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Viewing: Blog Posts Tagged with: gift books, Most Recent at Top [Help]
Results 76 - 88 of 88
76. South by Patrick McDonnell - review



South by Patrick McDonnell
The first two-page spread of this gorgeous little picture book made me catch my breath. On the left we see the top half of a tree, bare of leaves and full of little yellow birds, all looking in the same direction and each with a pair of eighth-notes hanging in the air overhead. On the right, it's the same view of the same tree, and all the birds are on the wing and flying out of sight. So minimal, but you can feel the chill in the air, hear their wings, see them fly.

The rest of the book is just as expressive, just as minimal, and displays, in a way that is probably difficult to discern in a tiny newspaper strip, just how good Patrick McDonnell, the creator of Mutts, is with a brush. Big hearts come in small packages sometimes.

Would make a lovely thank-you gift for a friend who has helped when you were in a jam, a talented teacher, or someone who has just pointed you on your way. I'll have to remember this one at the end of the school year.

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77. It's been a very good year - gifts for teachers

Now, I'm not saying there's anything wrong with the Target gift card. God knows she can use it. A Staples gift card works too, or one from Amazon (heh heh). But in our family, we always give a book. Each of the books on this list works well as a tribute to the man or woman who has sacrificed economic prosperity (and probably his or her immune system) so that your child's mind may have been properly cared for and nurtured this year.



Ms. MacDonald Has a Class by Jan Ormerod
Just what it sounds like, a reworking of "Old MacDonald" set in the classroom, with happy children dancing and creating and taking a field trip to a farm. Anyone who likes kids (as teachers, we hope, do) will enjoy Jan Ormerod's beautiful, spunky, active drawings of the multicultural kindergarten kids.




How the Tiny People Grew Tall by Nancy Wood
I came across this "original creation tale" in Daedalus Books - I don't think it's in our library. The title makes it an obvious choice as a gift for those brave individuals whose job it is to foster the intellectual development of our children, so I was kind of expecting a tiresome hammer-and-nails fable. But when I opened it up, I was pleasantly surprised to find an entertaining, thought-provoking, good-looking story about how new experiences and generous guides create brave, thoughtful, resourceful, smart people. A sparkling, clever, good-hearted gift - not too much text for kindergartners, enough to think about for maybe up to 4th or 5th grade.




I Will Make Miracles by Susie Morgenstern, illustrated by Jiang Hong Chen

Reviewed by me earlier, this book is a sumptuous gift. Not that expensive, but large and wide, it's a slab of toothy board saturated with deep inky color. A pleasure to hold. And as a gift, it's not just about the miracles the child might accomplish, but it's also a tribute to the incremental miracles that the teacher performs with every kid, every year. I'm hoping to get a tear out of the first grade teacher with this one.




To Be Like the Sun by Susan Marie Swanson and Margaret Chodos-Irvine
Reviewed earlier by me. The seed-flower metaphor is used (a lot) in the educational context, and I might hesitate to drag it out one more time, if it weren't for To be like the Sun. There is the potential encapsulated in the tiny seed, then there is the nurturing sun and rain and human helper, yeah yeah, but in To be like the Sun, we see the plant grow and produce its own seeds, which the little girl saves over the winter to plant in the spring.



Magic Beach by Crockett Johnson
An uncompleted manuscript by author of Harold and the Purple Crayon, Magic Beach has been published with all the pencil lines and erasures intact. It's a lovely story. Two bored little kids wander along the beach wishing they had a snack. They soon discover that they can conjure up whatever they want by writing its name in the sand - when the waves wash away the words, the words are replaced by the real thing.

This is strong stuff about possibility and dreams and actuation and the power of words. Suitable for teachers of upper grades, for graduates, as a wedding gift, and it's even a great book to read to kids.

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78. Jukebox Trailer

One of Kane/Miller's highly creative friends has put together an amazing, musical trailer to highlight our latest nearly-wordless picture book from France. Jukebox, written and illustrated by David Merveille, the picture book covers a wide variety of musical genres, many of which are included in this video teaser.



Would you like to share this video with other music lovers? You can link to it here.

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79. Favorites (Continued)

Continued from the Previous Post...

Picture Books

From Spain

Sebastian's Roller Skates
Written by Joan de Deu Prats
Illustrated by Francesc Rovira

This section - with over three dozen titles to choose from - was also a challenge for me to narrow down to just one book. Sebastian's Roller Skates really jumped out at me, however, in that it really can work with just about any reader (of any age, gender, background, etc).

Sebastian not only masters a new skill (roller skating, of course) but he also gets over his fear of public speaking and builds up his confidence to the point of finally being able to speak to Esther - a girl from school - which he never thought he'd be able to do at the beginning of the story.

We all have our little quirks (perhaps it is public speaking) that makes us feel not-so-confident or not as comfortable doing (maybe roller skating is one of them) so this book does really speak to readers of all ages and encourages us to try something new - even if it does require a helmet.

Picture Books for Older Readers
From Australia

Fox
Written by Margaret Wild
Illustrated by Ron Brooks

I need to tred lightly when discussing this title, because it is dark, sad, and ultimately, a tale of deception. I don't want to give away the storyline for those who have not read it, but it is certainly a book that will haunt readers and have you thinking about friendship, temptation and betrayal long after the book has been closed.

Several middle school teachers - upon first reading Fox - mentioned the story's similiarities to Shakespeare's Macbeth and several of these teachers use Fox in their classroom as an introduction to this classic work.

