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By:
Kristi Holl,
on 1/21/2011
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Two years ago I had to see a surgeon about my elbow. Why? Because I tried a weights routine that was too heavy…way too heavy.
Even though I’d neglected my arm muscles for years, I thought I’d make up for lost time and regain my strength real quick! Dumb idea, as it turned out. For a while I was unable to lift anything as heavy as a coffee cup without pain, and there was no weight lifting for many more months.
Our Own Worst Enemies
Why do we do this to ourselves???
I do this in my writing too–and I’ll bet you do as well. You probably set huge writing goals this month (or New Year’s Resolutions) and have burned out trying to write five hours a day or send out a query a day. Maybe you’ve damaged your neck, back or wrists. The joy is gone. You don’t feel like writing anymore. (Anyone identify with that?)
A Solution
Building writing muscle isn’t much different than trying to build body muscle. Rather than going gung-ho at a massive goal, start small. Really small. Give yourself doable short goals where you can succeed. Success breeds success. Trying to do too much too soon breeds failure.
In Karen Scalf Linamen’s book Only Nuns Change Habits Overnight, she suggested “making up small, attainable goals just so we could practice the art of turning a goal into reality. What if we made the decision to give up coffee for three days? Or stick with a vegetarian diet for twenty-four hours? Or walk around the block every morning for a week?…Pretty soon, all these smaller victories will give us greater confidence, stamina, and experience. Then when we attempt the bigger decisions–we’ve got muscle. We know exactly what it feels like to make decisions and follow them through to completion. We’ve been practicing. We can do it.”
Apply It to Writing
Instead of promising yourself you’ll write two hours every day, blog five times a week, and send out ten queries each month, start small. Set a goal that virtually insures success. That’s how we build momentum–with a series of successful goals.
How about:
- write for ten minutes every morning for a week
- read one chapter per day of a current children’s book
- read email one hour later, three days in a row
- check out three writing conferences online
How to Build Momentum
Whatever goals you have–or habits you would like to build–give yourself permission to start smaller. Stretch yourself a tiny bit today. Then set a goal to stretch yourself that little bit three days in a row–then reward yourself for that success.
Like the title of the book says, only nuns change their habits overnight. So take things in smaller bites. Build momentum with smaller successes. Develop the writing habits, slowly but surely. You’ll be flexing those muscles in no time!
Did you know that, contrary to popular belief, workaholics (and the sub-group writer-holics) don’t work all the time?
In fact the term can describe “any person who is driven to do too much, whether that person works sixty hours a week or runs around like a chicken with its head cut off…Some work addicts appear motionless, but their minds are racing.” (Diane Fassel in Working Ourselves to Death.)
Three Faces of Writer-holics
While my goal and life-long desire as a writer has been to be consistent with my writing output, it is seldom that way. Sometimes I work long hours with a huge output (like NaNoWriMo month), sometimes it’s in spurts, and sometimes approaching deadlines make me freeze (afraid that I can’t do what I promised in the contract.)
I knew my writing output was sporadic, but I thought each style was a problem by itself. I am beginning to see that they’re all just different faces of perfectionism.
Obsessive Writers
This writer works long hours, taking on project after project. She feels compelled to do what she needs to do to keep going. I used to blame it on the financial needs of raising children alone–and that certainly contributed to the pressure–but after the need passed, the behavior remained. According to Webb, “it is a matter of identity for her. If she stopped to rest, it would prove she is inferior, lazy or both–and that would be unthinkable.” BINGO.
Binge Writers
This writer works in spurts, but with great intensity and energy and focus. These intense bursts of work are sometimes (for the writer-holic) ways to avoid dealing with other issues (children’s problems, marital woes, a looming health concern). “Work, projects, tasks and accomplishments become the medication of choice so that she doesn’t have to feel her emotions, deal with her disappointments or ask deep questions,” says Webb. I’m guilty of this one too–maybe not as much as in the past, but it’s definitely a factor.
Anorexic Writers
Deadlines can often turn me into this type of writer. The perfectionist in me isn’t satisfied with writing “sh****” rough drafts, as Anne Lamott calls them in Bird by Bird. After having had 35 books published, you’d think this would no longer be an issue! But it is. Webb contends that the work anorexic is “afraid she’ll do it wrong, so she procrastinat
By:
Kristi Holl,
on 12/6/2010
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When friends and family members ask what you want for Christmas this year, have a list ready!
Below are some of the best books for writers that I read (or re-read) recently. Any of them would be a great addition to your Christmas list! (HINT: read to the end of this post for a free e-book.)
Make a Scene by Jordan E. Rosenfeld
on how to craft a powerful story/book, one scene at a time.
The Fire in Fiction by agent Donald Maass discusses “passion, purpose and techniques to make your novel great.”
Writing It Right! by Sandy Asher, which I reviewed earlier here. If you want help with the nuts and bolts of revising, you’ll want this book.
A Writer’s Space by Eric Maisel on how to “make a room
to dream, to work, and to write in.”
Write. 10 Days to Overcome Writer’s Block. Period. by Karen E. Peterson (the best book on writer’s block I’ve ever read).
Who Switched Off My Brain? and The Gift in You by
Dr. Caroline Leaf, probably the best two nonfiction books I read this year. While not strictly about writing at all, they
By:
Kristi Holl,
on 12/1/2010
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Even if you didn’t participate in this year’s November National Novel Writing Month, you can still have access to their NaNoWriMo pep talks that were sent throughout November to participants. Many of them are excellent!
Here’s what it says on their website: “We recruited an all-star team of authors to share their advice and thoughts on writing. Their pep talks will be emailed to participants throughout November. We hope their insight and encouragement help you on your way!”
Here you’ll find pep talks from some of the finest and best-selling writers of our time. Some are serious nuts-and-bolts advice talks while others are tongue-in-cheek funny. Either way, they’re an encouragement to those of us who are challenged on a regular basis with our writing.
