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On one of Fiona's many enjoyable visits to our offices she dropped off these 2 pulp comics, AMAZING STORIES. Which I took some direct and indirect influence from. The trick was to introduce the characters in a pulp comic setting while remaining true to the Fiona's voice.
Here are three of our first attempts.

We all loved the humor an wit of Fiona's characters along the spine but how to make the type work was still and issue.




In all three of the above the title type was a problem. No matter what we tried the design forced us to put the copy in a box which just didn't seem to work. Also, it became repetitive to show all five characters along the spine and in the main image. There were to many parts, to many things going on. Below is an attempt at simplifying the above ideas.


This direction seem to click at the time. We liked it enough to present it and the other ideas at our weekly cover meeting for discussion. The conversation in the meeting turned to a confusion over why the monkey was hypnotized and whether this was the image that was best for the book. We also talked about what was more important, introducing the characters or telling the audience that this is a pulp mystery graphic novel. At the moment we were displaying all these ideas yet nothing was working 100%. So we were sent back to the drawing board.

Almost a month went by before I was able to take another go at rethinking the design Luckily we were ahead on this book so I had time to waste. But more importantly time to step back and take another look from a far.

Knowing what we needed to be on the cover helped going forward.
1. Introduce the characters
2. Pulp comic design influence
3. Simple design/Iconic Image
4. Communicating that the book is a mystery.
5. Setting up a design for a possible series if needed.

On a rainy Thursday afternoon Fiona and I sat down in my dark office and I sketched this up while listening to Fiona's ideas.


We wanted to somehow keep the circle character drawings from the first cover comps. Can any one say BACK COVER?!







Fiona Robinson is the author-illustrator of The Useful Moose: A Truthful, Moose-full Tale. Publishers Weekly praised her “flair for humor tinged with heart.” Her work has been honored by the Royal Academy of Arts and been featured in many gallery shows. She lives with her family in Brooklyn, New York.

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I always give a little laugh as I walk through the hallways in my school and overhear 2nd graders reminiscing about what it was like to be in the 4s. How they yearn for rest time now. (Mind you when they were 4, you couldn't pay them to stay on their mats!) Lazy Little Loafers has captured the nostalgia of the older child and brought in some snark for good measure.

"Here's a question for you: Why don't more babies work?"

Really. Why don't they?

Our unnamed protagonist who is busily dragging her HUGE backpack filled with work, is trying to figure this out. There are lots of jobs...there are lots of babies...could it be that babies are simply lazy? Babies certainly look lazy. They are wheeled everywhere in their fancy strollers, they eat snacks and roll around. It seems like the hardest work they do is trying to walk!

Illustrator G. Brian Karas' babies are hilarious as they stick out their tongues, suck their thumbs and cavort in the park. This may not be the picture book for everyone, but older kids who appreciate sarcasm will certainly eat it up! I think my readers who loved A Couple of Boys Have the Best Week Ever, and Chowder will love Susan Orlean's Lazy Little Loafers.

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How timely is this?

Hillary wasn't first. Nor was Ferraro. Have you heard of Belva Lockwood? I had not either before reading this fabulous picture book biography.

Belva once read that a person could move mountains if he or she only had faith. Belva believed this wholeheartedly, and lived her life accordingly. Belva was born in Niagara County, New York in the year 1830. She was the daughter of a farmer, and by the time she was a 39 she had already been married, had a child, been widowed, become a teacher and gotten involved in the suffrage movement. She decided that she wanted to attend law school. In 1869, however, not many law schools wanted to admit women, and the few that did certainly did not want to grant degrees to the women who attended. If you've figured anything out about Belva by now, you know that she found a way to get her deserved degree, and to have it signed by President Ulysses S. Grant to boot!

What could be next for Belva?

After becoming the first woman to graduate from the National University Law School, she became the first woman to practice law in the federal courts. She was the first woman to argue a case before the Supreme Court. She rode her tricycle around Washington D.C. oblivious to the stares from those around her. And then in 1884, Belva became the first woman to officially run for president.

Before the ratification of the vote, Belva ran for president! And she got votes. Votes from men. 4711 to be exact. She got more votes than that, but they were thrown out, since the men doing the counting could not believe that anyone would actually vote for a woman.

I found this story not only timely, but incredibly inspiring as well. An author's note, glossary and timeline are included, which make this ripe for classroom use. Do today's kids know that the vote was taken away from women in 1787 (1807 in the case of NJ)? Author Sudipta Bardhan-Quallen has done a great job of writing a readable storyline filled with, but not laden down by, facts surrounding suffrage and the political process. Courtney A. Martin's illustrations reflect the time period, though I do wish that the cat accompanying Belva everywhere was explained! This is a book that deserves a prominent place in classroom and library alike!

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