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Viewing: Blog Posts Tagged with: How to Promote a Book, Most Recent at Top [Help]
Results 1 - 11 of 11
1. 10 Marketing Techniques That Annoy Potential Readers


This is a guest post by Jon Gibbs, which was promoted from the Forums. More info on Forum promotion here.

1: ‘What a terrible tragedy in the news today. I had a similar situation take place in the book what I wrote. Here’s a link to the purchase page, in case anyone's interested.’

You don't see this one often, but when you do, it leaves a particularly bad taste.

2: ‘Buy my book and help save an orphaned kitten!’

I'm not talking about donating stories for charity anthologies, donating books; time; merchandise for auction, or any number of generous things writers do to help a worthy cause. Those are simply good deeds and not marketing techniques at all.

I'm talking specifically about when an author announces a special offer eg: 'For every book he/she sells this week, the author pledges to donate some money to [INSERT: name of worthy charity here*]. If you're doing it as part of a larger community effort, or to help out a local church, school etc. or if your personal story (or the one in your book) is somehow related to the cause in question, no reasonable person could have a problem.

However - and this is where I think writers need to take care - there's an invisible line between using your work to help a good cause, and using a good cause to sell more books. If you cross that line, or give the impression you crossed it, folks will notice, and not in a good way.

3: ‘Don’t mind me. You just carry on with your presentation while I give out my promotional info and/or pass this copy of my book around to folks in the audience.’

I know, I was surprised too, but I’ve see this happen five times this year alone.

4: ‘Welcome to this writing presentation/panel/workshop, during which I’ll plug my books at every opportunity while ostensibly talking on the writing-related subject referred to in the title of this talk.’

It doesn’t happen often, but some presenters feel obliged to continually quote from, refer to, or otherwise promote their work during a writerly talk or panel. As an audience member, this never fails to disappoint (unless the presentation is called ‘All About Me and My Work’ or something similar, in which case, I withdraw my objection).

5: ‘In case you missed the other twelve I posted this morning, here’s another [insert relevant social media post] telling you where to buy my book.’

I imagine most folks have differing ideas about how much is too much, but some folks cross everyone's line.

6: ‘What a delightful writing group. I thoroughly enjoyed my first meeting. Why yes, I did leave those promo postcards on every chair before we started.’

If the only reason you attend a writing group is to promote your own work, do everyone there a favor, and stay home.

7: ‘I’m trying to get myself better known, so I thought I’d add you to this Facebook group without bothering to ask you if you’d be interested. Oh, and you can also buy my book if you like.’

This one works, in the sense that it will get you better known, but not in the positive way you thought – at least insofar as the people who don’t like to be taken for granted are concerned.

8: ‘Dear friend (who isn’t worth the effort of preparing a separate, personalized, email so I’ve included you on this hidden mailing list of every address I’ve ever heard of, plus a few I’ve scavenged from other people’s lists), let me tell you about my new book.’

If you want to tell someone you know about your book in an email, make it a personal one (hiding the address list doesn’t count).

9: ‘Just thought I’d send this automated reply to thank you for following me back on Twitter, Facebook, Goodreads, or whatever it was. Now buy my book.’

Whether or not it’s the intention, I’m always left with the feeling that the only reason the person ‘friended’ me was so he/she could get a (not too subtle) plug in for his/her book.

10: ____________________________________

I left #10 blank. What would you add to the list?

Born in England, Jon Gibbs now lives in New Jersey, where he’s ‘Author in Residence’ at Lakehurst Elementary School. A member of several writing groups, including SCBWI, he’s the founder of the New Jersey Authors Network and www.FindAWritingGroup.com. His blog, An Englishman in New Jersey, is read in over thirty countries.

Jon’s debut novel, Fur-Face (Echelon Press) a middle grade fantasy about a shy teenager who meets a talking cat only he can hear, was nominated for a Crystal Kite Award. Watch out for the sequel, Barnum’s Revenge, coming in February, 2013.

When he’s not chasing around after his children, Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.


Art: Advertisement card for Philip Conway, Jr., Practical Shirt Maker by G.M. Hayes

73 Comments on 10 Marketing Techniques That Annoy Potential Readers, last added: 11/19/2012
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2. Where Did You Hear About the Book You're Reading?


The way we discover books is ever-changing. It sure seems like we're far more likely to discover books through a tweet, Goodreads recommendation, Facebook post, or online search than we are through methods that existed before the Internet.

