So we saw The Golden Compass tonight. Son and I had listened to the audiobook. Overall, I thought it was a good adaptation, but without giving away any spoilers, I found it curious where they decided to end the film vs. the book.
Obviously there's going to be a sequel, and I haven't listened to the second book yet (Son just got the Subtle Knife and the Amber Spyglass for Chanukah) so I can't comment on if it makes more sense to include a certain event in the first book in with the second movie rather than in the first.
But anyway, I'd be interested to hear what others think on this.
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Blog: It's My Life and I'll Blog if I Want To! (Login to Add to MyJacketFlap)
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Blog: The National Writing for Children Center (Login to Add to MyJacketFlap)
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Blog: Crossover (Login to Add to MyJacketFlap)
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My first-year seminar (Literature, Intertextuality, and Philip Pullman's His Dark Materials) students and I took a little field trip this afternoon to see The Golden Compass. I think our views on the film are all different and mixed. But, there was one shared moment, one I hadn't anticipated after reading multiple reviews and articles on the movie.* When the movie ended and the screen went black there was a collective "WHAT?" from us all (and several other members of the audience). I mean, seriously. What did you think of the ending?
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*For a full record of articles, check out Monica's educating alice. She's been collecting them the past few weeks under the tag "Waiting for Lyra." Thanks, Monica.
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In the deluge of articles on His Dark Materials, the "weirdest HDM article" award goes to Emily Bazelon's consideration of His Dark Materials and Flowers in the Attic in Slate. Again, seriously. Go read it. Then let me know what you think. I, personally, am still reeling from its conclusions (?).

Blog: Fahrenheit 451: Banned Books (Login to Add to MyJacketFlap)
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As more and more Catholic school boards pull Phillip Pullman's The Golden Compass, Pearce Carefoote, author of Forbidden Fruit: Banned, Censored and Challenged Books from Dante to Harry Potter has been appearing on radio and television, speaking to the issue of censorship.
Hear the CBC radio podcast for November 26th, 2007 as Jian Ghomeshi interviews Carefoote on the topic of censorship.

Blog: Fahrenheit 451: Banned Books (Login to Add to MyJacketFlap)
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The Toronto Star reports that Halton's Catholic board has pulled The Golden Compass from school library shelves, pending a review by its trustees. Author Philip Pullman, who describes himself as an atheist, apparently wrote the series His Dark Materials as a response to C. S. Lewis' Chronicles of Narnia (which ironically have been challenged themselves).
Read a synopsis of The Golden Compass. It was voted the best children's book in the past 70 years by readers across the globe, according to news articles. Although it was published in 1995, the controversy is unfolding now because it has been made into a movie which will be released soon. Students can ask librarians for the book but it will not be displayed on shelves.
Toronto Star readers have voiced their opinions, many coming out in support of the presence of the book in schools.

Blog: educating alice (Login to Add to MyJacketFlap)
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Tuesday | October 30, 2007
6:30 PM - 8:00 PM
“The Golden Compass”: A Conversation with Philip Pullman
The prize-winning, highly opinionated British author talks about his hugely popular books, the necessity of growing up and losing one’s innocence, and the upcoming Hollywood films based on his best-selling trilogy, “His Dark Materials,” honored by the Carnegie Medal, the Guardian Children’s Book Award and the Whitbread Book of the Year Award (the first ever given to a children’s book). Interviewed by Charles McGrath, New York Times Magazine contributing writer and former Book Review editor.
Tickets: $25 TimesTalks (Scroll way down for this talk and for the link to buy tickets .)
Address: The TimesCenter, 242 West 41st Street, New York City

Blog: educating alice (Login to Add to MyJacketFlap)
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Just learned about this twenty-seven minute video (below in three parts) from bridgetothestars. It was evidently done by New Line before filming to give those unfamiliar with the book a sense of it in twenty-seven minutes. It begins with some footage of Philip Pullman, moves on to a few hyperbolic statements on the series, and then goes on to provide a quite detailed overview of the plot (from the movie script, presumably — if you know the book well, you will notice some differences). It is done with a mixture of storyboarding, sketches, CGI samples, video-game-like characters and scene try-outs using various stand-ins for the characters (Lyra is not Dakota Blue Fanning, for instance). I would assume it gives you a fair idea of the movie plot-wise. Fascinating!
Part 1 of 3
Part 2 of 3
Part 3 of 3

