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Winter begins today for those of us in the Northern Hemisphere. While this is also the season of holidays, it can be an emotionally challenging time. Holiday stress and limited daylight can take their toll on our well-being. So it's fitting that today I share a web site to help writers (and those who nurture them) get through the "dark days."
Today I'd like to introduce you to
The Irrepressible Writer, a new blog by my friend and fellow writer, Carol Coven Grannick. In addition to being a writer, Carol is a licensed clinical social worker in private practice. As she says on the blog, she "works with writers and non-writers who want to create and maintain more resilient, meaningful lives." Through her blog, Carol shares tips on how to stay optimistic when the trials of writing and publishing get us down. Carol's blog has become my personal secret weapon against my annoying inner critique. When I hear that nagging voice say things like, "What makes you think you're a writer?" or "You should chuck this whole thing and go out and get a real job" or "You'll never get this published", I turn to Carol's blog for insight and inspiration. She's helped me out of a dark mood more than once, bless her! For example,
in today's post, Carol provides tips on learning how not to take rejection personally.
One of the things I love best about Carol's blog is that she speaks from personal experience. She knows how it feels to struggle with a writing project, to try to stay focused despite distractions, to get a rejection. Also, like me, she wasn't born an optimist, yet she's managed to learn how to be one.
She gives me hope that I can do the same. If you're a writer, or you're a teacher trying to nurture writers, I encourage you to visit Carol's blog. Her
welcome post is probably the best place to start on your path to becoming an Irrepressible Writer.
This is the last in our series of posts with links to some of our favorite sites, a little holiday thank-you gift to you, our readers. These and other links to helpful writing/teaching/literature resources are included in the sidebar. I hope you'll check them out.
The
TeachingAuthors are taking a break from blogging until January 1, 2010, when April will return to follow-up on our new-school-year resolutions contest. (Hint, that means you'll have another opportunity to win an autographed book!)
We wish all of you a healthy and happy holiday season. May your new year be filled with many wonderful blessings.
Happy writing!
Carmela
by Jane
When my client Matthew Algeo suggested the idea of doing a book about the road trip Harry Truman and his wife Bess took right after his presidency was over, I thought it was a terrific idea. The proposal went to 34 publishers in three different rounds beginning in April 2007 and finally selling in early July of that year. There were two bids on the project and Matthew chose Chicago Review Press, a small publisher with whom we do quite a bit of business.
The book was published earlier this year, has earned more than twice its advance and has received
incredible reviews and press mentions which I am sharing here. Success stories like this one don’t happen often but when they do, I find them enormously gratifying:
Washington Post Book WorldSt. Louis Post-DispatchThe Daily Herald (TN)
ArtVoice (NY)
Wisconsin Rapids TribuneNews-Sentinel (IN)Pennsylvania MagazinePekarskie (PA) News-Herald Sauk Valley (IL) Weekend Ogle County (IL) Life/Rock Valley Shopper TargetMarketingMagPhillyburbsXM/Sirius Radio’s
The Ron and Fez ShowKettering-Oakwood Times History MagazineDayton Daily NewsMemoirs of an AmnesiacColumbus DispatchCarroll County (MD) TimesJefferson City (MO) News TribuneWTKF FM's
Coastal DaybreakBook ReviewsAmerican RoadCollege & Research Libraries NewsNew Press (OK)
WGN-AM’s
Extension 720 with Milt RosenbergBaltimore Sun's Read StreetJetSetting Mountaineer (NC)
Cars & PartsNashville Public Library's Off the ShelfDaily Reflector (NC)
Selma (CA) EnterpriseAmerican SpiritAmerican HistoryDelaware State NewsBaltimore Jewish TimesXM/Sirius Radio's
Peter Greenberg WorldwideFrederick (MD) PostPennsylvania GazetteVirginian-PilotDover (DE) PostSomething Good to ReadPresidents and
By: DGLM,
on 12/1/2009
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Dystel & Goderich Literary Management
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by Jessica
Just before the Thanksgiving holiday, I attended the Middle East Studies Association conference, which is the yearly gathering of scholars of the Middle East. With its panels and papers, receptions and speeches, it is probably not unlike academic conferences of other disciplines, except that the music at the Sunday night dance party was Arab pop (if you’ve never heard the Middle East’s answer to Madonna, she’s worth a listen:
check out Nancy Ajram on youtube) and among the post-docs getting down were a daunting number of accomplished belly dancers.
I go to MESA to get a sense of the ideas percolating in the field, sit in on assorted lectures, and meet with potential and existing clients whose research crosses over from an academic to a mainstream readership. This year, while helping out friends and former colleagues, I also had the memorable opportunity to moonlight as a bookseller. I have limited experience in the retail end of publishing; as an agent I’m in the business of selling books, but I’ve never tried it on a copy-by-copy basis. The experience was instructive, and I emerged from my adventure with a renewed sense of respect for the business of hand-selling.
It quickly became obvious that matchmaking between book and customer is both art and science—in this case I happened to know the books I was selling quite well, but to occupy that sweet spot between helpful and obtrusive was a wholly different challenge. When I convinced a browsing professor to purchase a novel I’d particularly loved, I was immoderately pleased. That she was already very likely interested in the subject I was peddling in no way diminished my sense of accomplishment. Other artisanal processes, like making cheese or crafting small batch whisky seem to be enjoying a renaissance, but hand-selling books, and the people who do it, ably and for real, are faring less well. Perhaps the book industry needs its own answer to the locovore movement. (Perhaps it’s out there—if yes, let me know).
Programs like
B&N Discover and
Borders Original Voices are efforts to scale up the hand-sell, and I like these programs immensely, but I note them professionally perhaps more than I respond to them personally. I’m curious to know how you all respond to them—ditto Amazon recommendations. Amazon’s ability to target my interests is undermined by the fact that I use the site as a research tool more often than I do to make purchases, but maybe you have better luck. Shelf talkers are great, but for me, nothing beats interested, widely read booksellers with whom I can speak; not only are they brilliant at suggesting books, they see the publishing industry from a perspective of the buyers who keep it alive. These days I’m particularly fond of New York’s
Idlewild bookstore, which specializes in books on international themes—travel, world lit, etc.
But as I suspect is the case with many of you, indie bookshops have always had a special place in my heart. When I was growing up, each year, probably right about this time, my parents (both inveterate readers of nonfiction) would report to our local bookshop, where the owner would recommend a raft of novels that were just right for me. The stack that ended up beneath the tree, selected by Santa Claus, never disappointed. When, eventually I figured out that it was the bookstore owner and not St. Nick doing the selecting, it did not render the achievement any less magical. I was, however, crushed when the store closed (take that Virginia). Imaginary though he is, Santa’s position seems more secure than that of the independent bookseller, a figure whom I hope will not
by Chasya
Sick and confined to bed this weekend, I gazed aimlessly at the television during the few short hours I managed to stay awake hoping for some distraction from the painful knot in my throat. At some point I switched away from TLC’s
Cake Boss marathon for a second, only to catch Jeremy Piven’s Ari Gold screeching at someone or another (Kevin Connolly, maybe? I’m not really sure, in my Theraflu-induced haze I wasn’t processing much). Which gets me thinking, now that I’m less fuzzy-brained, about agents and why, despite the stress of it all--particularly during a difficult and uncertain time for this business--I became one myself.
