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The Life of Charlotte Bronte. Elizabeth Gaskell. 1857/1975. Penguin Classics. 623 pages. [Source: Bought]
I should have read it years ago. I really should have. I simply loved, loved, loved Elizabeth Gaskell's biography of Charlotte Bronte. Yes, it's packed with information on the Brontes. But it's more than that. It's how this information is conveyed, it's how the story is written that makes it a compelling read. Not many biographies are impossible to put down. This one was. Gaskell, in many ways, let Charlotte Bronte speak for herself by sharing so many letters or excerpts from letters. One really gets a sense of "knowing" from reading it. And that isn't always the case with biographies, though it is sometimes the case with autobiographies. I appreciated Gaskell's narrative voice very much. It was a real treat. Anyone who loves Victorian literature should read this one. Or anyone who loves Jane Eyre or any other Bronte novel.
Quotes:
I read for the same reason that I ate or drank; because it was a real craving of nature. I wrote on the same principle as I spoke--out of the impulse and feelings of the mind; nor could I help it, for what came, came out, and there was the end of it. ~ Charlotte Bronte in a letter to Mr. Wordsworth, 1837
It is very edifying and profitable to create a world out of your own brains, and people it with inhabitants, who are so many Melchisedecs, and have no father nor mother but your own imagination. ~ Charlotte Bronte, 1840
Some of my greatest difficulties lie in things that would appear to you comparatively trivial. ~ Charlotte Bronte, 1841
Write to me often; very long letters. It will do both of us good. ~ Charlotte Bronte, 1841
If I could, I would always work in silence and obscurity, and let my efforts be known by their results. ~ Charlotte Bronte, 1841
They wanted learning. They came for learning. They would learn. Where they had a distinct purpose to be achieved in intercourse with their fellows, they forgot themselves; at all other times they were miserably shy. ~ Elizabeth Gaskell about Charlotte and Emily going to Brussells
Any one who has studied her writings,—whether in print or in her letters; any one who has enjoyed the rare privilege of listening to her talk, must have noticed her singular felicity in the choice of words. She herself, in writing her books, was solicitous on this point. One set of words was the truthful mirror of her thoughts; no others, however apparently identical in meaning, would do. She had that strong practical regard for the simple holy truth of expression, which Mr. Trench has enforced, as a duty too often neglected. She would wait patiently searching for the right term, until it presented itself to her. It might be provincial, it might be derived from the Latin; so that it accurately represented her idea, she did not mind whence it came; but this care makes her style present the finish of a piece of mosaic. Each component part, however small, has been dropped into the right place. She never wrote down a sentence until she clearly understood what she wanted to say, had deliberately chosen the words, and arranged them in their right order. Hence it comes that, in the scraps of paper covered with her pencil writing which I have seen, there will occasionally be a sentence scored out, but seldom, if ever, a word or an expression. She wrote on these bits of paper in a minute hand, holding each against a piece of board, such as is used in binding books, for a desk. This plan was necessary for one so short-sighted as she was; and, besides, it enabled her to use pencil and paper, as she sat near the fire in the twilight hours, or if (as was too often the case) she was wakeful for hours in the night. Her finished manuscripts were copied from these pencil scraps, in clear, legible, delicate traced writing, almost as easy to read as print. ~ Elizabeth Gaskell about Charlotte Bronte's writing habits
Even at the risk of appearing very exacting, I can't help saying that I should like a letter as long as your last, every time you write. Short notes give one the feeling of a very small piece of a very good thing to eat,—they set the appetite on edge, and don't satisfy it,—a letter leaves you more contented; and yet, after all, I am very glad to get notes; so don't think, when you are pinched for time and materials, that it is useless to write a few lines; be assured, a few lines are very acceptable as far as they go; and though I like long letters, I would by no means have you to make a task of writing them. . . . ~ Charlotte Bronte, 1847
If "Jane Eyre" has any solid worth in it, it ought to weather a gust of unfavourable wind. ~ Charlotte Bronte, 1847
If I ever DO write another book, I think I will have nothing of what you call 'melodrama;' I think so, but I am not sure. I THINK, too, I will endeavour to follow the counsel which shines out of Miss Austen's 'mild eyes,' 'to finish more and be more subdued;' but neither am I sure of that. When authors write best, or, at least, when they write most fluently, an influence seems to waken in them, which becomes their master—which will have its own way—putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature; new-moulding characters, giving unthought of turns to incidents, rejecting carefully-elaborated old ideas, and suddenly creating and adopting new ones. ~ Charlotte Bronte, 1848
Every one has a right to form his own conclusion respecting the merits and demerits of a book. I complain not of the judgment which the reviewer passes on "Jane Eyre." Opinions as to its tendency varied then, as they do now. While I write, I receive a letter from a clergyman in America in which he says: "We have in our sacred of sacreds a special shelf, highly adorned, as a place we delight to honour, of novels which we recognise as having had a good influence on character OUR character. Foremost is 'Jane Eyre.' ~ Elizabeth Gaskell on book reviews
I wish you did not think me a woman. I wish all reviewers believed 'Currer Bell' to be a man; they would be more just to him. You will, I know, keep measuring me by some standard of what you deem becoming to my sex; where I am not what you consider graceful, you will condemn me. All mouths will be open against that first chapter; and that first chapter is true as the Bible, nor is it exceptionable. Come what will, I cannot, when I write, think always of myself and of what is elegant and charming in femininity; it is not on those terms, or with such ideas, I ever took pen in hand: and if it is only on such terms my writing will be tolerated, I shall pass away from the public and trouble it no more. Out of obscurity I came, to obscurity I can easily return. Standing afar off, I now watch to see what will become of 'Shirley.' My expectations are very low, and my anticipations somewhat sad and bitter; still, I earnestly conjure you to say honestly what you think; flattery would be worse than vain; there is no consolation in flattery. As for condemnation I cannot, on reflection, see why I should much fear it; there is no one but myself to suffer therefrom, and both happiness and suffering in this life soon pass away. ~ Charlotte Bronte, 1849
You say that you suspect I have formed a large circle of acquaintance by this time. No: I cannot say that I have. I doubt whether I possess either the wish or the power to do so. A few friends I should like to have, and these few I should like to know well. ~ Charlotte Bronte, 1850
I have read Tennyson's 'In Memoriam,' or rather part of it; I closed the book when I had got about half way. It is beautiful; it is mournful; it is monotonous. ~ Charlotte Bronte, 1850
It is my intention to write a few lines of remark on 'Wuthering Heights,' which, however, I propose to place apart as a brief preface before the tale. I am likewise compelling myself to read it over, for the first time of opening the book since my sister's death. Its power fills me with renewed admiration; but yet I am oppressed: the reader is scarcely ever permitted a taste of unalloyed pleasure; every beam of sunshine is poured down through black bars of threatening cloud; every page is surcharged with a sort of moral electricity; and the writer was unconscious of all this—nothing could make her conscious of it. And this makes me reflect,—perhaps I am too incapable of perceiving the faults and peculiarities of my own style. ~ Charlotte Bronte, 1850
You charge me to write about myself. What can I say on that precious topic? My health is pretty good. My spirits are not always alike. Nothing happens to me. I hope and expect little in this world, and am thankful that I do not despond and suffer more. ~ Charlotte Bronte, 1851
Even if it should turn out reasonably well, still I regard it as ruin to the prosperity of an ephemeral book like a novel, to be much talked of beforehand, as if it were something great. People are apt to conceive, or at least to profess, exaggerated expectation, such as no performance can realise; then ensue disappointment and the due revenge, detraction, and failure.~ Charlotte Bronte, 1852
© 2015 Becky Laney of
Becky's Book Reviews
Gut: The Inside Story of Our Most Underrated Organ. Giulia Enders. Illustrated by Jill Enders. 2014/2015. Greystone Books. 288 pages. [Source: Library]
Words to describe this one: Thrilling, Fascinating, Informative, Fascinating.
