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Viewing: Blog Posts Tagged with: jim murphy, Most Recent at Top [Help]
Results 26 - 30 of 30
26. Follow The Voice

I don't do an outline before beginning one of my nonfiction books. I usually sit staring at the computer screen for an eternity, all the while demanding: Okay, how do you want to begin this thing? To answer the question, I mull over the collected research stuffed away inside my head, think about the themes I want to explore, and wait until the voice screams: There is where it has to begin!
Next, my fingers start moving (clumsily) over the keyboard as I begin to construct the opening paragraph. This requires focusing on what appears on the screen to make sure the details are accurate, clearly presented, and in logical order. But even as I'm concentrating on this, that voice is always chatting away: Why not add this detail? No, no, that's not dramatic sounding enough. That explanation is way too long. What are we going to say next? And on and on and on.
In a very real way, I'm letting the material dictate where the text will go and trusting that everything will be fine. I remember early on in my career when I was still doing very detailed outlines and having to struggle to follow my inner voice's suggestions. It seemed like terrible violation of the outline to abandon it's carefully worked out route, a little like ignoring the professor's instructions on what had to be in a term paper. Who am I to jettison the map to explore unchartered territory? In time, I overcame those doubts and learned to follow the voice.
I write this way for a simple reason. I want the text to be as organic as possible, for it to flow along in an effortless and (hopefully) compelling stream (that also happens to contain a great deal of information). I've found outlines helpful at times, but they always tended to take over the writing process, to place facts over emotion and to bind up and tighten the way the words fall on a page.
This approach isn't for everyone or for every sort of project. It does seem to be a reliable way for me to put together narrative history that tells a dramatic story and explores interesting facets of our history. Of course, there have been moments when that voice has led me astray, such as the time it helped me write a 274 page (plus 37 pages of notes) look at George Washington's first six months as Commander of the Continental Army for an 8-12 audience. But I think that's a tale best left for another day.

4 Comments on Follow The Voice, last added: 9/14/2010
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27. Jim Murphy, a nonfiction treasure

Today is Non-Fiction Monday. Rather than review a nonfiction title, I'd like to highlight a nonfiction author.  Jim Murphy has been a favorite of mine since I read The Great Fire as required reading in library school.  Since then, I've read other Jim Murphy titles and have never been disappointed. His books are thoroughly researched, well-written, gripping accounts of history that are more affecting than fiction.  Filled with photographs, maps, and other primary source facsimiles, readers are immersed in history.  His ability to recount catastrophic events from numerous perspectives, offers historical insight not readily available in textbooks or historical fiction.  If you've never read one of Jim Murphy's books, you're missing a wonderful experience. 

This year, Jim Murphy is the winner of the Margaret A. Edwards award.
I try to keep abreast of the many awards for children's books, but because I read and review juvenile titles, I was unaware of ALA's Young Adult Library Services Association's (YALSA) Margaret A. Edwards Award.
The Margaret A. Edwards Award, established in 1988, honors an author, as well as a specific body of his or her work, for significant and lasting contribution to young adult literature. The annual award is administered by YALSA and sponsored by School Library Journal magazine. It recognizes an author's work in helping adolescents become aware of themselves and addressing questions about their role and importance in relationships, society, and in the world.
An interview with winner, Jim Murphy appears in this month's School Library Journal.  What makes Jim Murphy such a wonderful and interesting choice is that although he was chosen by YALSA, his books are also appropriate for younger (and older) readers, and most importantly, he is the first nonfiction author ever chosen for this award.

He is the winner of over 16 major awards including 2 Newbery Honors, the Robert F. Sibert Award, and 3 National Council of Teachers of English (NCTE) Orbis Pictus Awards for Nonfiction.  His website offers a complete list of his many honors. I'm also pleased to mention that Jim Murphy resides in the beautiful Garden State - New Jersey. He is one of our many treasures. :)
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28. Nonfiction Monday - An Interview with Jim Murphy



If you've spent any time around middle school kids, you know they devour Jim Murphy's works of nonfiction.  Murphy has won two Newbery Honors for his books The Great Fire and An American Plague: The True and Terrifying Story of the Yellow Fever Epidemic of 1793.  His latest book, The Real Benedict Arnold, was brought to my attention this fall by a Vermont librarian who purchased it as a non-fiction companion to go along with my middle grade historical novel Spitfire, about a young girl who disguises herself as a boy to join Arnold's fleet on Lake Champlain during the American Revolution. 