First things first, let me dispel the myth that agents are screeching Ari Gold-like banshees. Obviously he’s a caricature of an agent (even if he is based on a real person). But aside from that, we in publishing like to think that the industry is a bit more genteel than Hollywood.
So if I don’t get to yell at people on the phone all day long, you ask, why did I become an agent? Well, it just started with an old-fashioned case of wide-eyed idealism and took off from there. As with many of the people you’ll find populating publishing, some of the most memorable moments of my life involved books. Those moments led me to define myself as an ardent book-lover. For instance, when I was five my neighbors would come over to my house, and I would feel very important as I read to them all aloud. We went through the entire Disney series that my mother had been purchasing one by one at the grocery store. When I was in the fourth grade and trying to plow through as many books as I could in Mrs. Rosen’s library, I was reading one afternoon on the bus ride home and was so absorbed that I kept on reading despite intense motion sickness and had to get off at another kid’s stop just to puke. I got back on after the driver nearly pulled away and resumed reading. When I first read Jonathan Swift’s
A Modest Proposal in junior high it almost made my head spin and fall off. I was enamored. I wanted to marry Jonathan Swift. Who would think an essay about eating babies could do that to a person? There are a multitude of these small, seemingly unimportant moments, but I won’t embarrass myself further by trying to relay them in any earnest sort of way. All I can say is that now, for many, many tiny reasons, I really love books.
And that love affair blossomed into a so-called useless degree in English literature. One that many students pursue, wondering “What am I supposed to do with this?”
I knew I wanted to do something practical. I knew I wanted to work in publishing and be a cog in the great machine that produced those things I was so impressed by. So I did what you do when you start out in publishing--I got an internship.
The business turned out to be far more complex and fascinating than I could have ever imagined and led me to want to stick around. Especially now, as it undergoes significant changes, it will be interesting to see how things progress. The things I wouldn’t really say aloud anymore (but appear to have less of a problem putting in print) are still there. But now what drives me is the added bonus of helping clients pursue their goals and guide them through the process. It’s rewarding and fun, even if it’s challenging.
But I can’t be the only one with these types of memories--and I certainly shouldn’t be the only one to admit them! What small moments led to your love of books?
by Jane
I don’t know why I still find it astonishing when publishers tell me they are "only looking for big books," that mid-list titles aren’t on their radar. How do they know what’s going to be a big book?
This last week, when I called an editor to follow up on a proposal I sent him--by a Pulitzer Prize winning writer no less--he told me how much he had enjoyed reading it. He then said that the new president of his company had told all of the editors there that, for the time being at least, all they should be looking for was "big, front list" titles. But how do they know what "big front list" is?
Think about it, there are literally hundreds of books that were seriously underestimated by publishers but that turned into huge bestsellers. Here is a brief list that I hope that editor and his new boss will note:
TUESDAYS WITH MORRIE by Mitch Albom
THE RED TENT by Anita Diamant
SAY YOU’RE ONE OF THEM by Uwem Akpan
COD: A BIOGRAPHY OF THE FISH THAT SAVED THE WORLD by Mark Kurlansky
THE KITE RUNNER by Khaled Hosseini
SIMPLE ABUNDANCE by Sarah Ban Breathnach
EAT, PRAY, LOVE by Elizabeth Gilbert
THE MEMORY KEEPER’S DAUGHTER by Kim Edwards
THE SHACK by William P. Young
CHICKEN SOUP FOR THE SOUL by Jack Canfield and Mark Victor Hansen
THE PROFESSOR AND THE MADMAN by Simon Winchester
LONGITUDE by Dava Sobel
THE NANNY DIARIES by Emma McLaughlin and Nicola Kraus
THE WORLD WITHOUT US by Alan Weisman
SEABISCUIT by Laura Hillenbrand
Can you think of more?
By: Jessica Stockton,
on 1/11/2009
Blog:
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'Cause that's what we do around here.
* In the New York Times, an interesting article on how small-scale and niche manufacturing in Brooklyn is prospering even as larger concerns suffer in the economic downturn:
Many business owners interviewed said they were staying strong in this market by employing few workers and keeping their products specialized. “They tend to be very nimble, even in the downtimes,” said Mr. Kimball. “They can make it through a difficult stretch easier than the bigger players.”
Manufacturing isn't retail, but I can't be the only one to see a parallel to the indie store which can make adjustments and cater to local clients as corporate sellers can't. We ARE all making those adjustments, right?...
* Also in the
Times, an article that evokes the great urbanist Jane Jacobs in discussing how internet forums and social networking, especially in New York City neighborhoods,
can strengthen local bonds, not increase isolation:
The Web was first seen as a radical alternative to the bricks-and-mortar world, but the truth, it turns out, can be more complicated.
“The original idea of the Internet was to get away from physical geography,” Steven Johnson, a 40-year-old Brooklynite and the author of several tech-related books, said as he sat in the Dumbo loft that serves as the office to Outside.in, a Web site he helped to found two years ago. “The dream was that everybody would be able to telecommute from Wyoming.”
Yet, the Internet has also had the opposite effect by helping to connect people more closely to their physical and political surroundings. And for New Yorkers, whose surroundings are more complex than most, this effect can be particularly powerful, enabling them to take on the long-anonymous, too-big-to-fight city.
There's also an acknowledgement of the gentrification wars that seem to flare up on every neighborhood blog (whose side are
you on?!?) -- but this is a good way to think about how a local bookstore can be a part of their online neighborhood as well as their physical one.
* Sometimes, it takes a Nobel-prize winning author to stem the spread of panic and illogic in a publishing corporation. Thanks to a letter from Gunter Grass, Umberto Eco, Amos Oz, Wislawa Szymborska, Jose Saramago and others, beloved and competent editor Drenka Willen
has been re-hired at Houghton Mifflin Harcourt, after being fired last month. Score one for literature over the suits. (Thanks to
Levi for
the link.)
* I'm still thinking about the question inherent in Jason Lutes'
Berlin graphic novels about how and whether artists and writers should be engaged with politics. Pankaj Mishra
has one answer: if writers are there in the shit and they write about it, listen to them. Arundhati Roy and David Grossman are certainly examples of writers whose political ideas and expressions we would be mistaken to ignore.
