Irony is having a big ol' fiesta and Violet Parker is the piñata. Little girls are vanishing from Deadwood, South Dakota, and Violet's daughter could be next. Short on time and long on worry, she's desperate to find the monster behind the abductions.
But with her jerkoff co-worker trying to get her fired, a secret admirer sending creepy love poems, and a sexy-as-hell stranger hiding skeletons in his closet, Violet just might end up as one of Deadwood's dearly departed.






Q: What made you decide to set your novels in Deadwood?

A: I had spent my summers in Deadwood during my teen years, after my mom moved there from Ohio. My family and I explored back roads, ghost towns, old abandoned mines, and stream-lined gulches every chance we could. The history of the place entranced us, and there was always a road we hadn’t traveled that needed to be checked out.
A few years ago, while pregnant with our second (and last!) child, my husband and I were in Deadwood visiting my mom and stepdad. On the way into town, a story idea hit me about a single mom with two kids—twins—who was trying to make ends meet while trying out a new career in a new town. That’s when Violet was born.
From the start, I had a gut feeling that this story was meant to be. Nearly Departed in Deadwood just poured out of me. The years of exploring the town and surrounding hills paid off, I was able to slip in and out of the setting by just closing my eyes. I could feel the summer sun, smell the pine trees, hear the sounds of Main Street. It was a match made in fictional heaven.

Q: Your cover art is really distinctive. Can you tell us more about it?

A: The cover artist is C.S. Kunkle, who happens to be my older brother. He also drew the graphics that are inside of the printed version of the book—I think 7 in all. He’s been drawing since we were kids, and he’s also one of the main sources for my wild imagination. His art is a little twisted and wild, and his love of monsters has kept me afraid of the dark since we were kids growing up on the farm in Ohio. He’d often tell me stories of vampires or werewolves living out behind the barn—the same barn that I had to go out to on dark winter nights and feed the cows. I grew up watching scary movies with him, and I’m pretty sure he’s warped a part of my brain.
We had wanted to work on a joint project for years, and when I couldn’t hook a New York publisher with this book, I turned to him and asked if he would be willing to work with me on this project and represent the books in the art form. He didn’t even hesitate.
If you check out my Deadwood website (www.anncharles.com/deadwood), as well as my main Ann Charles website (www.anncharles.com), you will see his art all over the webpages. I’m extremely fortunate that my parents put my crib in his room when he was four, because we’ve stuck together through thick and thin ever since. Having such a talented artist so willing to work with me has been an incredible boost to my career.

Q: What is your ideal romantic hero like?

A: He loves to cook and he’s great at it. He also is willing to clean the toilet and shower/tub, do the laundry, and go grocery shopping. Oh, and he likes his women short, curvy, and full of spunk. Handsome with sexy

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