Jim was kind enough to take time out from his writing to answer some questions for blog readers.

Thanks so much for joining us, Jim! Your most well-known works of non-fiction for middle grade readers have focused on disasters — fire, the blizzard, the yellow fever epidemic.  What drew you to write a book about Benedict Arnold?


Yes, I’ve done a lot of books that focus on one or another form of disaster.  In fact, my friends jokingly call me the Master of Disaster.  I try to write nonfiction that reads like a good “you are there” story and a fire or blizzard or whatever has the built feature of having a beginning, middle, and an end.  What’s more, these are often dramatic events that people who survive write about in vivid and dramatic prose.  Combine the event and the people and the result has the potential to be a book that allows readers to experience a part of our history in an active, involving way. 

So you’re right that The Real Benedict Arnold was a bit of a departure for me.  I was drawn to him because most books about the American Revolution or about Arnold simply paint him with the traitor brush and never try it discover why he turned against the Cause.  In addition, very few give him proper credit for his military abilities.  He was, in my opinion, the best field general that the colonies had and deserves a great deal of credit for the ultimate American victory.   

Where did your research for this book take you?  Were there many surprises along the way?

Researching The Real Benedict Arnold was a nightmare.  I ended just about every day with a massive headache and the feeling that I’d only scratched the surface.  But after six or so years the path to the finished began to look clearer.  Here’s why it proved to be so difficult.  I found that many, if not most of the negative stories about Benedict surfaced after he’d turned traitor.  I wondered how many were invented by people who wanted to distance themselves from Benedict or saw it as an opportune moment to get even.  I also wanted to find out the truth about the negative stories that existed before he went over the British.  So every event in his life had to be evaluated as if it was a potential crime scene and my job was to trace every story (positive and negative) back to its origins and then evaluate it as carefully as I could.  The biggest surprise for me was how many of these stories were completely fabricated and false, and then passed along as fact by succeeding generations of historians.

You’ve written both non-fiction and historical fiction.  How does your writing process differ with those two genres?

Research for both my nonfiction and historical fiction is pretty much the same.  I’m a bit obsessive about assembling facts and trying to “see” what the person or event was really like.  The writing process itself is different.  In nonfiction I can include only information that I’ve been able to verify with at least two reliable sources.  This means stopping frequently to discover, for instance, what the weather was like every day during Benedict’s march with his troops through the Maine wilderness.  With my historical fiction, the emphasis is on the characters – what are their conflicts or aspirations, what problems get in their way and how to they overcome them, etc.  Still, I try to create characters that are historically accurate.  This means shying away from giving them obviously modern opinions and ideas (say about the environment or war in general).  

Many teachers are using your books in the classroom, particularly as companion books alongside historical novels.  I know that my school has a class set of An American Plague that we use with Laurie Halse Anderson’s Fever, and I’ve heard from another school that’s planning to use your new Arnold book as a non-fiction companion to go along with my own historical novel, Spitfire.  As an author, how do you feel about the trend of fiction & non-fiction being paired in the classroom?

On a purely selfish level, I love to have my nonfiction books paired with someone else’s historical fiction counterpart.  In general, kids will much more readily seek out historical fiction than nonfiction (historical fiction comes with a promise of action and drama, while nonfiction seems like tons of facts).  So using one of my nonfiction books and historical fiction together in a classroom allows more readers to get a taste for the way I write history and might even convince some that it might even be fun to read.

I like the pairing of nonfiction and historical fiction for another reason.  Reading historical fiction allows readers to see the past through a character’s eyes and, hopefully, might prompt a series of opinions or questions.  Readers can then use the nonfiction book to check out their ideas or get a fuller understanding of our past. 

Are there other works of historical fiction that you like to recommend as companions to your non-fiction titles?  Have you heard about novels or picture books that teachers  like to use along with Blizzard and The Great Fire?

This is a great question for which I have no answer.  I tend to muddle along day to day struggling to get words on a page, so I haven’t devoted much thought to additional pairings.  And most teachers I’ve spoken with have spoken about the pairings mentioned above, but not offered new ones.  Maybe the notion is so new that most of us don’t think about it in a regular way.  Besides, I have a feeling most of your readers a better qualified to make such pairings.  Or maybe someone out there should write an article about it for SLJ….

