#43 Jacob Have I Loved by Katherine Paterson (1980)
47 points
I adored this one as a teenager; it spoke profoundly to me. I read it as an adult, and it still spoke profoundly to me. I’ve found that’s rare, since my adult self has different sensibilities than my teenage self, and because it’s rare, I cherish it all the more. – Melissa Fox
Such strong characters are here–those you love, those you hate, those you pity, and those you just want to smack a good one straight across the back o’ the head (i.e., Call). Wheeze is so incredibly real, so honest, and, amazingly enough, so is Caroline. Even when you hate her you don’t hate her. I cannot recommend this one highly enough. Read it. - Kristi Hazelrigg
Sing it, sister! - Susan Van Metre
And so we meet a book that makes the MOST impressive leap onto our list. I could understand Okay for Now or Wonder not making the poll last time. They hadn’t been published yet! But Jacob Have I Loved isn’t exactly a spring chicken. Yet here we are talking about it and somehow it has managed to leap 43 spots up and onto this list. Fascinating!
The plot from Wikipedia reads, “The novel follows the story of the Bradshaws, a family who depends on the father, Truitt Bradshaw, and his crabbing/fishing business on his boat, the Portia Sue. Truitt’s two daughters, Sara Louise and Caroline, are twins, and Caroline has always been the favorite. She is prettier and more talented, and better at receiving more attention not only from their parents but also from others in the community. The book traces Louise’s attempts to free herself from Caroline’s shadow, even as she grows into adulthood.”
It won the 1981 Newbery Medal beating out The Fledgling by Jane Langton and A Ring of Endless Light by Madeleine L’Engle. I’d say that this was the right choice, particularly since neither of those other two books made our list.
Of course I confess that my favorite recap came from Jezebel a couple years ago. She just synthesizes what is enjoyable for folks about the novel. Here’s a taste:
“What’s astonishing about this book is how unflinching Paterson is about the pain Louise suffers by her second-best status without somehow devolving into V.C. Andrews territory (NOT that there’s anything wrong with that, OBVS) or making Louise’s frustration seem like anything but the unattractive, festering blister that it is. Yes, Louise’s fundamental rage ‘n pain is something that could probably be handled through a triple dose of CBT, Paxil and a round of family therapy nowadays. But the few minutes before Caroline exited the womb after her are, as Louise sees it, ‘the only time in my life I was ever the center of anyone’s attention.’ Louise is both the main proponent and victim of this belief, but it will take her until adulthood to realize that.”
I’ll grant the artist of that first book jacket this much. You simply cannot look at that cover and not despise the glowing blond girl there. She’s despicable. I can’t even tell you why, she just is.