* The good news about the following kerfuffle is that the backlash happened so fast. To quote Sarah Retger at the ABA Omnibus:
Harvard Business School professor Anita Elberse wrote a stunningly dumb article for the WSJ in which she argued that the only way for publishers to survive is by throwing lots of advance money at projects they hope will be bestsellers. Happily, people more eloquent than me have done the necessary debunking, criticizing, and introducing of logic.
My own two cents: there's nothing wrong with hoping for a blockbuster. But shelling out multi-million dollar advances (at the expense of publicity efforts for the rest of the list) ain't gonna get you one. One of the strengths of books as a medium is that they're viable on such a small scale; we're lucky for the books with print runs of 500 as well as those with 50,000, and it would be great to see publishers begin to think critically about how to work those strengths for a diverse, vibrant, long-lived list.
* Ooh, here's a nice one: the National Endowment for the Arts survey, usually a staple of doom and gloom about the state of American literacy, this year shows
a substantial increase in the numbers and percentages of readers. I have yet to read through the complete findings, and it will be interesting to hear theories on why the shift occurred, but it does strike a bright note.
* This kind of counts as good news:
I'll be speaking at the Brooklyn Business Library's PowerUp! awards ceremony on Wednesday night, in my capacity as past winner. An interesting opportunity to review the past year in the bookstore process. Free eats, also.
What have YOU got going on that's good?
Okay, I'm foregoing my usual link madness to get a little wonky this morning. Sarah Rettger at the ABA's Omnibus blog had a great link yesterday (what are you doing working Sunday, Sarah??) (Update: while Sarah noticed the link, it's Dan Cullen who deserves credit for posting on Sunday) that I think deserves some analysis and some action.
The link is to a site called Copyblogger, which has columns and advice about how to be a better blogger or online marketer. This particular column, "How to Change the World Using Social Media," seems especially timely after an exciting presidential election that used online media and social networking to make great things happen. It also has a lot to do with my optimism schtick around here, and I think it has the potential to be an inspiration to independent booksellers.
The key term here is social proof, which Wikipedia defines as "a psychological phenomenon that occurs in ambiguous social situations when people are unable to determine the appropriate mode of behavior. Making the assumption that surrounding people possess more knowledge about the situation, they will deem the behavior of others as appropriate or better informed."
Translation: people are likely to do what they think other people are doing.
There are some fascinating examples of this: the Werther effect, in which a rash of suicides followed Goethe's novel of a suicidal hero The Sorrows of Young Werther in the 1700s, or the fact that if there is only one person on the scene when another person needs help, they're more likely to do something than if there are several people around, in which case they'll wait to see what other people are going to do, which is likely nothing.
The most relevant example for us, though, goes like this:
A well-intended statistic states, "42% of college graduates never read a book again.” (Dan Poynter’s ParaPublishing)
What people hear is “I don’t enjoy reading, and I’m in a lot of good company.”
This is the negative aspect of social proof: as Copyblogger puts it "it motivates people to do the opposite of what you want because you’re trying to change behavior already
supported by social proof."
So, as Sarah wisely points out, "If you complain about how many books are sold through chains and online, it doesn't drive traffic to your store." In fact, it reinforces the message that "everyone" shops at chains and online, so if I do it, I'm just like everyone else.
Our first tendency as book people is probably to lament the herd mentality this represents; a lot of literature historically has been dedicated to individuals fighting against this sort of thing (remember the "Man vs. Society" segment in junior high English?) But in fairness, it's actually an effective evolutionary trait, that keeps us humans out of trouble for the most part, and gives us safety in numbers.
Our challenge is to be leaders of that herd, and to choose which way we want to steer. As my friend Susan and I say to each other, "You create the world you imagine." In terms of social proof, this may be literally true.
What if I tell you that
bookstore sales rose 5.4% in August, to $2.43 billion, while the rest of the retail sector was flat in August? (It's true, right from the U.S. Census.) Even while book sales overall increased by only 0.6 percent , bookstore sales were up significantly higher! You'd think everyone must be buying books from brick and mortar bookstores, and that must be a good bet, and maybe you'd manage to get yourself to a bookstore to start your holiday shopping. There are other statistics you could quote that wouldn't be nearly as encouraging. But why would you steer people toward the trends you don't want them to follow?
This is one of the reasons why things like the NEA's depressing reports on reading habits make me so agitated. I understand that their goal is to get more funding for reading programs so they have to paint a desperate picture. But I can't help thinking that all this does is reinforce people in thinking that not reading is normal and to be imitated.
One of the best examples given in Copyblogger of effective social proof marketing is the bumpersticker slogan "Don't Mess With Texas." It was an anti-littering campaign, but it appealed to the tough guy types who would put it on their pickups, and who were then reinforcing non-littering behavior with their peers. It didn't lament the state of the highways and beg people to stop doing what they're doing -- it gave the target audience a way to reinforce positive behaviors among themselves.
I'm in no way advocating for dishonesty, for painting a falsely rosy picture. But I think we as booksellers should realize that we're not doing ourselves any favors by focusing on the negative. In fact, we're contributing to everything we worry about by reinforcing it.
Instead, let's get creative with ways to lead the herd -- to give tools for reinforcing the behaviors we want. IndieBound, with its cool-kid signage and slogans and social networking, is a brilliant example. (The ABA has done a brilliant job of making the IndieBound campaign pro-indie, rather than anti-chain.) The IBNYC's mission, focusing on the rich bookstore culture that exists instead of the perception that New York's bookstores have disappeared, is another. And we do it in our newsletters, in our store blogs, in our conversations with customers. Let them know what's going right, how many new email signups you've had lately, how many in the audience at your last great event.
Let's not talk about what people shouldn't do. Let's talk about the good stuff that they're already doing. Then watch our best instincts kick in, and let the good news go viral.
What do you think? How do you use social proof in talking to your customers? How have you seen it work in the negative? What do you think are some ways we can use social proof to help the cause of independent and local bookstores?
I'm reading Francine Prose's wonderful novel Goldengrove, in which the main character's sister has died. She describes the recurrent sensation of remembering the terrible news over and over, after somehow forgetting.
The last couple of days feel like the opposite of that. I keep remembering something wonderful has happened. Zan at A Cup of Tea and a Wheat Penny describes the almost silly sensation of joy: " Oranges look oranger. Sweaters feel warmer. Rain? Who cares!"
I respect Barack Obama all the more for emphasizing from the very first moment that this only the very beginning of a very long, hard road. But it's good to bask in the glow of something good for a moment. There has been dancing in the streets! I feel like my Pollyanna-ish optimism is suddenly in fashion again.
There is much good writing and reflection about all this, and one of the best (and briefest) is the New York Times' poetry op-eds. My favorite is Joshua Mehigan's, which I've taken the liberty of pasting below. It reminds me of the homely belovedness of my own polling place, PS 282 in Brooklyn, and the simple/complicated goodness/absurdity of American democracy.