Whether you're dealing with playground disagreements or boardroom arguments, this book is an emotional and startling look at the realities of life and working or dealing with others.


First Fiction
From Australia
Jack Russell: Dog Detective
(Book 4): The Lying Postman

The Lying Postman is - by far - my favorite book from the Jack Russell series. Involving a new postman to Jack's route, and a "he said," "she-said" situation, Book #4 in this canine caper series keeps readers guessing until the end as to whether or not the postman is telling the truth.

Also introduced in this mystery is a new character - Ralf Boxer - a little chihuahua who surprises Jack with his courage and shatters every stereotype that Jack has regarding these small dogs.

Gift Books
From Australia

Could You? Would You?
by Trudy White

Trudy has made a fine book for readers of all ages with Could You? Would You? I've personally used this book as a discussion starter with both my four-year-old son and with adult friends. Others that I know have used this book in writing workshops to help get through writer's block.

Be careful though - many of these questions will bring up childhood memories which may have you longing for the times when you could cuddle in a sheet-made fortress under the stars or thinking about what you'd like to do with the time you have left.

What's your favorite Kane/Miller book?


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80. What's Your Favorite K/M Book?

People often ask what my favorite Kane/Miller book is. That's an impossible question to answer since - as a small company - all of our office staff has a chance (and plenty of time) to fall in love with every book we release.

I've thought long and hard about this question and have finally decided to select one title per catalog section just so I cover all the bases. It's only fair that I answer the question.
Selecting favorites from these sections was not easy but I'll explain my reasoning behind each choice.

All of my "favorites" are great books for readers of any age in that they speak to both children and adults in very different ways (the mark of a great illustrated book, in my mind).

Frontlist Titles (March 2008)
From France

Jukebox
by David Merveille

For anyone who loves music (don't all children?) this book is wonderful! It covers over a dozen different musical genres which means that there is - most likely - something for everyone. But what it also highlights is that music is something that inspires people, allows us to reach into our imagination (very child-like), reminds us of times past, or enables the listener to reach outside of their (ordinary) every day life.

For young children who may not be familiar with each type of music mentioned, this book will give them the opportunity to perhaps pick their favorites and be introduced to new and different ways to enjoy active listening.
Libros del Mundo
From Japan

¿Quién se esconde?
by Satoru Onishi

From the Spanish language edtions of fourteen K/M titles, I chose the translation of Who's Hiding? based on the fact that it is an excellent book for beginning Spanish readers - of any age - to use as a way to learn colors, animals, and questions that may be useful (Who's crying?, Who's hiding?, Who's backwards?) or not.

Non-Fiction / Concept Books
From Slovenia

Why?
by Lila Prap

Another book featuring animals and questions, Why? answers many questions that I know my son will eventually be asking me. I am prepared ahead of time and can help him learn more about the specific creatures - typically found in a zoo - such as zebras, lions, giraffes, and monkeys (to name just a few).

Board Books / First Picture Books

From Belgium

The Nights of the World
Written by Corinne Albaut
Illustrated by Arno

This was a tough choice to narrow down this section to just one book, but since young ones like books that "do" things, I selected this one with its picture-changing shutters that show day and night on alternating windows. The fact that it represents children from five different regions aound the world as well as being a comforting, gentle book about bedtime makes it a great pick for all of these reasons combined.

To Be Continued...

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81. Book Bunch: Looking at Langston Hughes

I love the poetry of Langston Hughes. I used to read poems from his book The Dream Keeper to my second grade students. I always shared poems from the book when I read them Coming Home: from the Life of Langston Hughes, a picture book biography that was written and illustrated by Floyd Cooper.


Today, I’m reviewing Tony Medina’s book of "autobiographical" poems about Langston Hughes entitled Love to Langston. As the front flap of the book jacket states: “Each poem explores an important event or theme in Hughes’ life, from his lonely childhood and the racism he overcame, to his love of travel and his ultimate success as a writer.” In his introduction, Medina tells readers that his book “captures glimpses of Langston’s life in the art form he cherished most—poetry.” The book's poems are narrated in the voice of Langston Hughes.


LOVE TO LANGSTON
Written by Tony Medina
Illustrated by R. Gregory Christie
Lee & Low, 2002

The fourteen poems contained in the book give us glimpses not only of events and themes in Hughes’ life—but also a peek inside the man, his thoughts and emotions. Because Medina speaks in the voice of Hughes, the poems seem personal. It's as if the poet is talking directly to and confiding in the book’s readers.

Following are excerpts from Love to Langston, which I hope will give you a flavor of Medina’s free verse poetry in the book:

Langston speaks of libraries being special places for him in his poem Libraries.

From Libraries

to sit and to stay
with books and books
and books of endless

beautiful words

keeping me company
taking my loneliness
and blues

away



He explains his feelings for his father in another poem:

From I Do Not Like My Father Much

My father is a man who could not do what
he wanted to do or be what he wanted to be
so he takes out his pain on everyone
even his own family

His anger causes me pain
just the same

No, I do not like my father much


He tells of his love for his favorite place in Harlem Is the Capital of My World:

Harlem is a bouquet of black roses
all packed together and protected
by blackness and pride…

Yeah, Harlem is where I be—
where I could be
Me
Harlem is the capital of my world



In Jazz Makes Me Sing, Langston relates how the music “makes me/think about my sadness/and how I ain’t alone/The blues makes me feel/a whole lot better/It hits my heart in/the funny bone.”


