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Not long ago, my husband and I escaped to Frenchtown, NJ. I taught memoir on a Sunday, then spoke, the next day, to an assembly of high school students. My husband walked the banks of the Delaware and found, he said, great peace. Quietude. The occasional passerby. Fish that seemed to come when called.
Peace. I search for it, too. Shield myself from incipient interruptions, step away from active unkindness, shrink from noise, read deep into the news with a hope for understanding.
And, always, books. Over the last few days, during a storm of work, I've reached repeatedly for Lauren Redniss's glorious
Thunder and Lightning: Weather Past, Present, Future—an illustrated (Adam Gopnik rightly calls it illuminated) collage of odd facts, hard science, and Redniss's signature way of seeing.
This is a book so unto itself that it comes to its readers utterly undefended. No introduction. A simmering table of contents. Facts lassoed from a multitude of unexpected sources. We meet the managers of a cemetery who are left with the sweep of dislocated bones, post storm. The secret keepers of the Farmers Almanac. A company called Planalytics, which is apparently right down the road from me and is designed to help companies plan for weather incursions, the spiking needs wrought by heat and hurricane. Weaponized weather experts. The inventors of cloudbusters. The mad-scientist brain of Nathan Myhrvold (now at work on, among other things, solar radiation management), the long-distance swimmer Diana Nyad (who is popping up in many things I've read lately), and the seeds that burst to life every eight years ago in the desert.
What binds it all is erudition, curiosity, and appetite for the alluringly strange. What makes it so peaceful to hold, to sit with, to ponder is how much it teaches through story, ink saturation, and hieroglyphics.
We see so many books that are "just like" books—books that are, indeed, marketed that way. Peace, though, is the original mind set free. I'll wake at 4 AM for this. I'll read it by a lamp in the lonesome dark.
I'm not sure I'll ever be very good at simply moving forward with my own life when I am vividly aware of the terrible loss and hurt that has utterly rearranged the lives of others.
It doesn't feel right. But it's the only choice we have. Keep living.
And so, this week, there will be (between pauses, within silence) moments of study, moments of reflection, moments of celebration, moments of friendship, many interesting corporate projects, one unexpected audition, and three hours with some wet clay.
You are welcome to join us for the public events:
Today, November 15, on behalf of The Book Garden in Frenchtown, NJ, I'll be teaching a three-hour memoir workshop. Details are
here. There is room. You can join us.
Tomorrow, November 16, at the Delaware Valley Regional High School, I'll be talking about the writers' life to an assembly of students and then providing insights on crafting the college essay.
Tuesday, November 17, I'll return to my work with the fourth and fifth graders of West Philadelphia, who will be refining the essays they began writing last week.
Thursday, November 19, I'll be at the wonderful Harleysville Books for the November Book Club Happy Hour, talking about our city and the power of love, an especially important topic, I think, in these days. The details are
here. On Friday and Saturday I will be at Radnor High School, joining my brother for his Radnor High Hall of Fame induction ceremony. We are, I believe, the first brother-sister pairing on that wall. I am over the moon for Jeff and grateful to all those on the committee who recognized his contributions to
his rarefied world of engineering and mathematics.
Finally, the paperback of
Going Over, my Berlin Wall novel, is being launched this month, and in celebration there are currently ten copies being offered in
this Goodreads giveaway. Finally, finally, words of thanks to Chronicle Books and Junior Library Guild.
This Is the Story of You has been selected for the Guild's Book Club.
Over the past many days I've been building memoir workshops—the five-day, traveling,
unusually unusual workshop that I will launch next year (if you are interested, leave your name here), an online program being developed with a radically effective book-coaching friend, a two-evening program for the fourth and fifth graders of North Philly, the syllabus for my 2016 memoir course at Penn, and the two workshops I'll be delivering next Sunday and Monday in Frenchtown, NJ—one for
Book Garden (you can still register) and one for the local high school.
That building looks like this.
And it is far from done.
I spent my birthday in Frenchtown, NJ, this past April and fell so hard for the place that I wrote about it in the
Philadelphia Inquirer. Which led to an unexpected email from Caroline, an owner of the town's indie, the Book Garden, inviting me to return to this river town this November. I'll be conducting a memoir workshop and meeting with students in area schools. The memoir workshop, described above, will be held November 15 from 1 to 4 PM at The National Hotel. It has limited space, and if you are interested, I encourage you to sign up soon.