Here are a few quotes to whet your appetite:
From Chris Baty: “Incite change. If your story is losing momentum, juice it up by inflicting some major changes on your characters. Crash the spaceship. End the marriage. Buy the monkey. Change is scary because we have to figure out what comes next. But feeling afraid is ten times better than feeling bored, and your book will benefit from your risk-taking. Go big this week! You won’t regret it.”
From Aimee Bender: “What we hold in our heads before we write is RARELY in sync with what shows up on the page, and if I were standing and saying this in front of you with a megaphone, I would say this next part especially loud and clear: The Page is All We Get. What shows up on the page? Well, that is your writing. The full-blown perfectly-whole concept you may have in your head? Is just thought.”
From Holly Black: “Here are some things I wish someone had told me when I was writing my first book. I want to say them to you in the hopes they will help and encourage you. Even if you’ve heard them before, it doesn’t hurt to be reminded.” And then she follows this with seven tips that are right on the money.
From Lindsey Grant: “You’ve been carrying around a story for a while now and you finally started writing it. Getting started is hard enough, but then you went on to write for a full week, bringing your story to life and making your noveling dream a reality. You’re well on your way, writer, and you have come so far already! Don’t let your inner editor convince you that this isn’t worth your time, or that you should start over, or-even worse-that you should start over some other time. For this novel there is no “later.” There is only now.”
From John Green: “All of us harbor secret hopes that a magnificent novel will tumble out of the sky and appear on our screens, but almost universally, writing is hard, slow, and totally unglamorous.”
From Mercedes Lackey: “I can’t think of anything more intimidating than a blank page. Especially the firs
By:
Kristi Holl,
on 11/29/2010
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Today I was tired and headache-y, yet I needed to get some writing done. I don’t know about you, but I find writing a grueling challenge on the rare days I feel rotten.
That’s why I found a chapter in The Write Type by Karen E. Peterson very encouraging. The author said that not all the stages of producing a story or book involve heavy-duty creative thinking. If you’re not feeling the best somedays, use that time for a writing job that requires less energy–but still has to be done sometime.
Three of the following stages you’ll be familiar with (prewriting, writing and rewriting.) The other three stages are writing jobs you have to do but rarely give yourself credit for.
Stages of Writing
- Read-writing: Reading what you’ve already written before revising
- Co-writing: Discussing with another writer what you want to write or have written, getting feedback and encouragement
- Rote-writing: typing up lists, references, and hand-written revisions
- Prewriting: Gathering notes, ideas, and resources, plus jotting down ideas or outlines
- Writing: creating the story, article, poem, or book
- Rewriting: editing, revising and proofing
What To Do?
Each stage of writing requires a different kind of energy and concentration. What is most helpful is to match your energy level to the task. It all has to be done at some point, but much of it doesn’t have to be done in order.
And if you’re exhausted, start with the easiest task. That’s what I did today. I had go through some photos I’d taken, find and watch a couple of YouTube videos on a process I couldn’t quite picture, type up a list from scraps of notes, and re-read a revised chapter to see if it held together.
It took a couple of hours, I made progress, I got some needed writing jobs done on the project, and I didn’t make my headache worse. A good day!
By:
Kristi Holl,
on 11/26/2010
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Did you read “Who’s in Charge?” (Part 1) and “Who’s in Charge?” (Part 2) first?
Life is one choice after another. We have to choose our writing thoughts, which help shape our writing attitudes, and that leads us to the next level: actions. This is where the writing rubber meets the road.
Actions
A committed attitude will make choosing your actions easier. When you’re willing to do whatever it takes to revamp your personal life so you can write, the choices become clearer.
- You will do things like choosing to write before doing the dishes, even though it bugs you to leave dirty dishes in the sink.
- You will choose to write for an hour instead of watch TV or talk on the phone.
- You will choose to have that lower carb/higher protein lunch so your writing energy is high all afternoon.
- You will choose to retire at a decent hour so you’re alert to create the next morning.
- You’ll consciously choose to make quality time with your family so you can write without feeling guilty–and without being neglectful.
- Instead of a mental wish list, you’ll choose to set goals, write them down, and even make a poster for your wall so you’re staring at them daily.
- You will choose to settle family quarrels and resolve conflicts partly because NOT doing so saps all your writing energy.
Just One Fork After Another!
You will make choices in all areas of your life that will support your writing instead of making it more difficult. Each time you come to a fork in the road, try to make a choice that will put you in charge of your writing. Each choice might look small, but these decisions add up to your writing life.
It might sound restrictive, but it’s really not. In 2011, I hope we all find that freedom that comes from being in charge of ourselves–and thus, our writing.
What is one action you would change today if you could?
By:
Kristi Holl,
on 11/24/2010
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Hope you read “Who’s in Charge?” (Part 1) first!
On Monday I talked about taking charge of your negative thought because where the mind goes, the man (or woman) follows! And how will that help?
Attitudes
Changing your thoughts will change your attitudes and emotional feelings about writing. Instead of postponing happiness until you get published, for example, choose to be content with your writing today.
Choose to enjoy the act of putting words down on paper to capture an image. Choose to enjoy delving into your memories for a kernel of a story idea. Choose to enjoy the process of reading back issues of magazines you want to submit to. Choose to enjoy reading a book on plot or dialogue or characterization for tips you can apply to your stories.
Instead of feeling pressured to succeed quickly, choose to be patient with your learning curve. Choose to be happy about each small, steady step forward.
Zoom Out!
Look at the larger picture, how each writing day is another small building block laying the foundation of your career. Stay present in the present! Pace yourself with the determined attitude of the tortoise instead of the sprinter attitude of the hare.
You also need to choose an attitude of commitment. Commit to your goals and deadlines, to continued improvement in your writing, and to dealing with negative feelings as they come up. Commitment is more than “I wish” or “I’d like.” Commitment is “I will.” There is a huge difference! (Like the gap between a man saying, “Gee, I’d like to marry you” and “Will you marry me–here’s the ring–let’s set a date!”)