Where did you hear about the book you're reading?

I'm reading A Wrinkle in Time at the moment, which I could have sworn I read growing up, but now realize I picked up and put down a million times when I was a kid. So, uh, I heard about it when I was a kid.

What about you?

Art: Conversation - Camille Pissarro

45 Comments on Where Did You Hear About the Book You're Reading?, last added: 5/27/2012
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3. What You Need to Know About SEO

Guest Post by Rick Daley

Search Engine Optimization (SEO) is critical in modern marketing.  Any author trying to sell books should be familiar with its basic concepts, whether you have been published by a Big Six publisher, a small press, or (especially) if you are an indie author.  So how do you leverage the greater power of the Internet to help get your platform in front of the right person at the right time?   

First things first: Relax.  You don’t need to be a technical wizard to understand SEO, it’s really pretty simple at heart.  Here’s a Q&A to get you started.  I’ll get into the tech stuff later.

Q: I’ve heard about SEO, but I have no idea what it actually is.  How does SEO work?
A: SEO works like this: you type keywords into a Google search, and Google lists the pages on the Internet that are most relevant to your keywords.  (Or the pages the Chinese government says are okay for you to view. It depends on your location.)  The most relevant page is listed first.  SEO increases your site’s relevance in Google’s eyes.

And as a point of note, I keep referring to Google, but all this also applies to Bing, Yahoo, Ask.com, and other search engines.  Except for that crack about China, that’s mainly Google.

Q: How do you measure SEO?
A: You measure SEO according to your ranking in the search results.  You don’t want to be buried on page 100, or even page three.  The best ranking is the first link on the first page, but anywhere on the first page is excellent.

Q: Hey, that’s just an ad at the top of the Google search results!
A: That’s not a question, but I’ll humor you.  Yes, Google does put a few paid links at the top of the search results, and there are also paid ads on the sidebar.  The ads are placed based on keyword relevance, and they can be effective.  They can also be expensive. 

But SEO isn’t about paid ads; it’s more organic…it’s about showing up because you belong there.

Q: I just searched for my name and my book title, and I’m on the first page of the results.  Does that mean I have great SEO?
A: Not really.  Chances are, if someone enters a specific search for your name, and you have any kind of web presence, they will find you.  Unless you share a name with somebody famous.  For example, if you search for my full name, Richard Daley, Chicago politics dominates the results because I happen to share a name with two past mayors.  But search for Rick Daley and Chicago goes away (not literally!) and I have several links appearing on page 1. 

I just searched for my book’s title, The Man in the Cinder Clouds, and I have all ten spots on the first page right now.  That doesn’t really mean anything, though, because there aren’t that many pages relevant to so specific a term.  Winning isn’t special when there’s no competition.     

Q: So if I don’t use SEO for my name or book title, what do I use it for?
A: SEO is best geared toward keywords relevant to your book.  For example, my book is an origins-of-Santa story.  The keywords/phrases I chose for SEO are Christmas book for kids, history of Santa Claus, Christmas gift idea, Kindle Christmas Book, Nook Christm

37 Comments on What You Need to Know About SEO, last added: 12/11/2011
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4. How to Network Without Networking

"Ferdinand of Hungary meeting with Cardinal-Infante Ferdinand of Spain at Nördlingen" - Peter Paul Rubens
I’m not the life of the party. I’m not someone who can step into a gathering and work a room. I’m pretty introverted in real life. And I’m not what you might call a mover and a shaker.

But I think of some of the opportunities I’ve had over the years, some of the people I’ve been so fortunate to meet, some of the places I’ve been able to go and things I’ve been able to do… and yeah. Lots of those opportunities came from my “network” (those quotes are me cringing at that word).

So uh… How in the world did I develop a network when I’m not good at networking?

You hear so much about how it's all about who you know, how you have to network, etc. etc. For me personally, it's not something I made a conscious choice to do.

When I look back, I think there have been two big things that helped, and they’re things anyone can do:

1.    Do not think of your network as a network.
2.    Build something.

Do Not Think of Your Network as a Network

I don’t have a network, I have friends. And I’m really serious about this.

The thing about the word “networking” is that it has a mercenary edge to it, like we’re just going to get to know each other because of what we can get out of each other. And not only is that completely icky, it doesn’t work.