(For those unfamiliar with my memoir teaching and ideas, I share a link here to
Handling the Truth, my book about the making of memoir.)
A link to the page can be found
here.
By:
Beth Kephart ,
on 4/19/2015
Blog:
Beth Kephart Books
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The annual Little Flower Teen Writers Festival is a school-wide celebration of writing and reading—a marvel of an invention in which a school, on a sunny Saturday, opens its doors to story weavers and student hearts. The dynamic, unstoppable Sister Kimberly Miller leads the way. Her girls wouldn't be anywhere else. And yesterday all of us who were in attendance were given keynote words from A.S. King that leapt us to our feet (yes, that's a deliberate inversion of language logic, but that's so what happened). King is one of those writers who has earned her status as a star. Her stories are essential. Her sentences are prime. And when she gets up there behind a microphone she has something actual to say—words that belong to her, ideas unborrowed.
I left Little Flower, rushed home, put on a skirt, swapped out my graffiti boots for a pair of four-inch heels, picked up the cake I'd made the day before, and headed out again to celebrate the career of Greg Djanikian, the exquisite Armenian poet whose life and work I
profiled in the Pennsylvania Gazette last year. Greg is stepping down from full-time administrative duties at Penn so that he might write more and live less bounded-ly. Saddened as we are by the thought of seeing him less, last night was anything but a sad event. It brought together (in true Greg fashion) the teachers, writers, and student advocates who give Penn's creative writing program and Kelly Writers House their aura. Oysters, sherbet-colored shirts, an undaunted cat. Talk about food carts, the meaning of words, 1960, serial memoirists (
the third Fuller), astonishing turns in storied careers, the art of the frittata, and the costs and high rewards of loving students. Sun when we arrived and stars when we left.
In between the two events, Kit Hain Grindstaff sent word of something wholly unforeseen—a
Guardian review of
Going Over. It begins like this below and can be
read in full here.Lyrical prose, beautiful and sensual imagery, a dark setting; yet, hope: there is always hope – because for the stars to shine, there needs to be darkness. Going Over just shot to my 'favourites' of 2015 list and I regret nothing. This book is graffiti, and colour and play dough and bikes. It is love, it is death, it is life; it is astronomy, maps, escapes and archery. It is a wall, splitting the earth with dark and hateful ideologies, and it is a spring in your step on one side: pink hair and coloured moles with a quiet and thoughtful being on the other; scope in hand, love clenched in heart and freedom circling though mind. Going Over is Ada and Stefan, Savas and Meryem, Turks and Germans and kids and adults. It is a story of humans and their plight in this world, and it is a story of love.
As is perhaps clear in
this recent Huffington interview, I've been thinking a lot of late about what happiness is. I wrote toward that in
today's Philadelphia Inquirer story, which has Frenchtown, NJ, as its backdrop. (Thank you Kevin Ferris and your team for another beautiful presentation of my photographs and words.) I've been also thinking a lot about kindness (never simple, often rare), thanks in part to George Hodgman's glorious memoir
Bettyville, which I reviewed for the
Chicago Tribune, here. Today there is sun out there, flowering trees, wet-headed daffodils. I'm going to celebrate by finishing the fabulous
Between You and Me (Mary Norris) and later checking into Chanticleer garden for the first time this year. I'm way overdue for a visit.
I went away to celebrate my birthday—up the Delaware River, on the New Jersey side, in the town made famous by Elizabeth Gilbert. I wore funky boots and worried about nothing and bought the coolest felt coat for close to nothing, gifts for a friend, a brass feather for my hair. Walking and walking beside my husband, who had surprised me with Frenchtown, who understood my deep need to be elsewhere.
These few things, while I was gone:
One Thing Stolen was named an April Editor's Pick by Amazon and a Top 14 YA April book by Bustle. I am grateful and humbled.
Galleys for
Love: A Philadelphia Affair arrived. This book becoming a real thing, then. More gratitude.
The German edition of
You Are My Only showed up in a white box. It is always deeply interesting to see a story remade in another language, announced to the world with a new image. I'm grateful for Hanser's faith in the novel.
I had many thoughts while I was away about what really matters, what makes me happiest. Family. Friendship. Time. Peace. These things I seek, above all else. You can make something special without spending lots of money. You can say love without wrapping it in a bow. You can look ahead and worry less. I keep getting better at that. Family. Friendship. Time. Peace.
Familyfriendshiptime.
Peace.