Gut by Giulia Enders is a compelling, action-packed nonfiction read that I found almost impossible to put down. I read it in two sittings. And I found myself stopping only to share little bits of information with others. My goal: to try to get everyone to read this one! Why? Because I think people NEED to know how the body works, and how ESSENTIAL gut-health is for HEALTH.
Yes, primarily, the book is about "the gut" (digestion from start to finish), but, it is also about how the whole body functions or malfunctions.
The last third of the book focuses on microbes, or gut flora. This section of the book is so absorbing and enlightening. And part of what makes it so exciting is how much is still not known, how NEW this research still is, and how promising it looks to be. There is still so much we don't know, don't understand, about how our bodies function, and what causes things like diseases and obesity. The link between gut microbes and obesity is certainly attention-grabbing.
From start to finish, I found Gut to be a great read. The jacket copy says that the narrative has "quirky charm" and I quite agree. You can
watch this video as well.
Table of Contents:
Gut Feeling
- How Does Pooping Work? And Why That's An Important Question
- The Gateway to the Gut
- The Structure of the Gut
- What We Really Eat
- Allergies and Intolerances
The Nervous System of the Gut
- How Our Organs Transport Food
- Reflux
- Vomiting
- Constipation
- The Brain and the Gut
The World of Microbes
- I Am An Ecosystem
- The Immune System and Our Bacteria
- The Development of the Gut Flora
- The Adult Gut Population
- The Role of the Gut Flora
- The Bad Guys--Harmful Bacteria and Parasites
- Of Cleanliness and Good Bacteria
© 2015 Becky Laney of
Becky's Book Reviews
The Armstrong Girl: A Child for Sale: The Battle Against the Victorian Sex Trade. Cathy Le Feuvre. 2015. Lion. 224 pages. [Source: Review copy]
I loved, loved, loved Cathy Le Feuvre's The Armstrong Girl. I think you might love it too.
Do you enjoy reading nonfiction? Do you enjoy biographies?
Do you enjoy reading about the Victorians--fiction or nonfiction?
Do you love history books RICH in primary sources?
Do you like to read about law cases and the legal system?
Looking for a good--true--story about women's rights?
Have an interest in journalism, reporting, and publishing?
Have an interest in learning more about the history and/or origins of The Salvation Army?
Do you enjoy compelling narratives? How about complex ethical dilemmas?
The Armstrong Girl is set in England around 1885. One man--with a good amount of help--sets out to right some wrongs. He is upset--and rightly so--that young girls--young virgins--are being sold into prostitution and sometimes even trafficked out of the country into foreign brothels. He wants to prove that it is relatively easy to find a young girl--thirteen or so--to buy for immoral purposes. He goes undercover himself to prove that this is so. Now, for the record, his intentions are to save her once he's bought her. To place her safely among friends in The Salvation Army so that she is not sold again. Who is he? He's William Thomas Stead of the Pall Mall Gazette. His series of stories about child prostitution and sex trafficking were called The Maiden Tribute of Modern Babylon. His big goal was to strongly encourage--compel, force--parliament to raise the age of consent from 13 to 16.
Here is how he 'warned' his readers:
Therefore we say quite frankly today that all those who are squeamish, and all those who are prudish, and all those who prefer to live in a fool's paradise of imaginary innocence and purity, selfishly oblivious to the horrible realities which torment those whose lives are passed in the London Inferno, will do well not to read the Pall Mall Gazette of Monday and the three following days. The story of an actual pilgrimage into a real hell is not pleasant reading, and is not meant to be. It is, however, an authentic record of unimpeachable facts, "abominable, unutterable, and worse than fables yet have feigned or fear conceived." But it is true, and its publication is necessary.
The first half of the book focuses on the articles he wrote and the legislation that resulted from his reporting. The second half of the book focuses on the legal aftermath of his reporting. He is arrested and placed on trial. Others who helped him--knowingly or unknowingly--are put on trial as well. Will he be found guilty? How about the others, will they be found guilty as well?
I loved this book. I found it fascinating. It was well-written. It was compelling--complex and detailed, full of oh-so-human characters. It was rich in primary sources: excerpts from the articles, testimonies from the trial, journal entries and letters from some of the participants, etc. It was just an absorbing read.
© 2015 Becky Laney of
Becky's Book Reviews
Follow Your Gut. Rob Knight with Brendan Buhler. 2015. Simon & Schuster (TED) 128 pages. [Source: Library]
Just how much microscopic life dwells inside you? If we're going by weight, the average adult is carrying about three pounds of microbes. Follow Your Gut
is reader-accessible science. The book is packed with information--what we know
for sure, what we
think we know, how much we just don't know quite yet, what we still need to spend time researching. The focus of the book is on microbes: the microbes living in us and on us. How every individual has their own unique combination of microbes. Our microbes can tell scientists where we live and how we live. Most of the book focuses on the microbes living in our guts. The book seeks to convey HOW VERY, VERY, VERY important it is to have good microbes in our gut. How essential gut health is to overall health, but, especially brain health.