Because who wants to get to know someone else just because of what they can get out of them? How shallow is that relationship, and how is either party really motivated to help each other out when the time comes?

Find the people who you like and whose work you genuinely admire, and invest in those people. Become friends with those people. Don’t force it, don’t do it because they’re successful, do it because you like them and actually want to help them out.

Obviously when your network expands you can’t invest equally in everyone who is investing in you, but give of yourself what you can and treat people with respect and pretty soon you’ll be surrounded by amazing people that you’ll feel incredibly lucky to know.

And that leads to #2.

Build Something

Building things opens doors. For me it was the blog and the Jacob Wonderbar novels, but other people have built groups or organizations or journals or a Twitter following or any number of things.

When you build something it’s more than just creating a platform or a bully pulpit, what’s amazing about building something is that it will ultimately attract like-minded people to you.

You’re putting a part of yourself out there, and pretty soon you’ll find that you’re drawing in other people who like the things you like and share your outlook and worldview. It’s an amazing thing, and I’ve found some of my best, real-life friends through the blogosphere and social media.

And ultimately that leads right back to point number #1. It may seem trite or twee, but look: You’re not building a network, you’re making friends.

49 Comments on How to Network Without Networking, last added: 12/7/2011
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5. The Thing About Self-Promotion is That Self-Promotion Sucks (But You Have to Do It Anyway)

"Nen Dreier, det Schäfchen" by Theodor Hosemann
So, in case you missed the to-do on Friday, I posted a "pledge drive" that was intended to be jocular but also nudge-nudge in its approach, and I received some negative feedback about its thrust and style of the (along with lots of positive feedback from people who didn't think anything of it).

And if it seemed like I was a bit twitchy about it on Friday, I have to be honest that I'm particularly sensitive to criticism when it comes to self-promotional activities.

Because here's the thing about self-promotion: It sucks. It really sucks.

If self-promotion were an insect, I would squash it with the world's biggest fly swatter. If self-promotion were a field I would burn it and salt the earth so it could never live again.

It doesn't feel right to stand in front of a crowd and shout, "Me!" and no matter how much you try and cloak the self-promotion in elaborate disguises, it can still feel kind of icky. And if you don't enjoy the spotlight, self-promotion in all its forms can be downright terrifying.

This is one of the hugest drawbacks about an era of publishing where publishers expect authors to shoulder the lion's share of the promotional activities. No one I know enjoys self-promotion, and no one out there particularly likes being promoted to either. People usually want to hear about new things from enthusiastic and neutral third parties, not the hugely biased person who created the thing.

And when it comes to social media, the Internet dislikes it when something they are accustomed to getting for free suddenly comes with strings attached, even if those strings are only of the heartstring nature. It's such a fine line between reminding people about your book and hoping they buy it while not alienating your audience and turning into a shill.

So basically: Self-promotion = not fun!

And yet I know what I would tell someone else who has a new book out: You have to do it. No matter how much you might dislike it, no matter how much negative feedback you get about it, no matter how much it makes you cringe, you gotta do it. You have to give your book a boost, you have to make your network aware of it, you have to do everything you can to help it sell. The era of being just an author, if it ever existed, is over.

Do it as non-annoyingly as possible, but do it.

Sure, it would be fantastic if you had an army of rabid fans or a fabulously wealthy and dedicated publisher to do all the promotion for you. But unless you win the publishing lottery, that first boost has to come from you. You have to build your own army and hope they start evangelizing and creating new converts. You have to get that first bit of momentum going. Otherwise your book will quietly disappear into the great unknown.

So... yeah. It ain't fun. But there's a lot of noise out there, and sometimes you have to shout to make yourself heard. Even if you cringe the entire time you're doing it.

And to show I practice what I preach, here are some links to buy JACOB WONDERBAR AND THE COSMIC SPACE KAPOW.  Kirkus
132 Comments on The Thing About Self-Promotion is That Self-Promotion Sucks (But You Have to Do It Anyway), last added: 7/21/2011
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6. This Week in Books 5/6/11

This week! Books!

Thanks for tuning in for How I Write week! To recap:
Monday: How I Write
Tuesday: How I Edit
Wednesday: My Query Letter
Thursday: Why I Chose a Traditional Publisher

Next week is WONDERBAR publication week and I'll be kicking off on Monday with a giveaway of some kind! And don't forget, if you're in the Bay Area next Friday please join me for the WONDERBAR launch party at Books Inc., Opera Plaza at 7pm. Here's the invite, hope to see you there.