The Polling Place
Same place as four years ago. The people arrive
tired by daytime. Nighttime is ten after five.
The flag is lit, and the sculpture of who knows who.
Here’s the fire door, wedged open with Voting and You.
From inside, a floor-wax smell. Shy people come after.
I walk past them into bright light and social laughter.
This could be Bingo. It could be a twelve-step meeting.
It could be a bake sale. I could be home eating.
The bathroom is closed to all but volunteers.
Democracy is slow. It can take many years.
Somebody’s take-out cancels the floor-wax smell.
I could be eating and doing laundry as well.
Suppose the will of the people was as heavy
as our bag of laundry out in the back of the Chevy.
Measured on that scale the will of the person counts
a fraction of a fraction of an ounce,
and if that’s correct my will is not very strong.
Still, if the right one wins I was right all along.
The bathroom is closed to all but the volunteers.
Three tons of dirty laundry is made in four years.
Today my will is the weight of a grain of salt.
But then if the wrong one wins it’s not my fault.
Joshua MehiganAnd then one more poem, because Prose's novel has made me think of one of my favorite poets (the title and the sister's name are allusions to his poem "Spring and Fall: To A Young Child"), and because I feel like singing a hymn. Gerard Manly Hopkins' poem below is about loving complicated things, mixed blessings. We have a responsible and intelligent and progressive leader on his way to the White House -- but the world is still scary. McNally Jackson is doing okay -- but retail sales overall have slumped. Plans for
my bookstore are going forward -- but the ALP is experiencing a very frustrating job hunt. Here's a hymn to all that complication, and some of the most original language and rhythms in poetry. Enjoy, and I promise I'll come out of the afterglow and get some book news up next week.
Pied Beauty
Glory be to God for dappled things --
For skies of couple-colour as a brinded cow;
For rosemoles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted and pieced -- fold, fallow, and plough;
And all trades, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
Gerard Manly Hopkins
Note: At last weekend's meeting of the board of NAIBA (the regional booksellers's assocation of which I am an executive board member), secretary Eileen Dengler "comissioned" a piece for the upcoming NAIBA newsletter. This is something I've had on my mind lately, so it was a great motivation to write out my thoughts, and Eileen graciously agreed to let me cross-post it here. Your comments are most welcome.
Bookstores in Bad Times
At this particular moment, it’s a challenge to be an idealist and an optimist: two labels I’ve embraced as I’ve found my calling as an independent bookseller. Newspaper headlines, daily sales totals, and our own tightening belts tell us that things are tough, and getting tougher. As we head into the holiday season, where most of us make 40% of our yearly sales, it can seem logical to throw up our hands and wait for the apocalypse.
But booksellers are tough, and relish a challenge. And somehow I keep finding reasons to be optimistic.
For example: if our memories are long enough, we can remember that at least through August, US Census numbers (as reported in Shelf Awareness) showed that bookstore sales continued to rise month by month over last year’s numbers, even as retail sales overall were stagnant. That seems to suggest that bookstores may be more resilient than some other segments of the economy.
And economic hard times can actually be pretty good for purveyors of books. Sara Nelson of Publishers Weekly quoted Random House founder Bennett Cerf in her October 6 column: in his 1977 memoir, he asserted “The publishing business has always been rather stable. It doesn't soar when things are going crazy and people with a lot of money are spending it. . . By the same token, when everything goes to hell, books become one of the cheapest forms of pleasure.”
You’ve probably already heard the formulation “Books and Booze”: the two commodities that continue to sell when folks have little money to spend. The 15 or 25 dollars someone spends on a good book represents an investment in pleasure, entertainment, and escape that lasts a lot longer than a movie, and costs a lot less than an iPhone or a Blu-Ray player. (And if you’re selling wine or beer in your bookstore, you’re doubly insured.)
And we have the advantage of being on Main Street, not Wall Street. We’re not answerable to jittery stockholders who demand impossible quarterly growth; we are the ones we have invested in, and we’re in it for the long haul. I think more consumers are starting to understand the benefits of that. Now is the moment when the message of shopping locally to support your local economy is more resonant than ever. We have the marketing tools of IndieBound, as well as our own local first organizations and publicity efforts and personal relationships, to get that message across, and people are listening.
If we are heading into another depression – well, we’ve been here before. The publisher returns system was implemented during the Great Depression of the 1930s – so in a way, our industry has a safety valve built for just such an economic environment. As CEO Avin Domnitz of the American Booksellers Association reminded us in his open letter, now is the time to take advantage of that system, and make sure our inventory is serving us well.
Avin is a pragmatist, as are most booksellers, and I’m grateful to them for reminding me when it’s time to face hard facts. But to quote Avin himself, “Now is the time to look at your business carefully, to first identify trends, and, then, to find ways to enhance those that are positive and to soften those that are negative.”
To me, looking with all honesty at the reasons to be optimistic is one of the ways to enhance positive trends. While we work on controlling our inventory, payroll, and cash flow, we booksellers would all do well to remember the good stuff. It’s never a bad time to get inspired, to be hopeful, to remember what we have to offer, and what we have to rely on, even in tough times.
One of my fellow NAIBA board members passed along an article describing the economic downturn as an approaching storm. It’s scary, and it could get ugly.
But independent bookstores are a port in the storm. We sell a product that people can feel proud – and smart – to spend their money on. We create spaces that offer a welcome third place (and that doesn’t have a two-drink minimum). We offer human connection, and free conversation. We have “one of the cheapest forms of pleasure”, and one of the richest sources of community. We are what people are looking for.
So I’m still an optimist. And like all of us, I’m an idealist. We can and should be savvy business people (so we can keep doing what we’re doing), but we’re never going to make a massive fortune as independent booksellers, no matter how good or bad the economy gets. That's not why we do it. We do it because being an independent bookseller is one of the great good things one can do in the world. And our stores are islands of hope and perspective in scary times. We’ll be fine, because what we have to give is just what is needed now: Community. Ideas. Stories. Shelter from the storm.
For every story like this:
"A Thirsty Mind bookstore/wine bar in Lakeway, Texas -- an affluent suburb of Austin -- is closing March 28. The store was opened in November 2004, and co-owner Pam Headrick said that while Thirsty Mind broke even each month, it would've taken another year for the store to become profitable. "With the economy as bad as it is, we just didn't have the luxury to put more money into the business," she said....Headrick said that opening a combination bookstore and wine bar posed unique challenges....there were the ‘regulars.’ “Some customers would come in each afternoon for a drink,” said Headrick. “This meant that almost every afternoon I was hosting a party. There days you just don't feel like it.”