Table of contents:
- The body microbial
- How we get our microbiome
- In sickness and in health
- The gut-brain axis
- Hacking your microbiome
- Antiobiotics
- The future
The book is packed with (basic) information. And I think it's information that should be more well known. I think knowledge is the first step, a good solid step in the right direction. I do wish the book was slightly more practical. Yes, it's good to know what microbes do or might do. But which strains of microbes are best for dealing with specific health issues? And how can one add/change one's microbes?!
© 2015 Becky Laney of
Becky's Book Reviews
Pioneer Girl: The Annotated Autobiography. Laura Ingalls Wilder. Edited by Pamela Smith Hill. 2014. South Dakota State Historical State Society. 400 pages. [Source: Library]
Pioneer Girl is a must-read for anyone who grew up loving, or perhaps, LOVING, Laura Ingalls Wilder's Little House books. Pioneer Girl is an annotated autobiography. The book itself is a draft of an autobiography written by Laura Ingalls Wilder circa 1930. Mother and daughter worked with this draft preparing to send it to various publishers (not just book publishers) for a year or two. (There are several draft versions of Pioneer Girl.) Eventually, the focus shifts from writing an adult autobiography to writing a series of historical fiction novels for children. The adult autobiography was "forgotten" as a book itself, and becomes a source--a good source--for mother and daughter to use in their own fiction. I didn't know that Rose Wilder Lane borrowed generously from her mom's autobiography while writing her adult fiction. Lane wrote Free Land and Let the Hurricane Roar (Young Pioneers).
The autobiography shares Laura Ingalls Wilder's earliest memories through her wedding day. (Those earliest memories are of being a toddler in Kansas.) These memories are, of course, in her own words. The writing is natural and casual. Some paragraphs are great at capturing details and specifics of an event. Other paragraphs are more of a rush, a blend, they seem a bit fuzzier, less exact. These are her very personal reflections written first for her daughter, and, then possibly for a larger audience. Wilder has turned reflective. She's older now, feeling that very much. (Her mom died in 1924, her sister, Mary, in 1928. She's wanting to capture these memories, these stories, to hold onto them perhaps.) One also sees the book itself as an act of love, an expression of love, a way of remembering and honoring.
The annotations are wonderful. They provide background and context. The annotations includes notes on a wide variety of subjects a) people b) places c) events d) nature e) culture (songs, dances, fashion), f) writing, editing, and publishing. There are plenty of notes that compare and contrast scenes and events as they appear in Pioneer Girl and as they appear in one of the original novels. Readers see how a memory recorded in Pioneer Girl is shaped and crafted into a finished product with plenty of detail and even dialogue. Readers see how Wilder carefully--oh-so-carefully--crafted the characters of the family. One gets the definite impression that she was purposeful with every scene, every book. It was no accident that Pa is so noble, independent, strong, and bigger-than-life almost.
I learned so much by reading Pioneer Girl. I would definitely recommend it for anyone who has enjoyed spending time with Laura and her family through the years.
© 2015 Becky Laney of
Becky's Book Reviews
The Sound of Music Story: How A Beguiling Young Novice, A Handsome Austrian Captain and Ten Singing von Trapp Children Inspired the Most Beloved Film of All Time. Tom Santopietro. 2015. St. Martin's Press. 324 pages. [Source: Library]
I enjoyed reading Tom Santopietro's The Sound of Music Story. Did I enjoy each chapter equally? Probably not. But what I was interested in, I was REALLY interested in, and, I was fine skimming the rest.
The book focuses on several things: 1) the story of the actual von Trapp family, both before and after the Sound of Music, 2) the Sound of Music on Broadway (its creation, duration, etc.) 3) the filming and reception of The Sound of Music (focus on the directing, producing, filming, acting, costuming, etc.) 4) the legacy of the Sound of Music, five decades worth of trivia on the film and the soundtrack, etc.
I loved reading about the filming of the movie. I did. I loved reading about the filming of particular scenes and particular songs. It was just fun. There were chapters of this one that were just giddy-making.
Not all of the book was equally captivating to me. But I appreciated the thoroughness of it.
© 2015 Becky Laney of
Becky's Book Reviews
War Bonds: Love Stories from the Greatest Generation. Cindy Hval. 2015. Casemate. 240 pages. [Source: Review copy]
I enjoyed reading Cindy Hval's War Bonds. The book is a collection of love stories. Each chapter features a new couple. Each chapter is short in length, but, not lacking in heart. What the chapters all have in common, of course, is that all the husbands fought in World War II. Another commonality is that all the marriages lasted. Each story is worth sharing; each voice deserves to be heard.
I enjoyed meeting all the men and women in this book. I enjoyed their stories: stories about how they met, when and where they met, how they fell in love, their courtships--in some cases years, in other cases mere weeks, their proposals, their weddings, their marriages. The book shares their challenges and struggles: before, during, and after the war.
I really enjoyed the photographs as well!
I would definitely recommend War Bonds. I love reading about World War II both fiction and nonfiction. I love reading love stories. This book was just right for me.
© 2015 Becky Laney of
Becky's Book Reviews
Dead Wake. Erik Larson. 2015. Crown. 448 pages. [Source: Library]
Did I enjoy reading Dead Wake: The Last Crossing of the Lusitania by Erik Larson? I'm not sure "enjoy" is the right word. But I certainly found it absorbing and compelling. It reads quite quickly despite the large cast of narrators and various perspectives. (I didn't miss a central narrator.)
It is abounding in detail: details about the ship, the captain and crew, the passengers, the cargo, about U-boats (submarines), about the war in Europe, about England, about Germany, about the United States.
One thing in particular that I found fascinating was "Room 40" the oh-so-secret British code-breakers that were decoding German transmissions and such. They were able to keep track of so much and make predictions about where the Germans might strike next. (But no warnings were sent to the Lusitania about all the recent activity by German submarines in their path just hours before.)
Another interesting aspect of the book is the focus on President Wilson--his personal private life and his public life. (Though it would be a huge stretch to say it is the most interesting aspect of the book.) Why was America so reluctant to enter the war? Why were they so sure they could avoid it no matter what? Did the loss of American lives really help change the general perception of the war and make the average American ready to enter the war? If it was, why wait almost two years to declare war?