In Poetry Means the World to Me, he expresses the importance of poetry in his life.

From Poetry Means the World to Me

Poetry means the world to me
it’s how I laugh and sing
how I cry and ask why…

Poetry is what I use
To say
I love you



The fourteen “glimpses” into the life of Langston Hughes also: show us a young boy learning about his people from listening to the stories his grandma tells him; speak of the prejudice he faced in school and about Jim Crow; recall his high school days when he lived in a white neighborhood where his white friends were immigrants and outsiders like him; and tell about his travels to many different places around the world.

Medina modeled some of his poems in Love to Langston after poems Hughes wrote for The Dream Keeper: Grandma’s Stories evokes Aunt Sue’s Stories and Sometimes Life Ain’t Always a Hoot echoes the sentiments expressed in Mother to Son.

In the back matter, Medina includes Notes for Love to Langston. In these detailed notes, the author provides information about the poet’s life and background information for each of the poems. Love to Langston is an excellent book to share with students during Black History Month--or any time of the school year.


Classroom Connections

  • Read Coming Home to your students along with a few poem selections from The Dream Keeper.
  • Continue to read two or three poems a day from The Dream Keeper for a period of four or five days.
  • Then share and discuss the fourteen poems in Love to Langston.
  • Follow up your reading of Love to Langston with readings of selected poems from the book—along with the detailed notes about those particular poems.
  • Read Grandma’s Stories and Aunt Sue’s Stories, Sometimes Life Ain’t Always a Hoot and Mother to Son. Discuss the poems with your students and talk about the similarities in Hughes’ and Medina’s poems.
  • It would be great to have several paperback copies of The Dream Keeper in your classroom. Some of the poems in the book are short and would be easy for children to memorize. You could let children peruse the book and select poems they might like to memorize and recite for their classmates or share with them in a choral reading exercise.

Here are links to some poems written by Langston Hughes:

Dream Variations

Dreams

Harlem

I, Too

Mother to Son

The Negro Speaks of Rivers

Theme for English B

From Random House: More than twenty poems excerpted from Vintage Hughes



Click here to read about the career and poetry of Langston Hughes.

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82. Photo of the Day

This is what my office floor looks like tonight, after a major project which required me to resize each and every book image on our website. Oh, and I had to re-scan several, but I'm not complaining. In fact, I'm pretty darn proud of how they look.


Quick! Go to the Kane/Miller website and see just how amazing the books appear!

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83. Poetry Book Review: Yum! Mmmm! Que Rico!


YUM! MMMM! QUE RICO! AMERICAS’ SPROUTINGS
Written by Pat Mora
Pictures by Rafael Lopez
Lee & Low Books, 2007


The Poems: Yum! MmMm! Que Rico! was one of my favorite children’s poetry books of 2007. I think it’s a terrific combination of haiku about edible plants native to the Americas, factual information about these foods, and vibrant artwork. Although Mora adheres to the traditional 7-5-7 format of this poetic form—hers are not your typical haiku. I think these “New World” haiku will be less abstract and more tangible to the mind of a child. Although many children may never have tasted a papaya or a prickly pear—many will have eaten, seen, smelled, and touched pumpkins, tomatoes, potatoes, corn, pineapples, peanuts, blueberries, and pecans. I think children will be able to relate to the haiku about these particular foods and the sensory experiences Mora describes when cooking and eating them.

Here are some examples of imagery and figurative language from Mora’s poems:

Chocolate is “brown magic melting on your tongue.”
A pineapple wears “a stiff prickly hat.”
Mashed potatoes are “salt and pepper clouds.”
A pumpkin is “autumn’s orange face.”
When a cooked cranberry pops in a pot, there are “scarlet fireworks.”
Melting vanilla ice cream runs down a cone “cooling your warm summer laugh.”
On eating papaya: “Chewing your perfume/we taste your leafy jungle.”

Classroom Connection: Mora’s haiku are refreshing and innovative. They are good examples of how a writer can respond in an imaginative way to different foods and to an experience as common as eating. A classroom teacher could certainly use Mora’s book as an inspiration for a classroom poetry-writing activity. Imagine a teacher bringing in foods like kiwi fruit, avovcados, mushrooms, mangoes, scallions, bananas, apples, and strawberries for students to observe, eat, and then write poems about. The students could describe the foods in regard to how they look, smell, feel(the textures of the foods on the hands and in the mouth), and taste. Students could also be encouraged to make comparisons and to use figurative language as Mora did when describing the foods and gustatory sensations. (I tried a lesson similar to this with poems by Valerie Worth--Raw Carrots, Mushroom, Asparagus--and it was very successful.)

One year, I also did a lesson for National Education Week pairing the observation and tasting of foods with writing. I called the activity See It, Feel It, Smell It, Taste It, Write It. Parents sat with their children “experiencing” different edible objects like marshmallows and round slices of lemon. Then the parents and their children wrote about the foods using comparisons.

Informative Prose: One thing that sets this book apart from most collections of haiku poetry is Mora's inclusion of factual information about “Americas’ sproutings.”

Here are a few “tasty” factual tidbits Mora serves up in her prose paragraphs:

Native Americans ground blueberries for use in medicine, and European settlers boiled blueberries with milk to make gray paint. The word chocolate is derived from the word xoxolatl, which means “bitter water.” The Totonac Indians from Mexico used vanilla to make perfume, medicine, and insect repellant. A substance found in the milky liquid of unripe papayas is used in meat tenderizers. It was once believed that that pumpkin could be used to remove freckles and cure snakebites.