Fun fun!

Meanwhile, I caught a few links this week and here they be.

Lots of e-book news, and some of it came from CNET, where I am employed. First up, my colleague David Carnoy took a look at the new $114 ad-supported Kindle and found the ads unobtrusive and worth the savings. And although there doesn't appear to be a new e-ink innovation on the horizon, B&N is rumored to be set to debut a new Nook, which will most likely be an e-ink version update rather than a new Nook Color.

I've long said that the idea that there's no such thing as being "just an author," and the New York Times has a great roundup of some author-as-self-promoting-brands of yore, including Herodutus paying for his own book tour in 440 BC. Self-promotion is as old as writing.

GalleyCat recently linked to the 10 most popular professions for romance novel heroes. I'm shocked SHOCKED that Social Media Manager didn't make the list. I guess doctors and cowboys really do have all the fun. (Oh, and speaking of which, Amazon is now launching a romance imprint)

Agent Kristin Nelson has a great post on the art of the blurb request and how to go about that delicate task.

And Amanda Hocking has announced another deal with St. Martin's for her previously published Trylle Trilogy. This will be interesting to track as she acknowledges that the e-book prices will be going up from where they are now, but they'll probably still be lower than regular e-book prices.

This week in the Forums, I'm very pleased to announce that there's a new deputy sheriff in town, 27 Comments on This Week in Books 5/6/11, last added: 5/8/2011
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7. This Week in Books 3/18/11

The Books! This Week!

First up, one of my blog readers is an editor in Egypt, and as there aren't many/any agents in Egypt (but there could be), she's hoping to work as a virtual intern at a literary agency to learn more about the trade. I know we're all rooting for Egypt after the revolution, any agents out there who could help her out

There was a very interesting discussion over at All Indie Publishing triggered by the always-interesting Zoe Winters. The topic: Do 99 Cent E-books Attract the Wrong Kind of Reader? Now, at first blush, your answer might be, as John Ochwat put it on Twitter, "If readers are wrong, I don't want to be right." But Zoe's thoughts are worth a read in full. Does the price affect a reader's loyalty and the perception of value? (via OtherLisa)

Is all publicity really good publicity? Well, according to a study spotted by The Millions: It all depends. For established writers, bad publicity can hurt sales. For new writers: Bad publicity actually helps.

Very smart editor Cheryl Klein has self-published a guide to writing called SECOND SIGHT, definitely check that out!

The New York Observer took an anthropological look at the "Assisterati," the collective of extremely smart assistants who are reading many of your queries and performing essential tasks behind the scenes at agencies. And yes, the "Assisterati" Twitter account was started just a week later.

What do you get when you take an author's first novel, which is the first sale by her agent and the first acquisition by her editor? Well, in this case you get THE TIGER'S WIFE by Tea Obreht, currently the toast of the literary scene.

In writing and publishing advice news, guest blogging at Pimp My Novel, Brad Philips offers nine ways to give a better reading, Finslippy gives advice on attending conferences, and agent Rachelle Gardner had three great publishing mythbusting posts here, here and here.

And in so wrong it's right news... real life re-creations of romance novel covers. (via Stephen Shankland)

This week in the Forums, March Madness is so on, can social media self-promotion be a bad thing, an authors for Japan benefit auction, the Great Gatsby mansion is going to be

74 Comments on This Week in Books 3/18/11, last added: 3/21/2011
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8. Social Media: There's No Such Thing as Too Early

Author friends and casual acquaintances often express to me a reluctance to wade into the Bloggy Facebooky Twittery waters. I hear many reasons, but the top one is usually:

"But shouldn't I wait for when I need to promote something/when my book comes out/when my book is popular/when I already have a following/some arbitrary point in the distant future?"

Nope, nope and nope. There's no such thing as too early.

Seth Godin famously said (the things Seth Godin says usually become famous) that for authors, the best time to start your promotional efforts is three years before your book comes out.

Why? Because it takes "three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later."

If you start when your book comes out you're way, way too late.

Promotion vs. Social

Seth's bit of (famous) advice is often applied to social media. It's great advice, and even Seth's explanation has a social component, but note that Seth is talking about promotional efforts. Not social media as a whole, which to me has no timeline at all. You should just start now.

Because if you're using social media solely to promote, well, chances are you're doing it wrong.

