What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Posts

(from The Ruby Winkle Review: Children's Books, Illustration and More!)

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing Post from: The Ruby Winkle Review: Children's Books, Illustration and More!
Visit This Blog | More Posts from this Blog | Login to Add to MyJacketFlap
Reviews and Interviews by Meghan Killeen
1. Tokyo International Anime Fair

Anime Fest. The event conjures up images of thirteen year-old cosplayers with styrofoam swords and swag laden bags hypnotized by the polarity of sexpot dolls and kawaii plushies. As the Tokyo International Anime Fair approached, I thought back to previous convention giants-San Diego Comic Con, WonderCon (based in San Francisco) and the emerging NY Comic Con. I recalled swarms of people-some in elaborate costumes while others wore hand-scrawled indie t-shirts-all huddled together in wide-eyed unison. Carnivorous consumers gathered up gimmicky promos and fawned over the flirtatious hawking of vendors. Novice artists, armed with black-handled portfolios, nervously approached such creative monoliths as Dark Horse and DC Comics for an approving nod.  In essence, the U.S. comic (and anime) conventions were a seaport-esque mecca of subculture and entertainment where artists vied for the attention of a cash-pouring and adoring audience.

Optivion and I walked up the Tokyo Big Sight where the Tokyo International Anime Fair was being held. We looked up in awe at the illuminati-shaped building and excitedly went inside, anticipating hordes of cosplayers and random hybrids of Japanese kookiness like samurai robots or toilet seat hats (maybe?).  We glided along the people mover like moon-eyed characters in a Spike Jonze video until we reached the main entrance. As we rode the motorized sloth towards the festival, I noticed that in lieu of colorful kids there appeared to be more men in business suits and middle-aged families.  It was then that it hit me just how unbiquitious anime was in Japan. An anime festival isn’t a subculture event. It is the culture. Manga was just as likely to be in a salaryman’s briefcase as it was a ten-year boy’s backpack.

We entered the main room and gazed up at an inflated Pikachu and Totoro grinning down like rolly-polly zepplins. After stopping at a sadly scarce Studio Ghibli booth (just a shelf full of a few books for sale), we ran into an independent artist by the name of Sonic who silently held a sign advertising an artist collective called The Artist Army.  We oggled over his Tim Burton-esque dolls and after giving several language-impaired thumbs-ups, we shyly asked for a photo.

Look!  The sign works. We then pa

0 Comments on Tokyo International Anime Fair as of 1/1/1900
Add a Comment