Move from the wishy-washy attitude of “I’d like to be a writer” to the commitment level of “I’ll do whatever it takes for as long as it takes to be a successful writer.” That one change in attitude can be what determines if you make it as a writer.
(Stay tuned for Part 3 on Friday.)
By:
Kristi Holl,
on 11/22/2010
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Your writing life is the sum of all the writing-related choices you make. Choosing means to make a decision each time you come to a particular crossroads. If you want 2011 to be different, you’ll have to make different choices.
Most decisions are not deliberate. Instead we unconsciously follow our habits, choosing what is easiest because it’s what we’ve done for years.
We choose negative thoughts about our abilities, we choose negative attitudes about our progress, and we follow with negative actions of not setting goals and not writing.
Choice or Habit?
Although many of your choices have become automatic habits, each one is still a choice you make. So if you want to have a successful writing career (however you define “success” for yourself), you must control the process of choosing. You must begin to notice your choices, moment by moment.
Think about what you’re thinking about! Then start making consistently better daily choices. Take control of your writing life by being in charge of yourself.
Writers make critical decisions in three areas every day–sometimes every hour. Train yourself to be a close observer of your choices. You come to a fork in the road hundreds of times each day, and each time you have a choice to make. Beginning today, consciously choose the direction that leads to your writing goals.
Thoughts
If you want to make changes that last, you must change the way you think. Your mental and emotional framework needs adjusting. You must first focus on getting your MIND moving in the right direction. The way you think will ultimately dictate your long-term success or failure.
Certain thoughts and beliefs will derail you before you even get started. (”I’m not good enough.” “I don’t have the talent I need.” “It’s who you know in this business, and I don’t know anyone important.” “I don’t have the time/energy/family support to write.”) Take time to recognize which particular issues negatively affect your choice to write.
Debunk the Myths
Perhaps your thoughts about writing contain a few myths that need exploring–and debunking. Do you think that you’ll be a happy writer if you just manage to get published? You might be–but probably only if you’re happy before you get published. Grumpy, negative, passive writers who achieve publication tend to be grumpy, negative, passive writers with a publishing credit. Publication itself won’t make you happy.
Do you think there is a magical short-cut to writing success? You DO need to study your craft, but are you on the constant lookout for the latest quick fix writing book or article, the latest get-published-quick scheme? Do you think, if you just find the “key,” you’ll get published immediately? Although we’re a society of instant gratification promoters, it is still true that excellent writers don’t spring up overnight–they are grown.
S-l-o-w-l-y.
Do You Tend to Pass the Buck?
Do you think it’s someone else’s fault that you aren’t published? Do you have a general mental habit of blaming your lack of success on others? While it’s a human tendency to do so, this kind of thinking will keep you stuck–and unpublished.
Every career has obstacles to conquer on the way to success, and writing is no different. The obstacles only change from time to time. (Obviously, writers fifty years ago did not worry about their hard drives crashing or scanners not working.) But writers of all ages have had barriers to overcome. At one time women writers had to disguise what they were doing–and even use a male pen name in order to get published!
Start Today!
Choosing your th
By:
Kristi Holl,
on 11/19/2010
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Thirty years ago I read an article that said writing was like eating a salami. You’d choke if you tried to swallow the whole thing at once. Slice by slice, though, it was easy.
These 20-minute Challenge tasks are “slices of salami.”
100-Day Challenge
I had several questions from writers doing the 100-Day Challenge about how to break writing tasks into those 20-30 minute slices. At the beginning of the challenge, I made a three-page single-spaced list of such tasks, covering several project areas (a novel revision, a possible nonfiction e-book, and marketing).
The beauty of the list to me is that I don’t have trouble getting started. I pick a task-not necessarily in the order listed-set my time, and get going! Since getting started has always been my biggest hurdle, the list goes a long way toward getting me over that hump.
Examples of Short Tasks
If your main project is fiction, and you only have 20-30 minutes to write, pre-thinking is critical before you sit down at the keyboard. Otherwise you’ll waste your time getting started and focusing. I became skilled at pre-thinking when I was first taking this ICL course because I had a preschooler, a toddler and a newborn. I wrote in 10-minute slices back then.
I made long lists of tasks for stories I wanted to write. The tasks covered such things as outlining steps, “creative steps” like thinking of character and setting names, mechanical steps (e.g. write opening scene), revision steps, and marketing steps.
The list of short fiction ”slices” would include things like:
- Think of three titles
- Revise titles to be more suspenseful
- Decide on main character’s name
- Decide on ending
- Write physical character description of mother
- Look up street names and weather in XXX town
Nonfiction “slices” might include:
- Fact check xxxxx
- Organize sources into alphabetical bibliography list
- Revise (or tighten) opening
Examples for marketing might be:
- Find three agent blogs to read
- Find three publishers’ blogs to read
- Read one blog post and leave a comment
- Set up a Twitter account
- Get domain name at GoDaddy.com
I was going to list some of my own 20-minute tasks for you, but I realized they wouldn’t mean anything to anyone but me. (e.g. check out Blogger Link Up, check epiphanies re: p. 194 MAC, make “sense” lists for each scene in last chapter) But I think the examples above give you a better idea of breaking things down into small slices.
Estimating Time Needed
Realize that it’s difficult to estimate times correctly. Sometimes I gave myself twenty minutes to do a certain task, and it only actually took me five minutes. Other times, the task took me three 20-minute periods to finish.
For example, one of my 20-minute tasks was to set up my author page on Amazon.com. (I have needed to do this for more than fifteen years!) My friend did hers in 20 minutes, but even though we were adding the same amount of info, I took three 20-minute times to finish mine. It took me the first twenty minutes just to read and understand the directions, another twenty to write the bio, and another twenty to add the book jackets and video trailer. (Actually there was another twenty minutes spent later because some of the dust jackets wouldn’t load, which I gave up on.)
I hope these examples have helped you and given you ideas for breaking down your own
By:
Kristi Holl,
on 11/15/2010
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Do you ever wonder if you’re a REAL writer? If you have doubts, it might be because you have a bad case of the “shoulds.”