... there's a story like this (thanks to Shelf Awareness for the link):
"Come May — give or take a few weeks — Skylight Books will open a second space right next door in the 1934 building at the corner of Vermont and Melbourne avenues, promises general manager and co-owner Kerry Slattery....Unlike the development pressures facing Doug Dutton's store and the high-end retail rent at South Coast Plaza, Skylight has "a supportive landlord who is offering us the space for a fair rent," she says. "Ours is a walking neighborhood," she explains. "People are going to other shops and restaurants, the movies. I don't know that there are that many places like that any more around the Los Angeles area."
On the one hand, an unexpected clientele and general economic squeeze puts the kibosh on one bookstore; on another, a great location and supportive neighborhood mean another one is expanding.
And, despite gloomy economic forecasts, there's also this:
"Bookstore sales in January started off the new year nicely, rising 4.7% to $2.3 billion from $2.2 billion in January 2007, according to preliminary estimates from the U.S. Census Bureau. By comparison, total retail sales in January rose 3.9% to $343,938 billion."
Okay, it's not so fair and balanced -- I'm firmly partisan on the optimist side of the aisle. I think one day we might even get a majority. Congratulations, bookstores -- keep up the good work!
It's not even blogging day (but I was gone Monday at the NAIBA meeting), so here are a few quick make-up links.
According to Shelf Awareness, "Bookstore sales last December were $2.113 billion, up 2.7% from $2.057 billion in December 2006, according to preliminary estimates from the U.S. Census Bureau. The year ended on a good note, with sales at $16.768 billion, up 1.1% from $16.589 billion in 2006. During the first half of the year, sales were below the previous year's levels, but stronger results in the second half of 2007 helped pull bookstore sales into the black for the full year." Hooray!
And yours truly is beginning a series over at the Bookshop Blog, telling the story of this crazy dream of opening an indie bookstore. There's lots more going on at BB, so if you get bored with the story of my life there's plenty of links, advice, and personality to keep you there.
I'm off to a morning meeting, then I gotta do some grocery shopping for V-Day dinner with the ALP. If you're in the city and looking for something to do tonight, making books is a nice (free!) option. Insider tip: collage is one of our book decorating options, and I've repurposed a bunch of beautiful publisher catalogs to be snipped up for the purpose. Should be fun. Enjoy the day, however you spend it, and happy reading!
Can I rant for just a tiny minute?
I guess I must have been actually reading back posts of my favorite blogs, because I came across this one on the blog of Lance Fensterman, conference director extraordinaire (BEA *and* Comic Con -- that's right, baby!) and generally funny and observant guy. He's got a link to this story in the MinnPost about Birch Bark Books in Minneapolis, owned by well-to-do and respected author Louise Erdrich but apparently not doing terribly well financially. Here's the opener:
"Most writers believe in independent bookstores. But is a belief in past worlds enough to bring them back to life? The answer is yes, if author and store owner Louise Erdrich has anything to say about it.
The renowned author of "Love Medicine" and "Beet Queen" opened BirchBark Books in 2001, while independent booksellers everywhere were closing. The 800-square-foot shop, on a quiet street in Minneapolis' Kenwood neighborhood, is a proper book lover's hideaway, with reading spaces, a knowledgeable staff and a lovingly handpicked inventory.
Naturally, it has been losing money since the day it opened."
"Naturally," huh? Thankfully, several booksellers, including Erdrich, take the journalist to task for not only the tone of the article, but a number of factual errors and misquotes. The first commenter expresses my primary objection, and if you'll allow me to take off from there, here's my rant:
When a restaurant closes, it doesn't usually occur to anyone to say, "well, that's because people just don't go to restaurants to eat anymore," or "this just reflects the sad decline of the food industry, and we should all be better people and go out to eat more." More likely, their comments reflect on what might have caused the failure of this specific business: a less-than-prime location, poor business planning, sub-par service, unexciting food, or just bad luck. Yes, everyone knows that lots of restaurants close -- but lots also open. Success and failure happen on the individual business level, not on the industry level -- there's no shortage of restaurants, and many still provide wonderful experiences while remaining profitable ventures.
So
why, I ask you, is it that whenever a bookstore closes, it's because bookstores are a thing of the past, and no one buys books or read anymore, and those who do buy their books online, and if we were all better people we would support those quaint indie stores (whether or not they're doing a good job)? And why, when a new bookstore opens, is it seen as a wonderfully naive venture, suitable for Don Quixotes or those who have money to "prop up" such a business? And why, when a bookstore is successful and has been around for 3, 10, 30 years, is it always a surprising exception to an otherwise sad state of affairs?
I've been lucky enough to be the subject of a couple of interviews lately (I'll let you know when they run) because of my
PowerUp win, and I chortle secretly at the chance to "spread the gospel" to interviewers about this widespread misapprehension. One reporter asked me flat-out why I thought it was a good idea to open a bookstore in Brooklyn, when everyone knows independent bookstores are on the decline.
"Actually, that is incorrect," I said, and talked for a bit about the 115 new stores that opened last year and the 97 the year before that, about the drop in indie booktore numbers in the 1990s when chains and big box stores rose to prominence, but the rising numbers since then as new indie bookstore owners, savvy about the new realities of retail, open and prosper.
"Wow, I guess the 90s was when I stopped paying attention," said the admirably humble reporter.
It's a new world, and not in the way you often hear it. Click
here for a publisher talking about having his eyes opened by the resurgent indies at Winter Institute. Tom Hallock of Beacon Books writes:
"Like any good publisher I had come to Winter Institute to promote our books and authors. I came away in awe of the vision, values and commitment that are transforming this organization and its members. In finding their place in their local communities, they have also found their place in the world --and we are all the richer for it."And here are two booksellers who express my point even better. Karl Pohrt of eminent bookstore Shamen Drum
writes on his MySpace blog about witnessing a frustrating presentation about "the future of books":
"The speakers talk about their "fierce attachment" to the "lovely culture" of books, using words like "old" and "charming" and "enchanting". They talk about their "deep affinity for the physical book" and mention the smell and feel of books. They talk about the "bittersweet aspect" of what is about to happen.
Then the vocabulary switches and the beloved old uncle is hustled off stage. It is "inevitable" that the vast majority of reading will be done on digital devices. The speakers say things like "Kindle is really pretty cool" and "on-line social networks will have to substitute for the pleasure of bookstores" because we're going to have to "forget about bookstores, they're not going to be around." Instead of lamenting this loss, he tells us "we should focus on the positive side." Oh, maybe some small independent bookstores might still survive as gathering places for people who love the physical book.
The reason this bothers me is that if an audience takes the speaker too seriously, it will establish the boundaries for what people imagine is possible in their futures. I don't think this is such a good thing."
And on the
Rediscovered blog, Bruce has discovered and been inspired by Andy Laties'
Rebel Bookseller (one of my own inspirations), and he quotes his somewhat counterintuitive response to conventional wisdom:
"The point is, you can focus on the fact that your independant bookstore is doomed and then let this reality prevent you from launching the thing. Or you can focus on your doom and use this foreknowledge to help you plan for your business's reincarnation.
