
Nope, nope and nope.
There's no such thing as too early.Seth Godin famously said (the things Seth Godin says usually become famous) that for authors, the best time to start your promotional efforts is
three years before your book comes out.
Why? Because it takes "three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later."
If you start when your book comes out you're way, way too late.
Promotion vs. Social Seth's bit of (famous) advice is often applied to social media. It's great advice, and even Seth's explanation has a social component, but note that Seth is talking about
promotional efforts. Not social media as a whole, which to me has no timeline at all. You should just start now.
Because if you're using social media solely to promote, well, chances are you're doing it wrong.
My new favorite catch phrase, which I have trademarked, patented, and have paid to have etched into the moon, is this:
Social media is social.
It's not about promotion, it's not about broadcasting, it's not about you you you. It's about connecting with people.
Do you need to be famous to connect with people? Do you need to have a book to connect with people? No! You just need an Internet connection, dedication, an open-mind, and a willingness to reach out.
It takes time to build up those connections, and eventually, if you're providing good content or a good experience, those one-to-one connections transition into a following.
But make no mistake: It's still about making a personal connection with your audience and being a part of real lives. It's still social.
WhuffieIn our hyper-connected time, social media is not only increasingly
how word of mouth spreads and how we connect with one another, it's almost becoming a new kind of currency.
In Cory Doctorow's uber-prescient novel
DOWN AND OUT IN THE MAGIC KINGDOM, money has been replaced with "whuffie," a reputation-based currency that rises and falls based on what people think of you. Basically, if people like you you're rich and you can get all the best tables in restaurants. If they don't like you, an unfortunate scandal can send you to the poor house.
We're obviously not there yet (and thank goodness), but just look at the measures of "influencers" (social media buzz word for someone with a high following) that are cropping up right and left. Sites like
Klout and
Peer Index are hard at work trying to quantify online popularity and influence, and the idea of offering special perks to people with high influence scores is starting to percolate. The Sacra
The art of writing blog comments may at first blush seem like a frivolous and unimportant one, but that is not actually the case!
Writing excellent blog comments is perhaps the very best way to build your own blog and/or social media presence. Consider a blog comment an audition to show off your own personal awesomeness.
Not all blog comments are created equal. Here are some good rules of thumb as you work your way up to becoming a blog comment ninja.
Read the Post You're Commenting On, Then At Least Scan it AgainYes, this takes time and the careful suppression of twitchy fingers. But there is no quicker way to leave an ineffective blog comment than to miss something in the actual post or to accuse the poster of saying something they didn't actually say.
Accuracy is important. Good blog comments take into account the entire post and
then come up with a good and original response. So not only take the time to actually really read the post, keep the comment on topic rather than bringing in an outside and unrelated agenda.
That said......
Get There EarlyThe most effective and influential comments are near the top of the comments section. Don't work so fast writing your comment that you don't leave a good one, but don't dillydally either. Having a great comment in the first five to ten comments will get you noticed and will also probably result in a better discussion after your comment, which will please your host.
Scan the Other Comments FirstSome might say that you should read every comment before yours. But people, it's a busy world out there. It's probably not strictly necessary.
But! At least go through and scan to see if someone else has said what you're about to say. The first commenter who makes the Lady Gaga comparison is savvy. The tenth person who does it is annoying.
Give the Blogger the Benefit of the DoubtWhile it is oh-so-tempting to spout off when someone says something inaccurate or that you don't agree with, you don't look better for stooping to that blogger's level and engaging in a rant. Even if they deserve it.
Try and at least give the blogger the benefit of the doubt. They might not have meant for things to come out the way they did, and even if they
did mean it, you look like the bigger person for treating them with patience and respect and staying above the fray.
Be Interesting and/or FunnyHave an interesting perspective. Bring interesting and/or rare pieces of knowledge. But most of all, be funny.
When it comes to good blog comments, funny wins every time.
Become a Regular The very best way to be noticed isn't with one really great comment, but rather with consistently good comments in the same place(s) over time. If you become a regular and valued commenter on a blog or site, the other readers of that site will take notice and are more likely to come your way.
Much like Cheers, you want to go where everybody knows your name.