(How about it blog readers?  Any thoughts on novels or picture books that would work well as pairings for Murphy's other books?  Betsy Bird, doesn't that sound like a blog post in the making?)

Readers always love a sneak preview, Jim.  Can you tell us what you’re working on now?

What am I working on?  Well, I’ve written a nonfiction book about the Battle of Antietam called A Savage Thunder.  It’s a look at how Robert E. Lee and George McClellan managed their armies both before, during, and after the battle, but the story line is driven by scores of firsthand accounts of the fighting.  It will be published by Simon & Schuster in spring, 2009.

I have two other nonfiction books in the works.  One is entitled Truce: The Day the Soldiers Refused to Fight (and is about the famous Christmas truce in 1914).  The other as yet untitled book follows George Washington from his disastrous performance in the Battle of Long Island to his miraculous victory at Trenton.  Neither book has an official pub date, but (if someone somewhere smiles upon me) might appear in 2009. 

Finally, my wife, Alison Blank, and I are writing a history of tuberculosis (which is much more interesting and scary than it sounds).    

Jim, thanks so much for joining us for Nonfiction Monday!  We'll be looking for those new titles in 2009.

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29. Blog Soup

Sometimes I try to make soup out of all the leftovers in the refrigerator.  Today's post is blog soup -- all the little notes I've been meaning to mention but haven't had time. 

One of my favorite indies, Flying Pig Books in Shelburne, VT,  was nominated for the Lucille Micheels Pannell Award honoring bookstores that "excel at inspiring the interest of young people in books and reading."  If you've ever been to see Josie & Elizabeth at Flying Pig, you know  their children's section is fabulous, and they have a steady stream of guest authors (I'll be there on April 5th!). The nomination is a well-earned honor!  (Congrats are also in order for winning stores, Books & Books of Coral Gables, FL and Wonderland Books of Rockford, IL. The descriptions of these stores make me want to visit them all.)
      
Laurie Halse Anderson ([info]halseanderson ) and her husband are training tirelessly for the Lake Placid Half Marathon.  They're running with the Leukemia & Lymphoma Society's Team in Training to raise money for cancer research.  Even if you only run when being chased, you can click here to contribute to their efforts.

I've been waiting and waiting and waiting...and this Thursday, the Cybils Award Winners will be announced.  I served as a panelist for MG fiction, and I can't wait to see what one of our eight finalists the judges choose.

Kerry Madden ([info]mountainmist) is having a cool school picture contest on her blog, and she's giving away signed copies of Jessie's Mountain.  Here's your opportunity to profit from that 3rd grade school photo where your collar was tucked in and your hair looked like devil horns.

Speaking of contests, don't forget that I'm giving away a signed ARC of Linda Sue Park's Keeping Score.  Check out this post for the details. You have  until 6pm EST on Wednesday to enter.  The winner will be announced on Valentine's Day.

And finally, have you checked out Nonfiction Mondays?  I love the idea of a blogging day devoted to nonfiction.  I missed today's roundup, but I'll be participating next Monday.  I hope you'll stop by to check out my interview with Jim Murphy, award-winning author of fantastic non-fiction titles like The Great Fire, Blizzard,  An American Plague, and most recently, The Real Benedict Arnold.

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30. Saugus closing

You've probably heard it already: the public library in Saugus, Mass. is closing. Close on the heels of the Jackson County public libraries closing... Media coverage includes:


An April tax-override vote failed, and now apparently the city council must approve a trash fee in order to keep the library open and funded.

I wonder what the larger story is, behind the April vote. Did citizens not understand what was at stake? Or were they using the only poker chip they had--the vote--to send a clear message to city council that they did not approve of the way the city's funds were being handled?

In hearing from citizens who live in Medford and surrounding towns, the library's closing didn't seem quite *real* to people. Even as the doors were already closed, many people expressed an optimism along the lines of "some how, some way, truth, justice and rightness will prevail (and the library will re-open)."

I hope this is true in both of these communities. Situations like these are exactly what we're working on, with the Gates Foundation marketing grant.

Speaking of library marketing, have you read the Worth Their Weight report from ALC yet? I've sent away for it--still need to read it. It's all about demonstrating library ROI. Some comments from Brian about it.

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