Symptoms of the “shoulds” include:
- You should write first thing in the morning.
- You should write daily.
- You should keep a journal.
- You should write down your dreams every morning.
- You should have a room of your own and be organized!
- You should write for publication.
What if some of the “shoulds” just go against your grain? Are you not a real writer then? What if you write best after 10 p.m. instead of first thing in the morning? What if you start journals repeatedly and never last more than three days? What if you can’t remember your dreams? What if an organized office makes you freeze and you secretly prefer writing in chaos?
Are you a REAL writer then? YES!
What Am I Exactly?
If you struggle with your identity as a writer–if you don’t seem to fit the mold no matter how you’ve tried–you would love the book I found over the weekend. It’s called The Write Type: Discover Your True Writer’s Identity and Create a Customized Writing Plan by Karen E. Peterson, who wrote the best book on writer’s block I ever read.
This book takes you through exercises to find the real writer who lives inside you. You’ll explore the ten components that make up a writer’s “type.” They include such things as tolerance for solitude, best time of day to write, amount of time, need for variety, level of energy, and level of commitment. Finding your own personal combination of traits helps you build a writer’s life where you can be your most productive and creative.
Free to Be Me
To be honest, the exercises with switching hands (right brain/left brain) didn’t help me as much as the discussions about each trait. I could usually identify my inner preferences quite easily through the discussion. It gave me freedom to be myself as a writer. It also helped me pinpoint a few areas where I believed some “shoulds” that didn’t work for me, where I was trying to force this square peg writer into a round hole and could stop!
We’re all different–no surprise!–but we published writers are sometimes too quick to pass along our own personal experience in the form of “shoulds.” You should write first thing in the morning should actually be stated, It works well for ME to write first thing in the morning, so you might try that.
What About You?
Have you come up against traits of “real writers” that just don’t seem to fit you? Do you like to flit from one unfinished project to another instead of sticking to one story until it’s finished and submitted? Do you need noise around you and get the heebie jeebies when it’s too quiet?
If you have time, leave a comment concerning one or two areas where you have struggled in the pas
By:
Kristi Holl,
on 11/10/2010
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Life takes over sometimes, unless you live on a remote island somewhere. Even happy events–new babies, company, holidays–can sidetrack you temporarily.
Today I realized that I couldn’t even remember some of the “must do” daily tasks of the 100-Day Challenge. Reviewing the weekly challenge letters turned out to be a great way to pump me up again!
Fall Back and Re-Group!
Here, in a nutshell, are some of the tips, tricks, methods and pointers of the 100-Day Challenge that I’ve found to be most helpful. So instead of giving up the Challenge because I totally missed many of the days, I’m recommitting for the final 50 Days to do the following:
- Set your goal and break that major goal down into small tasks. Do one small task daily. The only trap you can fall into is to make your daily tasks too complex. Please write this down: “A task is something which takes no longer than 10, 20 or 30 minutes.” When you chunk every task down into slivers of time, it stops you procrastinating. If you only have 20 minutes to do a task, you’ll do it. (Use a timer, either a kitchen one or a freeware timer for your computer-Google “Timer Utility” for some free choices.)
- Talk to yourself on paper (or on screen) about your writing. Instead of thinking about writing or thinking about your goals, get that thinking down on paper or screen. Take baby steps, putting one word down after the other. Keep a notebook or file open where you frequently talk to yourself and make notes about anything concerning your writing life. You will stop being intimidated by the art of writing–it will just be something you do. (For more about this see “Write It All Down.”)
- Document everything. Write down your goals and plans. Write down each day what you did toward meeting those goals. Every little bit. Brainstorm about your strengths and weaknesses–and things you can do to overcome obstacles. Angela said, “If you get into the habit of journaling, and talking to yourself about your writing, you’ll be amazed at the breakthroughs in your writing that you’ll achieve.” Based on the days I used her idea, I have to agree!
- Make a comprehensive Master Task List. (This took several days, but I now have a three-page single spaced list of small 20-30 minute tasks. The tasks are organized into six areas that encompass the writing and marketing things I hope to accomplish.) Now when I have a 20-30 minute “window of opportunity,” I don’t have to try to think of something I can finish in that amount of time. I just grab my list, choose one, set the timer and go.
- Keep your goal, or goals, in focus. You may find it helpful to rewrite your primary goal each day. Rewrite it on a sticky note (real paper or on your computer screen) several times a day. This helps you to refocus and remember what’s important to you–and why it’s important.
- Do confidence building activities. Re-read frequently the confidence-building thoughts you’ve worked on. See
By:
Kristi Holl,
on 11/3/2010
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For your reading pleasure today…
**Trendspotting: Readers Spending on Books: Some of the findings surprised me here–in a good way.
**Bad Agents: If you want an agent, read these warnings before “falling” for someone unethical or someone who “over promises” but “under delivers.”
**You Aren’t J.A. Konrath: Here’s some startling (to me, at least!) news about how well independently self-published e-book fiction is selling.
**If Not Now, Then When?: Even if you can’t live your whole dream today, what piece of it CAN you implement?
**Does Age Matter in Fiction Writing? Is there an age bias against older writers today? If so, what can you do about it? (You’d also enjoy the blog Fiction After Fifty for older writers.)
How About YOU?
What have YOU read lately online that you think would benefit other writers? Post a link and title of the blog with your comment!

I don’t know how many of you have pig-out weekends with wake-up calls on Monday morning, but this week I had both. So I read a few motivational articles online for getting myself back on track.
It struck me that getting fit and getting published have a lot in common. The problems that derail us and the solutions proposed by the “experts” can almost be interchanged!
- For example, if you want to lose weight and get in shape, fitnss experts say that a support system of some kind is necessary. (Writers need it too.)
- Interval training is recommended for fitness–short bursts of focused work, then lighter periods for recovery. (This works best for my writing schedule as well.)
- Fitness experts recommend keeping track of your calories consumed and miles run. (Writers recommend keeping track of words and pages written.)