Blog: educating alice (Login to Add to MyJacketFlap)
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Like countless others I’m eagerly waiting to see one of my favorite literary heroines, Lyra Belacqua, in her December film debut and in the still-being-written The Book of Dust. In the meantime I continue to enjoy the thought-provoking comments of her creator, Philip Pullman. The most recent ones are in a just-published interview by Claudia Fitzherbert in the the Literary Review. William Blake, James M. Cain, Iraq, fan fiction, Dakota Blue Richards, agnostism, and lots more. Wonderful stuff as always.
So much press for the books. I've read them and lots of the articles. my personal view is that (for the most part) kids should be able to reads books that may push the boundaries. The important thing is parent communication. Talking about the books with kids.
The only reason I wouldn't take my son is it I think the movie is too scary, not because of the killing-the-imposter-God controvesy. (Translation - I will most likely go see it first alone and then decide).
But when he gets to an age where he wants to read it, I will let him.
I so read Flowers, and cringe at the thought of my daughter reading it. But then I cringe at the thought of her doing many of the things I may have done.
Tricia: That (talking with kids) was the one thing in Bazelon's article that made sense to me.
And, the movie is scary. I had my almost-7-year-old with me and he was pretty scared, I think. (He's such a Stoic by nature, it's not always easy to tell.)
I read Flowers. And found (at age 12) some of it compelling. I will say that I'm proud of my 12-year-old self when I look back. I recognized then that the writing was terrible. (Bazelon did point out some particularly funny bits.)
I don't understand how you can compare Cathy having sex with everyone under the sun and the first book of the Pullman trilogy. Lyra's mother is basically evil - she's supposed to be evil - and she does evil things to children. I think a 12 year old could easily get the good vs bad out of this book (and the film). I also don't think in the 21st century where revelations abound of child abuse from every kind of trusted adult/child relationship that an evil parent is going to freak a kid out. I mean the queen in Sleeping Beauty sent her off to be murdered by the woodsman and then hunted her down and poisoned her when that failed. Are we okay with that because she's the stepmother and we watch the movie usually as a cartoon? Is she somehow more benevolent than Lyra's mother?
I don't buy the Slate conclusions at all - you read "Flowers" knowing it is trash from the very beginning (I read it in jr high); you read "Compass" knowing it is much more than it seems.
I'm holding off on the movie for my 6 year old just because I think he will be scared not confused; we'll see it in a couple of years.
Colleen
I knew about the ending going in so wasn't thrown by it. However, Lyra's final line is pretty trite. I stayed away from commenting on the ending (on my blog) because I want them to get to make the second movie. I figure they will do a better job with it and address the weak ending of this one. (And by weak ending I don't mean it ending where it did, but the stilted final dialog between Lyra and Roger).
I went yesterday with a couple of 6th graders and plan to post a podcast of their comments soon. Think it is about time a couple of the intended audience (kids) got heard!
Monica, if we reviewed books that way we'd be roasted!
Roger,
You mean my not writing about the ending or giving the kids some air time? I don't think of my blog posts as reviews although others have referred to them that way. They seem way too informal and incomplete to be reviews, in my opinion.
Monica: I *think* Roger is referring to Bazelon's "review." (I hope, considering I didn't write a review of the movie here at all.)
Not writing about the ending. I know a blog post isn't necessarily a review, but withholding a point because you're afraid it will have a negative effect on box office strikes me as morally suspect if not bankrupt. ;-)
Oh, so that's what Roger means...
Thanks for clarifying, Roger.
I guess I can live with that:) Besides, if I had written about the ending I'd have gotten grief on the spoilage front for sure. (Hey, you haven't seen the movie yet, have you, Roger?)
As far as the Slate article goes, I thought that using The Golden Compass for talking about the allure of dreck was a really odd choice. But I didn't get that she was really making much of a connection between the two books. It was more like she threw The Golden Compass into the title to get the article published. I could totally relate to what she was writing about the appeal of Flowers in the Attic. I read V.C. Anderws like crazy at the age of 12. Plus, I couldn't agree more with her points about allowing kids to read what they want to read and then trying to get them to talk about it.
I obsess about essays because I'm interested in writing them. The essay in Slate seems structurally wrong to me. I agree with alia that it sounds as if the author wanted to write about Flowers in the Attic and used the interest in Golden Compass to sell her article. But as a piece of writing, it was all wrong. It shows lack of control to set up one topic and totally drop it and go onto another.
I am so impressed with all you folks who read Flowers in the Attic as kids and survived the experience. I read it as an adult (maybe in my twenties) and was scarred by it. Kiddy incest is one line I have to stay well back from in my reading.
Gail, that's your daemon whispering to tell to move into YA. Stop resisting.
Monica, I saw it last night. I didn't mind the ending but thought throughout that the characters spent too much time telling us what was going on rather than being embedded in the story itself. But Richard (who has never read the books) was completely caught up in it. I bet to make the second movie they'll have to change the ending of the first book--look, Billy Costa has already been spared (and was marvelously played, I thought).
Ah, but has he been spared? And where the hell is his daemon anyway? Could just be a matter of time for poor old Billy. Seems to me things could go either way in a sequel, I think. Depends on how intense they want it to be.
Glad to hear Richard got caught up in it. I enjoyed seeing that world I knew so well on screen, but wondered (as I DID write on my blog:) whether those who didn't would be confused. Glad to know he for one was not. I agree completely with you that there was too much exposition, but I think that was because they tried so hard to keep it under two hours.