The book definitely provides readers with a rich perspective of the times. It was suspenseful and full of tension in part because of all the questions that have no easy answers.
I would definitely recommend this one.
© 2015 Becky Laney of
Becky's Book Reviews
17 Carnations: The Royals, the Nazis, and the Biggest Cover-Up in History. Andrew Morton. 2015. 384 pages. [Source: Library]
Did I enjoy reading 17 Carnations: The Royals, The Nazis, and the Biggest Cover-Up in History? Yes and no. I enjoyed reading the first half very much. It was fascinating and informative. I couldn't put it down. The second half, however, felt both rushed and prolonged. Rushed in that the last few years of war were covered quite quickly and with no real detail. Prolonged in that the coverage of the "secret files" recovered seemed to go on forever and ever. And at the expense of covering the lives of the Duke and Duchess after the war.
I definitely am glad to have read it. It was my first book about Edward VIII (later Duke of Windsor). And I felt I learned much from reading it. I just wish it had stayed focused more on him and less on decades of cover-up. Or that it had handled the cover-up aspects a bit differently--in a more engaging way.
So the book isn't quite satisfying as a biography or as a "war book." Though it is almost both. I would say the book is definitely rich in detail and provides a unique perspective of the war and the royal family.
© 2015 Becky Laney of
Becky's Book Reviews
By:
Becky Laney,
on 4/6/2015
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A Girl from Yamhill. Beverly Cleary. 1988/1996. HarperCollins. 352 pages. [Source: Library]
If you grew up reading Beverly Cleary, you should make time to read her autobiography, A Girl From Yamhill. This first autobiography covers her life from her earliest toddler memories through high school.
In Cleary's books for children, she often focuses on what it's like to BE a kid: to go to school, to spend time with friends, to encounter not-so-friendly kids, to play, to 'get along' or not with your family. But also to THINK like a kid. I thought she was always really good at capturing childhood anxieties and worries. So in A Girl from Yamhill, readers get a chance to find out what Cleary's own childhood was like, what her home life was like, what her school experiences were. Reading A Girl From Yamhill gave me a greater appreciation for the Ramona books. It's not as if you could say that Beverly was Ramona. She wasn't. Though she did play BRICK FACTORY. (Also Beverly had a doll named after a car.) But I could see some correlation between the two certainly. For example, she writes of the financial difficulties, and of the stress her father was under when he was in-between work or out or stuck in a miserable job. So there were certain things that reminded me of the Ramona books. I do feel the Ramona books are timeless.
This one covers so many years. I'm not what the 'perfect' audience age would be. It isn't a light read or a funny one.
So I really enjoyed reading this one. Perhaps I enjoyed it so much because I read and reread Cleary's books so often.
© 2015 Becky Laney of
Becky's Book Reviews
A Great and Glorious Adventure: The Hundred Years War and the Birth of Renaissance England. Gordon Corrigan. 2013/2014. Pegasus. 320 pages. [Source: Library]
A Great and Glorious Adventure was a sometimes fascinating read on the Hundred Years war. (Did England have a rightful claim to France? to rule certain domains in France? to the whole country? Corrigan explains why so many monarchs thought they did.)
The opening chapters fill readers in on British History from William the Conqueror to Edward III. However, most of the book focuses on the reigns of Edward III, Richard II, Henry IV, and Henry V. (The author has his favorites.)
I would say a love for British history is an absolute must for this one. That isn't to say that every history lover will love this one. Yes, it's about history, but it's more
military history, war, and battles. (So much detail is given for so many different battles and/or conflicts.)
So the book is about England's ongoing conflicts with France, Scotland, and Wales over several centuries. Readers also learn a little bit about the Black Death. (But only a little bit).
It is sometimes fascinating. I won't lie. There were chapters I enjoyed. But it is sometimes less than fascinating. There were chapters I just didn't enjoy all that much.
If you enjoy reading about the War of Roses, and would like a better, stronger foundation for understanding it, then this one would be worth reading.
© 2015 Becky Laney of
Becky's Book Reviews
Determined. A. Avraham Perlmutter. 2014. Mascherato Publishing. 172 pages. [Source: Review copy]
For anyone with an interest in World War II and/or the Holocaust, you should consider reading the memoir Determined by A. Avraham Perlmutter. I am always eager to read more, so, I was happy to receive a copy of this for review.
The first third of the memoir focuses on the war itself. On his experience as a Jew during World War II trying to survive. Readers also learn about his family, his background, his childhood, Hitler's rise to power, etc. Everything readers need to know and understand to appreciate his personal story.
The final two-thirds of the memoir focus on his life AFTER the war sharing his experiences in Europe, in Israel, and finally the United States. This section focuses more on moving on with his life and establishing himself. Readers see him as a survivor, a soldier, a student, a husband, a father, and an engineer. The story of his life is so much more than just a surviving-the-war story.
The book includes plenty of photographs and documents to supplement the story.
I'm glad I read this one.
© 2015 Becky Laney of
Becky's Book Reviews
Devil at My Heels. Louis Zamperini and David Rensin. 1956/2004. Harper Perennial. 292 pages. [Source: Library]
I loved reading Unbroken. As soon as I found out that Louis Zamperini had written an autobiography, I NEEDED to read it. I hoped that it would be equally compelling and just as fascinating. It was. It really was. I honestly don't know if I could pick which one was "better." His story is worth reading no matter the book you choose.
Devil At My Heels is Zamperini's autobiography. In this book, readers learn about his growing up, his delinquent years, how his brother persuaded him to try running track, his early races and training days, how running 'saved' his life and put him on the right track, his 1936 Olympic experience, his college years, his joining the army air force, his war experiences, his surviving a horrible plane crash, how he survived almost fifty days at sea in a raft, his 'resue' from sea by the Japanese, his time in a Japanese POW camp, his return to the U.S, his popularity, his inner struggles, his marriage, his conversion experiences, his days as a speaker, how it was 'easy' for him to forgive the Japanese, how he tried to meet all his former prison guards, etc.
This one fascinates from cover to cover. I liked hearing the story in his own words. Both books are packed with detail, but, the focus isn't always in the same places.
