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There was a time when I was taught to avoid first person at all costs (or at least know that it's much more difficult to write and to sell, and be prepared to work hard to get it right, and work harder to find an agent and/or publisher).
Has that changed?
You get the oddest emails some days. Some days you wonder if writers sit around in cyber cafes and dream up questions with cogent sentences, and understandable words, yet still make no sense whatsoever. You retire to your couch and pour the first of what is sure to be many gins. You gaze at your poodle who dons a sombrero, fetches his custom made ukelele and serendes you with "I I I I, I'm the First Person Bandito".
Dear Miss Snark,
I can’t get this whole “genre” thing straight in my mind. I know “genri” is a general truth or law, “genial” is warm and cheerful, “gentle” is soft and subdued, “genual” is the knee, a “genie” lives in a bottle, a “Gentile” is anybody not Jewish, a “gendarme” is a French cop, and a “general” is an officer in the army.
I’m sure you’ll agree that’s all very straightforward stuff. But here’s where my brain gets twisted in a knot. I just finished reading a book about a non-Jewish French cop dating a warm and cheery Jewish senior army officer, with the understanding that religious law precluded their marrying, and when they walked on the beach one day they knelt to pick up a bottle, and a soft and subdued supernatural creature popped out.
Does this book fall into the Gentile gendarme genial general genri genual gentle genie genre?
sui generis
Dear Miss Snark,
I’ll soon be in the market for literary representation, and I like your brutally honest advice. However I wouldn’t want someone like you to be my agent, you’re too mean in that New York sorta way. It scares me, and brings on writer's block. Am I being overly sensitive?
No of course not. You're quite right to be afraid of Miss Snark and her brutal ways. In fact, you should include a questionairre with your query to make sure you only sign on with nice, sweet, kind literary agents.
Here are some suggested questions:
1. Do you now or have you ever used a broom for transportation?
2. Does your 3o day termination clause include the word defenestration?
3. Do you sign your contracts in hemoglobin?
4. Do you now or have you ever had Satan on speed dial?
5. Do you now or have you ever had an expense account line item for body removal?
6. Do you now or have you ever considered Hannibal Lector for a role model?
7. Do publishers just bring their check book to lunch rather than negotiate with you?
8. Have you ever made an IRS agent cry?
9. Have you ever written a fan letter to Simon Cowell encouraging him to toughen up?
10. Do you now or have you ever responded to nitwit email with a ***Top Ten List of Reasons to Stand in Front of the Clue Cannon?
Dear Miss Snark,
I wrote a really great book, sent out a bunch of queries, but inexplicably had no luck landing an agent. I decided to self-publish as an interim step on my path to fame and fortune. Sales have been extremely strong --- 19 copies sold in only eight months! Since these sales figures prove my book has the potential to be a huge commercial success, I’m going to highlight the numbers as I begin to query agents once again.
Here’s my question: Should I leave out the fact that it was me that bought all 19 copies?
no no. You want to make sure the agent knows you're fully committed to the marketing of your book.
Hear me, oh Oracle of Snarkilosophy and Yappitude,
What is the one question a minion should never, never, never ask an agent?
What is the one question that is a must?
Prospective agents:
1. How much can you get for this?
2. What have you sold?
Your actual agent:
1. Am I your favorite client?
2. Am I doing everything I need to in order to sell/promote my book?
Miss Snark:
1. Can I query you?
2. I have Mr. Clooney in the trunk of my car. Where should I deliver him?
Dear Miss Snark,
A while back it dawned on me that many authors only became famous after they died. I thought, well hell it’s worth a try, so I faked my own death. The strategy worked, and my scholarly tome is being published next month. But now I have two problems (well, aside from the IRS), and I’m hoping you can help me.
Number one, book signings are going to be problematic. How do you suggest I handle those?
Number two, I’m almost done with my second novel. It’s going to look suspicious if a dead guy suddenly comes out with a new book. Should I claim it was penned by a ghost writer?
Not to worry. Make sure the signings are at night, arrive in a hearse with a spider eating associate and people will know you're a vampire. They won't bat an eyelash.