That's what the Buddhists call death energy. Every moment, you think about your possibly imminent death. This gives you the courage to take chances. After all, what's the point in fear or delay? You might not live ten more seconds" (p. 33)
As Karl concludes (in a quotation from a book of poems), "The world you have to live in is / The world that you have made." Not to get all
The Secret on you, but the way we think about things affects the way they are.
Some bookstores fail. Some bookstores succeed. But the indie bookstore business is not doomed, not at the moment. Restaurants still exist because people gotta eat, and they love eating well and in a beautiful place. And books are like food, aren't they? Hooray for the bookstores that feed us well.
I'd love to hear what you think -- your own stories of misperceptions, exceptions, or change. Do comment if you have the time.
By: Jessica Stockton,
on 1/28/2008
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Welcome home from Winter Institute, booksellers! From all I've heard already, this year in Louisville was just as invigorating a session as last year in Portland. Here's where you can find out more:
The lovely Lori Kauffman of Brookline Booksmith was live blogging from WI3 on her blog, Brookline Blogsmith; check it out for some impressions of Danny Meyer's opening presentation on hospitality vs. service, Gary Hirschberg's bit on saving the world while making a living, some bookseller/librarian conspiring, and Lori's pick of the galleys. And I suspect there's more to come -- the intensity of the programming can make it impossible to find time to blog, so sometimes it's all about the recap afterward.
Dan Cullen of the ABA was also live blogging on the ABA blog, Omnibus, and has posted exhaustive coverage of the whole thing, Thursday to Saturday, plus lots of pictures. Dan humbly admits the difficulty of finding time or a single perspective on a weekend that includes "24 educational sessions, 12 rep picks' sessions, 3 keynote addresses, an author reception... and a closing reception", but he also does a killer job of capturing a weekend of "flow", that state of concentrated bliss when you're working so well on the work you love that time doesn't seem to exist. (Here's one of my favorite pictures, of three of my Emerging Leaders Council cohorts: Susan Weiss, Sylla McClellan, and Sweet Pea Flaherty. I know Megan Sullivan was also there; can't wait to hear all about it, guys!)
And of course, today's Shelf Awareness has the first in a series of articles recapping the experience and lessons of WI3, written by John Mutter and Susan Weiss. Looking forward to vicariously absorbing those lessons through them.
(And yes, incidentally, there is a little bit about yours truly and my terrific Wednesday night in there too... thanks for the mention!)
Again, I'd love to get a bookseller or two to write here about Winter Institute: their overall experience, a specific session or topics, or even the people you met. Send me an email or leave a comment if you'd like to be a guest poster.
In the meantime, I was surprised and gratified to read an article in the New York Times this weekend that actually rebutted the "no one reads anymore" opinion -- in an article reviewing the Amazon Kindle. Apparently about two weeks ago Steve Jobs of Apple made an already infamous statement when asked about the Kindle and whether Apple would be looking to get into the e-reader business:
"�It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” he said. “Forty percent of the people in the U.S. read one book or less last year. The whole conception is flawed at the top because people don’t read anymore.”
In the Times piece, Randall Stross politely but thoroughly demolishes this absurdity, and ends with a challenge for those of us in what we now call "the book business". Here's the passage -- I'm curious to hear your thoughts.
To Mr. Jobs, this statistic dooms everyone in the book business to inevitable failure.
Only the business is not as ghostly as he suggests. In 2008, book publishing will bring in about $15 billion in revenue in the United States, according to the Book Industry Study Group, a trade association.
One can only wonder why, by the Study Group’s estimate, 408 million books will be bought this year if no one reads anymore?
A survey conducted in August 2007 by Ipsos Public Affairs for The Associated Press found that 27 percent of Americans had not read a book in the previous year. Not as bad as Mr. Jobs’s figure, but dismaying to be sure. Happily, however, the same share — 27 percent — read 15 or more books.
In fact, when we exclude Americans who had not read a single book in that year, the average number of books read was 20, raised by the 8 percent who read 51 books or more. In other words, a sizable minority does not read, but the overall distribution is balanced somewhat by those who read a lot.
If a piece of the book industry’s $15 billion seems too paltry for Mr. Jobs to bother with, he is forgetting that Apple reached its current size only recently. Last week, Apple reported that it posted revenue of $9.6 billion in the quarter that spanned October to December 2007, its best quarter ever, after $24 billion in revenue in the 2007 fiscal year, which ended in September.
But as recently as 2001, before the iPhone and the iPod, Apple was a niche computer company without a mass market hit. It was badly hurt by the 2001 recession and reported revenue of only $5.3 billion for the year. This is, by coincidence, almost exactly what Barnes & Noble reported in revenue for its 2007 fiscal year. In neither case did the company owners look at that number, decide to chain the doors permanently shut and call it quits.
Amazon does not release details about revenue for books, but books were its first business. And Andrew Herdener, a company spokesman, said that Amazon’s book sales “have increased every year since the company began.”
The book world has always had an invisible asset that makes up for what it lacks in outsize revenue and profits: the passionate attachment that its authors, editors and most frequent customers have to books themselves. Indeed, in this respect, avid book readers resemble avid Mac users.
The object we are accustomed to calling a book is undergoing a profound modification as it is stripped of its physical shell. Kindle’s long-term success is still unknown, but Amazon should be credited with imaginatively redefining its original product line, replacing the book business with the reading business.
For another smart (if slightly cranky) refutation of the "decline of reading civilization argument", I'd recommend
Ursula Le Guin's piece in Harper's Magazine -- it absorbed me for most of an evening I should have been doing more practical things at the bookstore, but I feel like I've got more arrows in the quiver for arguments about why things are not now worse than they have ever been. Looking forward to hearing what you think of it all!
Okay, I really intended to try to write up some book reviews today (it's been a long time, have you noticed?) -- but that may have to wait until next week, as time is of the essence as usual. But I can't resist pulling this data from today's Shelf Awareness:
Bookstore sales in November were $1.186 billion, up 7.5% from $1.103 billion in sales in November 2006, according to preliminary estimates from the U.S. Census Bureau. For the year to date, bookstore sales have been $14.654 billion, up 0.8% from $14.532 billion in the first 11 months of 2006. This marks the fifth month in a row that bookstore sales were up over the same period last year--and the second month in a row that year-to-date sales have topped last year's comparable figures.
Okay, it's a small increase, and a short-term trend. But it does seem to me to challenge the idea that things are just eternally spiraling downward for the book industry, and especially for bookstores. Note that "under Census Bureau definitions, bookstore sales are of new books and do not include "electronic home shopping, mail-order, or direct sale" or used book sales." So this is just brick and mortar stores, with sales this year better than the year before. Hooray!