© 2015 Becky Laney of
Becky's Book Reviews
Call the Midwife: A Memoir of Birth, Joy, and Hard Times. Jennifer Worth. 2002/2009. Penguin. 340 pages. [Source: Library]
I have now read all three of Jennifer Worth's memoirs. Yes, I read the first book in the series last because that's how the library fated it. This actually worked out okay because I was familiar enough with the television adaptation. First, I want to mention that I loved, loved, loved, LOVED the tv show. Did I enjoy the books as much, did I enjoy them equally well? Probably not. I loved the show more, I did. I'll be honest about that from the start.
But did I enjoy the books? Yes. I definitely did. But was the first book my favorite? I can't say that it was. There were things I liked/loved about all three books. And. There were things I didn't quite like about all three books.
What didn't I enjoy? Well. In this first book, for example, there are several chapters where the focus is on prostitution, the focus shifts in the narrative because Jenny Lee has met a pregnant prostitute, Mary, who's trying to escape her pimp and find somewhere (relatively) safe to keep her baby. As you might expect, it's a dark, ugly, nightmarish world she's describing. I don't fault her for being realistic and matter of fact. But the amount of detail involved in the telling is a bit much at times. I think it could have been retold with a little less detail and still conveyed the same impact.
What did I enjoy? Well, there was plenty to enjoy! Most of the chapters were enjoyable enough. Many of these chapters have been adapted as episodes for the show--though not all, I believe. And in some cases, the book presents a much fuller picture.
As far as the trilogy goes, there is in some ways a lot less focus on romance when compared to the adaptation. (Jane's romance being an exception in the second book.) But the trilogy is worth reading, maybe not for ALL fans, but for many fans. (I will say that the book is more graphic in description than the tv show.)
© 2015 Becky Laney of
Becky's Book Reviews
By:
Becky Laney,
on 3/4/2015
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The Last Jews in Berlin. Leonard Gross. 1982/2015. Open Road Media. 343 pages. [Source: Review copy]
The Last Jews in Berlin was a good read. It was oh-so-close to being a great read every now and then. What I loved about this one were the personal stories. These stories were the heart of the book. Readers get to meet dozens of people and follow their stories. As you can imagine, these stories can be intense.
Instead of telling each person's story one at a time, one after the other, the book takes a more chronological approach. The book is told in alternating viewpoints. Is this for the best? On the one hand, I can see why this approach makes it more difficult for readers to follow individuals, to keep track of each person's story. Just when you get good and attached to a certain person's narrative, it changes. It takes a page or two perhaps before you reconnect with the next narrator and get invested in that unfolding story. On the other hand, telling the story like this sets a certain tone, increases tension and suspense, and avoids repetition. So I can see why it makes sense. The method of storytelling didn't bother me.
Probably the one thing I learned from reading this is that there were Jews working with the Nazis and turning other Jews in. That there were Jews betraying one another trying to survive. One simply didn't know who to trust.
At the same time, the book shares stories of people who were trustworthy, people who were willing to risk their own lives to help Jews. Life was hard for everyone: but some were willing to share their food and open up their homes at great risk. The book did show that not every person supported the Nazis and their philosophy. There were people who disagreed and were willing to do the right thing.
It's an emotional book, very intense in places.
© 2015 Becky Laney of
Becky's Book Reviews
Farewell to the East End. (Call of the Midwife #3) Jennifer Worth. 2009/2013. HarperCollins. 336 pages. [Source: Library]
I still haven't read the first book in the Call The Midwife series by Jennifer Worth, but, I have watched and enjoyed the first two series of the show, an adaptation of the books. I loved the second book, Shadows of the Workhouse. I'm not sure I "loved" the third book, Farewell to the East End. I suppose you could say I found it equally fascinating and disturbing. The stories are definitely darker and heavier--dismal and bleak. Mixed in with stories are a handful of research chapters about various topics.
Highlights (not highlights because of 'hope') include several chapters focused on twins Megan and Mave, several chapters focusing on the Masterson family, several chapters focusing on the Harding family, and several chapters focusing on Chummy.
One of the most haunting stories, in my opinion, is "The Captain's Daughter." Chummy is called aboard a merchant ship to tend a woman with stomach cramps. The woman believes she's just had too many apples. But it soon becomes apparent to Chummy that all is not right. The woman is in fact pregnant and in labor, and, the father could be any of the crew including her own father, the Captain. Chummy learns that she's been on board and servicing the men--keeping them all happy--since the age of fourteen, soon after her mother's death. Chummy is a bit shocked--who wouldn't be--but very practical and down to earth. The birth is challenging and quite memorable.
© 2015 Becky Laney of
Becky's Book Reviews
Shadows of the Workhouse (Call the Midwife #2) Jennifer Worth. 2005/2008/2013. HarperCollins. 304 pages. [Source: Library]
I still haven't read the first book in the Call the Midwife series, but, I have seen most of series 1 and 2. I love, love, love the show. And I've seen the episodes adapting all these stories found within Shadows of the Workhouse. Do I recommend reading the books? Yes!!!
Shadows of the Workhouse is the second book in Jennifer Worth's memoir trilogy. The first part focuses on Workhouse Children. In this section, two big stories are related. First, readers meet Jane. Her story has a happy ending, but, it's an emotional struggle making the happy ending all that more triumphant. Second, readers meet Peggy and Frank. Again, these two grew up in the Workhouse. Their story is emotional and complex and not nearly as happy. The second part focuses on The Trial of Sister Monica Joan. (She's accused of theft and put on trial.) The third part of the book focuses on 'The Old Soldier.' Readers meet an old man, a lonely man, Joe Collett, whom Jenny treats daily/weekly. The book focuses on telling his story. Again, there is plenty of heartbreak.
I loved Jane's story. I did. I loved, loved, LOVED it. I thought the whole book was wonderful and thoughtful. Would definitely recommend.
© 2015 Becky Laney of
Becky's Book Reviews
The Art of the English Murder. Lucy Worsley. 2014. Pegusus Books. 336 pages. [Source: Library]
I really liked Lucy Worsley's The Art of The English Murder. There were some chapters that I loved, loved, loved. There were some chapters I 'merely' liked. But overall, I found the book to be worth reading and informative. Plenty of "I didn't know that?!?!" facts were included. I always enjoying learning as I read. I believe this is the book companion to a BBC documentary A VERY BRITISH MURDER. I'm curious how the two compare. If it's better to read or watch.
