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Today on the Frenzer Foreman Animation Forum, New York studio owner Richard O’Connor drops by to talk animation. O’Connor started his career at R.O. Blechman’s studio The Ink Tank in the 1990s before launching his own studio Asterisk Pix. Today, he runs the commercial house Ace & Son Moving Picture Co. He discusses the challenges of working on ‘grim’ animated projects, the connection between Chelsea Clinton and animation pioneer J.R. Bray, and what makes a successful animation festival signal film.
LINKS RELATED TO THIS EPISODE
Ace & Son Moving Picture Co.
Ace & Son Vimeo page
Sympathy For The Fish: A Holiday Story
FoxRetro X-Mas Spot by Váscolo (Argentina)
Thor facial rig test in Softimage by Stephen McNally (Ireland)
Strip Tease by Natalianne Boucher, Camille Chabert, Marine Feuillade and Naïmé Perrette (France): “The technique consists of ‘cut-out’ animation (cutted paper, here added to tissues) then back projected on a wall and shot frame by frame.”
African plains, manes and stolen meals by Chris O’Hara (Ireland): “Featuring audio from Planes, Trains and Automobiles.“
X-Ray, Ace & Son studio bumper by Kelsey Stark (US)
Cartoon Brew: Leading the Animation Conversation |
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Post tags: Ace & Son, Argentina, Camille Chabert, Chris O'Hara, France, Ireland, Kelsey Stark, Marine Feuillade, Naïmé Perrette, Natalianne Boucher, Stephen McNally, US, Váscolo