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Viewing: Blog Posts Tagged with: Agent Sarah Davies, Most Recent at Top [Help]
Results 1 - 3 of 3
1. Publishing Industry Kudos

kat yehSarah Davies at the Greenhouse Literary Agency sold Author Kat Yeh’s debut book THE TRUTH ABOUT TWINKIE PIE, pitched in the vein of SHUG and THREE TIMES LUCKY, about a girl who moves to a new town and tries to leave her past and her name behind, only to learn life-changing secrets about her family, to Alvina Ling at Little, Brown Children’s, at auction, in a two-book deal, for publication in Fall 2014.

Congraulations! Yay! Kudos!  

Kat and Sarah!

Andrea CascardiEgmont USA has hired literary agent Andrea Cascardi from the Transatlantic Literary Agency for the new combined role of managing director and publisher, effective immediately. Prior to joining TLA, she was associate publishing director at Random House Children’s for the Knopf and Crown imprints. Current publisher Elizabeth Law is leaving after five years with the company.

kenholeFiona Kenshole has joined Transatlantic Literary Agency, where she will represent children’s authors and illustrators. Previously she was vp, development acquisition at animation studio Laika and before then, publishing director for OUP Children’s.

At Harper, Maya Ziv has been promoted to editor. She is looking for literary fiction with commercial appeal with a focus on women’s fiction; dark suspense (with a possible speculative twist); YA crossover; and narrative nonfiction, including memoir.

Film development and publishing veteran Ruth Pomerance will join Hyperion on January 28 as a senior editor, focusing on the acquisition and development of new stories and author talent that will translate across the Disney/ABC Television Group businesses. Most recently she was executive producer for the adaptation of Judy Blume’s Tiger Eyes and a consultant to entertainment firms. Pomerance has worked for producers including Scott Rudin, Arnold Kopelson, Fred Zollo, and John Davis, for whom she acquired and developed literary properties for film and TV, and has worked at The Rockwell Group, USA Films, Artists Management Group, and the William Morris Agency. She is known for coming across the unpublished manuscript of John Grisham’s The Firm in 1990 and helping him land a publishing deal with Doubleday and a film deal at Paramount.

At becker&mayer!, Kjersti Egerdahl has been promoted to senior editor/editorial manager for adult and children’s books.

Talk tomorrow,

Kathy


Filed under: Editor & Agent Info, Kudos, News, Publishing Industry Tagged: Agent Sarah Davies, Andrea Cascardi, Egmont USA, Fiona Kenshole, Greenhouse Literary, Kat Yeh, Mayra Ziv

4 Comments on Publishing Industry Kudos, last added: 1/21/2013
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2. Book Contracts & Negotiations

You may feel like negotiating a book contract requires some magical skills like the princess in the July illustration by Michelle Munger, but Betsy Devany took notes at Agent Sarah Davies workshop in June and she is sharing them with us today.

OverviewMs. Davies, a Literary Agent and creator of The Greenhouse Agency.She compares standard agencies’ contracts and negotiations to those of the Greenhouse Agency. Ms. Davies explains how an agent will protect your rights and ensure you receive the most in a contract.

I)                Agency Agreements:  Agreements should be short and easily understood in English. An agreement is binding for the duration of the contract.

Standard American Agencies take 15%, Foreign takes 20% and Film and TV take 20%. The Greenhouse Agency: US takes 15%, UK takes 15%, Film and TV takes 20%, and Foreign takes 25%, and are paid within 10 days.

Reputable agencies belong to AAR. These agents are members of a code of ethics. The agency must be in business 2 years and have done a certain amount of deals in order to belong to this group (www.AAR.org).

Most agencies, if you breech a contract, agents keep the money generated from it. Greenhouse Agency allows you to break a contract by giving 60 days notice and they continue to honor the existing contract even if you walk away.

Since agreements are binding, if something happens to you, royalties go to those who inherit it.

II)             How Deals Are Agreed:A manuscript that is in submission goes to:

  1. Editor
  2. Editorial Board
  3. Acquisitions
  4. Marketing
  5. Publicity
  6. Art Department
  7. Sales – Who cast the deciding vote.