As to the second book, again, not to worry. We all know deathless prose when we see it.
The squirrels are redeemed.
(thanks to Ellen for the linkage)
Dear Miss Snark,
I recently asked out a lady that owns a bookstore. We went out for dinner, and it was strange. She insisted the restaurant have lots of publicity and rave reviews. The building itself had to be made of brick and mortar. She asked for the manager and demanded we get 40% off the menu list prices, and that I should have 60 days to pay the bill. Plus, she insisted on a full refund for the food she left on her plate.
She did like how the menus were organized by category (appetizers, entrees, etc.), but then she complained that the menu selections weren’t in alphabetical order.
She wouldn’t even touch her peas. She said she wouldn’t have anything to do with stuff that came from pods. Before we left she tried to get me to autograph all of the menus.
Do you have any advice for me?
Find out her laydown date, and returns policy.
And woo her with
home cooking.
Talk about clue guns!
(thanks to TS for the heads up)
I've been chewing on cover art lately.
This one is perfect: My name above the fold, and gin.
Ok, it's green...but what the heck, it's a nice green.
(thanks to the BiblioBuffet for the treat!)
Dear Miss Snark:
Love you, love your blog, love your dog, etc.
I'm going to submit my mystery novel to a manuscript contest and was wondering if you would review my one-page synopsis and first ten pages and give me your feedback.
The deadline is tomorrow.
If yes, I'll send both documents in the format you prefer.
And just now via email:
How about just the synopsis?
Once was funny.
Twice makes me think maybe you weren't joking.
Hello Miss Snark (and Killer Yapp)
First off all I shall state that I am a recent reader of the blog and I think it is really not only helpful resource but a brilliant read as well. I am sure I can state on behalf of myself at least that I think its fantastic that you do this blog in your own time whilst working through your day job to. So THANK YOU!
Anyhow there was a point to this email and at this point I shall pause to get prepared for a hit or several with the clue gun. A much needed one at that.
I am currently working on a second draft of a novel that has two narrators whom break the fourth wall and talk directly to the reader. My attempt at a novel also currently uses a lot of characters reminiscing of events related to the stories present plot (for instance at one point character A reveals that character B she is pregnant. That in turn causes character B to reflect on her own child she had to put up for adoption in her childhood and reveal that to character A) . If and (hopefully) when I am ready to submit queries to agents slush piles how would it be best to include these events in a synopsis? The date order that the events happened or the order that events get revealed in the story? Or is that just horridly lazy writing and should just be scrapped?
I am curious to know your thoughts on This
Well I'm just
tickled to get your email. Words however fail me. If any of the Snarklings would care to offer up some advice, feel free.
There are a lot of ways to get an agent's attention at a writing conference. Here's another.
Dear Miss Snark,
I’m determined to be a successful author, despite the fact that my writing is abysmal. And I’m not about to waste my valuable time learning to be a good writer, either. Instead, I’m going to legally change my name so it’s identical to a famous writer. That way people will buy my book, thinking it was written by the famous person.
Here’s my question. Whose name do you think I should use?
Dummy
or if you want two names
Complete Idiot
Ok, maybe I've been in the 212 too long, but will someone please explain to me why these goats are on the furniture, on the back deck....and NOT in the barn/pasture/goat pen????
Squirrels..not just on skateboards anymore!
(thanks to rkc for the link)
They're ...armed.
(pulled from the comments column--
hey, it's an ice day, I need the adrenal boost
given I'm still wearing my bunny slippers---stiletto heeled of course)
Why KY is on high alert:
They're out there!!!
And they're coming to get us!!
They're claiming victory!
Thanks to Angie for the pix...and the slush pile break!
I thought you might get at least a gentle kick out of this.
Sent out a requested sub (a full!--your COM comments really helped me tighten it up, btw.) Went over it with a fine-toothed comb one more time first, bringing count up to too-many-to-count. Did the same for synopsis. Spent entire morning doing that.
Composed careful, brief and professional "Here's the material you requested, thanks for your interest" email. Ran spellcheck twice. Took sentence out. Re-added sentence. Re-read several times. Ran spellcheck again. Re-checked agent's original email to make sure I did everything exactly as she wanted, even down to titling the email in the exact correct order.
