What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Posts

(tagged with 'Advantages of working for educational publishers')

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing: Blog Posts Tagged with: Advantages of working for educational publishers, Most Recent at Top [Help]
Results 1 - 1 of 1
1. Writing for the Educational Market

I found this information over at evelyn b christensenbannertitle

evelyn b Christensen

Some Basic Information

If you are new to writing for the education market, this webpage has lots of helpful information for you.  Although  some educational publishers accept submissions and give standard royalty-based contracts with an advance, many  do not.  The more  typical contract is a work-for-hire one in which the author is paid a one-time lump sum, and the publisher  keeps all rights to the work. Usually, WFH books for the education market are non-fiction with the publisher  determining the subject and specifying details like word count and reading level.

This may sound like a turn-off to you, but many authors make a good living with this kind of work and enjoy  doing the research and the writing involved with it.  Several of them share the pros and cons of writing WFH in the  articles listed below.

Getting Wok For Hire Assignments

If you want to get WFH assignments, send a cover letter to the publisher stating your writing experiences and  other qualifications, such as teaching experience or expertise in particular subject areas, and telling  what subjects and grade levels interest you.  Include samples of your writing.  You should first research the  kinds of books the publisher produces, and send samples which show your ability to write what they publish.  The  publisher will keep your information on file and contact you when they have an assignment they think matches  your credentials.

Book Packagers

Lots of WFH books for the education market (an estimated 30% or more) are produced by book developers/packagers.  These companies produce books for other publishers.  Often the publishers request a particular product from the developer.   Sometimes the developer  may come up with the idea and offer it to a publisher. In my Educational Market List I try to indicate these kinds of companies with the words “developer,” “packager,” or “creation house” after the name.

Finding a Market for a Completed Manuscript or a Proposal

Perhaps you aren’t looking for an assignment, but instead are looking for an educational publisher for a  completed manuscript or for a proposal.  In that case, when you check my Educational Market List,  you’ll probably be most successful if you look for publishers who have “submission guidelines” given.  If they  don’t have submission guidelines, then it’s more likely that they use freelancers only on an assignment basis.   If they have guidelines and accept unsolicited submissions, the contract they give might still be a WFH one, or it might be a royalty-based  one.

Royalty-Based Contracts

If an educational publisher does offer a royalty-based contract, the terms of the offer are frequently not  comparable to what you may be used to in the trade market.  Do not be surprised if there is no advance, if the  royalty percentage is less, if the royalties are based on net instead of on list price, or if the publisher  insists on the copyright being in their name.  You can, of course, try to negotiate the terms they offer; just  don’t be surprised if the terms are less beneficial than what you might expect in the trade market.

Advantages to the Educational Market

In spite of this, writing for the educational market has some wonderful advantages. A big one is that it is usually  easier to break into this market, especially with non-fiction WFH, than to publish a trade market  novel or picture book. Another advantage is that educational publishers  usually keep your books in print much longer than the typical trade publisher does. They also usually have their  own distribution channels and sales force, so are unlikely to expect you to do a lot of promotion of your books  (although if you like doing such things as school visits, book fairs, and speaking engagements, you certainly can). Best of all, when you write for the education market you can enjoy knowing you’ve helped provide materials that  can make a positive difference in the learning experiences of many, many children!

http://www.evelynchristensen.com/markettips.html

http://www.evelynchristensen.com/markets.html

Talk tomorrow,

Kathy


Filed under: article, publishers, reference, writing Tagged: Advantages of working for educational publishers, Book Packagers, Evelyn B. Christensen, Freelance writing, Work for Hire writing, Writing for the educational Market

1 Comments on Writing for the Educational Market, last added: 9/17/2013
Display Comments Add a Comment