The Illustrations: Lopez’s illustrations rendered in acrylic on wood panels are exuberant and alive with color. They transform this book into a true celebration of edible plants native to the Americas. The textured, stylistic paintings are full of joy and humor—a sandal-wearing pineapple dances with maracas in one hand, red juice runs down the chin of a smiling boy as he relishes a fresh tomato, a drum-playing boy parties with his sandwich as they dance in a river of gooey peanut butter, flames sprout from the mouth of a sweating father who has just bitten into a chile pepper, and simmering cranberries explode from a pot in a cloud of purple steam bursting with pink, orange, aqua, and blue fireworks. Lopez’s art is a visual delight!

Click here to see two illustrations from the book.
Edited to add: Click here to see a preview of the book.

Note: Mora expresses her gratitude to her husband, a professor of anthropology who teaches a course on the Origins of Agriculture, and ethno-botanist Gary Paul Nathan for their help. She also includes a short list of sources.

Although not every one of Mora’s haiku pops with a surprise or a clever twist at the end, there is plenty to excite the eyes and the literary palates of readers in Yum! Mmmm! Que Rico!. Yum! Mmmm! It’s a delicious melange of tasty haiku, savory facts, and luscious illustrations.



Karen Edmisten is hosting the Poetry Friday Roundup this week.

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84. More School Poems: Review of School Supplies

I'm leaving for Montreal this morning so I won't be around to post for Poetry Friday. Since I've been receiving lots of visits to my Going Back to School...with Poetry post, I thought I'd write a review of the following book.
SCHOOL SUPPLIES: A BOOK OF POEMS
Selected by Lee Bennett Hopkins
Illustrated by Renee Fowler
Simon & Schuster, 1996


School Supplies is one of my favorite books of school poems. Lee Bennett Hopkins, the compiler, included poems and excerpts of poems by Carl Sandburg and by such well-known and respected children’s poets as Barbara Juster Esbensen, Myra Cohn Livingston, Jane Yolen, J. Patrick Lewis, Rebecca Kai Dotlich, and Georgia Heard in this themed anthology.

Most of the book’s sixteen poems speak of the “school supplies” that are typically found in a classroom: pencils, a writer’s notebook, a ballpoint pen, paper clips, a compass, a globe, popsicle sticks and glue, a book, and crayons. There is variety in the poetry. Some poems are rhythmic and rhyming; some poems do not rhyme and are written in free verse.

A few of the poems have good examples of personification. In Lawrence Schimel’s Ballpoint Pen, the pen dances ballet/on the ball of her feet/and the tip of her toes/pirouettes/through stories/poems/books. Georgia Heard’s Compass is compared to a skater gracefully/tracing/half a figure eight/on paper ice—its silver skirt measuring out inches. Rebecca Kai Dotlich’s Paper Clips have tiny teeth of tin and jaws no bigger than an inch.

In Crayons, Jane Yolen writes of a box that contains a wash of blue sky/spikes of green spring/a circle of yellow sun. It also holds my pink/and your chocolate/and her burnt sienna/and his ivory skin. In New Notebook, Judith Thurman writes that the notebook’s lines run even and fine/like telephone wires across a shadowy landscape.

Rebecca Kai Dotlich’s poem Classroom Globe begins like this:

Spinning, spinning,
round
and round,
a swirl of blue,
a whirl of brown;
mountain ranges,
oceans,
lakes,
islands,
foreign countries,
states.

Myra Cohn Livington’s A Book is a mask poem in which a book tells readers:

Closed there’s nothing I can say.
Open, we can dream and stray
to other lands far and away.


Renee Flower’s wildly colored expressionistic art provides humor and zest—and also adds personality to many of the school supplies, including the ballpoint pen, the compass, a pencil sharpener…and even to a peanut butter sandwich!

School Supplies supplies a teacher with a neat little package of school-themed poetry. Even though the anthology is light-hearted in nature, it contains poems with more poetic elements—personification, metaphor, imagery—than most books of school poems.

Classroom Connection: School Supplies could be used to spark a creative writing exercise about objects in a classroom/school. A teacher and his/her students could make a list of objects to write poems about: pencils, books, folders, scissors, rulers, a desk, a chair, computer, paint brushes, a pencil sharpener, water bubbler, school bus, classroom clock, number lines, alphabet cards, markers, chalk, erasers, etc. It might be fun to have the students speak in the voices of the objects in mask poems. Students could illustrate their published poems and compile them in their own anthology of "School Supplies."

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85. Picture Book Review: The Growing Story

Heavens knows I don’t need another picture book to add to my collection—but sometimes I just can’t help myself. When I was browsing around at the Banbury Cross Children’s Book Shop on Saturday, the front cover of a picture book caught my eye. I opened up the book, flipped through the pages, and knew I had to have the book…even before reading the text. I would have bought this book just for the illustrations!

I will admit that I usually have an emotional response to fine art and to illustrations in a picture book. I can look at art and know that I like it…know that it appeals to something inside me without stopping to evaluate why. It’s a response that is hard to express precisely in writing. I can tell you that the art in THE GROWING STORY captured my heart! I don’t how else to say it.


THE GROWING STORY
Written by Ruth Krauss
Illustrated by Helen Oxenbury
HarperCollins, 2007


This is a simple story about a little boy who wonders if he will grow bigger. In spring, he notices that everything around him is growing—the grass, buds on trees, flowers on the side of the barn—and asks his mother if the baby chicks, his puppy, and he will grow too. His mother assures him that they all will grow.