So the premise of this one is simple: how did the British become so interested, so entertained, so fascinated by murder: murder in real life and murder in fiction. It even looks at how real life crimes influences/inspires fictional crimes. (Think Charles Dickens and Wilkie Collins to name just two.) So on the one hand, it looks at real cases that got plenty of press, and stayed in the news, cases that became, in a way, part of the culture (think Jack the Ripper), and, on the other hand, it looks at fictional cases. (Think Agatha Christie, Dorothy Sayers, etc.) The last few chapters focus on the "Golden Age" of mystery writers. And the very final chapter, I believe, focuses on Alfred Hitchcock.
As I said, this book has plenty of details. For example, it talks of how puppet shows--for the most part traveling puppet shows--were for adults. Puppet shows often depicted famous murders. So there would be puppets depicting murderers and their victims. And the audience would watch the crime unfold in front of them. The book notes that at times, the murder would be (could be) encored several times. So it does go into 'melodrama' and the theatre. I found the chapter on the stage version of Dr. Jekyll and Mr. Hyde fascinating!
This book is oh-so-easy to recommend!
© 2015 Becky Laney of
Becky's Book Reviews
In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette. Hampton Sides. 2014. 454 pages. [Source: Library]
I enjoy reading nonfiction. I do. The topic is polar exploration--the North Pole to be precise. (I've read more about the South Pole, by the way.) The good news is that In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette is fascinating and thorough. It is detailed and focused on personalities and contexts. (Two of the personalities explored are George Washington De Long and James Gordon Bennett, Jr.)
The trip is presented in great detail. Before the trip: how/when De Long became interested in polar exploration, finding financial backers for the trip, finding THE ship, finding men to go with him, finding resources and materials, doing the research, picking and choosing what research to rely on, planning and organizing, etc. During the trip: before the Jeannette got trapped in ice--what it was like on a day-to-day, week-to-week basis, the dangers, the joys, etc., trapped in the ice on ship--what it was like to spend YEARS (I believe almost two years?) on a ship that's trapped in the ice, what it was like to be stuck with the same people in such close quarters for those years, trapped ON the ice with NO ship--what it was like in the final months as thirty-something men with limited provisions and supplies, men not in the best health, fought to survive and reach land and civilization. After the trip: what it was like for the survivors to encounter land and civilization again, who survived, etc.
Most everything is given context and brought to life. That being said, it doesn't mean every person is likable!
I enjoyed reading this one. I found it to be a quick read--just a day or two at most.
© 2015 Becky Laney of
Becky's Book Reviews
The Girl With The White Flag. Tomiko Higa. Translated by Dorothy Britton. 1989. 130 pages. [Source: Bought]
The Girl with the White Flag is the story of the author's childhood in war-time Japan. It begins by giving the reader ample background into the time and culture and place.
One of the first events she shares with readers is the death of her mother. She then relates what life was like with her father, two older sisters, and her older brother. This portion is hard to navigate. I think in some ways it is just as hard for modern readers to understand the family life--the harshness, the strictness, the discipline, as it is to understand the monstrosities of war and soldiers and starvation. (Or maybe that's just my take on it.)
About halfway through the narrative, the father disappears. He was on his somewhat routine mission of delivering food to the Japanese soldiers, but on this occasion he never returned home. The four children are left to fend for themselves. The American soldiers have just begun their invasion, their battle to capture this island. The children become refugees and the fight to survive has begun. The children ranged in age from 17 to 6. Somewhere along the way, however, two things happen--big things--that make this event even scarier: 1) Their brother dies one night from a stray bullet. 2) Within a few days of burying their brother, our narrator--the six/seven year old girl becomes lost--separated--from her sisters.
The book recounts what it was like to be seven and alone and wandering in and out of danger. There was no safe place. Not really. Japanese soldiers weren't "safe." In fact, in her brief encounters with them she was almost killed. No, being near soldiers wasn't safe. The only "safe" soldier was a dead soldier. She did in fact scavenge around the dead soldiers looking for food.
Her will to survive was strong. Her stamina incredible in my opinion. The sights. The sounds. The smells. All surrounded her. Could have potentially traumatized her and paralyzed her into inaction.
If there is power in the Girl with The White Flag it is in its rawness, its simplicity, its boldness when it comes to being straightforward and honest. The story is incredible is powerful because it's true. Here is an eyewitness account of what it means to be seven and a refugee in a war zone. It can be brutal. It can be intense. But there is more to it than that.
I found The Girl with The White Flag to be an incredibly compelling read, a must-read for adults.
© 2015 Becky Laney of
Becky's Book Reviews
The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Dan Jones. 2014. Viking Adult. 416 pages. [Source: Library]
I wouldn't say I'd read just any book on this subject. But I would say I'd read almost any book on this subject. I've read plenty nonfiction and fiction covering these decades of English history. I find it fascinating yet brutal.
The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors was originally published as The Hollow Crown in the UK. It focuses on the lives of Henry V, Henry VI, Edward IV, Richard III, Henry VII, and Henry VIII. Others come into it as well: men and women who had a role to play in the "Wars of the Roses." I can imagine that if you're completely new to the subject, there would be a lot of names to keep up with, a lot of connections to remember. I didn't find that to be the case, however. I found the story was clearly told, with plenty of detail. It is an engaging read. It can lead you to plenty of "what ifs..." Because the story of how Henry VII came to the throne is just like that. He wasn't a likely candidate, in other words. If there hadn't been decades of distrust and betrayals and executions and battles, he'd never have stood a chance.
The book has plenty of drama, and I'd say it does a good job bringing the subjects to life or revealing their character or personality. I think the book makes an effort to quote what contemporary records had to say about any given king, what reputation they had during their reign and directly afterwards.
I would say that both The Plantagenets and The Wars of the Roses are great at illustrating that all the kings had weaknesses. There was never one completely perfect king. Some kings had more strengths than weaknesses. Some kings had more weaknesses than strengths. Some kings came to reign at exactly the right time when their country needed their strengths and could overlook their weaknesses. Some kings came to reign and didn't have what the country needed--at least not at that time. The books are also a great reminder of how DIFFERENT things were in the past, of how BLOODY and CRUEL politics could be. It wasn't just one king here and there that proved execution-happy or power-hungry, and, it wasn't just English kings either. If you put the times into context, you'll see that's just how things were all over Europe, and probably even broader than that.