- Certainly to succeed in both areas, you need daily disciplines (consistency).
- And in both arenas, “slow and steady wins the race,” rather than days of self-torture followed by taking several weeks off.
- Both fitness experts and published writers recommend journaling, both for dealing with emotional issues that can throw you off your goals, as well as “before-during-after” journals for dealing with special blocks and temptations.
- Fitness gurus tell you how to deal with those loved ones who (perhaps unconsciously) try to sabotage your weight-loss progress. I’ve written about that issue myself, pertaining to writing.
- Fitness experts talk about the changes you need to make daily, and how you must think of them as “lifestyle changes” if you want to be successful. (Writers, also, must make changes in lifestyle that need to be permanent instead of lasting only until a deadline is met.)
- Diet instructors caution against using your calories on junk food and feeding the body little nutritional value. (As a writer, I have to force myself to lay aside my junk food mysteries sometimes in order to feed my mind something more literary and challenging.)
- To be successful in either endeavor, you need to stop those negative, defeatist thoughts and be optimistic.
- There are also times to deal with where you do everything right but get disappointing results (follow your food plan and exercise daily, yet gain a pound–OR write daily and submit, yet get rejected.)
Where’s My Motivation?
I realized that if I can master these general habits and mindsets, I can conquer all my fitness issues AND my writing issues! I just need to find the motivation.
In case you think your own motivation is lost, enjoy “Where Does Your Motivation Go When You Lose It?” The suggestions work equally well for developing fitness OR writing habits.
And if you have time, please leave a short comment sharing a wa
By:
Kristi Holl,
on 10/25/2010
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Because I have company this week (my daughter home from Iraq), I’m going to re-post a previous article. Because waiting is on my mind this week (my youngest daughter’s first baby is overdue), I chose this article on waiting.
Writers need to write daily–but we also wait daily. And we need to learn the art of waiting well.
Waiting! Waiting! Waiting!
For a writer, which activity lasts longest?
A. Submitting a manuscript, proposal, or query.
B. Waiting for a reply.
C. Opening your acceptance letter. Dumb question, right?
Anyone who’s been a writer for more than six months knows that the majority of a writer’s time–perhaps as much as 80-90%–is spent waiting on the fate of a manuscript or proposal or query. Submitting requires a trip to the post office or sending an e-mail attachment. Accepting requires a trip to your mailbox or e-mail Inbox.
It’s all that waiting in the middle that separates the men from the boys, the wannabes from the real writers. It stands to reason, then, that if you’re going to enjoy the writer’s life, you’d better learn how to enjoy waiting.
Enjoy Waiting?
Over and over, seasoned writers tell us that we must learn to enjoy the writing process, the day-to-day putting words on paper that is the essence of a real writer’s life. That makes sense, and once we make up our minds to it, learning to enjoy the writing process is a fairly simple matter.
But enjoy the waiting process? How? It takes more than just knowing the reasons. Understanding intellectually why we wait so long for a reply (down-sized publishing staff, floods of submissions, holiday vacations) doesn’t make waiting any easier.
Ways We Wait
There are at least three different ways we wait, and not all of them are productive.
(1) We wait in a state of high anxiety.
When we’re anxious about a manuscript or query that we’ve submitted, we wait on pins and needles. We know the market guide said “replies within two months,” so we give the editor an extra week beyond that. Then our waiting wears thin. Nothing is happening! We decide to help the editor along by taking things into our own hands.
We call the editor. We e-mail the editor. We send an urgent reminder note on neon-pink paper. We aggravate our ulcer and irritate our writing group with our agonizing. Then we have to live with the consequences of what (in haste) we decided to do.
In a calmer, dreadful moment, we realize our strident questions angered the editor when we phoned. In retrospect we realize our pink stationery looked amateurish. Our anticipated check is already being spent on antacids, and our writer friends are ignoring our ranting e-mails.
(2) We grit our teeth and hang on.
Others of us wait by clenching our jaws and furrowing our brows. While this is better than making an irate phone call to an editor, it still isn’t an enjoyable way to live. For one thing, it tarnishes the daily joy of working on our current writing project. It can also lead to depression, a “what’s the use?” feeling about writing. As time goes by, we write less and less. Our enthusiasm wanes.
This is the time when negative things start coming out of our mouths about insensitive editors and the stupid snail mail and malfunctioning email and what rotten writers we really are. Jealousy of others’ success can rear its ugly head now, too. Waiting in this fashion will bring out the worst in you.
(3) We wait with hope.
The w
Learning how to be content with what you have brings great peace. I’ve
done several studies on contentment, and it’s a state I try to live in.
That said, I also believe there is such a thing as divine discontent. It’s akin to the stirring of the nest when it’s time for baby birds to leave their comfort zone and fly.
That “I want something more” feeling is what prompted me to take the ICL writing course thirty years ago, the only writer’s “training” I’ve ever had.
Spinning Your Wheels
This divine discontent is a longing for something different. You may feel stuck in a job that saps so much energy that you don’t have any left over for your writing. You may have climbed to the top of the corporate ladder and found it less satisfying than you’d expected. Your kids may finally be in school all day, but your days are crammed with things that don’t fulfill you.
This restless discontent can be a sign that you’re being called to something else. If you’re reading this blog, perhaps it’s a career in writing.
Signposts Along the Way
According to The Practical Dreamer’s Handbook: Finding the Time, Money, and Energy to Live Your Dreams by Paul and Sarah Edwards, there are sixteen signs to look for that might mean something is missing in your life–and something new is waiting to be born. The signs include:
- Not wanting to get out of bed
- Feeling mildly depressed for days on end
- Difficulty motivating yourself to do routine tasks
- Overeating, using alcohol, drugs, or TV to feel better or escape
- Losing interest in things that once engaged you
- Feeling chronically tired, de-energized, and listless
- Nagging doubts about yourself and the course of your life
- Losing a sense of enthusiasm
- Worrying about how you’ll keep things together
- Getting frequent headaches, stomach upset, and other aches and pains
- Feeling bored and restless
- Sleeping too much or too little
- Wishing you were someone else
- Nagging and complaining
- Having frequently bad dreams or nightmares
- Feeling constantly overwhelmed and irritable
What if you identify with these signs of discontent with your life? Could this restless sense of “I need something more” be a calling to do something else? Something besides what “everyone” thinks you should do?