A little time passes and the boy continues to see changes in the world around him. The days grow longer and the nights shorter. The grass grows faster, the flowers higher, and the leaves bigger. “We’re growing too,” the little boy assures the chicks and his puppy. When the days grow warmer, the little boy and his mother fold up his warm pants and his warm coat and put them away in a box. His mother informs him that he will put them on again once summer is past.

Summer progresses into autumn—all the while the roses and honeysuckle have bloomed, the corn has gotten taller than a man, and the pears have ripened. Even the chicks and puppy have grown up. The little boy wonders to himself if he is really growing. It is not until the cold weather returns and the little boy puts on his warm clothes once again that he realizes he HAS grown. The pants are too tight and the legs are too short. The sleeves on his jacket are also too short. Excited, he somersaults outside and announces to the chicks (that are now hens) and his puppy (who is now a big dog): “I’m growing too.”

This is most certainly a story to which young children can relate. They are always eager to grow taller and older so they can be like the “big” kids. Krauss’s text addresses the subject matter with plain and simple language—and lots of repetition, echoing the boy’s persistent questions and the perpetual changes in the plants and animals he sees all about him over the course of several months. This is a lovely tale about a child’s desire to grow up told in the context of seasonal changes.

I have never seen the original edition of THE GROWING STORY that was illustrated by Phyllis Rowand and published in 1947. I can’t imagine that the illustrations in the earlier edition could have complemented and interpreted the text of this story any better than Oxenbury’s illustrations.

Oxenbury sets the story on a farm in the countryside. She uses a palette of soft colors in her paintings. Her realistic watercolors and black and white drawings are the perfect mate for this old classic. Oxenbury is adept at drawing facial expressions, body language, and physical positions of the little boy, his mother, and the animals so that they display the characters’ feelings of wonder, love, excitement, comfort, and happiness.

The artist varies her illustrations in this book—some are two-page full color spreads with no frames or borders, some are smaller close-up illustrations of the boy and his mother in color, some are black and white drawings of the dog and hens. In two of the large paintings, the boy and his dog are but a tiny part of the illustrations—in effect, showing readers this boy’s sense of feeling so small in a world where everything seems to be growing but him. A two-page spread of the boy and his mother walking through an orchard of blossoming fruit trees is a glory of white blossoms, sunlight, and shadows.

THE GROWING STORY is a real charmer of a book. There is so much more to tell you about the ways Oxenbury employed every bit of the book from the front cover and endpapers to the back cover to enhance and extend the meaning of Krauss’s tale—but you’re just going to have to find yourself a copy and read it to see why I love this little gem of a picture book!



Classroom Connection for Preschool and Kindergarten Teachers: I think it would be a great idea to read this book to a small group or class of young children at the beginning of the school year and then measure their heights. At the end of the year, the story could be reread to the children and they could be measured once again. The children could then compare their heights to see how much they had grown from September to June.

POETRY BOOK PARTNERS



I’M SMALL AND OTHER VERSES
Written by Lilian Moore
Illustrated by Jill McElMurry
Candlewick Press, 2001

This collection contains short poems for very young children about such subjects as the following: wearing a snowsuit, sneezing, peanut butter, waiting, finger painting, playing in the sand, and growing.

Growing
by Lilian Moore

I’m taller today
but nobody knows.
I looked in the mirror
way up on my toes.
For the very first
I saw
my
NOSE!



I NEVER DID THAT BEFORE
Written by Lilian Moore
Illustrated by Lilian Hoban
Atheneum, 1995

This collection, which is now out of print, contains poems that speak to the experiences of very young children: hanging upside down on the monkey bars for the very first time, wearing a new pair of sneakers, going for a walk with an understanding grandpa, sliding downhill on a sled alone, and outgrowing last year’s coat.

From The Coat in My Closet

I opened the closet and
there was my coat—
the coat that I wore last year…

“I don’t reach your knees,”
the coat complained.
“Whatever did you do?”

“Coat,” I explained,
“I grew.”


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86. POETRY FRIDAY: Spring Is...

SPRING IS

Spring is when
the morning sputters like
bacon…

spring is when
your scrambled eggs
jump
off
the
plate
and turn into a million daffodils
trembling in the sunshine.


The Language of Poetry

Those excerpts are taken from Bobbi Katz’s Spring Is, one of my favorite poems about this season. Doesn’t Katz capture the excitement a child might feel when spring has finally arrived in all its glory and the world is warm again, and alive, and waiting to be unwrapped like a long-awaited gift?

Katz follows the lead set by Spring Is with her poems in ONCE AROUND THE SUN. For this book, she wrote twelve poems. She lists the signs she associates with each month. She begins all the poems in the same fashion as Spring Is. Here are the opening lines of her poem about April:


April is
when the earth
parades in a green so brand-new
you can almost hear it playing a tune,
turning tight buds
of forsythia bushes
into tiny yellow trumpets…


And here is how she begins her poem about May:

May is
when the sky unties
a secret song bag
early every morning,
and the birds fly out…


I love these images Katz fashions with words. They are fresh. They certainly aren’t trite or clichéd.

Signs of Spring
I was an elementary teacher for many years. I still remember the ubiquitous “spring is” writing exercises we teachers often had children do in class to celebrate the arrival of spring. Often the children’s poems came out something like this:

Spring is flowers
and birds singing.
Spring is green grass
and warm weather.
Spring is when
I fly my kite.