My new favorite catch phrase, which I have trademarked, patented, and have paid to have etched into the moon, is this: Social media is social.

It's not about promotion, it's not about broadcasting, it's not about you you you. It's about connecting with people.

Do you need to be famous to connect with people? Do you need to have a book to connect with people? No! You just need an Internet connection, dedication, an open-mind, and a willingness to reach out.

It takes time to build up those connections, and eventually, if you're providing good content or a good experience, those one-to-one connections transition into a following.

But make no mistake: It's still about making a personal connection with your audience and being a part of real lives. It's still social.

Whuffie

In our hyper-connected time, social media is not only increasingly how word of mouth spreads and how we connect with one another, it's almost becoming a new kind of currency.

In Cory Doctorow's uber-prescient novel DOWN AND OUT IN THE MAGIC KINGDOM, money has been replaced with "whuffie," a reputation-based currency that rises and falls based on what people think of you. Basically, if people like you you're rich and you can get all the best tables in restaurants. If they don't like you, an unfortunate scandal can send you to the poor house.

We're obviously not there yet (and thank goodness), but just look at the measures of "influencers" (social media buzz word for someone with a high following) that are cropping up right and left. Sites like Klout and Peer Index are hard at work trying to quantify online popularity and influence, and the idea of offering special perks to people with high influence scores is starting to percolate. The Sacra

88 Comments on Social Media: There's No Such Thing as Too Early, last added: 3/20/2011
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9. How to Write a Good Blog Comment

Photo by Ped-X-Ing via Creative Commons
The art of writing blog comments may at first blush seem like a frivolous and unimportant one, but that is not actually the case!

Writing excellent blog comments is perhaps the very best way to build your own blog and/or social media presence. Consider a blog comment an audition to show off your own personal awesomeness.

Not all blog comments are created equal. Here are some good rules of thumb as you work your way up to becoming a blog comment ninja.

Read the Post You're Commenting On, Then At Least Scan it Again

Yes, this takes time and the careful suppression of twitchy fingers. But there is no quicker way to leave an ineffective blog comment than to miss something in the actual post or to accuse the poster of saying something they didn't actually say.

Accuracy is important. Good blog comments take into account the entire post and then come up with a good and original response. So not only take the time to actually really read the post, keep the comment on topic rather than bringing in an outside and unrelated agenda.

That said......

Get There Early

The most effective and influential comments are near the top of the comments section. Don't work so fast writing your comment that you don't leave a good one, but don't dillydally either. Having a great comment in the first five to ten comments will get you noticed and will also probably result in a better discussion after your comment, which will please your host.

Scan the Other Comments First

Some might say that you should read every comment before yours. But people, it's a busy world out there. It's probably not strictly necessary.

But! At least go through and scan to see if someone else has said what you're about to say. The first commenter who makes the Lady Gaga comparison is savvy. The tenth person who does it is annoying.

Give the Blogger the Benefit of the Doubt

While it is oh-so-tempting to spout off when someone says something inaccurate or that you don't agree with, you don't look better for stooping to that blogger's level and engaging in a rant. Even if they deserve it.

Try and at least give the blogger the benefit of the doubt. They might not have meant for things to come out the way they did, and even if they did mean it, you look like the bigger person for treating them with patience and respect and staying above the fray.

Be Interesting and/or Funny

Have an interesting perspective. Bring interesting and/or rare pieces of knowledge. But most of all, be funny.

When it comes to good blog comments, funny wins every time.

Become a Regular

The very best way to be noticed isn't with one really great comment, but rather with consistently good comments in the same place(s) over time. If you become a regular and valued commenter on a blog or site, the other readers of that site will take notice and are more likely to come your way.

Much like Cheers, you want to go where everybody knows your name.
10. Seven Tips on How to Build a Following Online

1. Be consistent. We are all creatures of online habit, and if you are hoping to build traffic and a regular audience, it's essential to worm your way into people's routines (much harder than actually getting them to like you!). And in order to do this, it's important to have a posting frequency that your audience knows and expects. Whether you blog/Tweet/Tumble once a day, five times a day, or once a week (but not less than that), know thy social media schedule and keep it holy.

2. Reach out and comment someone. The best way to build traffic is to be noticed. Pick a few well-trafficked blogs and/or Forums, become a fixture, get to know the regulars, write witty comments, and try to attract people naturally your way. The more you invest in other people, and I mean genuinely invest in them, the more they'll be willing to return the favor. Better yet, you might even make some wonderful real-life friends.