Finding Out
By:
Kristi Holl,
on 10/15/2010
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(First read “Regain the Passion” Part 1 and Part 2.)
How to Regain Lost Passion
If you were passionate about your writing in the past, but haven’t felt that way for a long time, there is a definite sadness mixed in with the lethargy. It feels like falling out of love, and in a very real sense, it is.
Can you stir up the fires of passion for your writing? Can you fall in love with writing and your work again, when all seems dry as dust and just as tasteless?
Yes!
Surprising Sources
Years ago, I struggled with this question, slowly becoming afraid that the boredom and apathy were permanent. I tried to muster some enthusiasm for my book-in-progress, whose deadline was fast approaching, but to no avail. It wasn’t the book manuscript itself. I knew it was finely plotted, with well placed clues and plenty of tension. The problem wasn’t in the manuscript—it was in me.
I found the answer to the problem one cold, snowy morning, and it came from the most unlikely source: my dog. We’d had freezing conditions for several days, cutting short my walks with Rhett (my black Lab.) I chained him outside for the day, then hurried back indoors. Playtime was cut short—it was just too cold and windy for me.
I paid little attention to Rhett during that week, although I’d loved him passionately since bringing him home from the pound ten months earlier. As the frigid week wore on, and the weather stayed miserable, I began to resent having a dog. I hated going out in the weather to his snug dog house, carrying water often because his dish froze over. I became apathetic about Rhett—he was getting to be more trouble than he was worth.
The Turn-Around
Then one day the sun came out, melted the snow, and temperatures soared. I put Rhett on his leash and took an hour-long walk, complete with Puppy Biscuit rewards for correct sitting, heeling and staying.
When we got home, I chained him outside near his food and water, then stayed to play. I petted, I stroked, I laughed, I cooed. (If you’ve never been a dog owner, you may need to gag here.) Anyone watching me that morning could see I had regained my passion for owning a dog.
Simple Formula
I’m sure you see the parallels. Regaining passion for your work-in-progress can be accomplished the same way:
A. Pay attention to your work. Think about it when you’re not at your desk. Mull over your theme. Ponder plot points. Have mental conversations with your characters.
B. Take care of your work. Feed it with quotes and good resource books. Do in-depth research and interviews. Immerse yourself in your subject matter.
C. Spend time with your work. Daily, if possible. If you want passion to ignite in anything (a relationship, your work, a hobby) you must spend consistent—and sufficient—time with it. We understand this principle in romantic relationships, but it’s just as true with your writing.
Don’t Settle
Part of the enjoyment of being a writer is the pure passion and pleasure of setting words on paper. Don’t settle for ho-hum, apathetic work. Instead take
By:
Kristi Holl,
on 10/8/2010
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As part of the 100-Day Challenge, Angela Booth sends inspirational emails and links to some of her articles.
One of Angela’s techniques which we’re supposed to do daily (along with the challenge) is to write everything down. We’re to “think on paper,” capturing our ideas, our questions, our concerns about writing.
To be honest, my first reaction was: “I don’t have time for this–and I’ll just end up with a bunch of drivel.” But my accountability writing partner and I are doing the challenge together, so I decided to comply.
I’m so glad I did.
Do It Anyway!
Just as Angela predicted, on the days I “wrote everything down,” my brain coughed up several very easy and workable ideas for a project I’m doing and for an e-book I want to write. I also discovered a big problem with something I had planned–something that would have caused trouble later if I hadn’t spotted it while writing about it.
Why does it work? It probably has to do with the following: “Writing is thinking - but you’re not just thinking in your head, you’re writing things down,” Angela says. “For most people, head-thinking is a mistake, because you’re thinking from your own perspective, what you know. Head-thinking turns into worry, which burns your motivation…You need to get beyond that, so that you can access your creativity. That happens when you write things down.”
Try It–You Might Like It!
So with that in mind, I’ll refer you to Angela’s article “Writing is Writing: Just Write Things Down.” I challenge you to try it daily. I keep a Word document open on my laptop for this so it’s easy to do. If your thoughts are more personal, use journaling software or a spiral notebook you can hide.
All of you “100-Day Challenge” people–are you using this technique? If so, leave a comment about how it’s working for you.
I’m thinking about voice this week, and I’m enjoying (again) Les Edgerton’s excellent book Finding Your Voice: how to put personality in your writing.
He gives an idea (see below) about finding your true writer’s voice that intrigues me–and I’d like your reaction to it.
Your True Readers
He says that most of our daily contacts with people (spouse, people at your day job, small kids, people at the coffee shop) aren’t readers, at least not readers like you are. They may be casual readers, but not readers to the depth you’re a reader. He asks:
“What does this mean to you as a writer? Only this–it’s easy to begin to think of your own potential readership as being comprised of the same kinds of folks you see at work or at play or bearing a strong resemblance to the family next door… After a while, it’s only natural to imagine most people in the country itself are pretty much like the folks you see every day. Well, most folks are…but those aren’t your readers, usually. Your reader is yourself.”
Who Are My Readers?
His advice is to remember that your reader is yourself–or someone much like yourself. (Someone who shares your interests, knows just about the same things you do, has a reading background and history similar to what you’ve had.)
Except for your writer’s group or a friend who reads as voraciously as you do, you may not have a lot of contact with this potential reader, but they’re the ones you should be writing to.
Why–and what does that have to do with finding your true voice?
Where’s the Real Me?
“Make yourself your intended reader,” Edgerton says. “By writing to you as your reader, you get closer than at any other time to getting your real voice on the page. You write naturally.”
I don’t know about you, but doesn’t that sound like FUN? It makes me look at the subject of voice in a whole new much-less-stressful and much-less-intimidating way. I think it’s also the way I used to write.