Speaking from my experience as a classroom teacher, I can tell you that once I began sharing all kinds of poetry with my students, many of them began writing poetry with more inventive images like those found in the poems written by Bobbi Katz and with more of the elements of language characteristic of poetry. I think it’s equally important to give children ample time to carefully observe the world around them in mid-spring--to give them opportunities to really look at, study, and think about the changes in nature. They will then be more likely to write poems with more depth, poems that express their personal thoughts and feelings.


Let’s look at excerpts from some other excellent poems about spring that would be great to share with children.

The poems in John Updike’s A CHILD’S CALENDAR are filled with examples of particular sights, sounds, and smells that he associates with each month of the year. Here are two examples of similes he uses to describe two signs of spring from his poem about March.


From March

The sun is nervous
As a kite
That can’t quite keep
Its own string tight…

Pale crocuses
Poke through the ground
Like noses come
To sniff around.


Imagine comparing the spring sun to a nervous kite and crocuses to noses sniffing around.


In PIECES: A YEAR IN POEMS & QUILTS, Anna Grossnickle Hines writes poetry about all four seasons. Here are excerpts from Do You Know Green?, which is one of her poems about spring.

Green comes…
tickling the tips
of twiggy tree fingers…

poking up as tiny
slips of baby grass…

bursting out on bare
brown branches…


Look at how Hines uses personification here. In her poem, green is poking and bursting and tickling twiggy tree fingers.

One of the jobs of a poet is to be precise with language, to select just the right words to express thoughts and feelings, and to help readers picture the poet’s written images in their minds. Pointing out to students poets’ similes, metaphors, imagery, use of personification and alliteration, and selected use of words helps them to better understand the elements of language often found in poetry and helps expand their writing vocabulary and knowledge of the genre.

(I found making transparencies of poems and showing them to students on an overhead projector was a fine way to lead my students into a brief discussion of the poems.)


In A CIRCLE OF SEASONS, Myra Cohn Livingston makes wonderful use of personification to bring spring and all its wonders alive.


From A CIRCLE OF SEASONS:

Spring skips lightly on a thin crust of snow,
Pokes her fragrant fingers in the ground far below,
Searches for the sleeping seeds hiding in cracked earth,
Sticks a straw of sunshine down and whispers words to grow:

O seed
And root
Send forth a tiny shoot!



Capturing a Feeling

Some children may prefer to write about their personal feelings about spring—as Katz did in Spring Is— rather than make a list of things that come to mind when asked to write about the season.

In her poem entitled Spring, Karla Kuskin expresses the excitement a child feels when spring has arrived. Kuskin speaks in the voice of an exuberant youngster.

Her poem begins:

I’m shouting
I’m singing
I’m swinging through trees
I’m winging sky-high
With the buzzing black bees…

The poem ends…

I’m a bud
I’m a bloom
I’m a dove on the wing.
I’m running on rooftops
And welcoming spring.



And in Kuskin’s poem Spring Again, a child anticipates all the things she/he will do during this season of rebirth.

From Spring Again:

Buds on the branches
a breeze in the blue
and me without mittens
my sweater unbuttoned
a spring full of things
all before me to do.



Focusing on One Sign/Aspect of Spring

In Mud Flood, a poem in Douglas Florian’s collection HANDSPRINGS, the author talks about mud oozing on shoes and boots and pants and shirts and about the only way to get clean again—with suds. From Mud Flood

The spring rains came
And made a flood
So now there’s mud
and mud
and mud.



Lilian Moore’s Forsythia Bush is another of my favorite spring poems. In the poem Moore wrote how the forsythia…

explodes
into yellow
and
startles the street into spring.


It’s not just any poet who would think to use verbs like “explodes” and “startles” in a poem about a plant!


In Pussy Willows, Aileen Fisher speaks of rubbing Spring across the cheek of someone whose eyes are closed—Spring in this case being exemplified as “smooth as satin, soft and sleek” pussy willows.

In The Spring Wind, Charlotte Zolotow describes the spring wind as “smelling of spring and growing things/brushing the world with feathery wings.”


If you can locate a copy of Aileen Fisher’s book OUT IN THE DARK AND DAYLIGHT (Harper & Row, 1980), you will find a treasure trove of poems that focus on different signs/aspects of spring: pussy willows, mud in March, buttercups, an early bee, a robin’s song, clover, frogs, the sounds of spring, leaf buds.


Yes, share poems such as these with children and their words will implant images and rhythmic language in their minds that will serve as a poetic treasure chest for them to reach into when the time comes for them to write their own poems about spring.


Where to find the poems cited in this blog article if a book title has not been noted above:

SPRING IS by Bobbi Katz
Puddle Wonderful: Poems to Welcome Spring, selected by Bobbi Katz
The Random House Book of Poetry for Children, selected by Jack Prelutsky (page 42)
Sunflakes: Poems for Children, selected by Lilian Moore (page 54)


FORSYTHIA BUSH by Lilian Moore
I Thought I Heard the City, written by Lilian Moore
Puddle Wonderful: Poems to Welcome Spring, selected by Bobbi Katz
Something New Begins, written by Lilian Moore (page 32)


SPRING by Karla Kuskin
Dogs & Dragons, Trees & Dreams, written by Karla Kuskin (page 14)
Moon, Have You Met My Mother?: The Collected Poems of Karla Kuskin (page 112)
Puddle Wonderful: Poems to Welcome Spring, selected by Bobbi Katz
The Random House Book of Poetry for Children, selected by Jack Prelutsky (page 43)
Ring Out Wild bells: Poems about Holidays and Seasons, selected by Lee Bennett Hopkins (page 25)
The 20th Century Children’s Poetry Treasury, selected by Jack Prelutsky (page 24)