For some potential readers, there's only ONE question: Does Dan Jones say that Richard III killed his nephews?! This is what the book says exactly, "All we can be sure of is that the boys were first disinherited, then deprived of their liberty and servants, and that they then disappeared, presumed dead by contemporaries across Europe. And the person who benefited most from their disappearance was Richard III" (278). That is all the book says about WHO might have done it. It does not suggest others who may have had motive and opportunity. But he doesn't spend time elaborating--speculating--on how, when, where, and why Richard did it. That was a big relief to me. Yes, I would have preferred for him to mention OTHER possible murderers, to be completely fair. BUT at least he didn't spend pages and pages building up a case against Richard murdering his nephews in the tower. Those two sentences are it. That is all the time he spends on the subject. So I think it would be overreacting to reject the whole book based on two sentences. The book covers decades of material. It covers the reigns of SIX kings. You can doubt his conclusion, and still benefit from the book as a whole.
© 2014 Becky Laney of
Becky's Book Reviews
The Plantagenets. Dan Jones. 2013. Viking. 560 pages. [Source: Library]
I enjoyed reading this overview of British history. The book examines the reigns of a handful of Plantagenet kings: Henry II, Richard I, John, Henry III, Edward I, Edward II, Edward III, and Richard II. It spans several centuries: 1120-1399. It also overlaps a bit with French history.
The book opens with "The White Ship." It's a dramatic way to start a book. Henry I, the son of William the Conqueror, loses his son and heir in a shipwreck. Henry I has two dozen illegitimate children--give or take one or two. But his only legitimate child is a daughter, Matilda. He remarries hoping presumably to have another child--a son, a new heir. But that is not to be. He marries the widowed Matilda off--it was anything but a love match--and she starts having children of her own, many of them sons. He leaves his kingdom to his daughter, supposedly everyone has sworn their allegiance to her, but, in reality, she's never in a position to reign as queen. Her cousin, Stephen, reigns instead. War follows, naturally. It is not a short war, a quick and decisive war. It is a here and there, on-and-off again war where the people suffer for the family squabble most. Eventually, an agreement of sorts is reached, Stephen will pass the crown to Matilda's son, Henry II. He is the first Plantagenet king. Henry II, if you remember, is married to Eleanor of Aquitaine, the former French queen as well. They have many children together...
The book follows the reigns of each king. It goes into detail with politics and economics. It goes into detail with the struggles of each king. Their strengths and weaknesses, their battles. Sometimes these battles are with the church; sometimes these battles are with the French; sometimes these battles are with the Irish or the Welsh or the Scottish; sometimes these battles are with their own flesh and blood, their family; sometimes these battles are with their own countrymen, the barons, the nobility, or even the peasants. No one king has it all. No one king has a perfect, problem-free reign. It wouldn't necessarily be fair or right to sort the kings into two groups of "good" and "bad." Some kings had a reputation of being horrible, and yet they didn't do anything over and above what other kings before them or after them did. Writers of all centuries can label kings this or that, but, that is because historians can be biased. (Some are openly biased. Some not so much.)
As for the details about each king, what can I say? It's an overview, a detailed overview, to be sure. Some readers may be more of an expert and find fault with statements here and there throughout the book. They may spot myths presented as fact. But I certainly can't be among them. I don't know enough about each and every king.
I found the book to be interesting. Some chapters were more fascinating than others. Some chapters even seemed a bit confusing. But I kept reading.
© 2014 Becky Laney of
Becky's Book Reviews
The Man Who Invented Christmas. Les Standiford. 2008. Crown. 241 pages. [Source: Library]
Different readers will have different expectations when they see the full title of this one: The Man Who Invented Christmas: How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits.
The focus is not so much on Christmas, as it is on Charles Dickens: his private and public life, his writing career, his inspirations, his fears and worries, his relationship with his publishers. The focus isn't solely on A Christmas Carol. Yes, this work gets discussed in detail. But the same can be said of many of Dickens' novels. The book, despite the title, focuses on Dickens' career as a writer or novelist. This book mentions and in some cases discusses most of Dickens' published works. Not just his books published BEFORE A Christmas Carol, but his whole career.
A Christmas Carol gets special treatment in this one, perhaps, not because it has a Christmas theme, but, because it is a significant to his career. Before A Christmas Carol, he'd had a few really big bestsellers. But. He'd also experienced some failures. His last three books were disappointing to his fans. They didn't sell as well. The critics didn't like them. His publishers were discouraged and worried. Dickens needed his next book to be something wonderful, something that would sell, something that would be loved by one and all. He needed a success: a feel-good success, something to give him confidence and something to give his publishers confidence in him again, and a financial success, something to get him out of debt, something to pay his bills.
The secondary focus of this one is not Christmas. Readers might expect it to be related to Christmas, the history of Christmas, its invention, or reinvention. But. Something gets more time and attention than Christmas. And that is the writing and/or publishing industry. The book gives readers a history lesson in publishing. How books were written, illustrated, printed, published, sold. Not just what went on BEFORE it was published, but also what typically happened next. How novels were adapted to the stage by others, by many others. How little control--if any--that the publisher and author had over their books, their stories, their characters and plots. Plays could do justice, at times, to the books they were based upon. But they could also be absolutely dreadful. The lack of copyright laws or international copyright laws. How publishers in other countries could steal entire books, republish them, not paying the author anything at all. The book even has a chapter or two on fan fiction. Not that he calls it fan fiction. But he writes of how other writers could "borrow" characters and give them further adventures and publish them.
Does the book talk about Christmas at all? Yes. It does. It tells of two extremes: those in the past who celebrated Christmas too wildly, too wantonly, and those in the past who refused to celebrate it all, who would have it be illegal. Either extreme seems a bit hard to believe, perhaps, for modern readers. The book tells of traditions. Some traditions being somewhat established before A Christmas Carol, and other traditions becoming more established by being described in A Christmas Carol. What I probably found most interesting was his mention of how traditionally it was goose served for the Christmas feast UNTIL the publishing of A Christmas Carol. When Scrooge buys a turkey to give to Bob Cratchit and his family, it seems he inspired his readers to change their traditions. Turkeys becoming more and more popular.
For readers interested in the life and death of Charles Dickens, his whole career, this one has some appeal. It provides plenty of details about his books and the publishing industry, how he was received by the public.
For readers looking for a quick, feel-good holiday read, this one may prove to be a chore to get through.
I liked it well enough. I've read a good many of his novels. I have some interest in his life. It worked for me. It was packed with plenty of information.