III)           When You Get An Offer:    There are exclusive territories. The publisher wants:

  1. North America / Canada
  2. World English Language Rights
  3. World Rights ( All Languages)
  4. Translation Rights

IV)           The Advance:    What you receive upfront when you sign a contract or delivery of accepted manuscript: Usually if you are given $20,000 or less, you receive the money in two parts. If you are given $20,000 or more, you will receive the money in three parts.

V)             RoyaltiesDomestic market – 10% of the cover price. Sometimes a publisher will force you to see your next book as a bargaining chip. The agent protect you to get the most royalties as possible.

VI)           Joint or Separate Accounting:  Each book has the potential to earn royalties by itself as opposed to bundling several books. Agents will figure out a good profit against royalties. Agents have leverage to go to other publishers to get more offers. When multiple publishers want to offer, it goes into auction. Contracts (15-20 pages) can take 3-5 months from a publisher. The proprietor is granting the publisher to publish your book, marketing, warranties, take part in the publishing, pay you royalties, discounts and territories. 

VII)         <

5 Comments on Book Contracts & Negotiations, last added: 7/25/2012
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3. Inside Scoop on June 2012 Conference

Don’t be sad if you could not travel to LA for the National SCBWI Conference this week.  Just focus on what is to come and the opportunities that are available for you.

At this moment in time I have confirmed the following editors and agents for the New Jersey SCBWI Conference being held on June 8th, 9th, and 10th 2012 at the Wyndham Hotel and Conference Center in Princeton, NJ. Here is the faculty, so far:
KRISTA MARINO is an Executive Editor at Delacorte Press (Random House Children’s  Books) where she acquires and edits Young Adult and Middle Grade fiction.  She is always looking for strong new voices, innovative concepts, and great stories for her list. She doesn’t do cute- she’s more on the darker edge of fiction (she has not been buying much of lighter fare lately), but she does like works with comedy in them. Many of the works she’s edited in the last few years are trilogies or series, she is now looking for amazing stand-alone books. Recent books she has edited include King Dork by Frank Portman, The Alchemyst, The Magician, and The Sorceress in The Secrets of the Immortal Nicholas Flamel series by Michael Scott, and The Forest of Hands and Teeth by Carrie Ryan.
I have asked Krista if she will do the same Intensive that she is giving in LA on Aug. 8th for an Intensive for us – Perfecting Your YA Voice.

SARAH DAVIES, Agent – Greenhouse Literary is based in Washington DC and heads the North American side of the Greenhouse, so if you live in the States or Canada you should submit work to her (see submission guidelines for more information).  Sarah has more than 25 years’ experience of children’s publishing, moving to the USA from London in 2007. She started her career at Collins (before it was HarperCollins), followed by a spell at Transworld/Random House. In 1994 she joined Macmillan Children’s Books in London as Fiction Editor, rising through the editorial ranks to Publishing Director (and member of the Management Board), a position she held until 2007 when she left to start Greenhouse.

Sarah has agreed to do an Intensive Workshop on June 8th and a few Consultative Critiques.

ERIN CLARKE is an Executive Editor at Alfred A. Knopf Books for Young Readers, an imprint of Random House Children’s Books, where she has worked for eleven years. Authors and illustrators with whom she works include Markus Zusak, Julia Alvarez, Meghan McCarthy, Lesley M.M. Blume, Anna Alter, Mark Alan Stamaty, Karen Foxlee, Mick Cochrane, Barbara Jean Hicks, and Sue Hendra. Erin is interested in publishing good stories regardless of genre or themes that might be contained in them. She edits six to eight novels per year as well as picture books. The percentage of her first time writers varies. Currently about 20% of her list is made up of first-time writers. She is interested in building a long-term relationship and hopes to do many more books with them.

CATHERINE ONDER–Senior Editor, Disney-Hyperion. She focuses on teen and tween novels, and also edits some picture books. Authors she works with include Geraldine McCaughrean, Jenny Valenti

3 Comments on Inside Scoop on June 2012 Conference, last added: 8/5/2011
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