1. Be consistent. We are all creatures of online habit, and if you are hoping to build traffic and a regular audience, it's essential to worm your way into people's routines (much harder than actually getting them to like you!). And in order to do this, it's important to have a posting frequency that your audience knows and expects. Whether you blog/Tweet/Tumble once a day, five times a day, or once a week (but not less than that), know thy social media schedule and keep it holy.
2. Reach out and comment someone. The best way to build traffic is to be noticed. Pick a few well-trafficked blogs and/or Forums, become a fixture, get to know the regulars, write witty comments, and try to attract people naturally your way. The more you invest in other people, and I mean genuinely invest in them, the more they'll be willing to return the favor. Better yet, you might even make some wonderful real-life friends.
3. Take the long view. A following is not built overnight. When impatience enters the picture there's a temptation to be overly controversial, which is a good short-term way of getting traffic, but damaging in the long term. If you make everyone mad people will definitely stop by, but chances are they won't be back.
4. Find your niche. The Internet abhors a vacuum, and it's important to think about what unique information or perspective you will provide. Be as unique and interesting as possible, and make yourself stand out from the pack.
5. Short paragraphs. There are few things less inviting than a massive wall of text. Twitter forces you to be brief, but everywhere else make your paragraphs short and punchy.
6. SEO. SEO stands for Search Engine Optimization. Think about your blog titles and imagine what someone would Google if they wanted to know about the topic you're talking about. The more links you receive from other sources the higher your search results, and the more natural traffic you'll receive.
7. Be selfless. It's not about you, it's about your readers and followers. Think about what you are providing them and deliver the goods.
By: Hannah Moskowitz
This post has nothing to do with writing and absolutely everything to do with being a writer.
The stereotype of a writer--the middle-aged man pounding feverishly at a typewriter, cigarette in his mouth, sending hard-copy manuscripts to his agent and protesting the change of every word--has yet to catch up with the reality of what being a writer entails today.
We are not locked in our attics alone. We are not even the romantic writers of the '20s, drinking coffee and discussing literature. We are a legion of overworked, underwashed normals, pounding away at our laptops and shooing the kids to the next room.
And more importantly, we are not alone.
If you are reading this blog, you have obviously already met at least one other writer (hello there.) Chances are, I'm not the only one. Agent, editor, and writer blogs, facebook, forums like Verla Kay and Absolute Write, and God, above all Twitter, mean that, at the very least, most writers are at least a friend of a friend of yours. The term 'networking' is so appropriate here, because, in actuality, we--writers, publishing professionals, book bloggers--are a net. A web of interconnected people.
We know the same people. The truth is, this world feels very big sometimes, and God knows everyone is talking about writing a novel, but when it comes down to it--the people who are really out there, querying, editing, submitting, representing, accepting, rejecting, publishing, copyediting, waiting...well, the truth is, there aren't that many of us after all.
Which is why the act of being a professional writer has come to mean much more than it used to. Fifty years ago, all most writers had to do was avoid getting arrested and not respond to bad reviews.
You have a much bigger job to undertake. And it's stressful, and it's scary, but it can also be one of the most rewarding parts of this job. Somedays, my writing is absolutely shitty, and the house is a mess, and I'm crying because I can't find my socks, but I have 557 blog followers and I said something funny on Twitter today, so at least this day isn't totally for the birds.
You may think that I am the worst possible person ever to talk about how to be a professional. I'm loud and I'm obnoxious and I had to edit about ten cuss words out of this post so I didn't offend Nathan's sensibilities.
Yep. That's me.
But I'm hoping all that will make me easier to listen to, because when people think 'professional,' they a lot of the time think boring, sanitized, safe. And that's not who you have to
be. I'm living proof over here. And I knew from the start that I was taking a big risk, but I hoped that people would find me interesting and remember me.
It's worked pretty well so far. And that, kittens, is the real reason you want to get out there and put on your professional face. So that people will remember you.
Now that I'm done babbling, here are some guidelines. How to be a successful professional writer, by yours truly. And these are not big, life-changing rules. These are just tricks. Tricky little tricks.