Want to Try It?
For more about this intriguing way to find your true voice, get the book above and read Chapter Five: “Here’s Lookin’ At You, Kid…A New and Different Way of Looking At Your Audience.”
What do you think about this idea? Would it change the way you write? Does it make it easier to find your voice? Give me your thoughts!
By:
Kristi Holl,
on 9/27/2010
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We all want to succeed with our writing, right? I can say a resounding YES! to that, but sometimes you’d never know it by my actions.
Case in point: the 100-Day Challenge that many of us started last week. I’m doing this with my writing friend, Sherryl Clark, and we check in daily with what we’ve accomplished. That’s an excellent system.
What Went Wrong?
However, within three days I was overwhelmed and wanted to quit. We Skyped about it, and the conversation went something like this:
- Me: I was too busy already! I can’t find another hour in my days to do this challenge!
- Sherryl: Hour? What hour? It’s supposed to be 20 minutes.
- (Pause to think and frown) Me: Where did you get the idea of 20 minutes?
- Sherryl: From Angela Booth’s instructions in the first email. You’re supposed to take your projects or goals and chunk them down into 20-minute segments. You set a timer, work for 20 minutes, and then quit. You pick up the next day where you left off. Just 20 minutes per day!
Instead of chunking it DOWN, I had piled it on and plumped it UP. My list became discouraging then. This behavior is known as setting yourself up to fail.
Small Bites
So I backed up and did what Angela Booth recommended, and I chunked down my list of (mostly) marketing tasks into things that could be accomplished in 20-30 minutes. Now it’s fun to look at that list and choose ONE thing to do each day. I start the timer, keep an eye on the countdown, and whiz through each small task.
I intend to use the 20-minute chunk principle for all my writing jobs for a few weeks, just to see how I like it. It’s amazing how much you can get done in 20 concentrated minutes, whether it’s writing or blogging or marketing or updating your website.
Don’t set yourself up for failure. Instead, do whatever it takes to set yourself up for success!
“If we did all the things we are capable of doing, we would literally astound ourselves.” ~~Thomas Edison
How are you coming with your first three essential writers’ habits? (See previous posts on Habits #1, #2, and #3.) Today we’re talking about the fourth one: Set Ambitious But Achievable Goals.
Write Them Down
Goal-setting is a must-have habit if you want to be a working writer, someone who is going beyond the hobby stage in writing. “Goals should be written down and posted prominently, and they should be broken down into long-range, mid-range, and short-term objectives,” Denney says in Quit Your Day Job!
- Long-range goals (write a bestseller, write a series) define what we hope to eventually achieve.
- Mid-range goals define specific projects we are working on (under contract or with our own self-imposed deadlines.) This includes deadlines for completing them.
- Short-range goals define the daily and weekly tasks we must achieve (write five pages daily, mail three queries by Friday) in order to reach our mid-range goals. These are your production goals, and without them, your other goals will NOT be reached.
Give yourself permission to dream big. Your goals need to inspire you. As Andrew Carnegie once said, “If you want to be happy, set a goal that commands your thoughts, liberates your energy, and inspires your hopes.”
Out of Sight, Out of Mind
One of the biggest problems with goal-setting is that we tend to write them down and never (or rarely) look at them again. If they aren’t in the forefront of your mind, they’re so easy to forget.
In the The Success Principles , Jack Canfield suggests re-reading your goals out loud three times a day. As you do, close your eyes and picture each goal as if it were already accomplished. Keeping the idea fresh in your mind greatly increases your chances of following through to achieve your goals. Put your list on a pack of cards you can carry with you.
“Put a list of your goals in your daily planner or your calendar system,” Canfield advises. “You can also create a pop-up or screen saver on your computer that lists your goals. The objective is to constantly keep your goals in front of you.”
Begin Now
I’d encourage you to take time today and write down at least one long-term, mid-term, and short-term goal. The short one needs to support or help you achieve the mid-term goal, and both need to support your long-term goal. As you’re working through these seven essential habits for writers, apply the habits to your written goals.
And if you’re really brave, tell us one of your goals below!
Judging from some questions and comments I got via email about Wednesday’s post, I think I should have probably explained more.
I believe that many of us–and definitely ME–have a slightly “off” definition of being optimistic. It isn’t about thinking more positively or saying peppy things to yourself to keep going. (I’m good at both of those things.)
The test I scored a zero on measured three things that make up your optimism/pessimism score:
ONE: Permanence
Pessimists come to believe a bad condition is probably permanent (”Diets never work for me.” “You never talk to me.” “Life will always be hard.” “Editors will never want my writing.”)
Conversely, pessimests also believe the good things that happen to them are transcient. (”I tried hard that time.” “My opponent was just tired that day.” “I got lucky that time–it was a fluke.”)
An optimist believes good events came from permanent causes (”I’m smart” and “I’m talented”) and that bad events come from temporary causes (”I was having a bad day” and “she’s just hormonal this week.”)
TWO: Pervasiveness
Pessimists let bad news or events in one area of life spread to other areas. (”I can’t write–I just had a fight with my spouse/teen/best friend.”) Pessimists make blanket judgments. “All editors are unfair.” “Writing books are useless.”)
Conversely, when good things happen, pessimists are very specific. (”I only did well there because I’m smart at math.” “The editor only agreed to look at my book because I was charming at the conference.”)
An optimist can put bad events in a box and not let a failure in one area spread out into all areas of his/her life. Specific events stay separate. (”I’ll deal with my teen later–I’ll write now.” “This writing book is useless.” “The editor asked for my manuscript because my pitch–which I worked on for days–was good!”)
THREE: Personalization
This is when taking responsibility for your part in things (which is good) becomes self-blame (where you take all the responsibility for a problem, whether any or all of it is your fault or not.) You may have been raised with blame or live with someone who makes everything your fault. Either way, when things don’t work out in some area of your life, you automatically assume 100% of the blame. (”I’m just stupid.” “I’m insecure.” “I have no talent.”)