SPRING AGAIN by Karla Kuskin
Dogs & Dragons, Trees & Dreams, written by Karla Kuskin (page 14)
Moon, Have You Met My Mother?: The Collected Poems of Karla Kuskin (page 111)

4 Comments on POETRY FRIDAY: Spring Is..., last added: 5/5/2007
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87. A Poem a Day #11

Today my acrostic poem is for Jules and Eisha, the dynamic duo of the 7-Imp blog. The ladies give us book reviews for people of all ages, interviews, Poetry Friday posts, and their very popular 7–Imp's 7 Kicks weekend feature. Seven Impossible Things is one fine kidlit blog.

For Jules and Eisha, I’ve chosen a poem from WHAT’S IN A WORD, a collection of acrostics I finished work on last fall. Since the ladies of 7-Imp are such good friends, I thought the following selection would be most appropriate. We all know how close chums share secrets with each other.


Words
Hushed
In soft velvet
Sounds
Patter into your
Ear
Revealing deep secrets that no one
Should hear.


For years, I hadn’t been a big fan of acrostic poems. So many of the ones I’d read, written by both adults and children, seemed too prosaic. Few were lyrical in nature; few had figurative language; and few had any rhythm—which, to me, is a poetic requirement. But I changed my mind about acrostics when I read SILVER SEEDS: A BOOK OF NATURE POEMS. Written by Paul Paolilli and Dan Brewer and illustrated by Steve Johnson and Lou Fancher, SILVER SEEDS is the best book of acrostic poems for children that I have read. This collection of fifteen poems takes readers through one day. It opens with a poem about Dawn and closes with a poem about Night. It includes other poems about a shadow, a hummingbird, a butterfly, trees, clouds, stars and the moon.


SILVER SEEDS
Written by Paul Paolilli & Dan Brewer
Illustrated by Steve Johnson & Lou Fancher
Viking 2001


In this book, a falling leaf is a loose brown parachute, fog comes in folds and folds of spun sugar, the moon is a marvelous melon, trees tickle the sky with tiny hands, and stars are silver seeds that sprout wonder. The spare illustrations serve as a quiet backdrop for the poems and allow them to stand out on the page. Each acrostic is printed in large text and has its own two-page spread. This is an excellent feature because a teacher can show students the poems as she/he reads them aloud. In this way, children can easily grasp the concept of what an acrostic poem is as they listen to their teacher read and look at the book.


CLASSROOM CONNECTIONS: Writing Acrostic Poems

Share SILVER SEEDS with your students. If they have been immersed in lots of fine poetry with rhythm, imagery, and figurative language—they should have the tools to write acrostics that are “true” poems that will sing on the page.


Classroom Procedures

  • Ask your students to suggest some topics for a collaborative acrostics writing exercise.

  • With students, select a few of the suggested topics for your class poems.

  • Guide students through the poem writing process two or three times—jotting down their ideas on chart paper.

  • When each poem is finished, read it aloud with your students.

  • Hang the poems up in the classroom where students can see them.

  • Revisit the poems a day or two later.

  • Read the class acrostics aloud again with your students.

  • Tell students to look at their collaborative acrostics with a critical eye. Invite them to think of ways to make each poem stronger by adding comparisons, alliteration, imagery, etc.; by substituting more precise vocabulary for some “weak” words; and by working on the arrangement of words in each poem to see if they can make it “read” more rhythmically. (This exercise will help children to understand how to go about revising their own poems.)

  • Then have students write their own individual acrostic poems.

Note: Whenever my students typed the final drafts of poems they had created for a particular lesson/class unit, I photocopied them and compiled them in an anthology. Each child got his/her own copy of the anthology for which they designed a front and back cover. I laminated the covers and bound the anthologies on spiral binders. My students absolutely loved seeing their own poems collected in a book, which they got to take home and share with their parents and siblings.


Here are acrostic poems that were written by two of my second grade students the last year I taught in an elementary classroom. Both poems won prizes in the 2000 Massachusetts Science Poetry Contest.

SUNS by Billy

Solar flares blast into space,
Untamed explosions of fire, in
Neverending galaxies where
Stars are born and reborn.


SPACE by Colby

Stars, jewels of light sparkle in the night.
Pluto, cold as an icy night, as dark as pitch, freezes in space.
Asteroids, worlds of rock and metal, play ring around the sun.
Comets of ice with fiery tails glow in the darkness.
Elegant Earth, a world of sapphire blue and green, spins around the sun.


Other Recommended Children’s Books with Acrostic Poems

Stephen Schnur has written four books of seasonal acrostic poems—which also happen to be alphabet books. Leslie Evans did the artwork for all four books. The illustrations, executed in hand-colored linoleum cut blocks, are colorful and striking. The text for each poem, set inside a white box framed in black, is large and easy to read. The books were published by Clarion.

Acrostic Books by Steven Schnur


AUTUMN: An Alphabet Acrostic (1997)









SPRING: An Alphabet Acrostic (1999)








SUMMER: An Alphabet Acrostic (2001)








WINTER: An Alphabet Acrostic (2002)





Here is one sample of Schnur’s poetry from his book WINTER:

Flakes so
Light they drift
Upward
Rise like smoke before coming to
Rest in the
Yard.