--GET ON TWITTER. I don't care what your objections are. I objected too. But it is hands-down the best way to connect with people you would never have the balls to approach any other way. You can follow someone, which causes them no pain or trouble whatsoever, and you can talk to them in a completely neutral, undemanding way.
--READ ABOUT BOOKS. What do Hunger Games, Twilight, Lord of the Rings, The Da Vinci Code, and a hell of a lot of other books have in common? Answer: I haven't read them.
I'm not proud. But I know I don't have nearly enough time to read as much as I should, so I make a point of reading *about* books I wish I had time to read. Know enough about popular books to be able to fake your way through a conversation. I can discuss Twilight with the best of 'em.
--
I'm a big "un-fan" of the sudden-appearance blog comment (or Facebook stream intrusion) promoting a book during a good conversation about some semi-related topic. It's kinda like your in real life example of passing out info during someone else's presentation or speaking only of your own book rather than talking craft or whatever. It's always better to be part of a community rather than the selling intruder....
Hey I don't post here often. I just wanted to say that I like your content and I agree with this list. I'd also love for you to check out my new book. Click here to buy it on Amazon.
That. So annoying.
#10 Can't pay the vet bills for your ailing orphaned kitten? Why not buy my book and club the useless moggy to death with it? At $5.99, it's way cheaper than that kitty colonectomy.
I also love the constant stream of RTs that consist of nothing but other people's compliments about you. Sure, if you get a great review or a high-profile blurb, by all means RT, but every single blog post in the universe in which someone said they liked your work or thought you were swell? Yeah, no thanks.
Hi Gregory,
The first time someone in the audience started waving their own book around during one of my presentations, I just stood there, gobsmacked. I'm still not wuite sure how to handle it.
I recently jumped on the Twitter bandwagon and all of a sudden I understand all the impatience with self-promotions, RTs, and shameless plugs within inappropriate contexts.
It IS difficult, especially for those self-published, to find appropriate means to market their books. I get that. I'm a writer. But pushing aside relational courtesy, no matter the reason, is probably never successful.
Austin, you had me worried there for a minute :)
Hi Jenn,
It's a shame we can't have a set official guidelines so folks can see where the line is between 'Well-intentioned (but misguided) self promotion' and 'Annoying the heck out of potential readers' :)
This isn't one that affects me so much as friends who've self-published, but I've gotten a few:
#10 Hey! I'm an author, too. You buy my book and I'll buy yours. We can trade 5-star reviews. AUTHORS SUPPORT AUTHORS!!!
Yes, authors support authors, but not like this.
The implication is that buying a book is a favor - or worse, a service - someone does for an author. The review is payment - something owed to the author. And in theory the two book sales would cancel out the profit/loss aspects of selling/buying. So, there's no much to be gained from the system for the author.
Hi Julie,
I'm with a small, traditional press, so as far as book-promotion goes, I'm pretty much in the same boat as self-published authors. It's not easy to get form people's 'Never heard of him/her list to their 'Name rings a bell list,' but when we do finally make it there, I think it's important they remember us in a good way.
As you say, no matter the reason, when it comes to sales, a lack of courtesy rarely gets you what you want.
Thanks for sharing :)
Hi Josin,
I totally agree. The mutual 5-star review (or it's equally obnoxious cousin, the self-review under a sock puppet identity) give all writers a bad name :(
What a great post. This is exactly what turns me off Twitter.
Bravo!
Good article. It's true. It's easier to get someone to NOT buy your book, then to get them to buy it.
I like your examples, Jon.
Nathan,
I do enjoy the posts you have on your blog and frequently visit. However, this post covers quite a few examples of soft-sell marketing that is one of the few avenues left. Yes, half of the list is obnoxious, but several points (2, 4, 9) are fairly standard and accepted practices. Past that, other writer websites have lists that cover many other “taboo” points.
I hate to say it, but we, the self-published author, have scorned ourselves to the point that there really are no avenues for gaining readership without someone shouting “Shameless self-promotion!”. In all honesty, these listed taboos do sometimes go into the tasteless category, but we have become such promotional snobs as a collective group that we are killing all forms of free promotion.
And, let’s be frank, professional advertising agencies, hired by major corporations, have no such scruples and will employ any means necessary to perform, as long as the avenue is cost effective. Where this article talks about unhealthy practices, it’s really a veil for “you are too broke to be an author, so stop being my competition!”.