An optimist is realistic about how much responsibility to take for a problem. She doesn’t feel guilty assigning blame to others or events beyond her control when appropriate. She feels responsible for herself, not everyone she knows. [This was my biggest downfall on the test!]
It All Works Together
The test I took scored you on all three aspects. I scored high on some and low on others, which is how I got a zero. Some things–like taking too responsibility for things–turned out to be a bigger issue than I would have guessed. A
By:
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Because pessimism measures (in part) your ability to keep going and not quit in the face of unpleasant or disappointing circumstances, I didn’t expect the book Learned Optimism to have much to say to me.
My whole life has been about not quitting in the face of severe physical problems, depressing family life issues, and major publishing downturns. It’s been about taking responsibility, learning from things, and moving on.
“I’m no quitter” is as much a part of me as my hair color (under the Preference by L’Oreal) and my brown eyes. Yes, I sometimes took on too much. Yes, my health wasn’t always the best. But I always pressed on even if things looked hopeless.
That should earn me a high score on the book’s lengthy optimism test, right?
Um…no.
This Can’t Be Right!
I was shocked. I called my best friend who had read the book and asked what her score was. She got a 9–meaning very high optimism. I’m not surprised. She’s a great encourager.
I got a 0. (Oh, I got +14 on some good stuff, but a -14 on the bad stuff, effectively cancelling out the positives.) The test and research are based on what author Martin E. P. Seligman, Ph.D. calls your “explanatory style.” It’s how you perceive the reasons behind the good things and bad things that happen to you-and your assumptions about the future.
It’s BIG
According to Seligman, “It matters a great deal if your explanatory style is pessimistic. If you scored poorly, there are four areas where you will encounter (and probably already have encountered) trouble.”
He mentioned that you’ll (1) get depressed more easily, (2) achieve less at your career than your talent warrants [listen,
writers!], (3) have poorer physical health and an immune system not as good as it should be, and (4) life won’t be as pleasurable as it should be.
The author assures me that there are many ways to change your thinking in all these areas of your life. Evidently my “explanatory style” needs a major revamping. I’m looking forward to the rest of the book. It’s very research-heavy in the first half, so I may skip to the chapters on “how to fix it.”
Expect to hear more about this in future weeks! In this time of publishing upheaval and downturns, might you benefit from some “learned optimism” yourself?
By:
Kristi Holl,
on 8/23/2010
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“Enthusiasm, motivation, and dedication are necessary for your success as a writer,” says Kelly L. Stone, author of Living Write: the secret to inviting your craft into your daily life.
But…what if you don’t have all those emotional tools (the enthusiasm, motivation and dedication) at your disposal? “Don’t worry,” says Kelly. “They can be learned as part of the thought-feeling-behavior cycle.”
Same Old Thing? Not!
I’ve heard before that thoughts cause your feelings which cause your actions, and you probably have to. However, Ms. Stone gives a very helpful twist to the “you can change how you feel and act by changing how you think” mantra. And this “plus” makes the idea instantly useful to anyone trying to improve her writing life.
How? By seeing this as a cycle, not a linear set of events. I’d always heard that you had to go in order-1, 2, 3. You change your thoughts first, then your feelings would change, and then your behavior would change.
However, this author claims (and I agree after trying it out) that it’s not a straight line, but instead a cycle that runs like a loop.
What does this mean to writers? It means you change any one element of the cycle, and you will by necessity change the other two parts. You don’t have to start with changing your thoughts if you don’t want to. You can change your writing life by changing whatever is easiest for you.
Practical Terms
For example, maybe you’re a Nike-Just-Do-It! kind of writer. You can’t bring your thoughts or emotions into subjection, but you can grit your teeth and sit yourself down at the keyboard right on schedule. If that’s true-if controlling behavior is the easiest part of the cycle for you-then skip worrying about your thoughts and feelings and hit the behavior first.
Maybe it’s easier for you to deal with feelings. I know a perky, sanguine writer whose depressed anxious feelings rebound to optimism just by taking a nap! However, maybe for a variety of publishing and non-publishing reasons, your feelings about writing are sour, and fixing those ricocheting feelings is a losing battle. Then tackle another part of the cycle that is easier for you. (Personally, no matter what I’m going through, I find controlling or changing feelings the hardest part.)
Of the three aspects of the cycle, thoughts are easiest for me to change. It means I have to tell myself the truth, but in a kind way. (See Pitch It to Yourself and In Your Write Mind.) Over the years, for many problems that I faced, I learned the importance of positive affirmations based on truth. I saw that repeating these truths daily for weeks and months could totally reprogram my brain and change my attitude, my feelings, and the resultant actions.
No Right or Wro
“Some days, even the best dentist doesn’t feel like being a dentist,” says Seth Godin on his blog. “And a lifeguard might not feel like being a lifeguard. Fortunately, they have appointments, commitments and jobs. They have to show up. They have to start doing the work.”
The result?
“Most of the time, this jump start is sufficient to get them over the hump, and then they go back to being in the zone and doing their best work.”
But…What About Writers?
If we work at home, we don’t have to keep strict office hours. No one will know–or the little ones underfoot won’t care–if we keep that “appointment” with our novel or article or lesson. No one will fire us if we don’t show up and do our writing.
It’s not that writers can’t have the momentum of the dentist or lifeguard. It’s just that no outside boss is going to help you get going, get over the hump, and build that momentum. You will have to do it yourself.
You must be a self-starter. (Gulp.) That’s the truth.
Help Is on the Way
There are terrific motivational books for writers. I’ve blogged about many of them. You can also re-read some blog entries on getting started or entries on the psychology of writing. These will often be enough to prime the pump and get you to the computer or legal pad.
Getting started and building your own writing momentum is a struggle for ALL writers. That’s why ten chapters in my Writer’s First Aid book are
devoted to getting started and ten more on work habits that work for you. (Here you’ll find four sample chapters.)
What about you? What is one technique or ritual you use that gets you started writing?
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