© 2014 Becky Laney of
Becky's Book Reviews
Children in the Holocaust: Their Secret Diaries. Laurel Holliday, ed. 1996. 432 pages. [Source: Library]
Children in the Holocaust and World War II: Their Secret Diaries is an almost must-read in my opinion. It is incredibly compelling and emotional. Memoirs are great. They are. I have loved many autobiographies and biographies. But diaries are a bit unique. They tend to stay in the moment; there is a rawness perhaps in the emotions. They capture specific moments in time. They record the best and worst and everything in between. These diary entries are well worth reading.
These children's diaries are testimonies to the fact that telling the truth about violence is not harmful. In fact, one wonders how much greater harm these boys and girls would have suffered had they not written about the horrific events they were experiencing. Far more dangerous than reading about atrocities, I believe, is the pretense that atrocities do not occur. To turn our eyes away and refuse to see, or to let children see, what prejudice and hatred lead to is truly to warp our collective psyche. It is important for all of us--adults and children alike--to acknowledge the depths to which humankind can sink. The children teach us, by sharing their own direct experience of oppression, that nothing is more valuable than human freedom. This lesson alone is reason enough to read and to encourage children to read, these diaries.
This book gathers together diary entries from twenty-two writers. The countries represented include: Poland, Holland, Germany, Czechoslovakia, Austria, Hungary, Lithuania, Russia, Belgium, England, Israel, and Denmark. Seven of the twenty-two writers are from Poland. Some writers survived the war. Others did not. I believe that all of these entries have been previously published in some format, in at least one language. The listed age refers to the writer's age for the first diary entry printed in the book. This book provides excerpts from diaries. None of the diaries, I believe, are reprinted in full. These excerpts represent the diaries as a whole, and provide a bigger picture for understanding the war.
- Janine Phillips, Poland, 10 years old
- Ephraim Shtenkler, Poland, 11 years old
- Dirk Van der Heide, Holland, 12 years old
- Werner Galnick, Germany, 12 years old
- Janina Heshele, Poland, 12 years old
- Helga Weissova-Hoskova, Czechoslovakia, 12 years old
- Dawid Rubinowicz, Poland, 12 years old
- Helga Kinsky-Pollack, Austria, 13 years old
- Eva Heyman, Hungary, 13 years old
- Tamarah Lazerson, Lithuania, 13 years old
- Yitskhok Rudashevski, Lithuania, 14 years old
- Macha Rolnikas, Lithuania, 14 years old
- Charlotte Veresova, Czechoslovakia, 14 years old
- Mary Berg (pseudonym), Poland, 15 years old
- Ina Konstantinova, Russia, 16 years old
- Moshe Flinker, Belgium, 16 years old
- Joan Wyndham, England, 16 years old
- Hannah Senesh, Hungary and Israel, 17 years old
- Sarah Fishkin, Poland, 17 years old
- Kim Malthe-Bruun, Denmark, 18 years old
- Colin Perry, England, 18 years old
- The Unknown Brother and Sister of Lodz Ghetto, Poland, Unknown Age and 12 years old
I won't lie. This book is difficult to read. Difficult in terms of subject matter. It is an emotional experience. Readers are reading private diary entries. The entries capture the terror and horror of the times. They capture the uncertainty that almost all felt: will I survive? will I survive the day? will I survive the war? will my family? will my friends? will I witness their deaths? will I have ANY food to eat today? tomorrow? how much worse can it get? when will this all be over? will I be alive to see the end of the war? what if the Nazis win? The diaries capture facts and details. But they also capture feelings and reactions.
Shootings have now become very frequent at the ghetto exits. Usually they are perpetrated by some guard who wants to amuse himself. Every day, morning and afternoon, when I go to school, I am not sure whether I will return alive. I have to go past two of the most dangerous German sentry posts..., Mary Berg, February 27, 1942, p. 233
Dr. Janusz Korczak's children's home is empty now. A few days ago we all stood at the window and watched the Germans surround the houses. Rows of children, holding each other by their little hands, began to walk out of the doorway. There were tiny tots of two or three years among them, while the oldest ones were perhaps thirteen. Each child carried a little bundle in his hand. All of them wore white aprons. They walked in ranks of two, calm, and even smiling. They had not the slightest foreboding of their fate. At the end of the procession marched Dr. Korczak, who saw to it that the children did not walk on the sidewalk. Now and then, with fatherly solicitude, he stroked a child on the head or arm, and straightened out the ranks. He wore high boots, with his trousers stuck in them, an alpaca coat, and a navy-blue cap, the so-called Maciejowka cap. He walked with a firm step, and was accompanied by one of the doctors of the children's home, who wore his white smock. This sad procession vanished at the corner of Dzielna and Smocza Streets. They went in the direction of Gesia Street, to the cemetery. At the cemetery all the children were shot. We were also told by our informants that Dr. Korczak was forced to witness the executions, and that he himself was shot afterward. Thus died one of the purest and noblest men who ever lived. He was the pride of the ghetto. His children's home gave us courage, and all of us gladly gave part of our own scanty means to support the model home organized by this great idealist. He devoted all his life, all his creative work as an educator and writer, to the poor children of Warsaw. Even at the last moment he refused to be separated from them. ~ Mary Berg, August, 1942, p. 239
© 2014 Becky Laney of
Becky's Book Reviews
Silver Like Dust. Kimi Cunningham Grant. 2012. Pegasus. 288 pages. [Source: Library]
Silver Like Dust focuses on the relationship of a grandmother and granddaughter. The author--the granddaughter--wants to strengthen her relationship with her grandmother. At the start, she feels like she barely knows her. She knows a few things, perhaps, but not in a real-enough way. For example, she knows that her grandmother spent world war 2 in an internment camp. She knows that that is where her grandparents met, and also where her uncle was born. But her grandmother has never talked about the past, about the war, about her growing-up years. In fact, her grandmother has always been a private, quiet person. So she focuses her attention and begins to do things intentionally. She sets out to get to know her grandmother, she sets out to get the story, the real story. The book isn't just telling readers about the grandmother's experiences in the 1940s. The book is telling readers about the process, the journey, to getting to the story. That was unique, I thought. Not every nonfiction book lets readers in behind the scenes. I also thought it kept the book personal. This is very much family history, taking an interest in your family, in the past, of making sense of it all.
I found it an interesting read.
© 2014 Becky Laney of
Becky's Book Reviews
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