We have become our own worst enemies.
What Jenn said about the constant retweets whenever someone compliments you. So. Annoying. Unfollow!
Ha! I'm willing to bet a small amount of cash that the people who do these things don't have books worth reading.
anon-
On 2 and 4 I don't think it's that Jon is saying "Don't do it," just saying there's a way to do it.
I agree with him on 9 - I feel like an auto-reply with a book link is off-putting when you get it the second you follow someone. I tend to not be in favor of automated solutions in social media - it's supposed to be about the human touch.
And Anonymous 2:16pm: 2, 6, and 9 are some of my particular pet peeves. ESPECIALLY 9. I usually unfollow immediately if someone does this to me.
Engaging audiences on Twitter takes more effort than this. I'm much more likely to look up someone's work if they answer one of my tweets or respond when I answer one of theirs.
Thank you, Jessica, David and Mira :)
Thanks, Jessica, David and Mira :)
I don't know how completely this falls under marketing techniques but recently I've been seeing authors with fund-raising campaigns, promising sponsorship lists inside the front cover &/or free copies of the completed work for each donation.
Maybe I've been living under a rock but I've never encountered this before and it just seems very backwards and odd to me. I don't mind supporting a writer by buying his book after it is completed. But sending funds to support the writer's jobless state until a book is published? (or for the editing, covers, etc.) I don't get it & I find it very off-putting.
I've seen #2 referenced on several Amazon forums, where this sin is second only to self-promotion outside Meet Our Authors.
It serves no useful purpose, because there is absolutely no way of knowing whether or not authors are telling the truth.
Forum participants tend to err on the side of caution. They assume the offer is a scam, and the author is a dishonest ** who will never get a cent of their money.
Wow, all those marketing techniques would definitely be annoying. It shows that some writers have a strong sense of entitlement; they think that they "deserve" readers and success. They don't think that they have to earn them, and they're wrong.
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I have a friend who recently self-published a book of poetry. This person is a good friend whose company I enjoy, but who seems not to know when to stop promoting said book on Facebook. It got to the point where I had to hide the person completely from my news feed inorder to avoid popping off and saying something I'd regret later. :/
Hi Anonymous,
If you're doing 2, 4 and 9, and they're for you, then great. However, when it comes to self-promotion, I've a feeling most writers simply copy what they see others doing (or what they think others are doing), then wonder why their sales aren't through the roof.
Self-promotion is hard work, and we have to get out of our comfort zone to do it. The trouble is, I think too many people focus so hard on getting out of their comfort zone, they don't pay attention to the zone they're getting in to.
I think I covered my main concerns about method #2 in enough depth with the actual post so let's look at #4 and #9.
#4: Pimping yor work at every opportunity, during a talk or panel discussion on writing.
Personally, when I go to a talk or panel discussion about writing, it's the subject which interests me, not the author - though if I know the speaker(s), it can make a difference. Of course I expect the author to mention his/her book, but in passing, or perhaps at the end of the talk. I've sat through presentations in which the speaker refers to his/her book at every opportunity. I've yet to buy from such a person.
On the other hand, I have a whole stack of signed books purchased from speakers whose talks I enjoyed.
As for #9: Instant 'Check out my book' message to all new social media friends and followers Most of the ones I receive are from people who chose to follow or friend me first. Since I follow back as a matter of courtesy, it makes me feel they only 'friended' me in the first place, so they could pimp their work. Aside from the basic rudeness of trying to sell someone something as soon as you've met, I really don't think it works.
I hope that makes sense :)
Haha "someday he hopes to figure out how to switch it on" :D great list! Sometimes I feel like writers are too desperate to get sales and couldn't care less about the quality of the writing, itself. Stay classy, people; writing is an art FIRST, business SECOND. Always has been, always will be. :D
I've had a few people over the years come to the writers group I facilitate just to try to advertise their book (I don't allow that). I also have people show up to receive a critique of their work, but then they leave before they can give feedback to anyone else. Some people write solely for acknowledgement. It generally shows in the quality of their writing.