Hit "send."
Realized I misspelled my own first name.
LOL!
BEE
Go ahead and snarkle at us poor authors. You probably aren't awake at 2:30 a.m worrying about this very same problem.
Agent K has requested a full on a manuscript that was written from a first person present tense POV. The only problem is that I have since revised the entire thing into past tense, based on the very same advice the above poster received.
Boy, is Agent K going to be surprised!
To snarkle: To snicker and chuckle, while making rude comments at another's expense. NOUN: A snarkle. The sound usually heard just before the cluegun fires.
I, for one, only buy first person novels. They put me right in the action, plus I get to choose my ending.
How about "Al Capone Does My Shirts" --a Newbery Honor winner. It's written in first person, present tense.
Great read, check it out!
The prejudice against first person is still fairly prevalent in romance circles (it used to be the kiss of death; now it just inspires doubtful frowns and turned-up noses). And some people simply won't read it. So this is not just another feverish fantasy of a fearful writer.
It's good to know that agents (or some agents, at any rate) don't share this silly prejudice.
(P.S. Has anyone had trouble choosing the "Other" option choosing the ID for a comment? Lately, whenever I click on it, the page goes boom and my comment disappears entirely. Thus, I sign myself anonymous, having no other choice.)
I think all this is coming from e-publishers (I'm learning they have their own "ways").
I've learned to ignore this little piece of 'advice' from other writers.
My advice: don't listen to advice.
My advice: don't listen to advice.
That's why I always write with comma splices, I also use dead words that are of the particular type that slow down what I'm trying to say, along with mixed metaphors that leave readers as confused as a wolf in a henhouse's clothing.
Hah, no, ryan, I heard of the prejudice against first person narrators before there were such things as e-publishers.
Eep. I'm old.
All three of me epubbed novels and my anthology stories are first person, and I've read first person ebooks, so it's not industry-wide for epublishers. The prejudice against first person comes from other places as well. I think some folks have just run up against poorly written first person and apply their experience there to all first person. Which is a shame, because well-done first person makes you feel like you're actually there, experiencing the story yourself.
Miss Snark, I love how you always respond to questions about 1st person in 2nd person.
Don't sweat about 1st person. Write what feels right. If it's good writing someone will buy it regardless of the POV you use.
Okay, so for my memoir, should I start with,
1. I was such an idiot.
2. You were such an idiot.
3. She was such an idiot.
??
This could alter my entire manuscript and require massive find and replace maneuvers.
It's all in the execution.
First person IS supposed to be the kiss of death in romance ... especially category romance.
However, my debut novel, THE BABY WAIT (Harlequin Superromance April '07) is in first person. I asked my lovely and talented editor during The Call whether or not I would need to revise the POV, and she said no ... but she did warn me it might impact sales and reviews.
FWIW, none of my reviews have dinged me on the first person bit -- and I have some stellar ones, so ... it's all in the execution.
Don't you hate it when we say that?
You should start your memoir with what you have right there, anti-wife, all three sentences in order just like that.
Much of the prejudice against first person POV is because it's used by many beginning writers. That is, so much atrocious fiction is written in this POV it conditions a well-seasoned reader to avoid it entirely. (this is not to say that said beginning writers won't get better, of course)
And I thought I was the only one afflicted with the Echoing Frito Bandito Jingle Syndrome.
Ai-yi-yi-yi!
Sounds like Miss Snarkidoodle is a ripe old tomato, just like me. Gotta love it!
*snort*
The prejudice against first person is still fairly prevalent in romance circles (it used to be the kiss of death; now it just inspires doubtful frowns and turned-up noses).
Romance writers spend too much time worrying about what is and isn't marketable.
Is there something about the romance community or genre that encourages thinking about marketability before even thinking about the quality of the writing? I mean, all writers think about this stuff, sure, but romance writers seem to obsess about it way more than writers I've met in any other genre.
Surely nothing is the kiss of death if it's done well enough, least of all POV choice.