For those of you who have not yet finished the 1st draft of your story, keep writing. I encourage you to reach the end. Having written the Climax helps with the work you do here. While you write, follow the steps. One should not interfere with the other but rather compliment each other. (If you haven't started writing and only have an idea for a story, ignore today's prompt and adapt all future suggestions to fit your needs.)
Today is easy. Print out a hard copy of your manuscript. That's it.
As tempting as it is with the manuscript sitting right there in front of you, remember, no reading. Not yet. Let the story sit. Let yourself unplug from the writing side. You are now entering the analytical side.
For those of you who shudder at the thought of structure or run from the concept of plot, I'd like to share Joseph Campbell's words:
"It is by going down into the abyss that we recover the treasures of life.
Where you stumble, there lies your treasure.
The very cave you are afraid to enter turns out to the the source of what you are looking for. The damned thing in the cave that was so dreaded has become the center."
Plot and structure are the jewels. You'll see. Trust the process.
Yesterday, I referred you HERE for added information about the three most important plot lines in every great story using as examples: The Girl with a Golden Tattoo by Stieg Larsson, Outlander by Diana Gabaldon, The Space Between the Stars by Deborah Santana, click here.
For information about subplots. click here.
**If you're just joining us today, please read the last couple of posts to catch up.
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By: Martha Alderson, M.A.,
on 12/1/2010
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: character emotional development plot line, major plot lines, how do I plot a novel, How Do I Plot a memoir, screenplay? Plot Series, secondary plotlines, dramatic action plot, subplots, Add a tag
By: Martha Alderson, M.A.,
on 11/12/2010
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: learning the craft, Cause and Effect, screenplay, le, How Do I Plot a memoir, banishing the inner critic, craft of writing a novel, Add a tag
1) Writers Balk at Plot
By: Martha Alderson, M.A.,
on 9/18/2010
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: screenplay, plot for writers, how do I plot a novel, How Do I Plot a memoir, Freedom for writers in Santa Cruz California, writing plot versus writing by the seat of your pants, Add a tag
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0 Comments on 3rd Annual International Plot Writing Month -- Day Two as of 1/1/1900
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Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: learning the craft, Cause and Effect, screenplay, le, How Do I Plot a memoir, banishing the inner critic, craft of writing a novel, Add a tag
Whether a romance writer, historical novelist, screenwriter or memoirist, all writers bog down at one time or another or two or three or five hundred.. In my work with writers, I have spotted 5 classic reasons writers falter when it comes to the craft of writing:
1) Writers Balk at Plot
Why the visceral reaction?
The act of creation generally comes from the right side of the brain and the linear, concrete structure of plot comes from the left, making structure for writers inherently counter-intuitive.
At some point, however, every writer, even those who work out their stories on the page, requires some sort of structure in which to present their work. Plot is the interweaving of character emotional development, dramatic action and thematic significance. In other words, someone acts or reacts. In so doing, that someone is changed and something is learned.
2) Writers Concentrate on Their Strengths, Forgetting that Plot is not Merely Action-driven Nor is it Only Character-driven
The rhythm of story telling is in all of us right now, especially for those of us who were read to as youngsters and continue to read fiction today.
(PLOT TIP: The best way to becoming a better writer is to become a more voracious reader).
Natural born storyteller tap into this rhythm unconsciously and are able to weave all three plot lines without much conscious thought to structure. For the rest of us who have something to say and long to be heard or, in our case, read, our stories tend to turn out lopsided. Why? Because we get stuck either by concentrating on action only, forgetting that character makes up 70% of good fiction, or by delving into the inner-workings of characters with little regard for conflict, tension and suspense.
3) Writers Forget the Importance of Cause and Effect
The structure of story has remained essentially the same since the beginning of time. The elements that vary are the beat or tempo and the intensity. Take, for example, the best seller The DaVinci Code (dramatic action-driven story) by Dan Brown with its break-neck pace of action versus the more leisurely plot pace of the early 19th centur
At some point, however, every writer, even those who work out their stories on the page, requires some sort of structure in which to present their work. Plot is the interweaving of character emotional development, dramatic action and thematic significance. In other words, someone acts or reacts. In so doing, that someone is changed and something is learned.
2) Writers Concentrate on Their Strengths, Forgetting that Plot is not Merely Action-driven Nor is it Only Character-driven
The rhythm of story telling is in all of us right now, especially for those of us who were read to as youngsters and continue to read fiction today.
(PLOT TIP: The best way to becoming a better writer is to become a more voracious reader).
Natural born storyteller tap into this rhythm unconsciously and are able to weave all three plot lines without much conscious thought to structure. For the rest of us who have something to say and long to be heard or, in our case, read, our stories tend to turn out lopsided. Why? Because we get stuck either by concentrating on action only, forgetting that character makes up 70% of good fiction, or by delving into the inner-workings of characters with little regard for conflict, tension and suspense.
3) Writers Forget the Importance of Cause and Effect
The structure of story has remained essentially the same since the beginning of time. The elements that vary are the beat or tempo and the intensity. Take, for example, the best seller The DaVinci Code (dramatic action-driven story) by Dan Brown with its break-neck pace of action versus the more leisurely plot pace of the early 19th centur
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As you write forward toward the Climax of your story, a little voice in your head whispers the need to go back and fix what you now know is awful, horrid or simply not working in the beginning. Over and over you silence the voice, stumbling to the End of the Beginning, the Halfway Point, the Crisis, the Climax, the Resolution.
It's difficult to resist the pull to go back and start again.
I'm feeling the pull big time right now. I followed the energy to do this wacky YouTube Plot Series. If you ask me how it happened, I'd have to say it came exactly like a new story. Inspiration hit. Helpful people lined up. I jumped in with both feet and very little, if any pre-plotting.
I know, I know. Flying by the seat-of-my-pants goes against my grain as a plotter but I knew if I didn't just start, I'd find all sorts of reason to back down and never do it.
Now approaching the End of the Beginning of the Plot Series -- everything needed for a plot has been introduced. All the story elements are lining up and in place. A surprising and wonderful subplot appeared out of nowhere and thus, we introduce the Santa Cruz Traveling Mystery Tour (a night at the Darling House in Santa Cruz is the grand prize). One more step, and we jump in and actually get to the plotting -- as a verb.
Time to get organized. Meeting with my partner in crime, we're plotting out all the locations for the background and Traveling Mystery Tour, dates to shoot, etc. Will be nice to have a plan, a plot planner, a map, a guide to keep us on track while we're busy following the energy.
Still, I so want to go back and re-shoot Step One. Don't get me wrong, the content of the first step is good, great actually. But, I'm hiding in a bush, a dog is whining to be with us, I'm speaking slowly, feels almost like slow motion language... Plus, we hadn't come up with the idea of shooting the videos with local Santa Cruz landmarks in the background. The list goes on.
I like to advise writers to follow the energy. Whatever you have energy for, you'll bring a freshness to it. Thus, if the energy keeps pulling you back, should you go? Hmmm... I still say resist and find a way to create positive energy for the writing even when most difficult.
If you go back now, you may never find your way back.
And so I resist going back. Might as well keep my focus forward and see what comes.
I can always go back and re-shoot later.
Onward and upward -- my wish for you and to find the energy to keep writing forward to the end and my wish for the Plot Series, too.
Oh, and I nearly forgot to men
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Thanks for pointing those out. I know I'm a victim of often telling rather than showing. I will try to keep it in mind as I continue writing. Great blog!
I think you're blog is amazing and I just got a Versatile Blogger Award... which means I pass it along to other great bloggers : ) you can pick up the graphic over at my site where I've named you as one of my nominations!
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