Hi Meg –
I’m really glad we looked more deeply into the role of secondary characters, both the more significant characters, like Annemarie, and the seemingly less so, like Jimmy, and the teacher. I have found that as a result I’m paying far more attention to the secondary characters in the middle-grade novel I’m revising, and isn’t that precisely the point of this work?
On we go, to Larger Social Issues.
As authors for children we are advised to steer away from being didactic. How, then, does a writer convey a strongly held belief, piece of morality, or life lesson without making the reader feel preached to? After reading When You Reach Me I am left feeling quite confident about some of Stead’s beliefs:
• That our system of incarceration is broken.
• That racism is an abhorrent thing.
• That the problem with homelessness in our country is a complex issue in which the need for personal safety and the desire to be kind often butt heads, resulting in our simply treating the homeless and helpless as though they are invisible.
• That the world would be a gentler place if girls were not so mean.
The writer in me wants to understand how I took all this away when I never, for a moment, felt that Stead was standing on a soapbox pushing her beliefs at me. And here is the conclusion that I have drawn—it all goes back to that old adage, show don’t tell. Stead succeeded because she never used narrative to describe these larger social issues. Instead, she thrust her characters into believable situations in which they either faced these things directly, or shared dialogue about them.
Raising social issues such as these makes our work more relevant to our readers, and makes our books excellent catalysts for classroom discussions. Now, a look at how Stead contemplates these issues without being heavy-handed . . .
Our System of Justice
Once a month Miranda’s mother works at a jail where she talks to pregnant prisoners about what to expect after their babies are born. She explains to Miranda that jail is a hard place. That it changes people, “from becoming who they might grow to be.” (p. 85) Miranda sees that as a good thing, after all, jail is supposed to change you, to reform you so that you are no longer a criminal. Her mother explains, “A lot of people make bad mistakes. But being in jail can make them feel like a mistake is all they are. Like they aren’t even people anymore.” ( p. 85) At another point Miranda’s mother says, “not everyone accused of a crime is a criminal.” (p. 116)
There is never a statement made that our system of justice is broken, but the discussions between Miranda and her mother cause the reader to contemplate such a possibility.
The Meanness of Girls
Girls can be really
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Authors Allyson Valentine Schrier, Meg Lippert, and Heather Hedin Singh read like writers, searching through award-winning children's books for clues about how to improve their own writing.
By: Allyson Valentine Schrier,
on 11/14/2009
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Authors Allyson Valentine Schrier, Meg Lippert, and Heather Hedin Singh read like writers, searching through award-winning children's books for clues about how to improve their own writing.
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