10: Pitching a review for their book through a misspelled Twitter @ message, when it is not hard to find my email address.
11. Misspelling my name and saying "I'm a big fan" when... my name is in the email address. That I understand is something that could happen by accident, especially if you know a Sarah not a SARA that you see every day, but come on, pay attention to detail.
This is more subtle, but authors who join Goodreads and then rate/review their own books and NO OTHERS just annoys me to no end. Negates the whole point of the site and often makes that author look completely self-serving to me.
Facebook is evil. :)
One technique that's been annoying me lately is when an author "invites" me to an release event that emails me with every posting. It's bad enough to be mass-invited at all (especially if it's for a B&M release party that's nowhere near me), but I can deal with deleting one email from them. However, when the event sends out spam with every update, I'm forced to "decline" the invitation, and I hate feeling like I'm not being supportive of my friends. Boo.
Number 3 happened to me and my very busy critique group last thursday. I was in the middle of an important discussion on whether I should do so and so to character A or character B. I needed the imput and it was an important conversation. All of a sudden some chic walks up to our table and starts handing out her cards. She interrupts me, mid-sentence mind you, and says, "I'm promoting my new book and overheard you talking about writing. I'm sure you'll be interested in my novel." She points at her card. "I'd love it if you'd LIKE me on Facebook. The link is right there."
No excuse me, no I'm so sorry to bother you. She just butts in, and interrupts us. I was so annoyed with her I lost my train of thought and still can't recall what I had wanted to say to my crit group.
Grrrr!
I tore the card up.
I won't be LIKING anything that author does.
Thanks for the list. It's awesome.
Have a great evening :)
Tamara
Begging family and friends to purchase your book online unless you stand over their computer with them at the keyboard and a 45 pointed at their head. Then it seems to work.
#1--I think I'd be too nervous to do this even if a news event were eerily similar to something in a book I wrote, just because it seems so opportunistic and dismissive. "Oh, that shooting that killed all those people? Something JUST like that happened in my book! I bet you'd love to read about it during this time of shock and grief!"
#2 appalls me. It's exploitative unless it fits one of the conditions you listed, and sometimes it feels like the recipient of the charity is a hostage. "Buy my book or this kitten dies!"
I got hit up by a guy at the airport this summer. I thought something was up. He would study everybody who was reading a book in the waiting area, then move in to where he was sitting next to them. Then he'd wait for them to look up and offer them a slip of paper with his name, title and URL on it. I had a pretty good idea what he was doing by the time he got to me. Really, really strange airport behavior, though.
A new one to me is someone using an Amazon review to plug a similar book. Under my other pen name, someone (who clearly hadn't read the book, but only the blurb) left a 4 star review (I'm grateful it wasn't one star! lol) but then mostly talked about how they'd enjoyed this similar book (with the link 2-3 times). When I looked at their reviews, all of them were doing this for a few other books. Not only is this annoying, but it's also deceptive.
Many well-known self-pubbed authors say the best promotion is your next book...while this may not be 100% true, it seems better than risking making a nuisance of yourself. :)
Great post. There's another I would add, not because of the strategy, but because of its seeming abuse by certain authors. On twitter, some writers will put an intriguing line from their book. I actually find this interesting...until you see ten more tweets from the same author about the same book within a few minutes. I think it would be more effective to space those out.
The self-published authors (or any authors, really) who are constantly complaining that they MUST do these things to sell the puny handful of books they do should try listening to the people who actually self-publish for a living and spend their time **writing more books**. Works for me and a couple dozen of my writer friends, no exaggeration.
Wonderful tips, but unfortunately the publishing world is changing and they are closing bookstores faster than certain internet connections. If the book has Simon and Schuster as the publisher, the author can finally go on a world cruise or sit at home feeding the cat. Independent authors on the other hand, will have to get creative and sometimes creative is annoying. I guess it boils down to technique, slight of hand and magic.
I went to Bouchercon last month & attended a panel where one of the authors, when answering a question, would hold up a copy of her book & precede to tell everyone what she or her protagonist did in that book, even though it didn't even slightly relate to the question. It was embarrassing to watch & provided fodder for a weekend full of jokes at her expense. She killed any interest in her book. Perfect example of what NOT to do.