Friday I'm in Poughkeepsie at BookStream (and keep an eye out for some cool announcements from there soon!) I'll be back with some book reviews on Monday. Happy reading!
I just want to say thanks to all of those who have responded -- in comments, in emails, on the phone, and in person -- to my rather sad end-of-the-year post, and who have said, in essence, Buck Up. Reading's not in decline... you've done so much already... a bookstore is worth waiting for... you'll do it someday... etc. You're all awesome.
Your enthusiasm and optimism, and your confidence in me, is like fuel to a fire. It's so good to have that encouragement -- better even than money. Aside from finally getting over a lingering stomachache I had over New Year's, your comments are the only thing to which I can attribute getting out of the blue funk I've been in. I'm excited again, and ready to roll up my sleeves.
I've just rediscovered an old favorite, Arts & Letters Daily, that great clearinghouse for the ideas being tossed about in the world, and I'm adding it to my Google homepage. Serendipitously enough, today there's a link to the British periodical New Statesman, and an article titled "Why life is good." I'd like to give it to you, as a gift, returning your own encouragement. It's only occasionally about the book stuff, but it is totally about the need for both optimism and working together. You can read the article for the supporting studies and statistics, but here are some excerpts for the jist:
People are not generally negative about their own lives... In contrast, we are unduly negative about the wider world. As a government adviser, I would bemoan what we in Whitehall called the perception gap. Time and again, opinion polls expose a dramatic disparity between what people say about their personal experiences and about the state of things in general.
While we apparently thrive in our own families of many shapes and forms, as social commentators we prefer to look back, misty-eyed, to the gendered certainties of our grandparents' generation.... What is true for families is true for neighbourhoods: we think ours is improving while community life is declining elsewhere. We tend to like the people we know from different ethnic backgrounds but are less sure about such people in general. We think our own prospects look OK but society is going to the dogs....
And yet. There is a different story to be told about our world. It is a story of unprecedented affluence in the developed world and fast-falling poverty levels in the developing world; of more people in more places enjoying more freedom than ever before.... When you read the next report bemoaning falling standards in our schools, remember the overwhelming evidence that average IQs have risen sharply over recent decades. If you think we have less power over our lives, think of the internet, of enhanced rights at work and in law, or remember how it was to be a woman or black or gay 30 years ago....
Self-actualisation is the peak of Maslow's hierarchy of needs. There is evidence that more of us are trying to climb that hierarchy. It is in the crowds at book festivals and art galleries, in ever more demanding consumerism with an emphasis on the personal, sensual and adventurous. We want to enjoy ourselves, to be appreciated and to feel we are growing from the experience....Today, there are signs of a yearning for new ways of working together. There is the growing interest in social and co-operative enterprise and the emergence of new forms of online collaboration... Despite the huge impersonal forces of the modern world, people are prepared not only to believe in a better future, but to work together to build it.
This is what we've got: in our indie bookstores, in our communities of readers. Ways of working together. The possibility of "self-actualization." An alternate story about the world. A good neighborhood. A better world.
(If you'd like more of that sort of thing, you might consider stopping by the bookstore to see Frances Moore Lappe on Monday night -- she's pretty compelling on that optimism and the working together stuff.)
Thanks, as always, for reading.
Just when I needed a bit of cheering up about the ol' "decline of reading" hobbyhorse, my friend Mark sent me this great bit of opinion from John McWhorter's column in the New York Sun:
America in 1907 read more than most of us. But did America of 1907 read smarter than us? Transported back to America in 1907, would we savor a book culture less dumbed down than ours? Well, let's take a look at the bestselling fiction of 1907. All 10 were potboilers unknown today. The top seller was "The Lady of the Decoration" by one Frances Little. Others on the list included the likes of "The Port of Missing Men" and "Half a Rogue."
Sounds a lot like the mass market portion of the New York Times Bestseller list, eh? At least in paperback fiction we've got Atonement and Water For Elephants (which started out on the BookSense bestseller list, a compilation of sales just from indie bookstores, that tends to be decidedly more "literary" than the Times list, though it's not without its potboilers), and Garcia Marquez's Love in the Time of Cholera, pretty hard to dispute as a literary novel.
So despite this article in Commentary criticizing Maud Newton for thinking about books like movies, maybe the movies (and TV, and iPods, and other technologies) haven't dumbed down our reading tastes so very much. Regular folks have always loved and still love adventure and romance and escapism. I just finished the amazing The Amazing Adventures of Kavalier & Clay (review forthcoming), which isn't escapism but is about a "long underwear" comic literally called The Escapist (and makes a case for its poignancy and cultural impact despite its schlockiness). And I've spent a lot of time lately reading Agatha Christie. But there's possibly more room for the smart stuff to succeed now than there's ever been.
I wouldn't have minded living in an era when all the men wore hats. But I think now is a pretty good time to live for the literature.
I've been feeling like a bit of a bad blogger lately. As my RSS feed clearly indicates, the blogosphere is filled with retrospectives, best-of lists, summaries of the year in reading, analyses of the state of literacy, bookstores, publishing, etc. in the year that's just ending. Last year I posted a list of all the books I'd read; this year I can't even do that, because I've lost track. (Resolution #1 for 2008: write down all books read, preferably on paper, so I can look back at them.)
While I find myself unable to offer a sweeping, overarching point on the year in books, I have been having, rather typically, some personal year-end sorts of thoughts – about where I (and things) have been, where we're going, why are we doing this again, etc.
(As Little Pete from Pete & Pete, the cult TV series of my youth, says in the New Year's Eve episode, "Everybody gets all wiggily on New Year's Eve thinking next year they're going to be better. But every year it turns out they're just a bunch of feebs." His frustration, if I recall, stems from his thwarted resolution to save enough money to buy a rocket pack, with which he planned to fly around and solve all the problems of the world.)
It's a tough time to be a dreamer. The vague somedays of your imaginings have suddenly thudded into the solidity of another year in which your dream has yet to materialize. All your momentum seems, if temporarily, to have petered out, leaving you, a little winded, wondering if it's worth getting up the energy for another run at it.
(In the world of bookstores, this may have something to do with the extraordinary amounts of energy expended in the leadup to Christmas, and the attendant stress and exhaustion, which can leave one longing to just get off the world for a while and let things take care of themselves.)
I'm thinking, a little, of Larry Portzline. As I've thought about his precipitous abandonment of the project of Bookstore Tourism – largely because he was unable to get funding from indie bookstores and trade organizations to fund his awareness-raising nationwide bookstore tour – I've come to somewhat agree with many of those who commented on my post on the matter. That is, it perhaps would have made more sense to seek funding from those with money to spend on cultural projects (for example "tourist bureaus and the Main Street programs" as Barking Dog Books suggests, or even benevolent corporate publishers, or traditional grant initiatives), rather than from the indie bookstores themselves, notoriously strapped for cash and hesitant to take a financial risk – or rather, another risk, since the store itself is a very risky thing to begin.