3. Take the long view. A following is not built overnight. When impatience enters the picture there's a temptation to be overly controversial, which is a good short-term way of getting traffic, but damaging in the long term. If you make everyone mad people will definitely stop by, but chances are they won't be back.

4. Find your niche. The Internet abhors a vacuum, and it's important to think about what unique information or perspective you will provide. Be as unique and interesting as possible, and make yourself stand out from the pack.

5. Short paragraphs. There are few things less inviting than a massive wall of text. Twitter forces you to be brief, but everywhere else make your paragraphs short and punchy.

6. SEO. SEO stands for Search Engine Optimization. Think about your blog titles and imagine what someone would Google if they wanted to know about the topic you're talking about. The more links you receive from other sources the higher your search results, and the more natural traffic you'll receive.

7. Be selfless. It's not about you, it's about your readers and followers. Think about what you are providing them and deliver the goods.

77 Comments on Seven Tips on How to Build a Following Online, last added: 11/25/2010
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11. Professionalism (It's not what you think it is)

By: Hannah Moskowitz

This post has nothing to do with writing and absolutely everything to do with being a writer.

The stereotype of a writer--the middle-aged man pounding feverishly at a typewriter, cigarette in his mouth, sending hard-copy manuscripts to his agent and protesting the change of every word--has yet to catch up with the reality of what being a writer entails today.

We are not locked in our attics alone. We are not even the romantic writers of the '20s, drinking coffee and discussing literature. We are a legion of overworked, underwashed normals, pounding away at our laptops and shooing the kids to the next room.

And more importantly, we are not alone.

If you are reading this blog, you have obviously already met at least one other writer (hello there.) Chances are, I'm not the only one. Agent, editor, and writer blogs, facebook, forums like Verla Kay and Absolute Write, and God, above all Twitter, mean that, at the very least, most writers are at least a friend of a friend of yours. The term 'networking' is so appropriate here, because, in actuality, we--writers, publishing professionals, book bloggers--are a net. A web of interconnected people.

We know the same people. The truth is, this world feels very big sometimes, and God knows everyone is talking about writing a novel, but when it comes down to it--the people who are really out there, querying, editing, submitting, representing, accepting, rejecting, publishing, copyediting, waiting...well, the truth is, there aren't that many of us after all.

Which is why the act of being a professional writer has come to mean much more than it used to. Fifty years ago, all most writers had to do was avoid getting arrested and not respond to bad reviews.

You have a much bigger job to undertake. And it's stressful, and it's scary, but it can also be one of the most rewarding parts of this job. Somedays, my writing is absolutely shitty, and the house is a mess, and I'm crying because I can't find my socks, but I have 557 blog followers and I said something funny on Twitter today, so at least this day isn't totally for the birds.

You may think that I am the worst possible person ever to talk about how to be a professional. I'm loud and I'm obnoxious and I had to edit about ten cuss words out of this post so I didn't offend Nathan's sensibilities.

Yep. That's me.
But I'm hoping all that will make me easier to listen to, because when people think 'professional,' they a lot of the time think boring, sanitized, safe. And that's not who you have to
be. I'm living proof over here. And I knew from the start that I was taking a big risk, but I hoped that people would find me interesting and remember me.

It's worked pretty well so far. And that, kittens, is the real reason you want to get out there and put on your professional face. So that people will remember you.

Now that I'm done babbling, here are some guidelines. How to be a successful professional writer, by yours truly. And these are not big, life-changing rules. These are just tricks. Tricky little tricks.

--GET ON TWITTER. I don't care what your objections are. I objected too. But it is hands-down the best way to connect with people you would never have the balls to approach any other way. You can follow someone, which causes them no pain or trouble whatsoever, and you can talk to them in a completely neutral, undemanding way.

--READ ABOUT BOOKS. What do Hunger Games, Twilight, Lord of the Rings, The Da Vinci Code, and a hell of a lot of other books have in common? Answer: I haven't read them.

I'm not proud. But I know I don't have nearly enough time to read as much as I should, so I make a point of reading *about* books I wish I had time to read. Know enough about popular books to be able to fake your way through a conversation. I can discuss Twilight with the best of 'em.

--

54 Comments on Professionalism (It's not what you think it is), last added: 10/17/2010
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