I have started getting e-mails from authors of upcoming releases through Bostick Communications. I guess this is a little different as they are trying to distribute ARCs for reveiw but I REALLY don't need any more e-mails and I have no idea how I got on this list in the first place. :-(
#10 - Send a newsletter about you and your book(s) to people you don't even know and who never signed up for it. I really, really hate this. I get so much email already, then to add unwanted promo about something I don't even care about irritates me to no end.
This happened just the other day and it was from an author published by my publisher (Harlequin) who's a total stranger to me. The idea that because we have the same publisher suddenly makes me fodder for junk mail is incredibly annoying. I've already forgotten her name so being on her email blast did her no good anyway.
The best way to sell books is to make sure you've written a damn good one that people will talk about. Word of mouth is the best promotional tool there is. When you spam people using the methods on Nathan's list the only word coming out of their mouths will be unkind ones.
My biggest beef these days is on Facebook: Being invited to an "Event" that is a virtual event or being added to a group without being asked first. In both cases, I blame FB's interface much more than the author because FB should be giving us the option NOT to be added and NOT to automatically get notifications.
But as Jami pointed out above, opting out of an event can give the impression of being unsupportive. I've started choosing "Maybe" and then turning off notifications. Again, this wouldn't be an issue if FB would have "NO notifications" as the default.
This is especially an issue if you're not FB for a little while, come back & then find your Notifications box cluttered with updates from a group/event you didn't want to join in the first place....and miss the Notifications for the groups/events that you ARE interested in.
Interesting. How about when publishers and agents utilize their "platform" to engage in some of these behaviors in order to promote their stable? (1, 2, 4 and 5 I have seen frequently) Also, the RTs by some of these third parties is heavily used as well in attempts to build author brand recognition and "create buzz." Am I to believe they really care about engaging in a personal social media exchange with me--or are they just using their "inside publishing advantage" to hock books? Okay for them but not writers?
Great post.
One time I actually had someone on LinkedIn ask me to do a promotion for their book on my site and Facebook. I had never read their book and didn't even know who they were. It blew me away.
A big one for #10, authors who have a book out and ask you to LIKE their page on Amazon and they'll LIKE yours.
Do me a favor, don't LIKE me unless it's real. I don't want you to lie for me.
#10: The ones who join all the blogfests and blog-hops they can and when it comes time to post on their blog for the group, they devote one para (or one line) to the topic of the blog-hop and four paras taling about their book -- or even worse, twenty paras of the Chap One excerpt.
Wow, they annoy me.
Great post! :-)
Well, now I feel foolish! I had no idea number 2 was a common (and apparently much hated) practice!
When I published my first book, I listed several nonprofits relevant to my book on my site. I built a form so people who buy my book can designate the nonprofit of their choice. The form provides a "click the link" prefilled email so they can notify the charity that a donation should be on its way. Before I launched, sent each nonprofit a letter about the program so there'd be some measure of transparency.
My thinking was, I care about these causes. Why not volunteer out that my book incorporates X, Y, or Z themes by starting a "Giving Back" program spotlighting these causes?
I had no idea that programs of this sort are so disdained. I tried to be transparent; I don't market based on it, but I do include it in my profile. Should I kill the program? Will trying to do something good cost me more than it'll yield to the causes I wish to support?
Reina - that behaviour is actually against Amazon's rules. You can report reviews like that for abuse (say self-promotion in the box), and Amazon will remove them.
"Oh, hey there author. I'm psyched to meet you - esp. after we chatted on Facebook, and I said, 'Yes, I'll be coming to your reading even though it's really out of my way, requires two buses, and - what? Who am I? Um, like I said, you friended me on Facebook, and I'm turning up at your reading - (laughs weakly) Yeah, that's funny, making a joke at my expense and calling me 'one of those Facebook' people. Sweetheart, this is how it works: even though you're photo's 20 years out of date, when you invite people to your book signing, they click 'will attend' and then actually show up, introduce themselves, and the context in which our paths cross and BUY YOUR BOOK, you don't get to make any jokes at their expense. You act gracious. And say, Thank you. Because I've just defriended you, and made an joke at your expense. And I have about two thousand more friends than your two hundred. Let me know how that social media 'thing' is working out for you. And hey, I know you think signing the book makes it non-refundable but ... it doesn't!"