However, I sympathize a great deal with Larry's frustration and sense of rejection. To have put so much (unpaid) time into what is largely a philanthropic enterprise, and then to receive insufficient concrete support from those whom the enterprise is designed to benefit – it's enough to make anyone throw up their hands and walk away.
It's hard not to see myself in parallel. My own dream, of opening a really great independent bookstore in Brooklyn, seems sometimes further away than ever. I had formed a tentative mental timeline of opening by fall of 2008, but that's been scrapped in light of the ongoing, obvious problem of lack of start-up capital. (For the record, even if I win the grand prize in the wonderful Brooklyn Public Library competition, it won't be nearly 25% of my projected startup costs, the rule of thumb for personal assets required to get a business loan.) I do sometimes get frustrated at the world: that there's so much money out there getting spent on silly or failure-bound projects, but no one has recognized the inescapable genius of my idea and offered to pony up cash, no strings attached. More often, I get frustrated at myself. Something must be wrong with me, that I haven't yet found an investor I can work with, that I haven't been able to save up enough seed money yet to even ask for a loan, that I still have work to do on the business plan, that I'm spending my energy on so many other things rather than the one dream, that other people have managed to open bookstores and I haven't. Maybe I don't really want this enough; maybe it's just a prop to keep my pride intact while working in retail. Maybe I'll want it all my life, and never quite make it.
My last email from Larry was full of anger and frustration. On the one hand, it seems like a good thing for him that he's taking the time to work on a novel in progress, spend time with his newlywed wife, focus on other things. But he sounded hopeless about indie bookstores, and about booksellers, and about the future. He sited the NEA study about the decline in reading, and asked me how I could be among those to discount its ominous findings.
The world is full of problems, ain't it? And there are plenty of people and organizations and statistics and task forces to tell us what they are. There are those whose role it is to tell us what our weaknesses are, so perhaps we can combat them. There are those whose role it is to gather up the range of opinions and find a consensus, or represent the views of the knowledgeable few. There are those whose role it is to challenge our convictions, so that we're forced to think about what we really know and believe.
Turns out, I've staked out a little role for myself too. In the world of books, I'm not as important or influential as many of the people I've quoted and interacted with this year: as John Mutter, the editor of Shelf Awareness; or Judith Rosen, journalist for Publishers Weekly; or Avin Domnitz, CEO of the American Booksellers Association; or Lance Fensterman, director of Book Expo America; or Johnny Temple, director of the Brooklyn Book Festival; or Russ Lawrence, president of the ABA; or Jeff Bezos, head of Amazon; or Len Riggio, head of Barnes & Noble; or the owners of big, wonderful independent bookstores, like Carla Cohen of Politics and Prose or Rick Simonson of Elliot Bay or Sarah McNally of McNally Robinson; not to mention the authors who give us our work to do, this year, every year, like Michael Chabon of Yiddish Policeman's Union or Geraldine Brooks of People of the Book or Michael Ondaatje of Divisadero or Edwidge Danticat of Brother, I'm Dying or Kate Christensen of The Great Man, or….
I'm grateful to be able to talk to and read about and talk about these folks. Their art and their work have made a world I want to be a part of. Which is why I've taken on my little role, of being one voice of optimism about books and bookstores. There are plenty of voices talking about what's wrong, and why we must change, or even why we won't change or can't change. I want to talk about the joy and the hope part of things: the good things that are, and the potential for more good things on the horizon. It's not the whole picture. It's just the part I've got covered. No matter my occasional despair, I can't help coming back to the good things that I know and believe, from business success stories to wonderful reads to great technological developments to communities and relationships. It's one of the only things I know worth doing.
I certainly can't fault Larry in his decision to move on to other things – it seems to be the right decision for him, and he's planted the seed of an idea that is already bearing fruit through others who have picked it up.
But for me, I can't quit yet. Give me a day or two to catch my breath, and I'll be at it again. I want that bookstore, because I want to build something good and solid in the world. In the meantime, I can't help celebrating all the good and solid things that have been built by others. It's what I did last year. It's what I'll do in the year to come.
Maybe this year, I'll get a rocket pack. Either way, I'm going to keep dreaming. Luckily, there are a lot of other folks with rocket packs to cheer on.
Thanks for reading.
Forgive the lack of blogging around here lately. If you're a retailer, or a moonlighter, or a newlywed, you'll understand.
I'm working on Christmas Eve at the bookstore this year for the first time ever. Somehow, in seven years of working in bookstores in New York, I've always managed to get out of it, because I was flying cross-country to see family. This year it's the ALP and I in the city, so I'm on Christmas Eve shift.
I can't tell you how much I'm looking forward to it.
Yesterday was nearly eight hours at the cash register, interspersed with running briskly with piles of books to restock in sections and tables. In the last hour and a half I started to droop a bit, but for the most part it was so fun. I've gotten some teasing for my incessant cheeriness, and for being the most "Christmassy" person anyone knows.
Apparently I'm a Christmas nerd as well as a book nerd.
I love looking forward to things. It's part of being an optimist. So Advent, the season of expectation, is my favorite. I'm looking forward to everything:
Today, Christmas shopping and a visit to old friends at Three Lives.
A few more days of chaotic, frenzied, joyful bookselling at McNally Robinson.
Sunday afternoon, talking with my mom and sisters in California, who will be celebrating their Christmas.
Christmas Eve, where we close the bookstore early when J.T. starts wandering the sales floor with a bottle of beer, to subtly give customers the idea that the holiday is beginning.
Christmas Eve service at our little Brooklyn church.
Christmas morning, and Christmas day with my adorable new husband.
Christmas night, joining friends in Harlem for a grown-up Christmas party.
And then a week of sweet nothing -- my first vacation since the wedding. Reading. Seeing movies (many made from books). Maybe even blogging.
What's not to love?
What are you looking forward to this holiday?

Johnny Hart, creator of the comic strip B.C., passed away on Saturday.
Click here to see the story from Johnny Hart's local newspaper in Binghamton, NY.
In a 1980 interview with Jud Hurd in Cartoonist PROfiles, Johnny said:
"...'cartoony' and 'simplicity' became very important words to me, and I extended them into every phase of what I do..."
And the result was some of the most beautiful linework ever to hit the comics pages. Johnny's work was simply amazing. His linework was sparce, but very expressive.
Simplicity has the illusion of looking easy. It's not. Try drawing a B.C. character with the expressiveness Johnny Hart could achieve with such few lines. It's not easy.
In the above story, Johnny's wife said he died at his drawing board.
There is something bittersweet about that.
Thanks for letting us know about some of your favorite sites. Carol's is great.
Have a great holiday,
Margo
http://margodill.com/blog/