3 Comments on A Poem a Day #11, last added: 4/12/2007
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88. A Poem a Day #10

Today I have a parody for Anne at Book Buds. Book Buds was one of the first kidlit blogs that I became addicted to early last fall. I won Books Bud’s “First Words” contest with a humorous poem and received a signed copy of Catherine Thimmesh’s wonderful book TEAM MOON. How great is that? Anne is one of the bloggers responsible for creating the Cybils. I wonder if she’s got any other bright ideas planned for the kidlitosphere this year???


THIS LITTLE PIGGY
by Elaine Magliaro

This little piggy went to Saturn.
This little piggy went to Mars.
This little piggy zoomed his rocket ship
Around a zillion stars.
But THIS little piggy read comic books
At home
And smoked cigars.


I have always enjoyed parodies. One of my best friends and I used to make up silly lyrics to popular rock-and-roll tunes when we were in high school…during the Jurassic Period.


CLASSROOM CONNECTIONS FOR TEACHERS: Writing Parodies

Writing & Literature Connection
What could be more fun than having students write parodies of nursery rhymes in class? If you’ve got Judy Sierra’s book MONSTER GOOSE on hand, you’re all set with an entire collection of hilarious parodies to serve as models for your students’ writing.

MONSTER GOOSE
Written by Judy Sierra
Illustrated by Jack E. Davis
Gulliver Books/Harcourt
2001


Here are two parodies from MONSTER GOOSE:


JACK SPRAT

Jack Sprat
Ate some fat
And drank some gasoline.
He lit his pipe
And in one swipe
Invented lean cuisine.



CANNIBAL HORNER

Cannibal Horner
Sat in a corner
Eating a people potpie.
He bit his own thumb
And cried, “Oh, yum, yum,
A tasty young morsel am I!”


First, you know the kids are going to laugh! They are sure to enjoy listening to their teacher read the parodies in MONSTER GOOSE. Second, you can bet they’ll be inspired and eager to write their own humorous versions of the traditional verses.

Writing & Science Connection
Another great book to use to teach students about parodies is Jon Scieszka’s SCIENCE VERSE. This is a collection of truly clever parodies of songs, nursery rhymes, and famous poems—including Joyce Kilmer’s Trees, Lewis Carroll’s Jabberwocky, Ernest Thayer’s Casey at the Bat, and Robert Frost’s Stopping by Woods on a Snowy Evening. Scieszka's poems will serve as good models to show students how to incorporate their knowledge of science when writing their parodies.

SCIENCE VERSE
Written by Jon Scieszka
Illustrated by Lane Smith
Viking
2004



Here are a few excerpts from Scieszka’s excellent book:

From LOVELY

I think that I ain’t never seen
A poem ugly as a spleen.

A poem that could make you shiver,
Like 3.5…pounds of liver.

A poem to make you loose your lunch,
Tie your intestines in a bunch.



From SCIENTIFIC METHOD AT THE BAT

The outlook wasn’t brilliant for my experiment that day;
The only way to graduate was to come up with an A.
So when my lab exploded and turned to blackish gunk,
My chance of passing anything went Titanic—you know, sunk.



‘TWAS THE NIGHT

‘Twas the night before Any Thing, and all through deep space,
Nothing existed—time, matter, or place.
No stockings, no chimneys. It was hotter than hot.
Everything was compressed in one very dense dot.

When out of the nothing there appeared with a clatter
A fat guy with reindeer and something the matter.
His nose was all runny. He gave a sick hack.
“Oh, dasher! Oh, Dancer! I can’t hold it back!”



Suggestion: In addition to MONSTER GOOSE and/or SCIENCE VERSE, a teacher would need to have a collection of nursery rhymes and copies of poems to be parodied on hand. Students should be immersed in parodies and the nursery rhymes and/or poems to be parodied for two or three days before the creative writing exercise is assigned. It is always best to model the writing process for students. One great way to do this is to work with the class in writing a collaborative class parody.

Writing a parody is one thing; writing a witty, clever, rhyming parody in verse is another. Students will need several writing/rewriting sessions and lots of teacher assistance during the parody-writing process.


Here are a few more of my own parodies that were posted previously at Blue Rose Girls:


A LOQUACIOUS ASTRONAUT WAXES POETIC AFTER STEPPING FOOT ON MARS
by Elaine Magliaro
(I wrote this poem for Book Buds "First Words" contest. My other poem won.)

Whose planet’s this? I know I know.
His home’s on Mount Olympus so
He will not see me stopping here
To go exploring to and fro.

The polar ice cap’s very near.
I spy three skaters. Drat! I fear
Some other life forms came before.
I’m NOT the first Mars pioneer.

I see a Super Star Trek Store…
And garish neon signs galore!
There’s garbage everywhere I tread.
Don’t want to be here anymore.

This trip’s a bust to “Planet Red.”
Yo, Earth, give me the go-ahead
To visit Jupiter instead,
To visit Jupiter instead.



MARY HAD A LITTLE MOON
by Elaine Magliaro

Mary had a little moon.
It shone just like a star.
And everywhere that Mary went
She brought it in a jar.

She sneaked it into class one day,
Which was against the rule—
But teacher smiled because it was
The brightest thing in school.



HICKORY DICKORY DOCKET
by Elaine Magliaro

Hickory dickory docket,
I sped into space in a rocket.
I traveled past Mars
And seventeen stars
With a picture of Earth in my locket.


2 Comments on A Poem a Day #10, last added: 4/11/2007
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