#11, calculating publishing blogger who sheds people who are no longer useful: Yes, it's me. I promoted your blog, told friends about it, sent some other bloggers your way (and hooked you up a couple times in a way that gave you a huge bump in traffic.) But now that you're little blog has some traffic, you're less friendly. People have memories, and though you may not know it, though you have friends, and you're still book-marked, I'm not seeking you out nearly so much. This is your bad juju, and it's kind of sad. You make people feel the way they do after ingesting too much adderal: they want to forget the bad feelings about you, but you just won't go away. Eventually, you will.
An amazing list, esp. number 3. Dobby the house elf is shocked by this behavior. (He's in your picture at the top of the page--the fellow with the fishing rod.)
@anonymous 11/7 10:25 p.m. That seems OK to me. It's the equivalent of a publisher donating a percentage of sales to a charity. Just the self-pub version. What does anyone else think?
anon@ 10:25-
I don't think he's saying not to do it, just not to be unseemly as you do it. It's more about doing it right.
No 10 - leaving an advert for your book on my Facebook page without asking first. Don't be surprised to find I've deleted your post.... (by the way, I do use an automated response to followers who follow me on Twitter, but I clearly state its automated & most people follow me first, not vice versa. I think as long as you are up-front about these things)
Wow! I've encountered numbers 2, 5,7,8, and 9. For # 10, I'll add: Using my twitter name to promote dance clubs and porn in other countries. Gross! I feel completely violated when this happens. Note for #2: I've seen teeth, dental records, and yes, sonograms and send them to you. (I'm shaking my head.)I've considered closing my facebook, twitter, and google+ accounts and hiding from the world. Just Kidding!
#5 really irks me. Before I follow anyone on Twitter, I make sure their stream isn't the same spammy link to their book over and over again interspersed with auto-generated robo Tweets of pithy quotes that somebody else wrote. If you can't write your own tweets, what makes you think you can write a book?
Great post. People need to understand desperation is never attractive.
These are so good! I do have patience for #7. It's hard to get to know people, so at least it's honest. And I actually have made a few good social media friends when people have done this to me (I've never done it, though).
#9 is marginal for me, too.
"Whether or not it’s the intention, I’m always left with the feeling that the only reason the person ‘friended’ me was so he/she could get a (not too subtle) plug in for his/her book."
My guess would be they just think you're cute :)
I'd like to add something else that I see all the time and it makes me crazy.
When authors tell these contrived stories that sound so made up in facebook updates. Like this one, paraphrased:
"Jebus Crisp, one of my dedicated readers just e-mailed me and told me that my book saved his life. That's the only reason why I write, to help people and save lives."
That's a little over the top, unless you're writing self-help books. In this case it was schmaltzy romance. And, the author posts these things almost daily.
My apologies for not responding sooner. I live in Monmouth County, NJ, and lost power (again) yesterday.
We just got it back an hour or so ago. I'm looking forward toreading through everyone's comments :)
Jon
#10
A parent I've seen often at scouts, dance, soccer, etc. but who's never spoken to me before, suddenly becomes flatteringly friendly. About 60 seconds into the conversation, they pull out a novel and ask me to buy it from them on the spot for $14.95. Decline and they instantly treat you again like the stranger you are. Or worse, they launch into a sob story about how they are getting a divorce and must to sell these books to feed the kids/prove their talent to the ex who never believed in them/etc.
It's weird being panhandled by a soccer mom.
Friending/following as blackmail. An author friends or follows me, then sends a DM telling me I owe them the same "favor." Uh, what?
And also? email signatures that go on forevah.
I'd say "buy my book" but sadly, it's not out yet. ;-D
Love this post and the comments. So true.
I have a book coming out in 2013 with a Big Five (is that what we call it now?) publisher, and one of the things we're planning to do to sell the book is basically #8. Apparently, a mass email (I think only one) to friends and family and potentially interested acquaintances is a very effective way to sell a debut novel. I plan to be moderately targeted with my list, but I have no qualms about doing this. It would take too long to email each person individually, and I don't think one announcement is commensurate to spam.
