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Viewing: Blog Posts Tagged with: Canadian Storytellers, Most Recent at Top [Help]
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1. Literacy the Old Fashioned Way with Joy…

or Teaching Without Pressuring the Teacher to Teach or the Child to Learn

Maxtells

Stories and songs are natural teachers and create natural paths to literacy.
Stir a child’s imagination with stories, songs, and poems, and you feed the roots of learning. Once memorized, a single sentence from a piece of prose, a song, or a poem, creates a model for many hundreds of sentences to come.

The linguistic significance of these models looks deceptively simple, but every sentence or stanza, no matter how short, is packed with grammatical and syntactic models. Let’s take a closer look at one simple stanza from my song, Bug in My Hand:

There’s a bug in my hand,

and it climbed on my nose,

and it played a bass drum,

bum, bum, bum, bum.

Here are a few of the grammatical (syntactic) structures in this one short stanza.

there’s: non-referential ‘there’ and subject-predicate agreement
a bug: noun phrase with singular indefinite article ‘a’
in my hand: prepositional phrase, including possessive ‘my’
and: coordinating conjunction
it: referential pronoun in place of the noun ‘bug’
on my nose: prepositional phrase with parallel structure to first prepositional phrase
a bass drum: noun phrase with adjective-noun combination

These are only a few of the syntactical structures that have been used to build this simple stanza. Memorized in a state of play, every one of the patterns illustrated above and those not mentioned become models for linguistic development and literacy in the future.

What a wonderful tool, especially when working with reluctant learners. (See my blog entry: On reluctant learners)

Reluctant learners are afraid, moody, and often angry. So as not to fail, they don’t try. They play every trick in the book, from daydreaming and disrupting class to acting out. Eventually, if not helped, they may turn into problem kids.

But what if a teacher could turn these reluctant learners around? What if a teacher could teach these reluctant learners without them knowing they were being taught?

Stories, songs, and poems are the key. And they not only work for reluctant learners. They also help to reinforce proper syntax in the minds of even the best of students.

I often talk to educators about ‘giving the gift’. Excite young people to the wonders of stories, songs, and poems and you will be giving everyone of them a ‘gift’, the ‘gift’ of literacy, a ‘gift’ that lasts a lifetime.

Max Tell, a.k.a. Robert Stelmach, the International Troubadour,
sings and tells stories from the heart. http://maxtell.ca/content/

1 Comments on Literacy the Old Fashioned Way with Joy…, last added: 11/17/2010
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2. Ben Nind – Storytelling is Essential to Community Health and Life.


Press Play to hear Ben Nind speaking on how Storytelling is Essential to Community Health and Life on the Art of Storytelling with Brother Wolf.

Press Play to hear Ben Nind speaking on how Storytelling is Essential to Community Health and Life on the Art of Storytelling with Brother Wolf.

Ben Nind

Storytelling Is Essential to Community Health and Life.

Do we really have to justify why this is so? Are we so removed from ourselves as purveyors of stories that we actually need to rationalize, in some manner or form - why storytelling is essential? This is an odd question because it means that I have to somehow divorce story from the human experience and that is an impossible task.

The glue that holds all of the pieces together is story past, present and future.
Birth, marriage, divorce, life, death, addiction, celebration, grief and victory are woven with stories in every window and door that we pass in our day to day existence. Without stories there is no community, there is no activity and the world is just one big cold ball of rock hurling through the blackness of space.

Is storytelling essential to community life? Say no more. Just listen and let me tell you a story..............

Ben Nind the Executive and Artistic Director of the Northern Arts and Cultural Centre

Bio

Ben NInd grew up in the theatre community of Yellowknife, Northwest Territories, Canada.

From a young age, his mentors provided him with a passionate love for community theatre. In the end, it was this passion that drove him to drop his cubical world and enroll in the Theatre Studies Program at Red Deer College in Alberta. In 1994, he graduated from the English Acting Program at the National Theatre School of Canada in Montreal and continued training with Silamiut Theatre of Greenland, through a generous Fox Fellowship grant. Ben returned to Yellowknife in 1995 to found Stuck in a Snowbank Theatre where he wore the hat of actor, director, playwright and mentor working throughout Canada and the circumpolar world.

In the spring of 2004 he became the Executive and Artistic Director of the Northern Arts and Cultural Centre, a position he still holds. He continues to promote the development of all performing arts in the NWT. His passion lies with the stories of the Canadian North. They are the core material from which his brand of theatre magic is cut. His belief in the stories, and his commitment to the talented men and women who tell those stories, keep this unique and powerful northern theatre movement alive and relevant for contemporary northern audiences.

1 Comments on Ben Nind – Storytelling is Essential to Community Health and Life., last added: 2/18/2010
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