#3 takes the cake. I consider everything a writer posts via social media to be a marketing effort, therefore I don't understand authors who are intentionally (and consistently) rude, argumentative, and/or down in the dumps. That's not a good image for your business and since you're ultimately dealing with potential customers, that's not good customer service either.
Very nice top 9 list of how to annoy potential readers.
For me, #10 would be "Have a link prominently (and permanently) displayed on small display where potential readers can purchase your book, only to find out much, much later that the link now doesn't work because the online store where it's being sold tidied/cleaned their website and gave your book a new purchase link."
Thanks, Nathan, for promoting my post from the forums, and thank you, everyone, for posting such great comments. I certainly found some new things to add to the list :)
I do believe some of the selling techniques I listed in the main post can be effective, providing we put a little thought into how we come across to the potential customer eg: mailing lists can prove effective, but it's probably best to ask people if they want to be on it in the first place.
I guess the secret of good marketing is like the secret to life - figure out what works best for you, then do that...a lot ;)
Thanks for reading :)
Jon
I am a self published author, and I follow some other writer's on facebook and twitter, but the only ones who's books I ever buy have to go beyond the constant promo to establishing a personal connection. I sell most of my books on forums and in person where the contact was long established and the fact that I write was only casually mentioned, and far less often than the fact that I teach and am a Mom and love cooking and backpacking and on and on. I review some of the indie books and some old books and some new traditional books but only when I really love them. If I can't say something good, I don't waste my time finishing a book so I never review those. Sometimes I review someone who has also reviewed my book, but almost never because I write for YA but read a variety of other genre's.
I agree that rudeness and overpromoting seems to be in bad taste and keeps me from even looking at a book. However there is a lot of competition and almost any place where you invest time in creating relationships can be an appropriate place to talk about your books and your writing as you also discuss the weather and the politics and their interests too. I think very few venues are completely unusable for book promotion if you don't use the people who frequent them.
Dixie Miller 8Goode
Hi Dixie,
I agree 100%. Almost any social venue can be a good place to promote your work, providing you're actually socializing there, and not just doing a drive-by promo :)
The drive by promo is the one that I hate. People who never say anything social in social venues, but then when they have a new books out, they sudeenly become chatty--about their book.
My pet peeve is people who friend me on FB purely because they saw me on the friend list of some other FB whore. (Notice I say "some *other* FB whore.") There was a time when I friended everybody too. That was before FB stopped transmitting all my posts to all my friends.
Nowadays, my FB friends are only...my friends. They will actually beef if they see too much promo.
So nowadays, if I don't recognize that friend-requesting person's name or face, I check their "mutual friends" list. If the first twenty names are the same old FB whores... I delete the request.
Nice one, there is actually some great points on this post some of my associates will find this worthwhile, will send them a link..
Thanks
Marketing Research Company
I read this a few days ago and laughed. But then it made me want to read '10 Marketing Techniques That Win Over Potential Readers"
I have to say that since I started producing books I look a lot more kindly on people and their marketing efforts, even if misguided.
#7!!!! There are so many people from my undergraduate creative writing program that have added me to facebook groups, without asking, and it's SUCH a turn off! Some have been for writer's events, or readings, or signings, which I politely refuse the RSVP--though I totally respect the invitation and am happy to hear they're doing well and pursuing their writing. That's not so offensive, but when they start messaging you directly if you didn't RSVP, EVERY SINGLE DAY...then I unfriend you.
The worst, though, is when someone creates a facebook group not for events or even content discussion...but for BUYING the book, and then adds you to it. And then the author writes posts EVERY SINGLE DAY about "if you haven't bought it yet, you should. Go to Amazon. Do it. Do it right now." And then they get WORSE (if this is possible): something along the lines of, "Many of you have RSVPed to this event--i.e. buying my book--but only three copies have actually sold on Amazon and I know one of them was my mom. Please follow through and buy my book. Also, don't forget to leave a review of how much you love it when you're done. THAT MEANS YOU TOO MOM! Thanks."
Lets just say I'm not keeping in contact with as many of my undergraduate peers post-graduation as I thought I would.